Tagged: Professor
Richard Burton in Who’s Afraid of Virginia Woolf?
Vitals
Richard Burton as George, weary but witty history professor
New England, Fall 1965
Film: Who’s Afraid of Virginia Woolf?
Release Date: June 21, 1966
Director: Mike Nichols
Costume Designer: Irene Sharaff
WARNING! Spoilers ahead!
Background
Hollywood icons Elizabeth Taylor and Richard Burton were married (for the first of two times) sixty years ago today on March 15, 1964. The A-list couple starred in 11 films over the span of a decade, with arguably the most acclaimed being Who’s Afraid of Virginia Woolf?, adapted by Ernest Lehman from Edward Albee’s play of the same name and the directorial debut for then-comedian Mike Nichols. Continue reading
The Holdovers: Paul Giamatti’s Tan Corduroy Suit and Sweater Vest
Vitals
Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Winter 1970/1971
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
One of my favorite new releases in 2023 is The Holdovers, Alexander Payne’s comedy-drama centered around the skeleton staff chaperoning a group of boarding school students who aren’t going home for the holidays.
Set through the 1970 winter break, The Holdovers centers around the cranky classics professor Paul Hunham (Paul Giamatti), an odorous, lazy-eyed loner whose few friends among the Barton Academy staff include cafeteria manager Mary Lamb (Da’Vine Joy Randolph) and administrator Lydia Crane (Carrie Preston). After four of the five students are given the opportunity to leave Barton days before Christmas, Paul and the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—transform their mutual dislike into a surprising bond.
As many are returning to work and school this week after the holidays, let’s take a deeper look at Paul’s classic Ivy fashions that he wears to bookend the Barton Academy holiday break. Continue reading
The Gambler: James Caan’s Camel Jacket and Mustang
Vitals
James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
Background
Screen icon James Caan died one year ago today on July 6, 2022. Among a varied filmography from The Godfather (1972) and Thief (1981) to Misery (1990) and Elf (2003), the Bronx-born Caan specialized in roles that called for a “tough insouciance” as summarized in Ronald Bergan’s obituary for The Guardian.
The Gambler (1974) remains one of Caan’s most celebrated films, written by James Toback as a semi-autobiographical meditation on self-destruction, inspired by the gambling addiction that plagued him while he lectured at City College of New York. Fresh from his success as Sonny Corleone, Caan was drawn to the challenge of what would become one of his favorite of his own movies as “it’s not easy to make people care about a guy who steals from his mother to pay gambling debts.” Continue reading
Dracula A.D. 1972: Peter Cushing’s Vampire-Killing Suede
Vitals
Peter Cushing as Professor Lorrimer Van Helsing, occult researcher and descendant of the famous vampire hunter
London, Fall 1972… A.D. 1972, that is
Film: Dracula A.D. 1972
Release Date: September 28, 1972
Director: Alan Gibson
Wardrobe Supervisor: Rosemary Burrows
Background
Happy Halloween! Today’s post takes us back fifty years to 1972—A.D. 1972, to be exact—when Hammer Film Productions reunited Christopher Lee and Peter Cushing as the debonair vampire Count Dracula and his nemesis Van Helsing, respectively, for the first time since Dracula (1958), a.k.a. Horror of Dracula.
I was first made aware of Dracula A.D. 1972 by BAMF Style reader Alan, who had suggested Cushing’s wardrobe that remained timelessly tasteful despite the film’s setting at the dawn of the disco era. Continue reading
The Gambler: James Caan’s Houndstooth Cardigan
Vitals
James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
A meditation on self-destruction, The Gambler was based on James Toback’s semi-autobiographical script that was the first to be produced from the soon-to-be-prolific screenwriter. Toback had incorporated his own gambling addiction that plagued him while he lectured at City College of New York. Robert De Niro was an early contender for the leading role of Axel Freed, but director Karel Reisz opted to cast another Corleone: James Caan, who explained the challenge of the role that would reportedly be one of his favorites from own his filmography: “It’s not easy to make people care about a guy who steals from his mother to pay gambling debts.” Continue reading
Dracula A.D. 1972: Peter Cushing’s Striped Suit
Vitals
Peter Cushing as Professor Lorrimer Van Helsing, occult researcher and descendant of the famous vampire hunter
London, Fall 1972… A.D. 1972, that is
Film: Dracula A.D. 1972
Release Date: September 28, 1972
Director: Alan Gibson
Wardrobe Supervisor: Rosemary Burrows
Background
Just days away from Halloween, today’s post responds to a request received earlier this year from BAMF Style reader Alan, who suggested the “extremely cheesy and, at times, ridiculous” Hammer production Dracula A.D. 1972, starring horror maestros and real-life pals Christopher Lee and Peter Cushing reprising their usual roles as Count Dracula and Van Helsing, respectively.
Arabesque – Gregory Peck’s Brown Flannel Suit
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Gregory Peck as David Pollock, American hieroglyphics professor
London, June 1965
Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
Today marks the 103rd birthday of Eldred G. Peck, better known to the world as Gregory Peck after dropping his first name in pursuit of his now legendary acting career. Peck received five Academy Award nominations over the course of his career, finally winning the Best Actor statue for his performance in To Kill a Mockingbird.
Later in the decade, Peck starred opposite his friend Sophia Loren in Arabesque, Stanley Donen’s follow-up to Charade that—like its predecessor—blended elements of comedy, espionage, and romance into one Hitchcockian package, though even Donen had to admit that the film was more style than substance.
Arabesque – Gregory Peck’s Windowpane Sport Jacket
Vitals
Gregory Peck as David Pollock, American hieroglyphics professor
Oxford to London, Wednesday, June 16, 1965
Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
Three years after helming “the best Hitchcock movie that Hitchcock never made,” director Stanley Donen again returned to the romantic world of lighthearted espionage with Arabesque, based on Alex Gordon’s 1961 novel The Cypher. Like Charade before it, Donen brought two glamorous and popular stars together for a lighthearted and stylish spy story against a European backdrop.
Indiana Jones’ Tweed Jacket for Dinner
Vitals
Harrison Ford as Indiana Jones, adventurer and archaeology professor
India, Summer 1935
Film: Indiana Jones and the Temple of Doom
Release Date: May 23, 1984
Director: Steven Spielberg
Costume Designer: Anthony Powell
Background
A memorable scene in Indiana Jones and the Temple of Doom finds the titular archaeologist and his two newly introduced companions, Willie Scott (Kate Capshaw) and Short Round (Ke Huy Quan), invited to a banquet at Pankot Palace hosted by the young Majarajah Zalim Singh (Raj Singh). The trio doesn’t take warmly to the feast, which includes such delicacies as “snake surprise” and chilled monkey brains.
One of my favorite aspects of Indiana Jones and the Temple of Doom is the alternative costumes that Indy sports when not in his signature leather jacket and fedora. In addition to a Casablanca-inspired (but ’80s-executed) white dinner jacket at the film’s outset, Indy uses this dinner as an opportunity to dress up his usual bush shirt and “pinks” trousers by donning a tweed sport jacket and bow tie.
Indiana Jones’s Tweed “Raiders” Suit
Vitals
Harrison Ford as Indiana Jones, “professor of archeology, expert on the occult, and – how does one say it? – obtainer of rare antiquities”
New England, Fall 1936
Film: Raiders of the Lost Ark
Release Date: June 12, 1981
Director: Steven Spielberg
Costume Designer: Deborah Nadoolman
Background
Following the exciting opening scene in Raiders of the Lost Ark, the film transitions from a South American jungle to the genteel setting of the fictional Marshall College in Connecticut where Dr. Jones is introduced as a highly popular instructor of the college’s Archaeology 101 course. Continue reading