Category: Suit
Harvey Keitel’s Navy Chalkstripe Suit in Mean Streets
Vitals
Harvey Keitel as Charlie Cappa, conflicted Mafia associate
New York, Fall 1972
Film: Mean Streets
Release Date: October 14, 1973
Director: Martin Scorsese
Wardrobe Credit: Norman Salling
WARNING! Spoilers ahead!
Background
You don’t make up for your sins in the church. You do it in the streets. The rest is bullshit and you know it.
This month marks the 50th anniversary of Mean Streets, Martin Scorsese’s breakthrough film that premiered today in 1972 during the New York Film Festival, twelve days before it was widely released.
Though arguably the first of his movies to include many of his now-familiar themes and techniques, Mean Streets was actually Scorsese’s third film, following his debut Who’s That Knocking On My Door? (1967) and Boxcar Bertha (1972), the latter one of the low-budget Depression-era crime flicks produced by Roger Corman’s American International Pictures in the wake of the successful Bonnie and Clyde (1967).
Following John Cassavetes’ encouragement to “write what you know” and incorporate more of his own experiences onto the screen, Scorsese reintroduced himself to the world with the remarkable Mean Streets—essentially his own retelling of I Vitelloni (1953) set among the mobbed-up mooks in Little Italy—viewed through the same unapologetically gritty lens that Scorsese would return to three years later in Taxi Driver (1976).
Unlike the then-recent hit The Godfather (1972), Mean Streets focused not on the dons leading these crime families but rather the street-level hoods whose lives are defined by small-time scores, gambling debts, and long nights. Reuniting with Scorsese after appearing in his directorial debut, Harvey Keitel stars as Mean Streets‘ ostensible protagonist Charlie Cappa. Continue reading
Hawaii Five-O, Episode 1: Jack Lord’s Slate Suit
Vitals
Jack Lord and Steve McGarrett, Hawaii state police “Five-O” task force commander
Honolulu, Fall 1967
Series: Hawaii Five-O
Episode: “Cocoon” (Episode 1.01)
Air Date: September 20, 1968
Director: Paul Wendkos
Creator: Leonard Freeman
Costume Designer: Richard Egan
WARNING! Spoilers ahead!
Background
Book ’em, Danno! Today is the 55th anniversary of when the original Hawaii Five-O series premiered with the TV movie “Cocoon” on Friday, September 20, 1968. Conceptualized by creator Leonard Freeman, Hawaii Five-O set new records for TV longevity by lasting twelve seasons, all of which were almost entirely set and filmed in the Hawaiian islands.
The series centers around the Five-O Task Force, a fictional state police agency commanded by Detective Captain Steve McGarrett, who reports directly to the governor. Despite the pivotal role, McGarrett wasn’t cast until less than a week before filming began when Freeman called on Jack Lord. Continue reading
Warren Beatty’s White Suit in Reds
Vitals
Warren Beatty as John Silas “Jack” Reed, radical journalist and activist
Provincetown, Massachusetts, Summer 1916
Film: Reds
Release Date: December 4, 1981
Director: Warren Beatty
Costume Designer: Shirley Ann Russell
Background
Whether it’s because Labor Day is considered by some sartorial purists to be the last acceptable day for wearing summer whites or because the holiday originated to recognize the American labor movement, it feels appropriate for today’s post to explore Warren Beatty’s off-white summer suit as labor activist Jack Reed in his 1981 historical epic Reds.
Reds won three of the 12 Academy Awards for which it was nominated, including Beatty for Best Director, Maureen Stapleton for Best Supporting Actress, and Vittorio Storaro for Best Cinematography, though it had also been nominated for Best Picture and—of significant interest for this blog’s focus—Best Costume Design. Continue reading
The Day of the Jackal: Edward Fox’s Tan Herringbone Suit
Vitals
Edward Fox as “The Jackal”, mysterious professional assassin
Europe, Summer 1963
Film: The Day of the Jackal
Release Date: May 16, 1973
Director: Fred Zinnemann
Costume Design: Joan Bridge, Rosine Delamare, and Elizabeth Haffenden
Background
The Day of the Jackal culminated 60 years ago today on August 25, 1963 in Paris, commemorating the liberation of Paris from Nazi Germany during World War II. Frederick Forsyth’s excellent 1971 novel The Day of the Jackal was hardly two years old before it was adapted for the screen by screenwriter Kenneth Ross and director Fred Zinnemann, who reportedly wanted to make the film after reading Forsyth’s yet-unpublished manuscript all in one night.
Zinnemann didn’t want a recognizable major star to distract from the intrigue on screen, and—despite Universal Studios pushing for Jack Nicholson—cast Edward Fox as the eponymous “Jackal”, whose codename is determined in the book after he was “speaking of hunting” with his handlers. In addition to the film benefiting from faithfully following Forysth’s narrative and structure, a highlight is Fox’s performance as the enigmatic and oft-elegantly dressed assassin, whose demeanor can shift from affable to icily dangerous as needed. Continue reading
Al Pacino in Dog Day Afternoon
Vitals
Al Pacino as Sonny Wortzik, desperate Army veteran-turned-bank robber
Brooklyn, Summer 1972
Film: Dog Day Afternoon
Release Date: September 21, 1975
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
51 years ago yesterday on August 22, 1972, Brooklyn was abuzz with activity as John “Sonny” Wojtowicz and Salvatore “Sal” Naturile attempted to rob a Gravesend branch of the Chase Manhattan Bank. Having expected up to $200,000 to be delivered that morning, the two hapless heisters had their information wrong—the money had actually been removed from the branch that morning.
After their accomplice Robert “Bobby” Westenberg successfully got away, Sonny and Sal remained inside the bank with a fraction of the money they expected to steal and a handful of bank employees that they took hostage once they learned that the police had surrounded the bank… and what started as a dog day afternoon descended into 14 hours of chaos. Continue reading
Boardwalk Empire: Al Capone’s Ivory Suit in 1931
Vitals
Stephen Graham as Al Capone, infamous mob boss
Chicago, Spring 1931
Series: Boardwalk Empire
Episode: “Eldorado” (Episode 5.08)
Air Date: October 26, 2014
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Stephen Graham, whose memorable performance as Al Capone on Boardwalk Empire counts among the best cinematic depictions of the real-life Chicago crime lord, who was also been portrayed on screen by Robert De Niro, Ben Gazzara, Tom Hardy, Rod Steiger, Neville Brand, and—curiously, given Al’s stout physique—F. Murray Abraham and Jason Robards.
To the appropriately funereal tune of Vince Giordano and his Nighthawks Orchestra adapting Duke Ellington’s 1930 classic “Mood Indigo”, the Boardwalk Empire series finale spends one last moment with Graham’s Capone as he surrenders himself at a Chicago federal court to face trials for tax evasion and Volstead Act violations. Though the wily Capone had managed to evade consequences for building his criminal empire over the decade, the roaring ’20s are now over and Capone seems aware that it’s all over for him. Continue reading
The Newton Boys: Matthew McConaughey’s Gray Pinstripe Suit
Vitals
Matthew McConaughey as Willis Newton, good-natured Texas-born outlaw
Toronto, Summer 1923
Film: The Newton Boys
Release Date: March 27, 1998
Director: Richard Linklater
Costume Designer: Shelley Komarov
WARNING! Spoilers ahead!
Background
One hundred years ago today, the Newton Gang—a quartet of Texan brothers best known for their nighttime bank burglaries and the occasional train holdup—attempted a daring yet disastrous heist of pedestrian bank messengers in downtown Toronto. Though financially successful as it netted the gang around C$84,000, the July 24, 1923 robbery tarnished their reputation for nonviolence when a physical altercation resulted in Willis Newton wounding two messengers during his struggle to get away. Continue reading
Guy Pearce in Memento
Vitals
Guy Pearce as Leonard Shelby, vengeful insurance investigator with anterograde amnesia
Los Angeles, Summer 1999
Film: Memento
Release Date: September 5, 2000
Director: Christopher Nolan
Costume Designer: Cindy Evans
WARNING! Spoilers ahead!
Background
I have no short-term memory. I know who I am, I know all about myself, I just—since my injury, I can’t make new memories. Everything fades. If we talk for too long, I’ll forget how we started. The next time I see you, I’m not gonna remember this conversation.
Memento stars Guy Pearce as Leonard Shelby, a former insurance claims investigator out for revenge after an attack on his wife that left him with a rare form of short-term memory loss. Appropriate for today (July 17th) being National Tattoo Day, Leonard covers his body with tattoos to help him instantly recall his understanding of the facts of what happened and who he must target for revenge. Continue reading
Austin Butler as Elvis: Black Suit for a 4th of July Concert
Vitals
Austin Butler as Elvis Presley, country rock guitarist and singer
Memphis, Tennessee, July 4, 1956
Film: Elvis
Release Date: June 23, 2022
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Tailor: Gloria Bava
Background
It doesn’t get much more American than Elvis.
Austin Butler went all out in his performance as the King of Rock and Roll in Baz Lurhmann’s characteristically flamboyant biopic, released last summer. Butler’s performance received particular praise—including endorsements from the Presley family—and Elvis would be nominated for eight Academy Awards, including Best Picture, Best Actor, and Best Costume Design.
Elvis follows Presley’s brief life from boyhood through the various levels of stardom, particularly through the lens of his complicated relationship with his domineering manager, Colonel Tom Parker (Tom Hanks). In the early years of his fame, Presley’s hip-swinging celebration of Black music is shown to so enrage the bigoted establishment that he’s being threatened with legal trouble.
The film presents his July 4, 1956 concert in Memphis as an opportunity for Presley to maintain the cleaned-up “New Elvis” image he had introduced three days early while performing “Hound Dog” on The Steve Allen Show three days earlier, stuffed into a white tie and tails as he crooned to an actual basset hound. Instead, having rediscovered the meaning behind his music among the blues joints on Beale Street, Elvis delivers a sweltering performance of “Trouble”—and lands himself right in it, arrested by the Memphis vice squad when he soundly disobeys being told to not “so much as wiggle a finger.” To avoid prosecution, Colonel Tom devises a plan for Elvis to swap out his blue suede shoes for spit-shined service derbies: “It’s either the Army or jail.”
Except that isn’t quite what really happened. Continue reading
Live and Let Die: Bond’s Beige Tropical Suit
Vitals
Roger Moore as James Bond, British secret agent
“San Monique” (actually Jamaica), Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle
Background
Released 50 years ago today, Live and Let Die officially began Roger Moore’s 12-year, seven-film tenure as James Bond. Eon Productions’ first attempt recast Sean Connery in the iconic role resulted in the excellent On Her Majesty’s Secret Service (1969), though some audiences—as well as George Lazenby himself—had trouble accepting the inexperienced Aussie as agent 007.
With credits like Maverick, The Saint, and The Persuaders! to his name, Roger Moore brought considerably more experience to the role when he was recruited after Connery’s brief return in Diamonds are Forever (1971). Continue reading