Gregory Peck as Tom Rath, hardworking business writer haunted by his war service
New York City and suburban Connecticut, Fall 1955
Film: The Man in the Gray Flannel Suit
Release Date: April 12, 1956
Director: Nunnally Johnson
Wardrobe Director: Charles Le Maire
WARNING! Spoilers ahead!
Born 105 years ago today on April 5, 1916, Gregory Peck enjoyed one of his most celebrated—and notably tailored—performances in The Man in the Gray Flannel Suit, Nunnally Johnson’s 1956 adaptation of the Sloan Wilson novel of the same name.
Steve Carell as Michael Scott, paper sales regional manager
Scranton, Pennsylvania, March 2006
Series: The Office
Episode: “Michael’s Birthday” (Episode 2.19)
Air Date: March 30, 2006
Director: Ken Whittingham
Creator: Greg Daniels
Costume Designer: Carey Bennett
WARNING! Spoilers ahead!
Today is my b-day and people around here just go crazy for it, I don’t know why. Oh, fun fact: I share my birthday with Eva Longoria. So I’ve a perfect icebreaker if I ever meet Teri Hatcher.
Before Andy Bernard brought his Brooks Brothers-informed sense of style to Dunder Mifflin Scranton, regional manager Michael Scott probably thought himself the branch’s snappiest dresser and particularly chose his 41st birthday as the time to exhibit that. Continue reading
Humphrey Bogart as “Duke” Mantee, violent desperado and “the last great apostle of rugged individualism”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
This is Duke Mantee, the world-famous killer, and he’s hungry…
Indeed, Humphrey Bogart was hungry. The 36-year-old actor had spent more than a dozen years honing his craft on the stage and had spent the last five going nowhere as a $750-a-week bit player for the Fox Film Corporation.
It wasn’t until a decade after his debut that Hollywood would start opening the front door for the New York-born actor, starring in Raoul Walsh’s crime flick High Sierra as a tough bank robber clearly modeled after real-life outlaw John Dillinger. It’s only fitting that this character be Bogie’s shot at the big time that he should have earned years earlier as yet another Dillinger surrogate, Duke Mantee.
Gene Barry as Dr. Ray Flemming, smarmy psychiatrist
Los Angeles, Spring 1967
Film: Prescription: Murder
Original Air Date: February 20, 1968
Director: Richard Irving
Costume Designer: Burton Miller
This week in 1968, TV audiences were introduced to an unassuming yet indefatigable homicide detective in a wrinkled raincoat whose humble mannerisms and appearance belied an uncanny ability to bring murderers to justice. Oh, and just one more thing… that detective was named Columbo.
Peter Falk wasn’t the first to play the detective, nor was he even the first choice when Richard Levinson and William Link’s stage play was adapted for TV as Prescription: Murder, the first episode of what would become the long-running series Columbo. Bert Freed had originated the role in a 1960 episode of The Chevy Mystery Show, to be followed by Thomas Mitchell when Levinson and Link debuted the play Prescription: Murder two years later in San Francisco.
Prescription: Murder establishes many trademark elements of Columbo, including the delayed introduction of the shrewd but shabbily dressed lieutenant himself until after we watch the murderer of the week commit his—or her—crime.
Gene Barry set a standard in Prescription: Murder that the killers foiled by Columbo would follow for decades to come: arrogant, well-dressed, and clever enough to pull together a murder scheme that keeps them above suspicion… from all but Lieutenant Columbo, of course. Continue reading
Christopher Plummer as Harlan Thrombey, mystery novelist and wealthy patriarch
Massachusetts, November 2018
Film: Knives Out
Release Date: November 27, 2019
Director: Rian Johnson
Costume Designer: Jenny Eagan
The great Canadian actor Christopher Plummer died a week ago today at the age of 91 after three quarters of a century honing his craft across stage and screen from Shakespeare to The Sound of Music.
In his penultimate screen credit, Knives Out, Plummer starred as Harlan Thrombey, a charismatic writer who built his fortune through writing mystery novels and, on his 85th birthday, resolves to finally set his free-loading family free. Continue reading
Fabian Forte as Charles “Pretty Boy” Floyd, Depression-era bank robber
Kansas City, Spring 1930 and 1931
Film: A Bullet for Pretty Boy
Release Date: June 1970
Director: Larry Buchanan (and Maury Dexter, uncredited)
Wardrobe Credit: Ron Scott
After Warner Brothers’ success with Bonnie and Clyde in 1967, American International Pictures (AIP) leapt at the chance to capitalize on the emerging trend of Depression-era crime movies using their own brand of inexpensive, exploitative filmmaking. This wasn’t AIP’s first rodeo in the realm of ’30s public enemies, having earlier produced The Bonnie Parker Story and Machine Gun Kelly, both released in May 1958. Their B-movie output in the decade that followed Bonnie and Clyde ranged from fictional stories like Boxcar Bertha (1972) directed by Martin Scorsese to those loosely based on actual criminals like Bloody Mama (1970) starring Shelley Winters as a caricature of “Ma” Barker (alongside a young Robert De Niro as one of her sons) to Dillinger (1973).
Even before that arguably most famous ’30s bank robber would be played by a grizzled Warren Oates, former teen idol Fabian got a shot to rebrand his image by playing Charles “Pretty Boy” Floyd, the outlaw whose moniker alone lent itself to suit the fresh-faced Mr. Forte.
The real Charles Arthur Floyd was born 117 years ago on February 3, 1904, in Adairsville, Georgia, though his family moved to Oklahoma when Floyd was seven, and it was the Cookson Hills that he would consider home for the 30 years of his life.
A fellow Aquarius, Forte was born only three days (and 39 years) later on February 6, 1943, making him 26—the same age as Floyd was for his first bank robbery—when A Bullet for Pretty Boy was filmed from June to October 1969. A Bullet for Pretty Boy loosely follows the facts of Floyd’s life, albeit exaggerated and certainly simplified for the sake of AIP’s low-budget, short-runtime formula for success that would thrill teens at the drive-ins just before these audiences found the real thrills in their own back seats later that night. Continue reading
Leslie Odom Jr. as Sam Cooke, “King of Soul”
Miami, February 25, 1964
Film: One Night in Miami
Release Date: December 25, 2020
Director: Regina King
Costume Designer: Francine Jamison-Tanchuck
Soul legend Sam Cooke was born 90 years ago today, on January 22, 1931. Although Cooke died young, shot at a Beverly Hills motel just over a month before his 34th birthday, his smooth voice endures as the pioneering “King of Soul” who not only wrote and recorded scores of classic hits but also supported, produced, and influenced some of the most talented musicians of the day.
A week ago today, One Night in Miami was released to stream on Amazon Prime Video, adapted by Kemp Powers from his own one-act play. The night in question is February 25, 1964, the night that Cassius Clay won the world heavyweight boxing championship in a surprise victory over Sonny Liston. Powers brings Clay together to celebrate his victory with Cooke, Malcolm X, and Jim Brown on a night that proves to be pivotal for all four icons. Continue reading
Humphrey Bogart as Roy “Mad Dog” Earle, professional armed robber on parole
Sierra Nevada Mountains, California, Spring 1940
Film: High Sierra
Release Date: January 21, 1941
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Tomorrow marks the 80th anniversary of the release of High Sierra, arguably the movie that launched Humphrey Bogart from a Warner Bros. background player in the ’30s to superstardom in the ’40s. A violent criminal with an earnest streak, Roy Earle was the ideal role for Bogie to transition from the secondary sniveling bastard in movies like The Petrified Forest and The Roaring Twenties to the tilted-hat heroes we love in The Maltese Falcon, Casablanca, and more.
Spencer Tracy as John J. Macreedy, one-armed war veteran
Black Rock, California, Fall 1945
Film: Bad Day at Black Rock
Release Date: January 7, 1955
Director: John Sturges
WARNING! Spoilers ahead!
Bad Day at Black Rock may have been one of the most requested movies I’ve been asked to write about, so when I saw that the Criterion Channel had added it to their streaming collection in December, I wasted no time in finally watching this swift and spectacular thriller that had been recommended by so many of you.
Based on Howard Breslin’s short story “Bad Time at Honda”, the account begins in the sprawling desert of eastern California, specifically the isolated berg of Black Rock, where no train has stopped in four years—the duration of American participation in World War II—until this particular day in late 1945, when the one-armed John J. Macreedy (Spencer Tracy) requests a stop.
Conductor: Man, they look woebegone and far away.
Macreedy: Oh, I’ll only be here 24 hours.
Conductor: In a place like this, it could be a lifetime.
Nicolas Cage as Rick Santoro, flashy homicide detective and compulsive gambler
Atlantic City, September 1998
Film: Snake Eyes
Release Date: August 7, 1998
Director: Brian De Palma
Costume Designer: Odette Gadoury
Folks, today is Nicolas Cage’s birthday so we’re going to celebrate in style by taking a look at the film that won Cage the esteemed Blockbuster Entertainment Award in the category of Favorite Actor (Suspense).
Has anyone been asking to read about the threads Nic Cage wore in the 1998 box office bomb Snake Eyes? No. Is that going to stop me after the absolutely insane year that we’ve just had? Also no.