Tagged: Summer
Walk the Line: Johnny Cash in Rockabilly White and Black
Joaquin Phoenix as Johnny Cash in Walk the Line (2005)
Vitals
Joaquin Phoenix as Johnny Cash, rising country rock star
Texarkana, Texas, Summer 1955
Film: Walk the Line
Release Date: November 18, 2005
Director: James Mangold
Costume Designer: Arianne Phillips
Tailor: Pam Lisenby
Background
Eighty-nine years ago on February 26, 1932, J.R. Cash was born in Arkansas. His childhood was dominated by music, as there was little else to encourage the family enduring the hard years of the Depression made worse by a dangerous flood and the violent death of Jack, one of the seven Cash children. It was when he joined the military that the 18-year-old Cash expanded his first name as the Air Force wouldn’t allow just initials, though it wasn’t until cutting his first recording at Sun Records that he established the name that would become legendary: Johnny Cash. Continue reading
La grande bellezza (The Great Beauty): Jep’s Red Jacket
Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)
Vitals
Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist
Rome, Summer 2012
Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini
Background
Valentine’s Day is this Sunday, and whether you’re celebrating with a great beauty in your life or observing Singles Appreciation Day, you may want to have some eye-catching red ready to wear in the spirit of the season.
Clark Gable in The Misfits
Clark Gable as Gay Langland in The Misfits (1961)
Vitals
Clark Gable as Gay Langland, aging cowboy
Nevada desert, Summer 1960
Film: The Misfits
Release Date: February 1, 1961
Director: John Huston
Background
The Misfits was released sixty years ago today on what would have been star Clark Gable’s 60th birthday. As the actor died three months earlier in November 1960 (just days after filming wrapped), audiences strolling into the theater were already aware that it had been the screen icon’s swan song but were tragically unaware that it would be the last for Marilyn Monroe, who died in 1962 before she could complete production in Something’s Gotta Give.
As it turned out, none of the film’s leading trio would survive the decade as third-billed Montgomery Clift died at the age of 45 in July 1966.
Though not warmly received at the time of its release, The Misfits‘ reputation has benefited from contemporary reconsideration over the years as critics have come to appreciate this somewhat offbeat take on a group of lovable losers and no-account boozers, to pinch a phrase from Billy Joe Shaver. Continue reading
Magnum, P.I.: Cream V-Neck Cable-Knit Sweater
Tom Selleck as Thomas Magnum on Magnum, P.I. (Episode 1.14: “Adelaide”)
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Summer 1981
Series: Magnum, P.I.
Episodes:
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “The Ugliest Dog in Hawaii” (Episode 1.08, dir. Lawrence Doheny, aired 1/29/1981)
– “Adelaide” (Episode 1.14, dir. Lawrence Doheny, aired 3/19/1981)
– “Beauty Knows No Pain” (Episode 1.18, dir. Ray Austin, aired 4/16/1981)
– “Tropical Madness” (Episode 2.07, dir. Lawrence Doheny, aired 11/12/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
We all love Magnum, P.I., don’t we, folks? I’ll be transparent, I was hoping that I would have had enough of the series screencapped so that I could gift BAMF Style readers on the national observance of Selleck’s Birthday with a rundown of that iconic red “jungle bird” shirt that, if I’m not mistaken, was the most frequently worn—and prominently featured—of Tom’s tropical-printed Aloha shirts.
Though armed with the entire series on Blu-ray, my digital rewatch was stalled in the middle of the third season (blame the untimely death of my computer-friendly Blu-ray player and Amazon Prime for removing the show last summer), but the good news is that Tom sported enough stylish looks by that point that I should have plenty of Magnum fodder on hand to tide us over until I’m able to complete the series. (The bad news? Still nothing for those fans of Magnum’s Pepsi bezel Rolex.)
I considered the half-measure of featuring his black-and-neon version of the “jungle bird” shirt, but—given that Selleck’s January 29 birthday falls during #SweaterWeather for many of us in the Northern Hemisphere—it felt like the right time to divert from those famous Aloha shirts and summer-weight polos to focus on Magnum’s more winter-friendly knitwear. Continue reading
Chadwick Boseman in Ma Rainey’s Black Bottom
Chadwick Boseman in Ma Rainey’s Black Bottom (2020). Photo by David Lee/Netflix.
Vitals
Chadwick Boseman as Levee Green, ambitious blues cornetist
Chicago, Summer 1927
Film: Ma Rainey’s Black Bottom
Release Date: November 25, 2020
Director: George C. Wolfe
Costume Designer: Ann Roth
Background
The late Chadwick Boseman was being named as an Oscar contender for his performance in Ma Rainey’s Black Bottom, based on the August Wilson play of the same name, even before it came out. We’re still two months away from the Academy Award nominations being announced, but Boseman has already received posthumous Best Actor wins from the Chicago Film Critics Association, Alliance of Women Film Journalists, and Music City Film Critics’ Association for what turned out to be his final screen role.
The praise is well-deserved as the actor delivered a powerhouse performance as the hotheaded horn-blower Levee Green, an ambitious (and fictional) member of a four-piece band backing Ma Rainey (Viola Davis), the Mother of the Blues herself. The North Side neighborhood in my hometown of Pittsburgh was transformed to resemble roaring ’20s Chicago when production came to the Steel City two summers ago; Ma Rainey’s Black Bottom is the only one of the ten plays in the Hill District-born Wilson’s “Century Cycle” not actually set in Pittsburgh.
Chadwick Boseman had been diagnosed with stage III colon cancer in 2016, never speaking publicly about his illness all the while delivering some of his most iconic performances in Marshall, Black Panther, and the two Avengers films to follow. Indeed, Boseman’s vigorous performance in Ma Rainey’s Black Bottom belies his health at the time, and his fellow cast members remained unaware of his ongoing treatment for the cancer that would progress to stage IV before it ended his life at the age of 42 on August 28, 2020. Continue reading
Nicolas Cage in Snake Eyes
Nicolas Cage as Rick Santoro in Snake Eyes (1998)
Vitals
Nicolas Cage as Rick Santoro, flashy homicide detective and compulsive gambler
Atlantic City, September 1998
Film: Snake Eyes
Release Date: August 7, 1998
Director: Brian De Palma
Costume Designer: Odette Gadoury
Background
Folks, today is Nicolas Cage’s birthday so we’re going to celebrate in style by taking a look at the film that won Cage the esteemed Blockbuster Entertainment Award in the category of Favorite Actor (Suspense).
Has anyone been asking to read about the threads Nic Cage wore in the 1998 box office bomb Snake Eyes? No. Is that going to stop me after the absolutely insane year that we’ve just had? Also no.
Apocalypse Now: Robert Duvall as Colonel Kilgore
Robert Duvall as Lieutenant Colonel Bill Kilgore in Apocalypse Now (1979)
Vitals
Robert Duvall as Lieutenant Colonel Bill Kilgore, U.S. Army Air Cavalry commander and surf fanatic
Vietnam, Summer 1969
Film: Apocalypse Now
Release Date: August 15, 1979
Director: Francis Ford Coppola
Costume Supervisor: Charles E. James
Costumers: Luster Bayless, Norman A. Burza, Dennis Fill, and George L. Little
Background
Happy 90th birthday, Robert Duvall! Today’s post looks at one of the most recognizable roles from the actor’s prolific career, his Academy Award-nominated performance as the gung-ho surf enthusiast Colonel Kilgore in Coppola’s war epic Apocalypse Now.
Loosely based on Joseph Conrad’s you-probably-had-to-read-it-in-high-school novella Heart of Darkness, Apocalypse Now needs little introduction, nor does Kilgore’s famous monologue celebrating the aromas of incendiary devices after commanding his 9th Cavalry squadron to attack a VC-held village to the tune of Wagner’s “Ride of the Valkyries”.
A Magnum, P.I. Christmas: The Burgundy Rugby Shirt
Tom Selleck as Thomas Magnum on Magnum, P.I. (Episode 1.18: “Beauty Knows No Pain”)
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Christmas 1980 to Summer 1981
Series: Magnum, P.I.
Episodes:
– “Thank Heaven for Little Girls and Big Ones Too” (Episode 1.04, dir. Bruce Seth Green, aired 12/25/1980)
– “Lest We Forget” (Episode 1.10, dir. Lawrence Doheny, aired 2/12/1981)
– “Beauty Knows No Pain” (Episode 1.18, dir. Ray Austin, aired 4/16/1981)
– “Dead Man’s Channel” (Episode 2.02, dir. Ray Austin, aired 10/15/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
In perhaps an early Christmas gift to the TV-watching world, Magnum, P.I. debuted on CBS forty years ago tonight on December 11, 1980, when the two-parter “Don’t Eat the Snow in Hawaii” introduced us to a charming, bewhiskered private investigator living the dream life on a Hawaiian estate with a sleek red Ferrari and a full closet of Aloha shirts at his disposal.
Four episodes in, Magnum, P.I. aired its first holiday-set episode when “Thank Heaven for Little Girls and Big Ones Too” aired on Christmas night, 1980. The series would revisit the holidays once more during the fourth season’s more festively titled “Operation: Silent Night”, though Magnum spends most of the episode clad in his drab tank top and bush shirt rather than the more colorful, creative outfit he wears while spending the holidays foiled by schoolteacher Linda Booton (Katherine Cannon) and her larcenous young wards.
Tom Selleck and Katherine Cannon in Magnum, P.I.‘s first season Christmas-set episode “Thank Heaven for Little Girls and Big Ones Too”.
With just two weeks to go to Christmas on this #AlohaFriday, I wanted to wish BAMF Style readers a happy holiday season by delving into a yuletide-themed episode from one of my favorite series!
The Graduate: Ben’s Beige Windbreaker and Alfa Romeo
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer to Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
WARNING! Spoilers ahead!
Background
Like Casablanca, Citizen Kane, Thelma & Louise, and The Sopranos, I felt like I had seen or heard about the famous ending of The Graduate in depth before actually seeing the movie itself. Given that the iconic movie is over 50 years old, I hope I wouldn’t invite too much ire by discussing its famous ending openly in discussing Benjamin Braddock’s style as he desperately races through southern California in the hopes of halting Elaine Robinson’s wedding to the dreaded Makeout King.
Having recently gotten engaged myself (yay!), it felt appropriate to end this installment of #CarWeek with the cherry red Alfa Romeo that factored so significantly in Benjamin’s life following his graduation, whether it it was on his burlesque-and-burgers date with the bright-eyed Elaine (Katharine Ross), furtive assignations with her mother (Anne Bancroft), or on his gas-guzzling dash to get him to the church on time scored by Simon & Garfunkel’s enduring folk banger “Mrs. Robinson”. Continue reading
The Postman Always Rings Twice: John Garfield’s Blanket Robe
John Garfield, understandably distracted by Lana Turner while filming The Postman Always Rings Twice (1946)
Vitals
John Garfield as Frank Chambers, restless drifter-turned-diner worker
Laguna Beach, California, Summer 1945
Film: The Postman Always Rings Twice
Release Date: May 2, 1946
Director: Tay Garnett
Costume Supervisor: Irene
Background
As #Noirvember continues, let’s step away from the trench coats and fedoras to see how our hardboiled anti-heroes dress for a day at the beach. An ode to deviance that originated from James M. Cain’s 1934 novel, The Postman Always Rings Twice was adapted twice by European filmmakers before Hollywood dared to tackle it during the golden age of noir in the 1940s.
The lascivious source material had presented a challenge for presenting the story in a way that would satisfy the draconian Motion Picture Production Code and, even before it was published, a synopsis of Cain’s story had been deemed “definitely unsuitable for motion picture production” by the pearl-clutching Hays Office. After the two European adaptations were released, MGM was finally ready to proceed with its own version, inspired by the success of Double Indemnity, another piece from Cain’s poison pen centered around adultery and murder. By this time, nearly a dozen years into the rigid enforcement years of the Production Code, American filmmakers had mastered the art of stylized shadows and suggestive innuendo that allowed—and often enhanced—these films noir set in lurid worlds filled with unscrupulous and unsavory elements.
“It was on a side road outside of Los Angeles,” Frank Chambers begins his story, as the down-on-his-luck hitchhiker stumbles into the Twin Oaks diner boasting a $1.25 “best in the world” chicken dinner. The simple sign, “Man wanted,” echoes both the restaurant’s staffing needs as well as the sensuous needs of Cora (Lana Turner), the ambitious young platinum blonde who runs the roadside lunch room with her proud yet oblivious husband Nick (Cecil Kellaway)… and, even if you haven’t read or seen it, you probably already see where this is going.