Tagged: Summer

Downhill Racer: Hometown Hero Redford’s Wrangler Denim and ’57 Chevy

Robert Redford as David Chappellet in Downhill Racer (1969)

Robert Redford as David Chappellet in Downhill Racer (1969)

Vitals

Robert Redford as Dave Chappellet, U.S. Olympic ski team star

Idaho Springs, Colorado, Summer 1967

Film: Downhill Racer
Release Date: November 6, 1969
Director: Michael Ritchie
Costume Designer: Edith Head (uncredited!)
Wardrobe Credit: Cynthia May

Background

To coincide with the United States celebrating its 250th anniversary today, let’s launch this summer’s Car Week with an all-American star driving an all-American car while sporting all-American denim.

Robert Redford starred in three films released in 1969, arguably a breakthrough year for the late screen icon. His most notable would be the latter role in Butch Cassidy and the Sundance Kid, though the contemporary sports drama Downhill Racer gave the ambitious future producer/director a taste of production as he wielded some of his newfound influence to recruit both screenwriter James Salter and director Michael Ritchie after Roman Polanski left the project.

Without having read Oakley Hall’s source novel, Salter followed Polanski’s original vision of adapting the High Noon concept on the Olympic slopes; instead of a downed sheriff requiring a replacement, it’s the U.S. national ski team who needs a replacement for its lead skier after an accident. Call in Redford’s arrogant but talented David Chappellet, inspired by elements of real-life skiers Billy Kidd, Spider Sabich, and Buddy Werner. Continue reading

Cliff Robertson’s “Big Kahuna” Beach Style in Gidget

Cliff Robertson and Sandra Dee in Gidget (1959)

Vitals

Cliff Robertson as Burt “The Big Kahuna” Vail, beach bum and Korean War Veteran

Malibu, California, Summer 1959

Film: Gidget
Release Date: April 10, 1959
Director: Paul Wendkos

WARNING! Spoilers ahead!

Background

Now that it’s summer, let’s flash back to the beach party movie that started it all. Before Frankie and Annette and before we ever followed Elvis to Hawaii, there was Gidget.

Czech-born writer Frederick Kohner was inspired to pen a novel by his daughter Kathy, who was nicknamed “Gidget” (a portmanteau for “girl” and “midget”) while learning to surf on the beaches at Malibu. Gidget, the Little Girl with Big Ideas became a top seller after it was published in 1957, so Kohner sold the rights to Columbia Pictures—awarding five percent of the $5,000 sale to Kathy—where screenwriter Gabrielle Upton adapted it for the screen. With journeyman director Paul Wendkos at the helm, Gidget was shot in just 26 days through the early summer of 1958, primarily on location at Leo Carrillo State Park in Malibu.

Gidget was a breakthrough role for Sandra Dee in the titular starring role as 16-year-old Francine Lawrence, who doesn’t share her girlfriends’ interest in man-hunting and rather wants to spend her summer learning how to surf. She makes a splash at the local beaches, where the regular surfers adopt her as their mascot. The boys like “Moondoggie” (James Darren) all idolize the beach-dwelling “Big Kahuna” (Cliff Robertson), who describes himself simply:

I’m a surf bum! You know: ride the waves, eat, sleep—not a care in the world.

Continue reading

Kris Kristofferson’s Western Trucker Gear in Convoy

Kris Kristofferson as “Rubber Duck” in Convoy (1978)

Vitals

Kris Kristofferson as Martin “Rubber Duck” Penwald, maverick trucker

Arizona to New Mexico, Summer 1978

Film: Convoy
Release Date: June 28, 1978
Director: Sam Peckinpah
Costumers: Carol James & Kent James

WARNING! Spoilers ahead!

Background

Today would have been the 90th birthday of the late Kris Kristofferson, likely best known as a pioneering singer-songwriter in the 1970s “outlaw country” movement alongside friends and fellow “Highwaymen” Johnny Cash, Waylon Jennings, and Willie Nelson. After writing and recording hits like “Me and Bobby McGee” and “Sunday Mornin’ Comin’ Down”, Kristofferson embarked on an acting career that began with Dennis Hopper’s offbeat The Last Movie (1971), his titular starring role in Cisco Pike (1972), and his first collaborations with director Sam Peckinpah in Pat Garrett and Billy the Kid (1973) and a more limited role in Bring Me the Head of Alfredo Garcia (1974). Following Kristofferson’s string in more romantic roles, Peckinpah again tapped him to play an adventurous anti-hero as the trucker Martin “Rubber Duck” Penwald in Convoy (1978). Continue reading

The Rockford Files: Jim’s Beige Safari-style Fishing Jacket

James Garner as Jim Rockford in a promotional photo for The Rockford Files (1974-1980)

Vitals

James Garner as Jim Rockford, wisecracking private detective and ex-convict

Los Angeles to Las Vegas, Summer 1974

Series: The Rockford Files
Episodes:
– “Backlash of the Hunter” (Pilot episode, dir. Richard T. Heffron, aired 3/27/1974)
– “In Pursuit of Carol Thorne” (Episode 1.10, dir. Charles S. Dubin, aired 11/8/1974)
Creator: Roy Huggins & Stephen J. Cannell
Costume Designer: Charles Waldo

Background

Our first scene with James Garner’s titular Malibu-based private eye on The Rockford Files catches Jim Rockford after fishing with his father, Joseph “Rocky” Rockford (played by Robert Donley in the pilot, before he would be recast with Noah Beery Jr.). Rocky accompanies his son back to his trailer parked at Paradise Cove, where Jim’s lovely new prospective client Sara Butler (Lindsay Wagner) awaits him. Jim leads Sara into his “cheap, tax-deductible, earthquake-proof” office, where he introduces his now-iconic fee of:

$200 a day, plus expenses.

Writing a check (dated June 6, 1974, precisely dating the setting), Sara then hires Jim to look into his father’s under-investigated murder two months later. In the tradition of great detective fiction, the complexities of the case deepen while Rockford gets knocked around by a few heavies before knocking boots with the gorgeous femme fatale. A break in the case sends Jim and Sara speeding east across the Mojave Desert in his famous bronze Pontiac, resulting in a gunfight with Rockford’s unregistered cookie jar gat.

Since June 18th is annually recognized as National Go Fishing Day, let’s look at how Jim Rockford dressed for that day of fishing in his introductory scene. Continue reading

The Great Gatsby: Bruce Dern’s Polo Gear and Cardigan as Tom

Bruce Dern as Tom Buchanan in The Great Gatsby (1974)

Vitals

Bruce Dern as Tom Buchanan, hulking polo player

Long Island, New York, Early Summer 1925

Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren

WARNING! Spoilers ahead!

Background

The 1974 adaptation of F. Scott Fitzgerald’s landmark Jazz Age novel The Great Gatsby was my cinematic introduction to Bruce Dern, who celebrates his 90th birthday tomorrow! Born June 4, 1936 in Chicago, the actor’s birthday falls curiously close to the start of the action, when the irresponsible flapper Daisy Buchanan bemoans over dinner that “in two weeks, it’ll be the longest day of the year,” referring to the mid-June summer solstice. Continue reading

Robert Wagner’s Blue Tuxedo in The Towering Inferno

Robert Wagner and Susan Flannery in The Towering Inferno (1974)

Vitals

Robert Wagner as Dan Bigelow, horny public relations agent

San Francisco, Summer 1974

Film: The Towering Inferno
Release Date: December 14, 1974
Director: John Guillermin
Costume Designer: Paul Zastupnevich

WARNING! Spoilers ahead!

Background

I recently saw a tweet clowning on Robert Wagner’s ignominious death in The Towering Inferno that again got me thinking about the style in this char-studded—er- star-studded ’70s disaster epic.

@billyjarrettugh: “I’ll be back with the whole fire department” proceeds to run into a coffee table and immediately die

Continue reading

The Sopranos: Paulie Walnuts’ Mint Shirt at Sea

Tony Sirico as “Paulie Walnuts” on The Sopranos, Episode 6.15: “Remember When”

Vitals

Tony Sirico as “Paulie Walnuts” Gualtieri, mob captain and Army veteran

Miami Beach, Fall 2007

Series: The Sopranos
Episode: “Remember When” (Episode 6.15)
Air Date: April 22, 2007
Director: Phil Abraham
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

For some reason, TikTok users in 2021 decided that May 24 was National Rigatoni Day. Leave it to me to five years behind on the trends, but rigatoni is my favorite pasta so I may as well find this tenuous connection to again post about my favorite show—specifically the episode of The Sopranos where Paulie whips up some “rigatoni alla Paulie” or “rigatoni alla Tony, heh heh heh,” while silently—or not so silently—fretting about his fate. Continue reading

The Godfather: Moe Greene’s Golden Las Vegas Tailoring

Alex Rocco as Moe Greene in The Godfather (1972)

Vitals

Alex Rocco as Moe Greene, brash mob-connected casino operator

Las Vegas, Summer 1954

Film: The Godfather
Release Date: March 14, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone

WARNING! Spoilers ahead!

Background

Do you know who I am? I’m Moe Greene! I made my bones when you were going out with cheerleaders!

Despite his inflated opinion of himself and his importance to the city, Moe Greene actually had little to do with Las Vegas being founded 121 years ago tomorrow on May 15, 1905.

Portrayed by Alex Rocco in The Godfather, the fictional character Moe Greene was inspired by the real-life gangster Benjamin “Bugsy” Siegel, who was born nine months later on the last day of February 1906. Something of a celebrity gangster, Siegel’s profligate control over the fledgling Flamingo casino during its first months of operation convinced his Mafia Commission partners that he was likely responsible for skimming millions from the mob, resulting in Bugsy’s assassination.

Siegel was sitting in his girlfriend Virginia Hill’s Beverly Hills living room when he was peppered with .30-caliber rounds from an M1 Carbine, including one that launched his left eye several feet from his socket. This would be reflected in The Godfather when an anonymous hitman corners Greene during a massage and fatally shoots him through the eye—an execution method immortalized as “the Moe Greene special” during the first season of The Sopranos. Continue reading

Gary Cooper’s Patterned Sport Jacket and White Bucks in Bluebeard’s Eighth Wife

Gary Cooper photographed by William Richard Walling Jr. in 1937, dressed in the same costume he would wear in Bluebeard’s Eighth Wife (1938).

Vitals

Gary Cooper as Michael Brandon, millionaire industrialist

French Riviera, Summer 1937

Film: Bluebeard’s Eighth Wife
Release Date: March 23, 1938
Director: Ernst Lubitsch
Costume Designer: Travis Banton

WARNING! Spoilers ahead!

Background

Born 125 years ago today on May 7, 1901, Gary Cooper established a screen legacy through Oscar-winning performances in Sergeant York (1941) and High Noon (1952) in addition to being a well-regarded style icon throughout his career. The modern #menswear community frequently looks to Coop for inspiration, including the frequently shared portraits taken by William Richard Walling Jr., in 1937, dressed in the same uniquely patterned sport jacket, deco swirl tie, and rakish belt holding up pleated trousers that he wore as a costume in Ernst Lubitsch’s 1938 screwball comedy Bluebeard’s Eighth Wife. Continue reading

Bobbie Jo and the Outlaw: Marjoe Gortner’s Blue Cutoff Western Shirt

Marjoe Gortner and Lynda Carter in Bobbie Jo and the Outlaw (1976)

Vitals

Marjoe Gortner as Lyle Wheeler, wannabe outlaw

New Mexico, Summer 1975

Film: Bobbie Jo and the Outlaw
Release Date: April 28, 1976
Director: Mark L. Lester
Costume Designer: Cornelia McNamara

WARNING! Spoilers ahead!

Background

People typically cite two major reasons to watch the low-budget ’70s crime flick Bobbie Jo and the Outlaw… neither of which are Marjoe Gortner’s wardrobe. Is that going to stop me from writing about it for the film’s 50th anniversary? No, of course not.

Released in Los Angeles on April 28, 1976, this was also Lynda Carter’s big-screen debut, finally hitting screens nearly six months after she became an instant sensation when Wonder Woman premiered on ABC. Made with the same exploitative “guilty pleasure” watchability that defined so much of American Independent Pictures’ contemporary output, Bobbie Jo and the Outlaw is known to many for Carter’s sole (but frequent) nude screen appearance—often in varying states of undress playing the, uh, titular Bobbie Jo Baker, who abandons her dead-end job and alcoholic mother to join the charismatic car thief Lyle Wheeler on a crime spree through the southwest. Prior to his Rocky fame, Sylvester Stallone was producers’ first choice to play Lyle until ex-child preacher Marjoe Gortner was cast.

Yep, you read that right. Continue reading