Tagged: Summer
A Bronx Tale: Sonny’s Gray Silk Jacket
Vitals
Chazz Palminteri as Sonny LoSpecchio, local mob capo
The Bronx, New York, Fall 1960
Film: A Bronx Tale
Release Date: September 29, 1993
Director: Robert De Niro
Costume Designer: Rita Ryack
WARNING! Spoilers ahead!
Background
Thirty years ago this week, A Bronx Tale was released in theaters across the United States, two weeks after it premiered at the Toronto International Film Festival. This mobbed-up coming-of-age story was adapted from Chazz Palminteri’s autobiographical one-man show of the same name, recalling Palminteri’s own childhood experiences growing up in the Bronx during the 1960s. Continue reading
Asteroid City: Jason Schwartzman’s Safari Jacket
Vitals
Jason Schwartzman as Augie Steenbeck, widowed war photojournalist (portrayed in-universe by Jones Hall)
The Mojave Desert, Fall 1955
Film: Asteroid City
Release Date: June 16, 2023
Director: Wes Anderson
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
“Each year, we celebrate Asteroid Day, commemorating September 23, 3007 B.C., when the Arid Plains Meteorite made Earth impact,” General Grif Gibson (Jeffrey Wright) explains to the gathered crowd of Junior Stargazers and Space Cadets and their parents in Asteroid City, the latest from Wes Anderson—a colorful reflection of grief and loneliness in a delightfully surreal “cosmic wilderness”.
Vividly photographed in Anderson’s signature style, Asteroid City centers around a fictional play staged for live television in the 1950s, scored by a great early ’50s guitar soundtrack featuring contemporary hits by Les Paul & Mary Ford and cowboy singers like Slim Whitman and Tennessee Ernie Ford as well as Alexandre Desplat’s evocative original score. The play is set in a fictional town of 87, located approximately “halfway between Parched Gulf and Arid Plains” near a nuclear testing site in the California/Arizona/Nevada region, according to the opening lines of playwright Conrad Earp (Edward Norton).
The ostensible protagonist among our ensemble cast is the Augie Steenbeck (Jason Schwartzman), a jaded war photojournalist and—initially unbeknownst to his “brainiac” son Woodrow (Jake Ryan) and three younger daughters that he’s traveling with—a recent widow. “Let’s say she’s in Heaven… which doesn’t exist for me, of course, but you’re Episcopalian,” Augie reassures his children while grasping their mother’s ashes in a teal Tupperware bowl. Continue reading
Boogie Nights: Burt Reynolds’ Red Finale Safari Suit
Vitals
Burt Reynolds as Jack Horner, avuncular adult film director
San Fernando Valley, California, Summer 1984
Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
WARNING! Spoilers ahead!
Background
Although the film contains very little that I can personally relate to (other than, perhaps, margarita-fueled arguments about Star Wars), the end of Boogie Nights has always reminded me of the end of summer.
Set just before dusk on a June night in the San Fernando Valley, the finale is comprised of just two long shots: one following pornographer Jack Horner (Burt Reynolds) through the hallowed halls of his MCM dream house, and the movie’s iconic final shot that finally reveals Dirk Diggler’s much-discussed money maker to the audience. Continue reading
Peter Falk’s Tuxedo in Machine Gun McCain
Vitals
Peter Falk as Charlie Adamo, ambitious gangster
San Francisco and Las Vegas, Summer 1968
Film: Machine Gun McCain
(Italian title: Gli intoccabili)
Release Date: April 1, 1969
Director: Giuliano Montaldo
Costume Designer: Enrico Sabbatini
WARNING! Spoilers ahead!
Background
Born 96 years ago today on September 16, 1927, Peter Falk may be best remembered as the rumpled but indefatigable Lieutenant Columbo (to the extent that his September 16th is also observed as “Wrinkled Raincoat Day”), but Falk spending most of his screen time wearing a handsomely tailored tuxedo in the 1969 Italian crime film Machine Gun McCain illustrates how the Bronx-born actor could clean up well. (And yes, I do plan on writing about Falk’s iconic wardrobe in Columbo someday!)
Released in Italy as Gli intoccabili (translated to “The Untouchables”) and based on the Ovid Demaris novel Candyleg, Machine Gun McCain joins the subject of my prior post as a prime example of poliziottesco, an Italian crime subgenre that emerged during the nation’s violent “Years of Lead” era and typified by corruption, violence, cynicism… and American lead actors. In this case, Falk was joined by his pal and frequent collaborator John Cassavetes, who portrays the eponymous ex-bank robber opposite Falk as gangster Charlie Adamo. Continue reading
The Last of Sheila: James Coburn’s White Yachting Gear
Vitals
James Coburn as Clinton Greene, eccentric Hollywood producer
French Riviera, Late summer 1972
Film: The Last of Sheila
Release Date: June 14, 1973
Director: Herbert Ross
Costume Designer: Joel Schumacher
WARNING! Spoilers ahead!
Background
If you’re the sort of person who follows such sartorial conventions, Labor Day on Monday makes this the last weekend where it’s “acceptable” to wear white. Of course, there are many who take umbrage to being told what’s acceptable to wear and when—such as Clinton Greene, the flamboyant film producer at the center of The Last of Sheila‘s sun-bleached mystery. Clinton was played by James Coburn, the versatile Nebraska-born actor born 95 years ago today on August 31, 1928.
Recently widowed after his wife Sheila was killed during a mysterious hit-and-run accident near their Hollywood home, Clinton commemorates the one-year anniversary of Sheila’s death by inviting his six closest frenemies—most of whom had been present during the party at their home the night Sheila was killed—to spend a week playing high-stakes puzzles on his luxury yacht off the coast of southern France. Continue reading
The Day of the Jackal: Edward Fox’s Tan Herringbone Suit
Vitals
Edward Fox as “The Jackal”, mysterious professional assassin
Europe, Summer 1963
Film: The Day of the Jackal
Release Date: May 16, 1973
Director: Fred Zinnemann
Costume Design: Joan Bridge, Rosine Delamare, and Elizabeth Haffenden
Background
The Day of the Jackal culminated 60 years ago today on August 25, 1963 in Paris, commemorating the liberation of Paris from Nazi Germany during World War II. Frederick Forsyth’s excellent 1971 novel The Day of the Jackal was hardly two years old before it was adapted for the screen by screenwriter Kenneth Ross and director Fred Zinnemann, who reportedly wanted to make the film after reading Forsyth’s yet-unpublished manuscript all in one night.
Zinnemann didn’t want a recognizable major star to distract from the intrigue on screen, and—despite Universal Studios pushing for Jack Nicholson—cast Edward Fox as the eponymous “Jackal”, whose codename is determined in the book after he was “speaking of hunting” with his handlers. In addition to the film benefiting from faithfully following Forysth’s narrative and structure, a highlight is Fox’s performance as the enigmatic and oft-elegantly dressed assassin, whose demeanor can shift from affable to icily dangerous as needed. Continue reading
Al Pacino in Dog Day Afternoon
Vitals
Al Pacino as Sonny Wortzik, desperate Army veteran-turned-bank robber
Brooklyn, Summer 1972
Film: Dog Day Afternoon
Release Date: September 21, 1975
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
51 years ago yesterday on August 22, 1972, Brooklyn was abuzz with activity as John “Sonny” Wojtowicz and Salvatore “Sal” Naturile attempted to rob a Gravesend branch of the Chase Manhattan Bank. Having expected up to $200,000 to be delivered that morning, the two hapless heisters had their information wrong—the money had actually been removed from the branch that morning.
After their accomplice Robert “Bobby” Westenberg successfully got away, Sonny and Sal remained inside the bank with a fraction of the money they expected to steal and a handful of bank employees that they took hostage once they learned that the police had surrounded the bank… and what started as a dog day afternoon descended into 14 hours of chaos. Continue reading
Ron Howard in American Graffiti
Vitals
Ron Howard as Steve Bolander, conflicted high school graduate
Modesto, California, Summer 1962
Film: American Graffiti
Release Date: August 11, 1973
Director: George Lucas
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
“Where were you in ’62?” asked the promotional materials for American Graffiti, widely released 50 years ago today on August 11, 1973. George Lucas followed his directorial debut THX 1138 with a neon-lit nostalgic ode to his rock-scored youth cruising the streets of Modesto, California in the early 1960s.
The film centers around four recent high school graduates who meet in the parking lot of Mel’s Drive-In on the last night of summer vacation: even-keeled Curt Henderson (Richard Dreyfuss), confident drag-racer John Milner (Paul Le Mat), the fittingly nicknamed Terry “the Toad” Fields (Charles Martin Smith), and the aloof Steve Bolander (Ron Howard), who lends his stunning white ’58 Impala to Terry while he’s away at college.
It’s a moody night for Steve, battling with his decision to leave both Modesto and his relationship with Laurie (Cindy Williams), summing up the movie’s thesis when he observes “you just can’t stay seventeen forever.” Continue reading
Clark Griswold in National Lampoon’s Vacation

Chevy Chase with Anthony Michael Hall, Beverly D’Angelo, and Dana Barron in National Lampoon’s Vacation (1983)
Vitals
Chevy Chase as Clark W. Griswold, Jr., hapless family man
Chicago to Los Angeles, Summer 1982
Film: National Lampoon’s Vacation
Release Date: July 29, 1983
Director: Harold Ramis
Men’s Costumer: Robert Harris Jr.
WARNING! Spoilers ahead!
Background
Why aren’t we flying? Because getting there is half the fun, you know that!
Today is the 40th anniversary of the release National Lampoon’s Vacation, a comedy classic celebrating the great American tradition of the family summer road trip. Inspired by John Hughes’ short story “Vacation ’58” about a fictitious cross-country trip to Disneyland in a lemony station wagon that ends with our protagonist’s Dad shooting Walt Disney in the leg, Vacation introduced audiences to Clark W. Griswold, Jr., a well-intended family man who regularly goes disastrously above and beyond expectations to attempt to create memorable experiences for his family.
National Lampoon’s Vacation sends the Griswold family toward the fictional southern California destination of Walley World, a thinly veiled nomen à clef of Disneyland, though filmed at Six Flags Magic Mountain in Valenica. Clark packs his wife Ellen (Beverly D’Angelo) and their children Rusty (Anthony Michael Hall) and Audrey (Dana Barron) into a clunky conglomeration of American automotive excess for a nightmarish family vacation from the Windy City to Walley World that Clark eventually describes to Roy Walley (Eddie Bracken) as “two weeks of living hell.” Continue reading
Shadow of a Doubt: Uncle Charlie’s Navy Blazer
Vitals
Joseph Cotten as Charles Oakley, attentive uncle and enigmatic “Merry Widow Murderer”
Santa Rosa, California, Summer 1941
Film: Notorious
Release Date: January 12, 1943
Director: Alfred Hitchcock
Costume Design: Vera West
Background
A vintage pin I purchased at a thrift store several years ago commemorates July 26 as Uncle’s Day, a day I’ve discovered has been inclusively expanded to become Aunt and Uncle’s Day. As I chose to celebrate Mother’s Day last year with a post from Psycho, your Uncle BAMF again returns to the Master of Suspense’s oeuvre for today’s observance, specifically the mysterious “Uncle Charlie” in Alfred Hitchcock’s 1943 masterpiece Shadow of a Doubt.
Often cited by Hitch himself as a personal favorite of his filmography, Shadow of a Doubt was released 80 years ago in January, starring Teresa Wright and Joseph Cotten, the latter having recently made his screen debut across a trio of films directed by his pal Orson Welles: Citizen Kane, The Magnificent Ambersons, and Journey Into Fear. Continue reading