Category: What to Wear to the Office

Don Draper’s Taupe Plaid Sport Jacket

Jon Hamm as Don Draper on Mad Men (Episode 7.01: "Time Zones")

Jon Hamm as Don Draper on Mad Men (Episode 7.01: “Time Zones”)

Vitals

Jon Hamm as Don Draper, advertising creative director and whiskey aficionado

All around the United States, Summer 1968 through Summer 1969

Series: Mad Men
Episodes:
– “For Immediate Release” (Episode 6.06), dir. Jennifer Getzinger, aired 5/5/2013
– “The Better Half” (Episode 6.09), dir. Phil Abraham, aired 5/26/2013
– “Time Zones” (Episode 7.01), dir. Scott Hornbacher, aired 4/13/2014
– “The Strategy” (Episode 7.06), dir. Phil Abraham, aired 5/18/2014
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead! Continue reading

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Jimmy Stewart’s Blue-Gray Flannel Suit in Vertigo

James Stewart as John "Scottie" Ferguson in Vertigo (1958)

James Stewart as John “Scottie” Ferguson in Vertigo (1958)

Vitals

James Stewart as John “Scottie” Ferguson, former San Francisco detective

San Francisco, Fall 1957

Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

In the spirit of yesterday, March 12, being deemed Alfred Hitchcock Day, not to mention being one week away from the first day of spring in the Northern Hemisphere, even if the weather itself can’t make up its mind…

For those whose offices call for jackets and ties, dressing for work during these transitional weather periods can be a challenge, balancing professionalism with comfort in the context of an uncertain weather forecast. As San Francisco detective “Scottie” Ferguson in Vertigo, James Stewart provides a solution.

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Yesterday, Today and Tomorrow: Renzo and the Rolls

Marcello Mastroianni as Renzo with a 1963 Rolls-Royce in Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)

Marcello Mastroianni as Renzo with a 1963 Rolls-Royce in Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)

Vitals

Marcello Mastroianni as Renzo, Italian writer

Milan, Italy, October 1963

Film: Yesterday, Today and Tomorrow
(Italian title: Ieri, oggi, domani)
Release Date:
 December 19, 1963
Director: Vittorio De Sica
Costume Designer: Piero Tosi

Background

Car Week continues with a focus on a classic Italian comedy released 55 years ago this month.

After four movies together in the 1950s, Marcello Mastroianni and Sophia Loren reteamed in 1963 for Vittorio De Sica’s Yesterday, Today and Tomorrow – released in Italy as Ieri, oggi, domani – a stylish anthology about life and love. The film is split into three segments that each star Loren and Mastroianni as a different couple.

The second segment, “Anna”, is the shortest of the three and stars Loren as an industrialist’s glamorous wife – dressed to the nines in Christian Dior – as she is forced to choose between her husband’s Rolls-Royce and her unassuming lover Renzo (Mastroianni).

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Vertigo: Jimmy Stewart’s Brown Suit and White DeSoto

James Stewart as John "Scottie" Ferguson with his white DeSoto in Vertigo (1958)

James Stewart as John “Scottie” Ferguson with his white DeSoto in Vertigo (1958)

Vitals

James Stewart as John “Scottie” Ferguson, former San Francisco detective

San Francisco, Fall 1957

Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

Let’s kick off the winter edition of BAMF Style’s semi-annual (or is that bi-annual) Car Week where I take an additional look at what these well-dressed characters are driving.

Vertigo, Alfred Hitchcock’s noir-esque 1958 thriller and the last of his four collaborations with James Stewart, finds the actor behind the wheel of a white DeSoto coupe as he follows Kim Novak’s character around San Francisco from her Nob Hill apartment and the Podesta Baldocchi flower shop to Mission Dolores and their fateful meeting at Fort Point on the southern end of the Golden Gate Bridge. Continue reading

Don Draper’s Brown Striped Suit for Thanksgiving 1960

Jon Hamm as Don Draper in "The Wheel", Episode 1.13 of Mad Men.

Jon Hamm as Don Draper in “The Wheel”, Episode 1.13 of Mad Men.

Vitals

Jon Hamm as Don Draper, mysterious advertising creative director

New York City, Spring to Fall 1960

Series: Mad Men
Episodes:
– “Ladies Room” (Episode 1.02), dir. Alan Taylor, aired 7/26/2007
– “New Amsterdam” (Episode 1.04), dir. Tim Hunter, aired 8/9/2007
– “Shoot” (Episode 1.09), dir. Paul Feig, aired 9/13/2007
– “The Wheel” (Episode 1.13), dir. Matthew Weiner, aired 10/18/2007
Creator:
 Matthew Weiner
Costume Designer: Janie Bryant

Background

This particular suit makes sporadic appearances across the masterful debut season of Mad Men, AMC’s much-acclaimed drama set in the world of American advertising in the 1960s.

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From Russia With Love – Red Grant on the Orient Express

Robert Shaw as Donald "Red" Grant in From Russia With Love (1963)

Robert Shaw as Donald “Red” Grant in From Russia With Love (1963)

Vitals

Robert Shaw as Donald “Red” Grant, lethal SPECTRE assassin

The Orient Express, Spring 1963

Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards

Background

Two years ago on the 00-7th of October, I wrote about the gray wool suit that Sean Connery’s James Bond wore in From Russia With Love during his brutal fight with SPECTRE assassin Red Grant (Robert Shaw) aboard the Orient Express. Today’s post features Grant’s suit – also gray wool but in a heavier suiting mixed with brown yarns for a warm, fall-friendly outfit – in addition to the watch and weapons that are the tools of Grant’s unsavory trade. Continue reading

Michael Douglas’s Light Brown Cerruti Suit in Basic Instinct

Michael Douglas as Nick Curran in Basic Instinct (1992)

Michael Douglas as Nick Curran in Basic Instinct (1992)

Vitals

Michael Douglas as Nick Curran, suspended homicide detective

San Francisco, April 1991

Film: Basic Instinct
Release Date: March 20, 1992
Director: Paul Verhoeven
Costume Designer: Ellen Mirojnick

Background

The scene itself needs no introduction. Nick Curran (Michael Douglas) sits in a shadowy interrogation room full of detectives (including Newman!) with Hitchcockian ice-cold blonde Catherine Trammell (Sharon Stone) facing them. Continue reading