Tagged: Russell Crowe
L.A. Confidential: Bud White’s Brown Flannel on Bloody Christmas
Russell Crowe as Wendell “Bud” White in L.A. Confidential (1997)
Vitals
Russell Crowe as Wendell “Bud” White, tough yet justice-minded LAPD plainclothes officer
Los Angeles, Christmas Eve 1952
Film: L.A. Confidential
Release Date: September 19, 1997
Director: Curtis Hanson
Costume Designer: Ruth Myers
WARNING! Spoilers ahead!
Background
Celebrating its 25th anniversary this year, L.A. Confidential chronicles a faction of cops and crooks in the City of Angels through the early 1950s, with Brian Helgeland and Curtis Hanson’s Oscar-winning screenplay adapted from James Ellroy’s sprawling pulp novel of the same name. The movie begins on Christmas Eve 1952, based on a real-life episode known as “Bloody Christmas” when seven prisoners were abused while in LAPD custody on the morning of December 25, 1951, resulting in a wave of indictments, suspensions, and transfers of the more than four dozen officers involved.
“You’re like Santa Claus with that list, Bud… ‘cept everyone on it’s been naughty,” observes corrupt LAPD Sergeant Dick Stensland (Graham Beckel) of his crusading partner, Officer Wendell “Bud” White, who watches an abusive husband ruin his wife’s Christmas through gritted teeth. Continue reading
The Nice Guys: Russell Crowe’s Blue ’70s Leather Jacket
Russell Crowe as Jackson Healy in The Nice Guys (2016)
Vitals
Russell Crowe as Jackson Healy, unlicensed private detective
Los Angeles, Fall 1977
Film: The Nice Guys
Release Date: May 20, 2016
Director: Shane Black
Costume Designer: Kym Barrett
WARNING! Spoilers ahead!
Background
I was pleased to again join my friends Pete Brooker and Ken Stauffer on another episode of Pete’s podcast From Tailors With Love, this time discussing the fun ’70s style of Shane Black’s action comedy The Nice Guys.
For those unfamiliar, the “nice guys” in question are Russell Crowe and Ryan Gosling, bringing back Black’s signature buddy comedy style in a big way as competing private eyes Jackson Healy and Holland March, respectively.
The older and worldlier yet paunchier Jack is more an enforcer than investigator, balancing his limb-breaking toughness with at least some remaining scruples, particularly when compared to the younger and less experienced Holly, who’s not above taking a case agreeing to help an aging woman track down her “missing” husband… whose ashes rest in an urn just a few feet away from them.
Like Crowe’s star-making turn almost twenty years earlier, The Nice Guys’ conspiratorial heartbeat is driven by Kim Basinger’s role at the intersection of corruption and porn in the City of Angels forty years prior, but the villains’ overcomplicated scheme are certainly secondary to the comedic chemistry between Crowe and Gosling, whom I—and Crowe himself—would love to see re-team for a follow-up… and with a built-in sequel title like The Nicer Guys, what’s stopping them? Continue reading