Tagged: OCBD Shirt

Roscoe Lee Browne in Topaz

Roscoe Lee Browne as Philippe Dubois in Topaz

Roscoe Lee Browne as Philippe Dubois in Topaz (1969)

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Roscoe Lee Browne as Philippe Dubois, smooth-talking Martinican-American sleeper agent

New York City, Fall 1962

Film: Topaz
Release Date: December 19, 1969
Director: Alfred Hitchcock
Costume Designer: Edith Head

Background

Following last month’s look at a “hero costume” from Alfred Hitchcock’s 1942 thriller Saboteur, I want to continue exploring style from the lesser-known entries in the Master of Suspense’s oeuvre. Loosely based on the “Martel affair” and events leading up to the Cuban Missile Crisis, Topaz was Hitch’s final movie centered around espionage, though I consider it to lack much of the spark that fueled his earlier successes like North by Northwest.

The single exception in Topaz may be a brief scene made more memorable by the appearance of Martinican agent Philippe Dubois, portrayed by Roscoe Lee Browne, the multi-talented star of stage and screen born 100 years ago today on May 2, 1922. Continue reading

The Sopranos: Tony’s “Kevin Finnerty” Navy Blazer

James Gandolfini as Anthony Soprano on The Sopranos

James Gandolfini as Anthony Soprano on The Sopranos (Episode 6.03: “Mayham”)

Vitals

James Gandolfini as Anthony Soprano, precision optics salesman with an uncanny resemblance to heating systems merchant Kevin Finnerty

Costa Mesa, California, Spring 2006

Series: The Sopranos
Episodes:
– “Join the Club” (Episode 6.02, dir. David Nutter, aired 3/19/2006)
– “Mayham” (Episode 6.03, dir. Jack Bender, aired 3/26/2006)
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

Who am I? Where am I going?

Sixteen years ago this week, The Sopranos first aired what became one of my favorite arcs from TV, exploring the mysterious, mythical adventures of the unconscious Tony Soprano, reborn as a de-Jersey-fied defense optics salesman on a surreal business trip in Costa Mesa. Continue reading

Love Story: Ryan O’Neal’s Sheepskin Flight Jacket

Ryan O'Neal as Oliver Barrett IV in Love Story (1970)

Ryan O’Neal as Oliver Barrett IV in Love Story (1970)

Vitals

Ryan O’Neal as Oliver Barrett IV, newlywed Harvard graduate

Boston, Fall to Winter 1968

Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner

Background

If all goes to plan, I’ll be getting married exactly one year from today so it felt appropriate to revisit some of the fall-friendly fashions from one of the most famous—or infamous, if you’re so inclined—romance movies of all time, Love Story.

Ryan O’Neal and Ali MacGraw star as the Ivy League lovers Oliver and Jenny who, once she overcomes her distaste for his upper-class roots (drink every time she calls him “preppy”), defy his blue-blood father’s wishes and get married, beginning their humble lives together in a Boston apartment following his graduation.

Oliver remains defiantly bitter following his father’s rejection of Jenny, cutting off all contact. After receiving an invitation to his estranged father’s 60th birthday party, Oliver refuses to even respond with their regrets, resulting in his and Jenny’s first major argument. She runs from the apartment, sending Oliver on an increasingly desperate search from local shops to music classes, until he returns home that night to find her waiting on their stoop.

Regretting his behavior, Oliver offers his apologies, to which Jenny responds by hitting him with one of the most criticized lines in movie history:

Love means never having to say you’re sorry.

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Body Heat: William Hurt’s Lawyerly Seersucker

William Hurt as Ned Racine in Body Heat (1981)

William Hurt as Ned Racine in Body Heat (1981)

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William Hurt as Ned Racine, unscrupulous attorney

Palm Beach, Florida, Summer 1981

Film: Body Heat
Release Date: August 28, 1981
Director: Lawrence Kasdan
Costume Designer: Renié

WARNING! Spoilers ahead!

Background

I couldn’t let the hottest summer of my lifetime end without talking about Body Heat, especially as Lawrence Kasdan’s sweaty directorial debut will celebrate the 40th anniversary of its release in two days.

The term “neo-noir” has often been used—and, indeed, overused—to describe stylish, shadowy, and sexy crime dramas with elements recalling film noir’s golden era in the ’40s and ’50s, though Body Heat struck me as one of the prized handful of movies most deserving of the description, perfectly balancing the spirit of classic noir with contemporary cinematic expectations without falling too far in either direction. Continue reading

Risky Business: Tom Cruise in Donegal Tweed

Tom Cruise and Rebecca De Mornay in Risky Business (1983).

Tom Cruise and Rebecca De Mornay in Risky Business (1983). Photo by Steve Schapiro.

Vitals

Tom Cruise as Joel Goodson, ambitious high school student-turned-pimp

Chicago, Fall 1983

Film: Risky Business
Release Date: August 5, 1983
Director: Paul Brickman
Costume Designer: Robert De Mora

WARNING! Spoilers ahead!

Background

As we enter “Back to School” season, I want to look at one of the most famous cinematic intersections of style and scholastics, a dark coming-of-age comedy starring a young Tom Cruise as a high school student whose desire to compete in the modern materialistic marketplace leads to his engaging in some perilous pursuits… or Risky Business, if you will.

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After Hours: Paul’s Day-to-Night Beige Suit

Griffin Dunne as Paul Hackett in After Hours (1985)

Griffin Dunne as Paul Hackett in After Hours (1985)

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Griffin Dunne as Paul Hackett, mild-mannered data processor

New York City, Spring 1985

Film: After Hours
Release Date: September 13, 1985
Director: Martin Scorsese
Costume Designer: Rita Ryack

Background

Friday the 13th is traditionally a day for bad luck, so it’s appropriate that Martin Scorsese’s After Hours, centered around one New Yorker’s evening of arguably bad luck, was released on Friday the 13th in September 1985.

A surreal black comedy with elements of neo-noir, After Hours begins just before 5:00 for Paul Hackett, a data processor ostensibly living the yuppie dream with his secure job and Manhattan apartment… but the job sucks, his apartment’s cramped despite no one to share it with, and he has no social life outside of training new employees. In search of any human connectivity into his life, Paul takes his dog-eared copy of Henry Miller’s Tropic of Cancer to an all-night diner. Continue reading

Blow: Manhattan Beach, 1968

Johnny Depp as George Jung in Blow (2001)

Johnny Depp as George Jung in Blow (2001)

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Johnny Depp as George Jung, burgeoning pot dealer

Manhattan Beach, California, Summer 1968

Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges

Background

Blow presents the story of real-life drug smuggler George Jung (1942-2021), presented not unlike Goodfellas: beginning in media res at a crucial turning point in our anti-hero protagonist’s life, reaching back into his childhood, and then following his criminal career over the ’60s, ’70s, and ’80s until it descends into a cocaine-fueled nightmare of betrayals and bad hair, all set to a packed soundtrack of hits and deep cuts from the era.

After meeting the adolescent George, raised by an attentive Ray Liotta and a neglectful Rachel Griffiths, we skip ahead to young adulthood as a twentysomething George and his oversized pal Tuna (Ethan Suplee) as they relocate across the country from Massachusetts to Manhattan Beach:

I moved to California in the summer of 1968 with the Tuna. We had $300 and a black TR3. There sure was nothin’ like this back home. It was paradise… and everyone was getting stoned.

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Paul Newman’s 1967 Fishing Trip

Paul Newman, photographed by Mark Kauffman, 1967.

Paul Newman, photographed by Mark Kauffman, 1967.

Vitals

Paul Newman, acclaimed actor, activist, and Navy veteran

Florida Keys, Summer 1967

Photographs by Mark Kaufmann

Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.

Background

June 18 is annually celebrated as “National Go Fishing Day”, an observance encouraging Americans to take some time to take a break and cast a line.

Following his acclaimed performance in Cool Hand Luke, Paul Newman turned to the comfort of rod and reel on a friend’s fishing boat off the Florida Keys. The actor was in the midst of his directorial debut—directing his wife Joanne Woodward in Rachel, Rachel—but looks as stress-free as it gets as he stands top side with a beer in one hand and rod in the other.

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Goodbye, Columbus: Neil’s Date Night Seersucker

Richard Benjamin as Neil Klugman in Goodbye, Columbus (1969)

Richard Benjamin as Neil Klugman in Goodbye, Columbus (1969)

Vitals

Richard Benjamin as Neil Klugman, listless library employee and Army veteran

Westchester, New York, Summer 1968

Film: Goodbye, Columbus
Release Date: April 3, 1969
Director: Larry Peerce
Costume Designer: Gene Coffin

Background

In addition to today being the birthday of star Richard Benjamin—born on this day in 1938—today also marks three years since the death of Philip Roth, who died of congestive heart failure on May 22, 2018. Roth’s novella Goodbye, Columbus provided the source material for Ali MacGraw’s major screen debut acting opposite Benjamin.

Goodbye, Columbus has been favorably compared to The Graduate, inviting parallels with its similar-looking leads: a somewhat awkward, naive, and listless young man romancing a dark-haired “princess” against her parents’ wishes (though for a dramatically different reason than the Robinsons had), scored against the backdrop of a hip band from the late ’60s, in this case The Association as opposed to Simon & Garfunkel’s famous soundtrack for The Graduate.

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Psycho: Norman Bates in Corduroy

Anthony Perkins as Norman Bates in Psycho (1960)

Anthony Perkins as Norman Bates in Psycho (1960)

Vitals

Anthony Perkins as Norman Bates, mother-obsessed motel proprietor and amateur bird taxidermist

Fairvale, California, Fall 1959

Film: Psycho
Release Date: September 8, 1960
Director: Alfred Hitchcock
Costume Designer: Rita Riggs (uncredited)
Costume Supervisor: Helen Colvig

WARNING! Spoilers ahead!

Background

A boy’s best friend is his mother…

Alfred Hitchcock would probably find some dark humor in choosing Mother’s Day to focus on Psycho, the story of a young man’s complicated relationship with his mother.

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