Tagged: OCBD Shirt
Gregory Peck’s Herringbone Tweed Huntsman-Tailored Suit in Arabesque
Vitals
Gregory Peck as David Pollock, American hieroglyphics professor
London, June 1965
Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
The stylish espionage-themed romantic comedy thriller Arabesque was released sixty years ago tomorrow on May 5, 1966. Producer and director Stanley Donen had hoped to replicate Charade‘s success with Cary Grant in the lead, but the now-retired Grant wasn’t thrilled enough with the script to make this his return to the silver screen. Donen himself wasn’t impressed with the script either, adapted from Gordon Cotler’s 1961 novel The Cipher (published under his pseudonym Alex Gordon.)
With Gregory Peck and Sophia Loren contracted as the leads, the script was constantly being rewritten, but cinematographer recalled that “the more the script was rewritten, the worse it got,” and that Donen told him their “only hope was to make it so visually exciting the audience will never have time to work out what the hell is going on.” Continue reading
Ryan O’Neal’s Seersucker Suit in What’s Up, Doc?
Vitals
Ryan O’Neal as Dr. Howard Bannister, awkward musicologist
San Francisco, Summer 1972
Film: What’s Up, Doc?
Release Date: March 9, 1972
Director: Peter Bogdanovich
Costume Designer: Polly Platt (uncredited)
WARNING! Spoilers ahead!
Background
The late Ryan O’Neal was born 85 years ago today on April 20, 1941. Though perhaps best known for his roles in Love Story (1970), Paper Moon (1973), Barry Lyndon (1975), or The Driver (1978), the first O’Neal performance that I ever watched was Peter Bogdanovich’s 1972 comedy What’s Up, Doc?, which Maureen Lee Lenker posited for Entertainment Weekly after his death as the actor’s strongest performance. Continue reading
Sweet Bird of Youth: Paul Newman’s Cream Silk Sport Jacket
Vitals
Paul Newman as Chance Wayne, charismatic gigolo
Mississippi, Easter Weekend 1962
Film: Sweet Bird of Youth
Release Date: March 21, 1962
Director: Richard Brooks
Costume Designer: Orry-Kelly
WARNING! Spoilers ahead!
Background
Happy Easter! Early in his screen career, Paul Newman reprised his stage role as Chance Wayne from Tennessee Williams’ play Sweet Bird of Youth, set across Holy Saturday into Easter Sunday in Chance’s fictional hometown of St. Cloud, Mississippi. Continue reading
Duane Jones in Night of the Living Dead
Vitals
Duane Jones as Ben, resourceful zombie-hunter
Rural Western Pennsylvania, Spring 1968
Film: Night of the Living Dead
Release Date: October 4, 1968
Director: George A. Romero
WARNING! Spoilers ahead!
Background
Especially here in western Pennsylvania, George A. Romero’s masterclass in economical filmmaking Night of the Living Dead has risen to mythic status among cinephiles. Though born in New York City, Romero graduated from Carnegie Mellon University in 1960 and remained local to Pittsburgh where he filmed short productions including a segment for Mister Rogers’ Neighborhood before his directorial debut that became a landmark in independent film, horror cinema, and movies at large.
Night of the Living Dead premiered at the Fulton Theater in Pittsburgh on October 1, 1968, three days before its wider release that drew controversy due to its violence and bleakness—simultaneously exemplifying what was increasingly permissible in American cinema in the wake of the crumbling Production Code that had restricted filmmakers for more than thirty years.
Despite this harsh reception from critics and audiences not prepared for its content, Night of the Living Dead developed a growing cult following to become one of the most profitable movies ever made. It recouped at least $30 million against its $125,000, which Romero had kept modest through guerrilla filmmaking techniques and casting local actors and friends like legendary Pittsburgh TV presenter “Chilly Billy” Cardille as himself, allowing Romero to reserve most of the modest budget for special effects.
While many rightly include this iconic horror flick among their spooky season watch-lists in October, Night of the Living Dead also qualifies as the rare “Daylight Saving movie”. The action is quickly established to be set on the Sunday in spring when clocks spring forward an hour—much to the chagrin of the cynical Johnny (Russell Streiner), who lost an hour of sleep on the morning he accompanies his sister Barbra (Judith O’Dea) to their father’s grave site, said to be “200 miles into the country” though actually filmed in Evans City… just 30 miles outside of Pittsburgh.
After one of the titular living dead attacks the siblings and knocks Johnny unconscious, Barbra manages to escape in his ’67 Pontiac LeMans and find refuge in an isolated farmhouse, where she comes face-to-face with Ben (Duane Jones)—a serious, resourceful man of action who quickly takes command of the situation… and their survival. Continue reading
Purple Noon: Alain Delon’s Blue Ivy-Style OCBD, Cream Jeans, and Loafers
Vitals
Alain Delon as Tom Ripley, charming American con artist
Italy, Summer 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
French screen and style icon Alain Delon died one year ago this week on August 18, 2024. One of the actor’s most celebrated and stylish roles remains his portrayal of Tom Ripley in Purple Noon, René Clément’s adaptation of Patricia Highsmith’s psychological thriller The Talented Mr. Ripley.
The French/Italian co-production (released in France as Plein soleil) was the first cinematic adaptation of Highsmith’s novel, followed by Anthony Minghella’s 1999 film The Talented Mr. Ripley and Steven Zaillain’s 2024 Netflix miniseries Ripley. Clément was inspired to cast Delon after spotting the young actor in the 1959 comedy Women are Weak, and his enigmatic performance as Tom Ripley eventually launched him to wider global recognition.
Highsmith’s own opinion about the film ranged from cheers for Henri Decaë’s stunning cinematography to jeers against Clément’s bastardized ending, though the author fully praised Delon’s “excellent” portrayal of her devious creation. Continue reading
Rosemary’s Baby: John Cassavetes’ Light Blue Summer Sport Jacket
Vitals
John Cassavetes as Guy Woodhouse, ambitious actor
New York City, Summer 1965
Film: Rosemary’s Baby
Release Date: June 12, 1968
Director: Roman Polanski
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
Happy Mother’s Day! In honor of one of cinema’s most infamous pregnancies, today’s post looks at the enduring style of Rosemary’s Baby—Roman Polanski’s 1968 adaptation of Ira Levin’s best-selling horror novel, which had been published less than six months before filming began.
Though the film’s fashion legacy largely belongs to Mia Farrow’s iconic pixie cut and stylish wardrobe as the titular Rosemary Woodhouse, her on-screen husband Guy—a struggling actor played by John Cassavetes—also exhibits a sharp and understated sense of style. Continue reading
Christmas Eve in The Holdovers: Paul’s Corduroy Three-Piece Suit and Duffel Coat
Vitals
Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Christmas Eve 1970
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
The release of The Holdovers last year filled a long-needed gap in theatrically released holiday canon, offering a fresh yet timeless addition to the roster of rewatchable Christmas movies. Directed by Alexander Payne, the movie is set during Christmas 1970 at the fictional Barton Academy boarding school in New England, where a group of students not going home for the holidays are chaperoned by a skeleton crew of the school’s staff.
After all but one are given the opportunity to leave before Christmas, the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—remains behind under the watchful lazy eye of resentful classics professor Paul Hunham (Paul Giamatti). Paul’s few friends on staff include the cheerful administrator Lydia Crane (Carrie Preston) and the cafeteria manager Mary Lamb (Da’Vine Joy Randolph), who is mourning her son’s recent death in Vietnam.
Lydia invites them to spend Christmas Eve at her home, but Paul’s reluctance frustrates both Angus and Mary, who confronts him:
Mr. Hunham, if you are too chickenshit to go to this party, then just say that. But don’t fuck it up for the little asshole! What’s wrong with you? It’s just a party… what are you afraid of?
Richard Burton in Who’s Afraid of Virginia Woolf?
Vitals
Richard Burton as George, weary but witty history professor
New England, Fall 1965
Film: Who’s Afraid of Virginia Woolf?
Release Date: June 21, 1966
Director: Mike Nichols
Costume Designer: Irene Sharaff
WARNING! Spoilers ahead!
Background
Hollywood icons Elizabeth Taylor and Richard Burton were married (for the first of two times) sixty years ago today on March 15, 1964. The A-list couple starred in 11 films over the span of a decade, with arguably the most acclaimed being Who’s Afraid of Virginia Woolf?, adapted by Ernest Lehman from Edward Albee’s play of the same name and the directorial debut for then-comedian Mike Nichols. Continue reading
The Godfather, Part II: Tom Hagen’s Gray Striped Suit
Vitals
Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Nevada and Washington, D.C., Winter 1958 through Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today is the 93rd birthday of Robert Duvall, the prolific actor born January 5, 1931 whose extensive filmography includes the first two films of The Godfather saga as Tom Hagen, the orphan informally adopted by the Corleone family—and whose cool head and legal savvy resulted in his position as the family’s trusted consigliere.
As this is the 50th anniversary year of The Godfather Part II, today’s post will explore Tom’s character and costume in this masterful second installment, set across the late 1950s as Michael Corleone (Al Pacino) continues consolidating his power and seeks to legitimatize the family’s interest as Tom had long advised him to do.
Although he’s been transitioned from consigliere to being the family’s lawyer in Las Vegas, Tom still serving as Michael’s right-hand man, with duties beyond legal counsel including everything from buying Christmas presents for the don’s children to blackmailing a senator whom they’ve framed for the murder for a prostitute. Continue reading
The Holdovers: Paul Giamatti’s Tan Corduroy Suit and Sweater Vest
Vitals
Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Winter 1970/1971
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
One of my favorite new releases in 2023 is The Holdovers, Alexander Payne’s comedy-drama centered around the skeleton staff chaperoning a group of boarding school students who aren’t going home for the holidays.
Set through the 1970 winter break, The Holdovers centers around the cranky classics professor Paul Hunham (Paul Giamatti), an odorous, lazy-eyed loner whose few friends among the Barton Academy staff include cafeteria manager Mary Lamb (Da’Vine Joy Randolph) and administrator Lydia Crane (Carrie Preston). After four of the five students are given the opportunity to leave Barton days before Christmas, Paul and the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—transform their mutual dislike into a surprising bond.
As many are returning to work and school this week after the holidays, let’s take a deeper look at Paul’s classic Ivy fashions that he wears to bookend the Barton Academy holiday break. Continue reading










You must be logged in to post a comment.