Tagged: OCBD Shirt
Miami Blues: Pink Blazer and Pastel Plaid Pants
Vitals
Alec Baldwin as Frederick J. Frenger Jr., sociopathic ex-con
Miami, Fall 1989
Film: Miami Blues
Release Date: April 20, 1990
Director: George Armitage
Costume Designer: Eugenie Bafaloukos
WARNING! Spoilers ahead!
Background
I wanted to write about some pastels leading up to Easter and stumbled upon this chaotic look from Miami Blues, an adaptation of Charles Willeford’s 1984 novel that was the first in his Hoke Moseley series. “Nobody writes a better crime novel,” Elmore Leonard had once said of Willeford, who died in March 1988, two years before the novel made it to the screen. Miami Blues was only the second cinematic adaptation of a Willeford novel, following the 1974 release of Cockfighter starring Warren Oates.
Fred Ward—who also served as executive producer—starred as Moseley while Alec Baldwin (who celebrates his 63rd birthday today) played the sociopathic Frederick J. Frenger Jr., wreaking havoc through the Magic City with a badge stolen from Moseley. Continue reading
Blood Simple: M. Emmet Walsh’s Yellow Leisure Suit
Vitals
M. Emmet Walsh as Loren Visser, sleazy private detective
Texas, Fall 1982
Film: Blood Simple
Release Date: January 18, 1985
Director: Joel & Ethan Coen
Costume Designer: Sara Medina-Pape
WARNING! Spoilers ahead!
Background
Spring is officially here, the season of warmer weather and bright colors… though a tacky yellow leisure suit may not be exactly what you had in mind! On the 86th birthday of prolific character actor M. Emmet Walsh, today’s post explores his eccentric but dangerous private eye in Blood Simple, the directorial debut of brothers Joel and Ethan Coen.
Mister Rogers
Vitals
Fred Rogers, America’s favorite neighbor
Pittsburgh, late 1960s through early 2000s
Series: Mister Rogers’ Neighborhood
Air Dates: February 19, 1968 through August 31, 2001
Created by: Fred Rogers
Background
I’ve written plenty about characters and figures who may have influenced my fashion sense and lifestyle, but today I want to recognize someone who (I hope!) had one of the most significant impacts on my personality during my formative years. Fred Rogers was born 93 years ago today on March 20, 1928 in Latrobe, Pennsylvania, just about an hour east of where I currently live. For more than thirty years, he celebrated acceptance, inclusiveness, curiosity, emotional intelligence, open-mindedness, and love as the warm host of the Emmy Award-winning series Mister Rogers’ Neighborhood, filmed at WQED Studios in Pittsburgh.
Gene Barry’s Fawn Suit as Dr. Ray Flemming in Prescription: Murder
Vitals
Gene Barry as Dr. Ray Flemming, smarmy psychiatrist
Los Angeles, Spring 1967
Film: Prescription: Murder
Original Air Date: February 20, 1968
Director: Richard Irving
Costume Designer: Burton Miller
Background
This week in 1968, TV audiences were introduced to an unassuming yet indefatigable homicide detective in a wrinkled raincoat whose humble mannerisms and appearance belied an uncanny ability to bring murderers to justice. Oh, and just one more thing… that detective was named Columbo.
Peter Falk wasn’t the first to play the detective, nor was he even the first choice when Richard Levinson and William Link’s stage play was adapted for TV as Prescription: Murder, the first episode of what would become the long-running series Columbo. Bert Freed had originated the role in a 1960 episode of The Chevy Mystery Show, to be followed by Thomas Mitchell when Levinson and Link debuted the play Prescription: Murder two years later in San Francisco.
Prescription: Murder establishes many trademark elements of Columbo, including the delayed introduction of the shrewd but shabbily dressed lieutenant himself until after we watch the murderer of the week commit his—or her—crime.
Gene Barry set a standard in Prescription: Murder that the killers foiled by Columbo would follow for decades to come: arrogant, well-dressed, and clever enough to pull together a murder scheme that keeps them above suspicion… from all but Lieutenant Columbo, of course. Continue reading
Love Story: Ryan O’Neal’s Sheepskin Shearling Coat
Vitals
Ryan O’Neal as Oliver Barrett IV, preppy Harvard student
New England, Winter 1966, and New York City, Winter 1970
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
Happy Valentine’s Day! In the spirit of the season of romance, it felt appropriate to explore the preppy style in one of the most famous cinematic love stories of all time… the perhaps uncleverly titled Love Story.
I went into my inaugural Love Story viewing this year familiar only with Larry Siegel and Mort Drucker’s Mad magazine parody and the movie’s reviled thesis that “love means never having to say you’re sorry,” so I was a little surprised to find myself non-ironically enjoying it more than I expected. Sure, my friend @berkeley_breathes had primed me to expect some standout Ivy-inspired style worn by Ryan O’Neal as our romantic hero Oliver, but I guess the half-century since Love Story has yielded considerably cornier products with the odd effect that this aged… relatively well? Or maybe I’m just speaking from behind the blinders of my enduring crush on early ’70s Ali MacGraw. Continue reading
Sammy Davis Jr.’s Brown Suit in Ocean’s 11
Vitals
Sammy Davis Jr. as Josh Howard, casino heister, sanitation worker, and World War II veteran
Las Vegas, January 1960
Film: Ocean’s Eleven
Release Date: August 10, 1960
Director: Lewis Milestone
Costume Designer: Howard Shoup
Tailor: Sy Devore
WARNING! Spoilers ahead!
Background
Sammy Davis Jr. was born 95 years ago today in Harlem. Nicknamed “Mr. Show Business” in recognition of his vast talents, Davis had gotten an early start to performing when he joined his father and uncle to create the Will Mastin Trio, named after his uncle. Following his service in World War II, Davis cultivated his career as a singer, dancer, actor, and comedian.
Davis’ natural talent, stage presence, and quick wit brought him into the orbit of pallies Frank Sinatra and Dean Martin, who were forming the seeds of what would become immortalized as the Rat Pack. (Sinatra wisely followed Davis’ suggestion that the group not call themselves “the Clan”, instead referring to themselves as “the Summit.”)
1960 was the high watermark for the Summit, when they pulled together an ensemble cast to make Ocean’s 11, a stylish heist film set in Las Vegas. Continue reading
The Graduate: Ben’s Beige Windbreaker and Alfa Romeo
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer to Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
WARNING! Spoilers ahead!
Background
Like Casablanca, Citizen Kane, Thelma & Louise, and The Sopranos, I felt like I had seen or heard about the famous ending of The Graduate in depth before actually seeing the movie itself. Given that the iconic movie is over 50 years old, I hope I wouldn’t invite too much ire by discussing its famous ending openly in discussing Benjamin Braddock’s style as he desperately races through southern California in the hopes of halting Elaine Robinson’s wedding to the dreaded Makeout King.
Having recently gotten engaged myself (yay!), it felt appropriate to end this installment of #CarWeek with the cherry red Alfa Romeo that factored so significantly in Benjamin’s life following his graduation, whether it it was on his burlesque-and-burgers date with the bright-eyed Elaine (Katharine Ross), furtive assignations with her mother (Anne Bancroft), or on his gas-guzzling dash to get him to the church on time scored by Simon & Garfunkel’s enduring folk banger “Mrs. Robinson”. Continue reading
The Graduate: Dustin Hoffman’s Seersucker Jacket
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Background
Dustin Hoffman may be turning 83 today, but for many he’ll always be the young Benjamin Braddock, freshly home from college with his entire adult life—with all of its expectations and inevitable disappointments—to follow.
Benjamin’s first summer as a college graduate is spent with lazy days by the pool and covert nights with Mrs. Robinson (Anne Bancroft), the domineering yet vulnerable wife of his father’s law partner. The Braddocks, obviously unaware of their son’s ongoing assignations with her mother, pressure him into taking Elaine Robinson (Katharine Ross). A Berkeley student, Elaine would be a more suitable partner for Benjamin due to age, temperament, and several other factors, but the formidable Mrs. Robinson—we never do learn her first name—won’t have it.
Purple Noon: Alain Delon Tailored in Summer-Weight Gray
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Few movies so stylishly capture the intriguing possibilities of summer as Plein soleil, balancing a sun-drenched travelogue of beautiful coastal Italy with the provocative thrills and deception to be expected from the dangerous mind of Patricia Highsmith, whose 1955 novel The Talented Mr. Ripley formed the basis for this lush and haunting adaptation.
The Godfather, Part II: Tom Hagen’s Seersucker Suit
Vitals
Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Lake Tahoe, Fall 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
The second Thursday in June is recognized as National Seersucker Day in the United States, an observance that began in Congress during the late 1990s to celebrate the traditional congressional summer dress in the days of the early 20th century before air conditioning reached the Capitol.
Apropos his quiet persona, Tom Hagen makes his inconspicuous return in The Godfather, Part II, seen almost in silhouette against the window as he greets the smarmy, crooked, and proudly blunt Senator Pat Geary (G.D. Spradlin) in the Don’s Lake Tahoe estate on the day of his son’s first communion. Continue reading