Tagged: OCBD Shirt
Cary Grant in Father Goose
Cary Grant as Walter Eckland in Father Goose (1964)
Vitals
Cary Grant as Walter Eckland, crude and reluctant wartime coast-watcher
Pacific Islands, Spring 1942
Film: Father Goose
Release Date: December 10, 1964
Director: Ralph Nelson
Costume Designer: Ray Aghayan (uncredited)
Background
Last month, I reflected on the elegant white suit that Cary Grant wore at the start of his stylish career in the pre-Code drama Hot Saturday. More than 30 years later, Grant was firmly established as one of the most charming—and enduringly best-dressed—stars of the era, subverting his screen reputation for his penultimate movie, the World War II-set comedy Father Goose opposite Leslie Caron. Continue reading
Sid Caesar in It’s a Mad, Mad, Mad, Mad World
Sid Caesar in It’s a Mad, Mad, Mad, Mad World (1963)
Vitals
Sid Caesar as Melville Crump, honeymooning dentist
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Today would have been the 100th birthday of Sid Caesar, the pioneering comic actor whose influential variety series Your Show of Shows set a new standard during what some call the first “Golden Age of Television”, though I first knew Caesar for his part among the ensemble cast of It’s a Mad, Mad, Mad, Mad World.
Two-Lane Blacktop: Warren Oates as GTO
Warren Oates in Two-Lane Blacktop (1971)
Vitals
Warren Oates as “GTO”, an otherwise unnamed former TV producer
Arizona through Tennessee, Fall 1970
Film: Two-Lane Blacktop
Release Date: July 7, 1971
Director: Monte Hellman
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
A race for pink slips between a ’55 Chevy and a GTO across a long-gone America when the road was much more than a shopping aisle. Three road hogs and an underage girl riding in back with the tools. The nights are warm and the roads are straight. This one’s built from scratch, and, as Warren Oates says, “Those satisfactions are permanent.” — Tom Waits
“Because there was once a god who walked the earth named Warren Oates,” Richard Linklater included among the sixteen reasons why he loves Two-Lane Blacktop, Monte Hellman’s low-buedget 1971 road movie that has become a cult classic.
One of my favorite actors, Oates was born 94 years ago today on July 5, 1928 in Depoy, an unincorporated community in western Kentucky. His craggy features suited him well to early roles as cowboys and criminals, though he rose to more prominent stardom through the ’70s beginning with his co-starring role as the garrulous, tragi-comic motorist who impulsively bets his showroom-bought Pontiac GTO in a cross-country race against James Taylor and Dennis Wilson’s “homegrown” ’55 Chevy in Two-Lane Blacktop. Continue reading
Risky Business: Tom Cruise’s Varsity Prep Style and Porsche
Tom Cruise and Rebecca De Mornay in Risky Business (1983)
Vitals
Tom Cruise as Joel Goodson, ambitious high school student
Chicago, Fall 1983
Film: Risky Business
Release Date: August 5, 1983
Director: Paul Brickman
Costume Designer: Robert De Mora
WARNING! Spoilers ahead!
Background
Today is Tom Cruise’s 60th birthday, and the charismatic superstar has proved his staying power with the blockbuster Top Gun: Maverick, currently the highest-grossing movie of 2022 and of Cruise’s prolific career. The original Top Gun had elevated Cruise to stardom, following his breakthrough performance in Paul Brickman’s sharp satire Risky Business.
Though perhaps remembered most—and unfairly dismissed—as a teen sex comedy, Risky Business critically explores the impact of capitalism and consumerism through the lens of our high-achieving high schooler, Joel Goodson, who’s spent these first years of his life knowing nothing other than a relentless drive to succeed. In addition to the professional pressure applied by his parents, Joel also feels both the internal and peer pressure to achieve in the sexual arena, which he satisfies after hiring an escort named Lana (Rebecca De Mornay) after his parents leave him home alone for several weeks.
Joel and Lana’s relationship swiftly evolves from professional to personal… and then a combination of both after his father’s Porsche takes a swim in Lake Michigan while under Joel’s unauthorized care. To bankroll the car’s astronomical repair costs before his parents’ return, Joel tests his own entrepreneurial savvy by joining forces with Lana and turning his family home into a brothel for one night to turn a profit from his rich and horny classmates.
To kick off the first semi-annual #CarWeek series of 2022, let’s take a look at Joel’s all-American varsity style (apropos Cruise’s birthday on the eve of Independence Day) while behind the wheel of that prized Porsche 928. Continue reading
Roscoe Lee Browne in Topaz
Roscoe Lee Browne as Philippe Dubois in Topaz (1969)
Vitals
Roscoe Lee Browne as Philippe Dubois, smooth-talking Martinican-American sleeper agent
New York City, Fall 1962
Film: Topaz
Release Date: December 19, 1969
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
Following last month’s look at a “hero costume” from Alfred Hitchcock’s 1942 thriller Saboteur, I want to continue exploring style from the lesser-known entries in the Master of Suspense’s oeuvre. Loosely based on the “Martel affair” and events leading up to the Cuban Missile Crisis, Topaz was Hitch’s final movie centered around espionage, though I consider it to lack much of the spark that fueled his earlier successes like North by Northwest.
The single exception in Topaz may be a brief scene made more memorable by the appearance of Martinican agent Philippe Dubois, portrayed by Roscoe Lee Browne, the multi-talented star of stage and screen born 100 years ago today on May 2, 1922. Continue reading
The Sopranos: Tony’s “Kevin Finnerty” Navy Blazer
James Gandolfini as Anthony Soprano on The Sopranos (Episode 6.03: “Mayham”)
Vitals
James Gandolfini as Anthony Soprano, precision optics salesman with an uncanny resemblance to heating systems merchant Kevin Finnerty
Costa Mesa, California, Spring 2006
Series: The Sopranos
Episodes:
– “Join the Club” (Episode 6.02, dir. David Nutter, aired 3/19/2006)
– “Mayham” (Episode 6.03, dir. Jack Bender, aired 3/26/2006)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Who am I? Where am I going?
Sixteen years ago this week, The Sopranos first aired what became one of my favorite arcs from TV, exploring the mysterious, mythical adventures of the unconscious Tony Soprano, reborn as a de-Jersey-fied defense optics salesman on a surreal business trip in Costa Mesa. Continue reading
Love Story: Ryan O’Neal’s Sheepskin Flight Jacket
Ryan O’Neal as Oliver Barrett IV in Love Story (1970)
Vitals
Ryan O’Neal as Oliver Barrett IV, newlywed Harvard graduate
Boston, Fall to Winter 1968
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
If all goes to plan, I’ll be getting married exactly one year from today so it felt appropriate to revisit some of the fall-friendly fashions from one of the most famous—or infamous, if you’re so inclined—romance movies of all time, Love Story.
Ryan O’Neal and Ali MacGraw star as the Ivy League lovers Oliver and Jenny who, once she overcomes her distaste for his upper-class roots (drink every time she calls him “preppy”), defy his blue-blood father’s wishes and get married, beginning their humble lives together in a Boston apartment following his graduation.
Oliver remains defiantly bitter following his father’s rejection of Jenny, cutting off all contact. After receiving an invitation to his estranged father’s 60th birthday party, Oliver refuses to even respond with their regrets, resulting in his and Jenny’s first major argument. She runs from the apartment, sending Oliver on an increasingly desperate search from local shops to music classes, until he returns home that night to find her waiting on their stoop.
Regretting his behavior, Oliver offers his apologies, to which Jenny responds by hitting him with one of the most criticized lines in movie history:
Love means never having to say you’re sorry.
Body Heat: William Hurt’s Lawyerly Seersucker
William Hurt as Ned Racine in Body Heat (1981)
Vitals
William Hurt as Ned Racine, unscrupulous attorney
Palm Beach, Florida, Summer 1981
Film: Body Heat
Release Date: August 28, 1981
Director: Lawrence Kasdan
Costume Designer: Renié
WARNING! Spoilers ahead!
Background
I couldn’t let the hottest summer of my lifetime end without talking about Body Heat, especially as Lawrence Kasdan’s sweaty directorial debut will celebrate the 40th anniversary of its release in two days.
The term “neo-noir” has often been used—and, indeed, overused—to describe stylish, shadowy, and sexy crime dramas with elements recalling film noir’s golden era in the ’40s and ’50s, though Body Heat struck me as one of the prized handful of movies most deserving of the description, perfectly balancing the spirit of classic noir with contemporary cinematic expectations without falling too far in either direction. Continue reading
Risky Business: Tom Cruise in Donegal Tweed
Tom Cruise and Rebecca De Mornay in Risky Business (1983). Photo by Steve Schapiro.
Vitals
Tom Cruise as Joel Goodson, ambitious high school student-turned-pimp
Chicago, Fall 1983
Film: Risky Business
Release Date: August 5, 1983
Director: Paul Brickman
Costume Designer: Robert De Mora
WARNING! Spoilers ahead!
Background
As we enter “Back to School” season, I want to look at one of the most famous cinematic intersections of style and scholastics, a dark coming-of-age comedy starring a young Tom Cruise as a high school student whose desire to compete in the modern materialistic marketplace leads to his engaging in some perilous pursuits… or Risky Business, if you will.
After Hours: Paul’s Day-to-Night Beige Suit
Griffin Dunne as Paul Hackett in After Hours (1985)
Vitals
Griffin Dunne as Paul Hackett, mild-mannered data processor
New York City, Spring 1985
Film: After Hours
Release Date: September 13, 1985
Director: Martin Scorsese
Costume Designer: Rita Ryack
Background
Friday the 13th is traditionally a day for bad luck, so it’s appropriate that Martin Scorsese’s After Hours, centered around one New Yorker’s evening of arguably bad luck, was released on Friday the 13th in September 1985.
A surreal black comedy with elements of neo-noir, After Hours begins just before 5:00 for Paul Hackett, a data processor ostensibly living the yuppie dream with his secure job and Manhattan apartment… but the job sucks, his apartment’s cramped despite no one to share it with, and he has no social life outside of training new employees. In search of any human connectivity into his life, Paul takes his dog-eared copy of Henry Miller’s Tropic of Cancer to an all-night diner. Continue reading