Tagged: Cream Jeans

Once Upon a Time in the West: Charles Bronson as Harmonica

Charles Bronson in Once Upon a Time in the West (1968)

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Charles Bronson as “Harmonica”, vengeful drifter

Arizona, circa 1875

Film: Once Upon a Time in the West
(Italian title: C’era una volta il West)
Release Date: December 21, 1968
Director: Sergio Leone
Costume Designer: Carlo Simi

Background

After establishing the spaghetti Western with the popular “Dollars trilogy”, Sergio Leone had intended to move away from the genre until Paramount Pictures compelled him to follow up his success with another Western. With Paramount’s substantial budget in his coffers, Leone reteamed with iconic composer Ennio Morricone and cinematographer Tonino Delli Colli, working with Dario Argento and Bernardo Bertolucci (and, once production began, also Sergio Donati) to conceptualize the vengeance-driven epic that would become Once Upon a Time in the West.

Unlike the Dollars trilogy, which invariably starred Clint Eastwood among a mostly Italian and Spanish cast (with the rare exception for Lee Van Cleef and Eli Wallach), Once Upon a Time in the West featured a cast well-known to Americans, led by Henry Fonda playing one of the few villains of his career. The cast also included Claudia Cardinale (who was a Tunisian-born Italian actress but known to Americans thanks to films like The Pink Panther), Jason Robards, Keenan Wynn, American Western regulars like Jack Elam and Woody Strode, and Charles Bronson, who was recruited after Eastwood turned down the role. Continue reading

Blow: Manhattan Beach, 1968

Johnny Depp as George Jung in Blow (2001)

Johnny Depp as George Jung in Blow (2001)

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Johnny Depp as George Jung, burgeoning pot dealer

Manhattan Beach, California, Summer 1968

Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges

Background

Blow presents the story of real-life drug smuggler George Jung (1942-2021), presented not unlike Goodfellas: beginning in media res at a crucial turning point in our anti-hero protagonist’s life, reaching back into his childhood, and then following his criminal career over the ’60s, ’70s, and ’80s until it descends into a cocaine-fueled nightmare of betrayals and bad hair, all set to a packed soundtrack of hits and deep cuts from the era.

After meeting the adolescent George, raised by an attentive Ray Liotta and a neglectful Rachel Griffiths, we skip ahead to young adulthood as a twentysomething George and his oversized pal Tuna (Ethan Suplee) as they relocate across the country from Massachusetts to Manhattan Beach:

I moved to California in the summer of 1968 with the Tuna. We had $300 and a black TR3. There sure was nothin’ like this back home. It was paradise… and everyone was getting stoned.

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My day as an extra in Adventureland

Adventureland (2009)

My blurry appearance as an extra in Adventureland.

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Me, evidently a fan of amusement parks

Pittsburgh, Summer 1987

Film: Adventureland
Release Date: April 3, 2009
Director: Greg Mottola
Costume Designer: Melissa Toth

Background

As today is my 32nd birthday (a day I share with Ernest Hemingway, Robin Williams, and Cat Stevens, to name a few) I’m going to exercise my blogger’s right to shift direction a bit and focus on… me!

In case my blog about style in the movies didn’t give it away, I’ve always been a fan of movies. While I never harbored dreams of stardom, there had always been a part of me that got a kick out of seeing myself on screen—which my fiancée attributes to my Leo ascendant—and I spent many a weekend in high school cajoling my patient friends into starring in some amateur production of mine, typically a half-baked story driven by gangsters, guns, and Goodwill-purchased suits.

It wasn’t until I entered college that I considered actually being part of an actual production, tossing my proverbial hat into the ring by registering as an extra with a local casting agency that has worked on several major productions filmed in Pittsburgh including The Dark Knight RisesJack Reacher, and The Perks of Being a Wallflower. Just two months into my freshman year at Pitt, the agency announced that extras of all ages would be needed for a day spent filming at Kennywood, the amusement park that had been the setting of many fond memories since early childhood. The park was being transformed back in time two decades for the 1980s-set comedy Adventureland, which would star Jesse Eisenberg and Kristen Stewart as college students spending their summer working at an amusement park. Continue reading

Paul Newman’s 1967 Fishing Trip

Paul Newman, photographed by Mark Kauffman, 1967.

Paul Newman, photographed by Mark Kauffman, 1967.

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Paul Newman, acclaimed actor, activist, and Navy veteran

Florida Keys, Summer 1967

Photographs by Mark Kaufmann

Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.

Background

June 18 is annually celebrated as “National Go Fishing Day”, an observance encouraging Americans to take some time to take a break and cast a line.

Following his acclaimed performance in Cool Hand Luke, Paul Newman turned to the comfort of rod and reel on a friend’s fishing boat off the Florida Keys. The actor was in the midst of his directorial debut—directing his wife Joanne Woodward in Rachel, Rachel—but looks as stress-free as it gets as he stands top side with a beer in one hand and rod in the other.

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Clark Gable in The Misfits

Clark Gable as Gay Langland in The Misfits (1961)

Clark Gable as Gay Langland in The Misfits (1961)

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Clark Gable as Gay Langland, aging cowboy

Nevada desert, Summer 1960

Film: The Misfits
Release Date: February 1, 1961
Director: John Huston

Background

The Misfits was released sixty years ago today on what would have been star Clark Gable’s 60th birthday. As the actor died three months earlier in November 1960 (just days after filming wrapped), audiences strolling into the theater were already aware that it had been the screen icon’s swan song but were tragically unaware that it would be the last for Marilyn Monroe, who died in 1962 before she could complete production in Something’s Gotta Give.

As it turned out, none of the film’s leading trio would survive the decade as third-billed Montgomery Clift died at the age of 45 in July 1966.

Though not warmly received at the time of its release, The Misfits‘ reputation has benefited from contemporary reconsideration over the years as critics have come to appreciate this somewhat offbeat take on a group of lovable losers and no-account boozers, to pinch a phrase from Billy Joe Shaver. Continue reading

Lilies of the Field: Sidney Poitier’s Lee Westerner Jacket and Jeans

Sidney Poitier as Homer Smith in Lilies of the Field (1963)

Sidney Poitier as Homer Smith in Lilies of the Field (1963)

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Sidney Poitier as Homer Smith, helpful handyman

Arizona, Summer 1963

Film: Lilies of the Field
Release Date: October 1, 1963
Director: Ralph Nelson
Wardrobe Credit: Wesley Sherrard

Background

“That is your car?” Mother Maria asks Homer Smith, to which he proudly corrects: “That’s my home!” With that attitude, Homer would have been well-prepared for a road trip decades later in the 2020, when the coronavirus pandemic found Americans taking to the road for their summer getaways in increased numbers said to recall the age of the mid-century “great American road trip.”

In his Academy Award-winning role, Sidney Poitier plays handyman Homer Smith, traveling through the Arizona desert when his station wagon’s dire need for water brings him to the Catholic convent overseen by the solemn Maria (Lilia Skala), who requests that the newcomer stop to assist with a roofing repair. His initial reluctant assistance leads to staying for dinner and an enthusiastic English lesson (“phonograph… record!”) to the German sisters, parlayed into spending the night camped out in the back of his Plymouth, where Mother Maria corners him the next morning and asks—er, orders—him to stay and build the nuns a chapel. Continue reading

Pierrot le Fou: Belmondo’s Striped Shirt by the Sea

Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965)

Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965)

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Jean-Paul Belmondo as Ferdinand Griffon, runaway husband

French Riviera, Summer 1965

Film: Pierrot le Fou
Release Date: November 5, 1965
Director: Jean-Luc Godard

WARNING! Spoilers ahead!

Background

Five years after their collaboration in À bout de souffle that established many of the unconventional conventions that would define French New Wave, director Jean-Luc Godard reteamed with charismatic star Jean-Paul Belmondo for a surreal and colorful classic with its scenes and themes of seclusion that make it feel all the more relevant during this strange summer that still finds many in self-isolation.

Life may always be sad, but it’s always beautiful.

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Alain Delon’s Black Linen Shirt in Purple Noon

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

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Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

on Mediterranean Sea off Italy, August 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

As I leave for my annual week at the beach tomorrow, I’ll be hoping to channel the style—if not the discomfort and petty cruelty—of the idyllic-looking, sun-drenched Mediterranean voyage where sociopathic American con man Tom Ripley (Alain Delon) forms an uncomfortable seagoing trio with the brash, arrogant playboy Philippe Greenleaf (Maurice Ronet) and Philippe’s demure girlfriend Marge (Marie Laforêt). Continue reading

Purple Noon: The Batik Shirt

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Italy, August 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

Purple Noon, released in France as Plein soleil, was the first cinematic adaptation of Patricia Highsmith’s 1955 psychological thriller The Talented Mr. Ripley. Released five years after Highsmith’s novel was published, the film shot 24-year-old Alain Delon to stardom as the charming sociopath who envies the luxurious lifestyle of expatriate playboy Philippe Greenleaf (Maurice Ronet).

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