Tagged: Johnny Depp
Johnny Depp’s Red Leisure Suit in Blow
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, successful cocaine smuggler
Massachusetts, Fall 1979
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
One of the more formative movies in developing my appreciation for more outlandish period style is Blow, Ted Demme’s Scorsese-inspired chronicle of the rise and fall of real-life drug smuggler George Jung, who was born 80 years ago today in Weymouth, Massachusetts. The DVD (does anyone remember its white case?) was in almost constant rotation when friends would come over in high school, and Mark Bridges’ costume design resonated to such a degree that, thanks to eBay, I may have been one of the few high-schoolers in the early 2000s to own a vintage polyester leisure suit. Continue reading
Blow: Johnny Depp’s Layered Denim on the Run
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, fugitive pot dealer
Weymouth, Massachusetts, Fall 1973
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
Blow chronicles the chaotic career of real-life drug dealer George Jung, who evolved his marijuana-dealing enterprise into a dangerously successful cocaine-smuggling operation with the Medellín cartel until it all came crashing down around him. Continue reading
Blow: Manhattan Beach, 1968
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, burgeoning pot dealer
Manhattan Beach, California, Summer 1968
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
Blow presents the story of real-life drug smuggler George Jung (1942-2021), presented not unlike Goodfellas: beginning in media res at a crucial turning point in our anti-hero protagonist’s life, reaching back into his childhood, and then following his criminal career over the ’60s, ’70s, and ’80s until it descends into a cocaine-fueled nightmare of betrayals and bad hair, all set to a packed soundtrack of hits and deep cuts from the era.
After meeting the adolescent George, raised by an attentive Ray Liotta and a neglectful Rachel Griffiths, we skip ahead to young adulthood as a twentysomething George and his oversized pal Tuna (Ethan Suplee) as they relocate across the country from Massachusetts to Manhattan Beach:
I moved to California in the summer of 1968 with the Tuna. We had $300 and a black TR3. There sure was nothin’ like this back home. It was paradise… and everyone was getting stoned.
Fear and Loathing in Las Vegas: Raoul Duke’s Terrycloth Acapulco Shirt
Johnny Depp as Raoul Duke in Fear and Loathing in Las Vegas (1971)
Vitals
Johnny Depp as Raoul Duke, “doctor of journalism” and alter ego of Hunter S. Thompson
Las Vegas, Spring 1971
Film: Fear and Loathing in Las Vegas
Release Date: May 22, 1998
Director: Terry Gilliam
Costume Designer: Julie Weiss
Background
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold…
…and, with the scream of a bright fireapple red Chevy convertible speeding through the desert scored by Big Brother and the Holding Company’s manic “Combination of the Two”, we’re off and running with Raoul Duke and Dr. Gonzo on their way to a hallucinogenic weekend romp in Sin City. Johnny Depp’s opening narration as the notorious Dr. Duke transcribes verbatim the opening lines of Hunter S. Thompson’s landmark roman à clef Fear and Loathing in Las Vegas.
The Rum Diary: Kemp’s Off-White Corduroy Trucker Jacket
Johnny Depp in costume as Paul Kemp on the set of The Rum Diary (2009)
Vitals
Johnny Depp as Paul Kemp, expatriate American journalist
San Juan, Puerto Rico, Summer 1960
Film: The Rum Diary
Release Date: October 28, 2011
Director: Bruce Robinson
Costume Designer: Colleen Atwood
Background
The end of this week means the start of summer, arguably the strangest summer I’ll have experienced in my thirty years. The global coronavirus pandemic has seen the cancellation of sunny getaways, a halt in peanut or crackerjack sales at old ballgames, and consumers foregoing bathing suit deals in favor of fashionable face masks (like these Magnum, P.I.-inspired masks made by my friends at Aloha Funwear!)
In the spirit of what promises to be a surreal summer, I’m exploring a functional look extracted from the chaos of The Rum Diary, adapted from Hunter S. Thompson’s semi-roman à clef inspired by his brief career with the Puerto Rican sporting magazine El Sportivo. More than a decade after he portrayed HST surrogate Raoul Duke in Fear and Loathing in Las Vegas, Johnny Depp returned to star in this somewhat less successful adaptation of a chapter from his late friend’s life.
Blow: George’s Navy Pea Coat
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, ambitious pot dealer
Chicago, Winter 1972
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
In the centuries since pea jackets were first established by military mariners battling the cold, these short and warm coats have emerged as a winter staple for men and women around the world. While many maintain the original template, such as the 1940s Schott in 32-ounce melton wool that was handed down to me from my grandfather, the pea coat’s ubiquity has also inspired more fashion-forward variations like the leather-trimmed, peak-lapel Billy Reid coat that Daniel Craig wore in his third 007 outing Skyfall or this Disco-era jacket briefly worn by Johnny Depp in Blow.
Donnie Brasco’s Brown Leather Blazer
Johnny Depp as Joe Pistone, aka Donnie Brasco, in Donnie Brasco (1997)
Vitals
Johnny Depp as Joe Pistone, aka “Donnie Brasco”, undercover FBI agent infiltrating the Mafia
New York City, Fall 1979
Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson
Background
#MafiaMonday has become something of an occasional tradition for BAMF Style, but there’s no reason why every celebration of mob style needs to feature an actual gangster. Take the case of Joe Pistone, a real-life FBI agent and undercover pioneer whose six years infiltrating the Bonanno family of the New York Mafia was so effective that NYPD investigations and even some FBI files had mistakenly marked the agent as a mob associate named Don Brasco. Pistone was ordered to end his operation in the summer of 1981, despite the agent hoping to at least be “made” and inducted into the ranks of the mob.
Dillinger’s Navy Striped Suit in Public Enemies
Johnny Depp as John Dillinger in Public Enemies (2009)
Vitals
Johnny Depp as John Dillinger, maverick Depression-era bank robber
Chicago, Spring 1934
Film: Public Enemies
Release Date: July 1, 2009
Director: Michael Mann
Costume Designer: Colleen Atwood
WARNING! Spoilers ahead!
Background
It’s been quite some time since I’ve visited Public Enemies, the Michael Mann-directed action thriller depicting the life and crimes of Depression-era desperado John Dillinger. The film received mixed to positive reviews upon its release with much of the praise going to Michael Mann’s usual attention to detail as well as Johnny Depp’s performance as the Indiana-born outlaw.
Colleen Atwood’s period costumes are also worthy of attention and praise. High fashion was the signifier of success for Depression-era gangsters, and Dillinger rarely led his gun-toting cronies into a bank without being dressed to the nines.
Even when on the run, such as this scene set not long after Dillinger’s narrow escape from an FBI ambush at the Little Bohemia lodge in Wisconsin, John Dillinger made a consistent effort to dress well. (The film plays with historical accuracy to present its own narrative, pushing Billie Frechette’s arrest to after the Little Bohemia raid; in real life, Billie was arrested on April 9, 1934, two weeks before Melvin Purvis’ federal agents attempted to trap the Dillinger gang at Little Bohemia.) Continue reading
The Rum Diary: Gabardine Windbreaker and Chinos
Johnny Depp as Paul Kemp in The Rum Diary (2011)
Vitals
Johnny Depp as Paul Kemp, expatriate American journalist
San Juan, Puerto Rico, Summer 1960
Film: The Rum Diary
Release Date: October 28, 2011
Director: Bruce Robinson
Costume Designer: Colleen Atwood
Background
“In summary, this airman, although talented, will not be guided by policy,” heralded Hunter S. Thompson’s honorable discharge from the U.S. Air Force in November 1957, a considerable understatement given the iconic writer’s eventual symbolic anti-authoritarian status.
Following his discharge, Thompson tried a few journalistic stints in New York but was fired by Time (for insubordination) and the Middletown Daily Record (for damaging a candy machine) and moved to Puerto Rico in 1960.
Having failed to procure a position with the San Juan Star, Thompson wrote for the El Sportivo sporting magazine… though it folded quickly after his arrival. His experiences in San Juan formed the basis of The Rum Diary, a novel that he penned shortly after his return to the U.S. the following year, although it wasn’t published for more than three decades.
While it would be inaccurate to describe The Rum Diary as a strict roman à clef, its morose, restless narrator Paul Kemp is clearly modeled on Thompson himself, and Thompson’s friend Johnny Depp was naturally tapped to play the role in the film adaptation. Continue reading
The Rum Diary: Kemp’s Striped Linen Shirt and Jeans
Johnny Depp as Paul Kemp in The Rum Diary (2011), with co-star Amber Heard.
Vitals
Johnny Depp as Paul Kemp, expatriate American journalist and borderline alcoholic
St. Thomas, Summer 1960
Film: The Rum Diary
Release Date: October 28, 2011
Director: Bruce Robinson
Costume Designer: Colleen Atwood
Background
All the balls that Paul Kemp was juggling at this point have begun to fall. His grasp on his job, his shady dealings with PR whiz Sanderson, and his flirtation with Sanderson’s girlfriend. The bottom falls out when Kemp and photographer pal head to Carnival at Saint Thomas in the Virgin Islands after visiting island property for Sanderson’s budding real estate scam.
Bruce Robinson’s script perfectly nails the feeling of the scene as Chenault leads Kemp by the hand to Sanderson’s yacht:
Like walking the plank in reverse, they invade a small drinks party.
Other than the glamorous Chenault, none of the new visitors fit in with Sanderson’s cosmopolitan set. Continue reading