Robert Redford as Hubbell Gardiner, Hollywood screenwriter
Malibu, California, September 1947
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
Don’t take any crap…to the both of us… and all the absent friends, class of ’37.
Navy pals-turned-Tinseltown teammates Hubbell (Robert Redford) and J.J. (Bradford Dillman) cynically reflect on the decade since they graduated from college together, one world war and sold-out script later.
Ted Danson as Sam Malone, bartender and former baseball star
Boston, Spring 1983
– “Showdown, Part 2” (Episode 1.22, dir. James Burrows, aired 3/31/1983)
– “Power Play” (Episode 2.01, dir. James Burrows, aired 9/29/1983)
Created by: Glen Charles, Les Charles, and James Burrows
Costume Designer: Robert L. Tanella
WARNING! Spoilers ahead!
One of the most pivotal moments in the early seasons of Cheers was Sam and Diane setting “will they or won’t they?” by getting together in the final seconds of the first season finale… then picking up abruptly in the second season premiere with their attempts at coupling that prove the fledgling relationship may already be doomed.
Johnny Depp as Joe Pistone, aka “Donnie Brasco”, undercover FBI agent infiltrating the Mafia
New York City, Fall 1979
Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson
#MafiaMonday has become something of an occasional tradition for BAMF Style, but there’s no reason why every celebration of mob style needs to feature an actual gangster. Take the case of Joe Pistone, a real-life FBI agent and undercover pioneer whose six years infiltrating the Bonanno family of the New York Mafia was so effective that NYPD investigations and even some FBI files had mistakenly marked the agent as a mob associate named Don Brasco. Pistone was ordered to end his operation in the summer of 1981, despite the agent hoping to at least be “made” and inducted into the ranks of the mob.
Jack Nicholson as Bobby Dupea, aimless oil worker and classical piano prodigy
Puget Sound, Fall to Winter 1970
Film: Five Easy Pieces
Release Date: September 12, 1970
Director: Bob Rafelson
Wardrobe Credit: Bucky Rous
WARNING! Spoilers ahead!
Bobby Dupea’s homecoming leads to an existential crisis in Five Easy Pieces, one of the many triumphant highlights of Jack Nicholson’s early filmography and the second of his 12 Academy Award-nominated roles.
“When we sense the boy, tormented and insecure, trapped inside the adult man, Five Easy Pieces becomes a masterpiece of heartbreaking intensity,” reviewed Roger Ebert, who rated this four-star film to be his favorite of 1970 and went on to name it “one of the best American films.” Continue reading
If you’re lucky enough to be an American, today marks the release of Skyfall on DVD and Blu-Ray and, what the hell, let’s assume someone out there is still putting out VHS tapes as well.
British people, enjoy your extra SIX days of waiting. (Just kidding… it’s totally not fair that you guys invented Bond and have to wait longer to add the latest entry to your library. Sorry.)
Daniel Craig as James Bond, disillusioned British secret agent
Venice, Summer 2006
Film: Casino Royale
Release Date: November 14, 2006
Director: Martin Campbell
Costume Designer: Lindy Hemming
I will unapologetically make no apology for the fact that I think Daniel Craig is the best thing to happen to James Bond since a badass Scotsman first caught the eye of Cubby Broccoli and the Bond producers in 1961. Craig exemplifies what a modern Bond would be: tough but considerate while being slightly arrogant and insecure. He’s got a few quips, but he’s not winking at the camera every five minutes nor is he more focused on staying in bed with his woman-of-the-week while there’s a job to get done.
That being said, I’m a huge fan of the Bond series and will watch any of the movies (maybe not A View to a Kill) any day. I’ve read all the books, blah blah blah… Besides giving Connery his just due, I would argue that Craig IS Bond, at least from the literary standpoint. He may not be what the public wants him to be/thinks he should be, but he delivers Ian Fleming’s original vision to the screen. A very close second to this would be Tim Dalton’s two works in the ’80s; perhaps if Casino Royale had been rebooted with him and it wasn’t the obnoxious ’80s, it would be a different story.
Rant aside, some have also argued that Craig’s Bond took casual wear too far. I would say that these people need to make better use of their time and emotions. Continue reading