Tagged: Single-Breasted Suit
The Irishman: De Niro’s Brown Fleck Suit
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
Philadelphia to Chicago, Spring 1960
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Background
I heard you paint houses.
After years of proving himself as an enforcer to Mafia families around Philadelphia and northeast Pennsylvania, former truck driver Frank Sheeran (Robert De Niro) gets the phone call of his life when controversial labor leader Jimmy Hoffa (Al Pacino) gets in touch with him for a “situation… that needs to be attended to.”
Bond Style: Charcoal Suit for Air Travel in Goldfinger
Sean Connery as James Bond in Goldfinger (1964)
Vitals
Sean Connery as James Bond, British government agent
en route Washington, D.C., Fall 1964
Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Tailor: Anthony Sinclair
Wardrobe Supervisor: Elsa Fennell
WARNING! Spoilers ahead!
Background
Following up on Saturday’s post about Frank Sinatra’s jet-setting style in the early ’60s, let’s see how a contemporary style icon dressed for a private flight of his own. As it’s the first 00-7th of the month in 2020, it seems only appropriate to check in with the first James Bond—Sean Connery! (Barry Nelson notwithstanding.)
Come Fly With Me: Sinatra’s Jet-Setting Style
Frank Sinatra, flanked by the stewardesses of his Trans-Canada Air Lines flight, circa 1950. The dawn of the “jet age”—and the best years of Frank’s career—were yet to come.
Vitals
Frank Sinatra, multi-talented entertainer and Rat Pack crooner
Background
Sixty two years ago this week, on January 6, 1958, Frank Sinatra released his ninth concept album for Capitol Records, Come Fly With Me. Anchored by the title track specifically penned for Frank by Sammy Cahn and Jimmy Van Heusen, the album celebrated the contemporary Jet Age, specifically the chic “jet setters” who were able to afford the luxurious amenities offered by BOAC and Pan Am flights that would spirit them between London and New York, Paris and Rome, and Hong Kong and Tokyo.
The album, which was Sinatra’s first collaboration with arranger and conductor Billy May, ascended like a state-of-the-art Boeing to #1 on the Billboard album charts in only its second week and would be nominated for Album of the Year at the first annual Grammy Awards, held May 4, 1959, at the Beverly Hilton Hotel in Los Angeles.
In the spirit of Frank’s musical trip around the world on this #SinatraSaturday, let’s take a look at how the Rat Pack leader himself dressed “where the air is rarified…” Continue reading
Peter Lawford’s New Year’s Eve Suit in Ocean’s 11
Peter Lawford as Jimmy Foster in Ocean’s Eleven (1960)
Vitals
Peter Lawford as Jimmy Foster, resentful profligate heir and 82nd Airborne veteran
Las Vegas, New Year’s Eve 1959
Film: Ocean’s Eleven
Release Date: August 10, 1960
Director: Lewis Milestone
Costume Designer: Howard Shoup
Tailor: Sy Devore
Background
“I made a cardinal rule never to answer the telephone during the month of December,” the urbane Jimmy Foster tells a masseuse deep at work in fixing his back in a Phoenix hotel suite he shares with his wartime pal. “One December, every time I picked up the phone, they’d send me out in the snow to play with my little friends,” he elaborates. “That was at the Bulge.”
Arguably the most famous film featuring the infamous Rat Pack, Ocean’s Eleven starred Frank Sinatra and his celebrated pallies Dean Martin, Sammy Davis Jr., Joey Bishop, and Peter Lawford among a group of eleven veterans from the 82nd Airborne who gather in Las Vegas after Christmas “to liberate millions of dollars” from five major casinos as Sin City rings in the new year. Continue reading
The V.I.P.s: Richard Burton’s Astrakhan Coat and Holiday Red
Richard Burton as Paul Andros in The V.I.P.s (1963)
Vitals
Richard Burton as Paul Andros, millionaire industrialist
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
As December continues and plans are being made to travel home for the holidays, we’d be well-served to recall Anthony Asquith’s paean to the Jet Age, The V.I.P.s, a lavish and star-studded drama released five years after more passengers were making their transatlantic crossings by air than by sea.
Also known as Hotel International, The V.I.P.s was released in September 1963, just three months after Elizabeth Taylor and Richard Burton scandalized the silver screen in Cleopatra. Though Cleopatra met with polarizing reviews, the buzz around Taylor and Burton’s illicit affair generated enough buzz about their subsequent cinematic collaboration, though The V.I.P.s was a relatively tame effort when compared to the Egyptian epic that had been the most expensive movie ever made at the time of its release.
White Christmas: Bing’s Brown Striped Suit
Bing Crosby as Bob Wallace in White Christmas (1954)
Vitals
Bing Crosby as Bob Wallace, Broadway crooner and World War II veteran
Pine Tree, Vermont, December 1954
Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head
Background
Happy December! To some, the start of December after Thanksgiving marks the start of the Christmas season, while others (like Mariah Carey) kick off their holiday season a month earlier as soon as Halloween is over. To compromise, today’s post for December 1 explores Bing Crosby’s style in White Christmas, arguably a holiday classic, though the outfit in question is his only on-screen ensemble (aside from his army uniforms) that doesn’t include a single piece of holiday red.
Brad Pitt in Black as Benjamin Button
Brad Pitt as Benjamin Button in The Curious Case of Benjamin Button (2008)
Vitals
Brad Pitt as Benjamin Button, reverse-aging adventurer
Paris, Spring 1954
Film: The Curious Case of Benjamin Button
Release Date: December 25, 2008
Director: David Fincher
Costume Designer: Jacqueline West
Background
As holiday shoppers are lining up (or logging in) on Black Friday this year, let’s take a look at a creative approach to wearing black as sported by Brad Pitt in The Curious Case of Benjamin Button.
Benjamin looks just a little too dashing as he arrives at a Parisian hospital to visit the childhood friend he has grown to love, Daisy Fuller (Cate Blanchett), who is convalescing from a car accident that crushed her leg and thus ruined her dancing career. Continue reading
Scent of a Woman: Al Pacino’s Glenurquhart Plaid Suit
Al Pacino tangos with Gabrielle Anwar in Scent of a Woman (1992)
Vitals
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel “who likes to spit in everybody’s eye”
New York City, Thanksgiving 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
Background
On the eve of Thanksgiving, today seemed like a fitting occasion to address one of the most requested suits I’ve heard from readers: Al Pacino’s freshly tailored Glenurquhart check three-piece suit as the cantankerous Lieutenant Colonel Frank Slade in Scent of a Woman. Pacino turned in a landmark performance in his prolific career, winning his sole Academy Award after six nominations (with one additional nod the same year for Glengarry Glen Ross), a result of the intense method actor’s painstaking research in meeting with clients of New York’s Associated Blind to understand life—from mood to mobility—as a person without sight.
After 26 years in the Army, a nearly blind Frank “Don’t Call Me ‘Sir'” Slade spends his days sitting in the darkened corner of his modest home, filling lowball glasses to the brim with Jack Daniel’s, berating his family, and spitting anger at anyone brave enough to visit him, including Charlie Simms (Chris O’Donnell), the mild-mannered prep school student hired by Frank’s niece Karen to take care of her uncle through Thanksgiving weekend. Continue reading
The Sopranos: “Acting Boss” Silvio in Silver Flecked Silk
Steven Van Zandt as Silvio Dante on The Sopranos (Episode 6.03: “Mayham”)
Vitals
Steven Van Zandt as Silvio Dante, Jersey mob consigliere and “acting boss”
New Jersey, Spring 2006
Series: The Sopranos
Episode: “Mayham” (Episode 6.03)
Air Date: March 26, 2006
Director: Jack Bender
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Happy birthday, Steven Van Zandt!
While The Sopranos introduced him to new audiences after the show’s premiere in 1999, “Little Steven” had been a longtime guitarist with Bruce Springsteen and the E Street Band. Van Zandt first toured with the Boss in the 1970s before embarking on his own successful solo career and launching a series of ventures where he could share his encyclopedic knowledge of rock and pop music as a radio host, Sirius program director, label producer, and more! Miami Steve had never formally acted before taking the role of Silvio Dante on The Sopranos, and the cool-headed (but cold-hearted) consigliere quickly rose to become a fan favorite, known for his bouffant and his bold, idiosyncratic fashion sense that wasn’t unlike the man portraying him.
In a Lonely Place: Bogie’s Dark Suit and Bow Tie
Humphrey Bogart as Dixon “Dix” Steele in In a Lonely Place (1950)
Vitals
Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter who’s “been out of circulation too long”
Los Angeles, Summer 1949
Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
WARNING! Spoilers ahead!
Background
As #NoirVember continues, we shift our sartorial focus to a seminal figure in the development and enduring popularity of film noir: Humphrey Bogart. In movies like The Maltese Falcon (1941) and The Big Sleep (1946), Bogie cemented the wisecracking private eye persona often driving the heart of this subgenre, but he did not play a detective in the suspenseful thriller considered to be among his best, In a Lonely Place.
This 1950 noir co-starred Gloria Grahame and directed by Nicholas Ray, her husband at the time, though both Bogie and screenwriter Edmund North had envisioned the then-Mrs. Bogart, Lauren Bacall, to take the role of the “sultry and smooth… striking-looking girl with high cheek bones and tawny hair” as the character of Laurel Gray was described in the North’s screenplay. While Warner Brothers refused to lend Bacall to Bogart’s Santana Productions, Bogie was able to keep the leading role to deliver one of the most explosive and authentic performances of his prolific career.
