Cillian Murphy as Thomas “Tommy” Shelby, cunning Peaky Blinders gang leader and jaded WWI veteran
Birmingham, England, Fall 1919
Series: Peaky Blinders
Air Dates: September 12, 2013 – October 17, 2013
Directors: Otto Bathurst (Episodes 1.01 – 1.03) & Tom Harper (Episode 1.04 & 1.06)
Creator: Steven Knight
Costume Designer: Stephanie Collie
Tailor: Keith Watson
The fourth season of BBC Two’s brutally entertaining Peaky Blinders premiered last month in the U.K. and should arrive on Netflix just in time for Christmas for American fans eager to see Birmingham’s favorite crime family boozing and bleeding its way through the 1920s.
Car Week thus begins with a flashback to the show’s first season as Tommy Shelby (Cillian Murphy) and his brothers roll up to a rendezvous with the Lee family in their flivver, a beautiful black Ford Model T that coordinates with Tommy’s dark three-piece suit and overcoat. Continue reading
Steve Buscemi as Enoch “Nucky” Thompson, corrupt Atlantic City politician and bootlegger
Atlantic City, January 1920
Series: Boardwalk Empire
– “Boardwalk Empire” (Episode 1.01, dir. Martin Scorsese, aired September 19, 2010)
– “The Ivory Tower” (Episode 1.02, dir. Tim Van Patten, aired September 26, 2010)
– “Broadway Limited” (Episode 1.03, dir. Tim Van Patten, aired October 3, 2010)
– “Hold Me in Paradise” (Episode 1.08, dir. Brian Kirk, aired November 7, 2010)
– “A Return to Normalcy” (Episode 1.12, dir. Tim Van Patten, aired December 5, 2010)
– “What Does the Bee Do?” (Episode 2.04, dir. Tim Van Patten, aired October 16, 2011)
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
This week, I’m taking a look at outfits worn by BAMFs in the first episodes of some of my favorite TV shows. #MafiaMonday is a great excuse to start with Boardwalk Empire, particularly the suit worn by Steve Buscemi as Atlantic County treasurer Enoch “Nucky” Thompson in the opening credits of the series’ five-season run… as well as a few early episodes. Continue reading
Colin Firth as Harry Hart, aka “Galahad”, sophisticated secret agent
London, Spring 2014
Film: Kingsman: The Secret Service
Release Date: January 29, 2015
Director: Matthew Vaughn
Costume Designer: Arianne Phillips
Tailor: Martin Nicholls
Today marks the U.K. release of Kingsman: The Golden Circle, the long awaited follow-up to the criminally entertaining 2014 spy film Kingsman: The Secret Service. Featuring a group of quintessentially British spies operating out of a London tailor shop (of all places!), the stylish Kingsman franchise was basically built for BAMF Style readers… and I apologize that it’s taken this long to get a post together about it!
Colin Firth plays Kingsman agent Harry Hart, a dapper and witty spy well equipped for his “Galahad” codename. Continue reading
Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate
Las Vegas, Spring 1973
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn
Ever have one of those days where you just feel like you’re surrounded by idiots?
Welcome to the life of Sam “Ace” Rothstein, the meticulous gambler tasked by the Chicago mob with running the Tangiers casino in Las Vegas. Of course, Rothstein is a fictional interpretation of the real-life Frank “Lefty” Rosenthal, but the issues faced by Casino‘s Ace were all too real.
Despite the complications of running a Vegas casino, Ace still found the time to be a hell of a dresser, borrowing a sartorial approach from the real-life Lefty Rosenthal to create ensembles like this creative mix of somber charcoal and bold pastel pink. Continue reading
Robert Redford as Harry Longbaugh, aka “The Sundance Kid”, American outlaw
New York City to Bolivia, Spring 1901
Film: Butch Cassidy and the Sundance Kid
Release Date: October 24, 1969
Director: George Roy Hill
Costume Designer: Edith Head
For Western Wednesday, BAMF Style is taking a look at one of the most classic and unique films in the genre, Butch Cassidy and the Sundance Kid.
The film is loosely based on the true story of the turn-of-the-century outlaws who fled to South America after their gang, the Wild Bunch, was broken up by the long arm of the law. William Goldman’s witty, engaging screenplay became a hot commodity in Hollywood once studio execs warmed up to the idea of its Old West heroes fleeing. A veritable “who’s who” of the era’s most popular actors were considered for the titular leading roles before Paul Newman and Robert Redford were cast, cementing their place in film history as one of the most dynamic buddy duos to hit the screen. Continue reading
Pierce Brosnan as James Bond, sophisticated British secret agent
London, November 1999
Film: The World is Not Enough
Release Date: November 8, 1999
Director: Michael Apted
Costume Designer: Lindy Hemming
February 27 is National Cigar Day according to some, and – while it may not be recognized universally – it’s always nice to have an extra reason to relax with your favorite cigar.
Like Roger Moore before him, Pierce Brosnan eschewed the cigarettes favored by the literary (and, at one point, cinematic) James Bond in favor of cigars. Both actors preferred cigars in real life as well, and it’s been recorded that Moore frequently received several thousand pounds worth of Montecristo cigars during his outings as 007.
In The World is Not Enough, Brosnan’s Bond returns from his action-packed trip to Bilbao for what should be a quiet day at the office that begins, as usual, by casually flirting with Miss Moneypenny (Samantha Bond). Continue reading
Gabriel Byrne as Tom Reagan, pragmatic Irish mob fixer
Upstate New York, Fall 1929
Film: Miller’s Crossing
Release Date: September 21, 1990
Director: Joel Coen & Ethan Coen
Costume Designer: Aude Bronson-Howard
WARNING! Spoilers ahead!
Miller’s Crossing is one of my favorite Coen Brothers movies as well as one of my favorite crime films. Perhaps overshadowed the year it was released by higher pedigree mob flicks like Goodfellas and, uh, The Godfather Part III, the Coens’ neo-noir black comedy has gained a cult following in the years since for its spirited tribute to the works of Dashiell Hammett, particularly Red Harvest (1929) and The Glass Key (1931). Continue reading