Tagged: 1990s

Bad Lieutenant: Harvey Keitel’s Gray Nailhead Jacket

Harvey Keitel in Bad Lieutenant (1992)

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Harvey Keitel as “The Lieutenant”, morally corrupt NYPD lieutenant

New York City, Fall 1991

Film: Bad Lieutenant
Release Date: November 20, 1992
Director: Abel Ferrara
Costume Designer: David Sawaryn

WARNING! Spoilers ahead!

Background

Released 31 years ago today in 1992, Abel Ferrara’s controversial drama Bad Lieutenant features a fearless, uncompromising performance of a lifetime from Harvey Keitel, who replaced Christopher Walken in the titular role as the unnamed detective who regularly neglects his law enforcement duties in favor of a nightmarish spiral of blow, baseball, and broads. Continue reading

The Fugitive: Samuel Gerard’s Navy Blazer and Jeans

Tommy Lee Jones as Samuel Gerard in The Fugitive (1993)

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Tommy Lee Jones as Samuel Gerard, intrepid Deputy U.S. Marshal

Chicago, Spring 1993

Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers

WARNING! Spoilers ahead!

Background

Today is the 30th anniversary since the release of The Fugitive, Andrew Davis’ 1993 update of the 1960s TV series that followed a doctor wrongly accused of his wife’s murder as he travels the country in the hopes of clearing his name by finding the one-armed man he believes to be guilty.

Pursuing the innocent Dr. Richard Kimble (Harrison Ford) through the Midwest is Samuel Gerard (Tommy Lee Jones), the determined Deputy U.S. Marshal leading the hunt with his team of trusted pros. Though a snarky master of caustic wit, Gerard is serious about doing his job—and only his job—as established during the memorable scene when Kimble tries to dissuade his persuader by assuring him of his innocence.

Dr. Kimble: I didn’t kill my wife!
Gerard: I don’t care!

Continue reading

The Sopranos: The Don Wearing Shorts

James Gandolfini as Tony Soprano on The Sopranos (Episode 2.01: “Guy Walks into a Psychiatrist’s Office…”)

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James Gandolfini as Tony Soprano, New Jersey mob boss

North Caldwell, New Jersey, Summer 1999

Series: The Sopranos
Episode: “Guy Walks into a Psychiatrist’s Office…” (Episode 2.01)
Air Date: January 16, 2000
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa

Background

“A Don doesn’t wear shorts.” Yeah, yeah, every fan of The Sopranos knows the story… but after the record-breaking heat last month, I think we can all agree that Tony Soprano would get a pash for that as we head into August.

Continue reading

Guy Pearce in Memento

Guy Pearce as Leonard Shelby in Memento (2000)

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Guy Pearce as Leonard Shelby, vengeful insurance investigator with anterograde amnesia

Los Angeles, Summer 1999

Film: Memento
Release Date: September 5, 2000
Director: Christopher Nolan
Costume Designer: Cindy Evans

WARNING! Spoilers ahead!

Background

I have no short-term memory. I know who I am, I know all about myself, I just—since my injury, I can’t make new memories. Everything fades. If we talk for too long, I’ll forget how we started. The next time I see you, I’m not gonna remember this conversation.

Memento stars Guy Pearce as Leonard Shelby, a former insurance claims investigator out for revenge after an attack on his wife that left him with a rare form of short-term memory loss. Appropriate for today (July 17th) being National Tattoo Day, Leonard covers his body with tattoos to help him instantly recall his understanding of the facts of what happened and who he must target for revenge. Continue reading

True Romance: Clarence’s Aloha Shirt and Cadillac

Christian Slater and Patricia Arquette in True Romance (1993)

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Christian Slater as Clarence Worley, newlywed rockabilly enthusiast and former comic store clerk

Los Angeles, Spring 1992

Film: True Romance
Release Date: September 10, 1993
Director: Tony Scott
Costume Designer: Susan Becker

WARNING! Spoilers ahead!

Background

Earlier this year, I commemorated National Road Trip Day with a brief look at Christian Slater’s rockabilly-inspired style in True Romance, the Quentin Tarantino-penned romantic crime thriller directed by Tony Scott. Now, to kick off Car Week for the summer that this film celebrates its 30th anniversary, let’s revisit Slater’s style as the scrappy newlywed Clarence Worley.

Clarence and his new wife Alabama (Patricia Arquette) have driven across the country in his pink (more like purple) Cadillac convertible, hoping to leave Detroit—and his murder of her former pimp Drexl Spivey (Gary Oldman)—far behind them. Continue reading

The Perks of Being a Wallflower: Charlie’s Suit

Logan Lerman as Charlie in The Perks of Being a Wallflower (2012)

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Logan Lerman as Charlie Kelmeckis, anxious high school freshman

Pittsburgh, Christmas 1991 through Spring 1992

Film: The Perks of Being a Wallflower
Release Date: September 21, 2012
Director: Stephen Chbosky
Costume Designer: David C. Robinson

WARNING! Spoilers ahead!

Background

Dear friend,

If you read my last post about Jonah Hill’s party gear in Superbad, you know I’ve been on a bit of a high school nostalgia kick lately. And I’m keeping that going with a look at the very significant suit gifted to our sensitive narrator in the book and movie adaptation of Stephen Chbosky’s The Perks of Being a Wallflower. Continue reading

True Romance: Clarence’s Rockabilly Road Trip Style

Christian Slater and Patricia Arquette in True Romance (1993)

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Christian Slater as Clarence Worley, newlywed rockabilly enthusiast and former comic store clerk

Mojave Desert, Spring 1992

Film: True Romance
Release Date: September 10, 1993
Director: Tony Scott
Costume Designer: Susan Becker

WARNING! Spoilers ahead!

Background

The Friday before Memorial Day has been designated National Road Trip Day, celebrating the open road and the start of the summer travel season. As this year is also the 30th anniversary of the Quentin Tarantino-penned, Tony Scott-directed genre-blender True Romance, let’s follow the felonious newlyweds Clarence Worley (Christian Slater) and Alabama Whitman (Patricia Arquette) as they make their way west from Detroit in the Elvis-obsessed Clarence’s pink Cadillac convertible. Continue reading

John Cusack’s Black Suit in The Grifters

John Cusack with Anjelica Huston and Annette Bening in The Grifters (1990)

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John Cusack as Roy Dillon, swaggering con man with mommy issues

Phoenix and Los Angeles, Summer 1990

Film: The Grifters
Release Date: December 5, 1990
Director: Stephen Frears
Costume Designer: Richard Hornung

WARNING! Spoilers ahead!

Background

At seventeen going on eighteen, Roy Dillon had left home. He took nothing with him but the clothes he wore—clothes he had bought and paid for himself. He took no money but the little in the pockets of his clothes, and that too he had earned.

He wanted nothing from Lilly. She had given him nothing when he needed it, when he was too small to get for himself, and he wasn’t letting her into the game at this late date.

He had no contact with her during the first six months he was away. Then, at Christmas time, he sent her a card, and on Mother’s Day he sent her another. Both were of the gooey sentimental type, dripping with sickly sweetness, but the latter was a real dilly. Hearts and flowers and fat little angels swarmed over it in an insanely hilarious montage. The engraved message was dedicated to Dear Old Mom, and it gushed tearfully of goodnight kisses and platters and pitchers of oven-fresh cookies and milk when a little boy came in from play.

You would have thought that Dear Old Mom (God bless her silvering hair) had been the proprietor of a combination dairy-bakery, serving no customer but her own little tyke (on his brand-new bike).

He was laughing so hard when he sent it that he almost botched up the address. But afterward, he had some sobering second thoughts. Perhaps the joke was on him, yes? Perhaps by gibing at her he was revealing a deep and lasting hurt, admitting that she was tougher than he. And that, naturally, wouldn’t do. He’d taken everything she had to hand out, and it hadn’t made a dent in him. He damned well mustn’t ever let it think it had.

— Jim Thompson, The Grifters, Chapter 5

Reading this passage from one of my favorite pulp novelists inspired today’s Mother’s Day post, by way of Jim Thompson’s acid pen translated onto the screen.

Nominated for four Academy Awards, Stephen Frears’ slick 1990 neo-noir The Grifters joins Psycho (1960) and The Manchurian Candidate (1962) in a cinematic fraternity of twisted depictions of mother-son relationships, represented by short-con operator Roy Dillon (John Cusack) and his estranged mother Lilly (Anjelica Huston), a fellow swindler who has long been in service to sadistic bookie Bobo Justus (Pat Hingle) and eventually requires resources from her son to make her clean getaway:

I gave you your life twice. I’m asking you to give me mine once.

Roy and Lilly’s reunion is complicated by Roy’s hustler girlfriend Myra Langtry (Annette Bening), who schemes to remove the domineering matriarch as an obstacle to partnering with Roy. Continue reading

Seinfeld: 40 Significant Style Moments

Michael Richards, Julia Louis-Dreyfus, Jason Alexander, and Jerry Seinfeld in a promotional photo for Seinfeld

Vitals

Series: Seinfeld
Air Dates: July 5, 1989 — May 14, 1998
Created by: Larry David & Jerry Seinfeld
Costume Designers:
* Charmaine Nash Simmons (seasons 4-9)
* Ruth E. Carter (episode 1 only)
* Jane Ruhm (rest of season 1)
* Llandys Williams (season 2)
* Marie H. Burk (season 3)
Costume Supervisor/Key Costumer: Stephanie Kennedy (seasons 5-9)

Background

This Sunday will be the 25th anniversary of the finale of Seinfeld, the NBC sitcom that remains a pop culture touchstone more than a quarter-century later with phrases like “double-dipping”, “re-gifting”, “shrinkage”, and “yada yada yada” an enduring part of our lexicon… even if those saying them don’t know they originated from Seinfeld.

Centered around the neuroses and misadventures of four everyday New Yorkers, Seinfeld was hardly a fashion-oriented show, yet its focus on the minutiae of life means plenty of focus on the kind of comedy that can be derived from clothing, whether it’s as broad as a ridiculous jacket or as nitpicky as two buttons placed too closely together. Continue reading

Tony Soprano’s Depressed Dad Duds in “Isabella”

James Gandolfini as Tony Soprano on The Sopranos (Episode 1.12: “Isabella”)

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James Gandolfini as Tony Soprano, depressed New Jersey mob chief

Montclair, New Jersey, Fall 1998

Series: The Sopranos
Episode: “Isabella” (Episode 1.12)
Air Date: March 28, 1999
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

Since 1949, May has been observed as Mental Health Awareness Month. The first day of May aligning with the informal BAMF Style observance of “Mafia Monday” feels fortuitous as it was The Sopranos that helped me get more in touch with my own anxiety and depression.

I was starting college when I first watched The Sopranos, just months after the final episode stymied audiences when it cut to black. I had long loved movies like GoodfellasCasino, and The Godfather, so I was excited when my roommate introduced me to this acclaimed HBO series centered around the mob… and I was instantly intrigued when it pulled me into a deeper exploration of identity, masculinity, and mental health. Tony’s psychiatric treatment with Dr. Melfi helped me recognize symptoms that I thought were just “normal” sadness as brought me to a point where—with the added help of real-life professionals (of course!)—I was more comfortable with healthy expression than repression.

The twelfth episode, “Isabella”, arguably presents Tony Soprano at his lowest point—heavily medicated to the point of hallucination, barely dressing himself, and hardly enough wits to fight back during an attempted assassination as two gunmen corner him on Bloomfield Avenue in Montclair. Continue reading