Tagged: 1990s

True Romance: Clarence’s Rockabilly Road Trip Style

Christian Slater and Patricia Arquette in True Romance (1993)

Vitals

Christian Slater as Clarence Worley, newlywed rockabilly enthusiast and former comic store clerk

Mojave Desert, Spring 1992

Film: True Romance
Release Date: September 10, 1993
Director: Tony Scott
Costume Designer: Susan Becker

WARNING! Spoilers ahead!

Background

The Friday before Memorial Day has been designated National Road Trip Day, celebrating the open road and the start of the summer travel season. As this year is also the 30th anniversary of the Quentin Tarantino-penned, Tony Scott-directed genre-blender True Romance, let’s follow the felonious newlyweds Clarence Worley (Christian Slater) and Alabama Whitman (Patricia Arquette) as they make their way west from Detroit in the Elvis-obsessed Clarence’s pink Cadillac convertible. Continue reading

John Cusack’s Black Suit in The Grifters

John Cusack with Anjelica Huston and Annette Bening in The Grifters (1990)

Vitals

John Cusack as Roy Dillon, swaggering con man with mommy issues

Phoenix and Los Angeles, Summer 1990

Film: The Grifters
Release Date: December 5, 1990
Director: Stephen Frears
Costume Designer: Richard Hornung

WARNING! Spoilers ahead!

Background

At seventeen going on eighteen, Roy Dillon had left home. He took nothing with him but the clothes he wore—clothes he had bought and paid for himself. He took no money but the little in the pockets of his clothes, and that too he had earned.

He wanted nothing from Lilly. She had given him nothing when he needed it, when he was too small to get for himself, and he wasn’t letting her into the game at this late date.

He had no contact with her during the first six months he was away. Then, at Christmas time, he sent her a card, and on Mother’s Day he sent her another. Both were of the gooey sentimental type, dripping with sickly sweetness, but the latter was a real dilly. Hearts and flowers and fat little angels swarmed over it in an insanely hilarious montage. The engraved message was dedicated to Dear Old Mom, and it gushed tearfully of goodnight kisses and platters and pitchers of oven-fresh cookies and milk when a little boy came in from play.

You would have thought that Dear Old Mom (God bless her silvering hair) had been the proprietor of a combination dairy-bakery, serving no customer but her own little tyke (on his brand-new bike).

He was laughing so hard when he sent it that he almost botched up the address. But afterward, he had some sobering second thoughts. Perhaps the joke was on him, yes? Perhaps by gibing at her he was revealing a deep and lasting hurt, admitting that she was tougher than he. And that, naturally, wouldn’t do. He’d taken everything she had to hand out, and it hadn’t made a dent in him. He damned well mustn’t ever let it think it had.

— Jim Thompson, The Grifters, Chapter 5

Reading this passage from one of my favorite pulp novelists inspired today’s Mother’s Day post, by way of Jim Thompson’s acid pen translated onto the screen.

Nominated for four Academy Awards, Stephen Frears’ slick 1990 neo-noir The Grifters joins Psycho (1960) and The Manchurian Candidate (1962) in a cinematic fraternity of twisted depictions of mother-son relationships, represented by short-con operator Roy Dillon (John Cusack) and his estranged mother Lilly (Anjelica Huston), a fellow swindler who has long been in service to sadistic bookie Bobo Justus (Pat Hingle) and eventually requires resources from her son to make her clean getaway:

I gave you your life twice. I’m asking you to give me mine once.

Roy and Lilly’s reunion is complicated by Roy’s hustler girlfriend Myra Langtry (Annette Bening), who schemes to remove the domineering matriarch as an obstacle to partnering with Roy. Continue reading

Seinfeld: 40 Significant Style Moments

Michael Richards, Julia Louis-Dreyfus, Jason Alexander, and Jerry Seinfeld in a promotional photo for Seinfeld

Vitals

Series: Seinfeld
Air Dates: July 5, 1989 — May 14, 1998
Created by: Larry David & Jerry Seinfeld
Costume Designers:
* Charmaine Nash Simmons (seasons 4-9)
* Ruth E. Carter (episode 1 only)
* Jane Ruhm (rest of season 1)
* Llandys Williams (season 2)
* Marie H. Burk (season 3)
Costume Supervisor/Key Costumer: Stephanie Kennedy (seasons 5-9)

Background

This Sunday will be the 25th anniversary of the finale of Seinfeld, the NBC sitcom that remains a pop culture touchstone more than a quarter-century later with phrases like “double-dipping”, “re-gifting”, “shrinkage”, and “yada yada yada” an enduring part of our lexicon… even if those saying them don’t know they originated from Seinfeld.

Centered around the neuroses and misadventures of four everyday New Yorkers, Seinfeld was hardly a fashion-oriented show, yet its focus on the minutiae of life means plenty of focus on the kind of comedy that can be derived from clothing, whether it’s as broad as a ridiculous jacket or as nitpicky as two buttons placed too closely together. Continue reading

Tony Soprano’s Depressed Dad Duds in “Isabella”

James Gandolfini as Tony Soprano on The Sopranos (Episode 1.12: “Isabella”)

Vitals

James Gandolfini as Tony Soprano, depressed New Jersey mob chief

Montclair, New Jersey, Fall 1998

Series: The Sopranos
Episode: “Isabella” (Episode 1.12)
Air Date: March 28, 1999
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

Since 1949, May has been observed as Mental Health Awareness Month. The first day of May aligning with the informal BAMF Style observance of “Mafia Monday” feels fortuitous as it was The Sopranos that helped me get more in touch with my own anxiety and depression.

I was starting college when I first watched The Sopranos, just months after the final episode stymied audiences when it cut to black. I had long loved movies like GoodfellasCasino, and The Godfather, so I was excited when my roommate introduced me to this acclaimed HBO series centered around the mob… and I was instantly intrigued when it pulled me into a deeper exploration of identity, masculinity, and mental health. Tony’s psychiatric treatment with Dr. Melfi helped me recognize symptoms that I thought were just “normal” sadness as brought me to a point where—with the added help of real-life professionals (of course!)—I was more comfortable with healthy expression than repression.

The twelfth episode, “Isabella”, arguably presents Tony Soprano at his lowest point—heavily medicated to the point of hallucination, barely dressing himself, and hardly enough wits to fight back during an attempted assassination as two gunmen corner him on Bloomfield Avenue in Montclair. Continue reading

Pacino in Heat: Vincent Hanna’s Checked Canali Suit

Al Pacino as Vincent Hanna in Heat (1995)

Vitals

Al Pacino as Vincent Hanna, intense LAPD detective-lieutenant and Marine Corps veteran

Los Angeles, Spring 1995

Film: Heat
Release Date: December 15, 1995
Director: Michael Mann
Costume Designer: Deborah Lynn Scott

WARNING! Spoilers ahead!

Background

Happy 83rd birthday to Al Pacino, the iconic actor born April 25, 1940. Pacino rose to fame after his performance as Michael Corleone in The Godfather (1972) and The Godfather, Part II (1974), the latter also establishing his co-star Robert De Niro. After two decades heralded as two of the best actors of their generation, Pacino and De Niro were finally reunited in Heat, sharing the screen for the first time as their characters in The Godfather, Part II never appeared together.

Michael Mann was inspired by the real-life exploits of Chicago detective Chuck Adamson’s investigation into an early 1960s bank robber named Neil McCauley to write and direct Heat, which was actually Mann’s second go at the story which he had originally filmed as a much lower-budget, less complicated made-for-TV movie in 1989 called L.A. Takedown.

Pacino stars in Heat as Vincent Hanna, an intense and idiosyncratic lieutenant in the LAPD’s Robbery-Homicide Division given to bombastic outbursts (especially when women’s asses are a topic of discussion), explained in the original screenplay as the byproduct of Hanna’s cocaine addiction. Hanna is as “funny as a heart attack,” as described to Neil McCauley (Robert De Niro), the professional armed robber whom Hanna becomes increasingly obsessed with hunting, sure that McCauley is planning on a major score but unsure of what it will be.

Continue reading

Ethan Hawke in Before Sunrise

Ethan Hawke as Jesse in Before Sunrise (1995)

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Ethan Hawke as Jesse Wallace, itinerant American

Vienna, June 16-17, 1994

Film: Before Sunrise
Release Date: January 27, 1995
Director: Richard Linklater
Costume Designer: Florentina Welley

WARNING! Spoilers ahead!

Background

Happy Valentine’s Day! While I’ve occasionally used this holiday to feature style from movies depicting gangland violence (think Jimmy Hoffa’s February 14th birthday or the 1967 movie The St. Valentine’s Day Massacre about the real-life 1929 event), this marks my first Valentine’s Day as a married man, so I’m feeling romantic and thus wanted to write about one of my favorite romance-themed movies: Before Sunrise.

For his fourth feature film, director Richard Linklater took inspiration from his chance meeting with a woman in a Philadelphia toy shop that led to the two walking through the city and conversing well into the night. Linklater collaborated with Kim Krizan on a screenplay that would focus heavily on dialogue between a man and a woman who had just met, with their conversations realistically balanced between casual and deep as they get to know each other… and learn more about themselves in the process. Continue reading

From Dusk till Dawn: Tom Savini as Sex Machine

Tom Savini as "Sex Machine" in From Dusk till Dawn (1996)

Tom Savini as “Sex Machine” in From Dusk till Dawn (1996)

Vitals

Tom Savini as “Sex Machine”, whip-snapping biker

Mexico, Summer 1995

Film: From Dusk till Dawn
Release Date: January 17, 1996
Director: Robert Rodriguez
Costume Designer: Graciela Mazón

Background

Though it may be a few days late to celebrate Halloween, it’s always the right time to celebrate Tom Savini, my fellow Pittsburgher who turns 76 tomorrow!

Born November 3, 1946, Savini grew up in the Bloomfield neighborhood and served in the Vietnam War before following his cinematic passion to become an iconic figure in horror movies, working extensively on both sides of the lens as a prosthetic makeup artist, stunt performer, actor, and director. (Non-horror fans may recognize Savini as the beleaguered shop teacher Mr. Callahan in the Pittsburgh-filmed The Perks of Being a Wallflower.)

Perhaps best known for his six (to date) collaborations with George A. Romero, Savini memorably appeared in From Dusk till Dawn, perhaps one of his earliest prominent roles in which he was solely credited as an actor. Savini co-stars as “Sex Machine”, a biker who becomes one of only a half-dozen initial survivors after the vampiric employees of a rowdy bar in the Mexican desert turn on its customers. Continue reading

Reservoir Dogs — Mr. Orange

Tim Roth in Reservoir Dogs

Tim Roth as “Mr. Orange” in Reservoir Dogs (1992)

Vitals

Tim Roth as Freddie Newandyke, aka “Mr. Orange”, member of an armed robbery crew with a deep secret

Los Angeles, Summer 1992

Film: Reservoir Dogs
Release Date: October 9, 1992
Director: Quentin Tarantino
Costume Designer: Betsy Heimann

WARNING! Spoilers ahead!

Background

This month marks the 30th anniversary since the wide release of Reservoir Dogs, Quentin Tarantino’s influential debut that introduced many of the director’s own cinematic trademarks and has been described as one of the greatest independent films of all time.

As we’ve come to expect from QT, Reservoir Dogs pays homage to classic noir and crime films, including Kansas City Confidential (1952), The Big Combo (1955), and—most specifically—The Killing (1956), with a plot centered around a gang of tough guys hired for a what should be a straightforward diamond heist… only to be stymied when it becomes evident that a member of their crew is an informant. Continue reading

Point Break: Gary Busey’s Wild Shirts

Gary Busey in Point Break

Gary Busey as FBI Special Agent Angelo Pappas in Point Break (1991)

Vitals

Gary Busey as Angelo Pappas, beleaguered FBI agent

Los Angeles, Summer 1991

Film: Point Break
Release Date: July 12, 1991
Director: Kathryn Bigelow
Costume Supervisors: Colby P. Bart & Louis Infante

WARNING! Spoilers ahead!

Background

“When are you gonna write about Gary Busey?”

“Where are your posts about Busey’s style in Point Break?”

“Show us the Busey, you coward!”

These are the kinds of questions and comments I never get, and yet, on the 78th birthday on this most idiosyncratic of actors, I want to take a deep dive—or surf—into the wardrobe of one of Gary Busey’s best-known roles. Continue reading

Pulp Fiction: Tim Roth’s Surfer Shirt

Tim Roth in Pulp Fiction (1994)

Tim Roth in Pulp Fiction (1994)

Vitals

Tim Roth as “Pumpkin”, aka “Ringo”, an otherwise unnamed small-time crook

Los Angeles, Summer 1992

Film: Pulp Fiction
Release Date: October 14, 1994
Director: Quentin Tarantino
Costume Designer: Betsy Heimann

WARNING! Spoilers ahead!

Background

Now that it’s summer—and already a hot one!—I’ve started rotating my favorite aloha shirts and tropical prints into my wardrobe. Luckily for me, bright Hawaiian-style resort shirts have been undergoing a wave of revival each summer, perhaps encouraged by Brad Pitt’s now-famous yellow aloha shirt in Quentin Tarantino’s latest, Once Upon a Time in Hollywood.

Style in QT’s early movies typically conjures the well-armed professional criminals in their uniforms of black suits, white shirts, and black ties, but outside of this lethal look, characters in the Tarantino-verse often pulled from the Hawaiian shirts in their closet. The first example would be Harvey Keitel’s blink-and-you’ll-miss-it palm-print shirt before taking Tim Roth’s Mr. Orange for tacos in Reservoir Dogs. Two years later, it was Roth himself that would be tropically attired for the next of Tarantino’s defining cinematic works. Continue reading