Tagged: Spectator Shoes

The Great Gatsby: Sam Waterston’s Beige Linen Birthday Suit

Sam Waterston as Nick Carraway in The Great Gatsby (1974)

Sam Waterston as Nick Carraway in The Great Gatsby (1974)

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Sam Waterston as Nick Carraway, impressionable bachelor and bond salesman

Long Island to New York City, Late Summer 1925

Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren

Background

Just as the summer began with a look at Nick Carraway’s white linen suit as his portrayer Sam Waterston narrated his arrival at a pivotal dinner with the Buchanans in the 1974 cinematic adaptation of The Great Gatsby, let’s bring it to a close by looking at how Nick dresses when returning to their estate on the climactic afternoon of his 30th birthday, which likely would have been sometime around Labor Day. (The movie updated the setting to 1925, though F. Scott Fitzgerald’s novel was set throughout the summer of 1922, which would have placed Nick’s birthday around 100 years ago today on Monday, September 4.)

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Hot Saturday: Cary Grant’s White Suit

Cary Grant as Romer Sheffield in Hot Saturday (1932)

Cary Grant as Romer Sheffield in Hot Saturday (1932)

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Cary Grant as Romer Sheffield, smooth playboy

Ohio, Summer 1932

Film: Hot Saturday
Release Date: October 28, 1932
Director: William A. Seiter

Background

Today being a hot Saturday in late summer reminded me of the early Cary Grant movie called, well, Hot Saturday. 1932 had been a breakout year for the Bristol-born star, as the erstwhile Archie Leach had worked his way in six months from his screen debut (This is the Night) to his first leading role, as the dapper playboy Romer Sheffield in Hot Saturday. (Curiously, this marks the second time both this month and in the decade-long history of this blog that I’m writing about a character named Romer!)

Romer provides a prototype of what would become Grant’s signature screen persona: charming, debonair, and romantic yet wickedly self-deprecating. We meet him on a warm afternoon in the fictional Ohio berg of Marysville, where he strolls into the local bank and makes a date with the young clerk, Ruth Brock (Nancy Carroll), despite his already scandalous living arrangement with a woman named Camille Renault (Rita La Roy). As Ruth already has a date set that weekend with co-worker Connie Billop (Edward Woods), Romer invites both to his lakeside estate for what promises to be a hot Saturday indeed. Continue reading

Joaquin Phoenix as Joker

Joaquin Phoenix as Arthur Fleck

Joaquin Phoenix as Arthur Fleck in Joker (2019)

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Joaquin Phoenix as Arthur Fleck, aka “Joker”, disturbed and disgraced ex-party clown

Gotham City, Fall 1981

Film: Joker
Release Date: October 4, 2019
Director: Todd Phillips
Costume Designer: Mark Bridges

Background

Could there be a more appropriate character to focus on for April Fool’s Day than the Joker?

When I was growing up, the only two actors who had prominently portrayed Gotham City’s psychopathic prankster were Cesar Romero in the classic ’60s series and Jack Nicholson, who received top billing despite not playing the title role in Tim Burton’s 1989 Batman. Since then, we’ve seen a handful of actors cycle through the iconic role, beginning with Heath Ledger in The Dark Knight (2008), a few appearances by Ben Affleck and Jared Leto, and most recently a smaller part performed by Barry Keoghan in The Batman (2022).

Joaquin Phoenix received the Academy Award for Best Actor for his performance in the eponymous role in Joker, a reimagined origin story that pays significant homage to Martin Scorsese’s character studies like Taxi Driver (1976) and The King of Comedy (1983)—both starring Robert De Niro, who would appear in Joker—as well as twists of social commentary and themes from Death Wish (1973) and Fight Club (1999).

Many loved it and many hated it, but there’s little doubting Phoenix’s effectiveness intensity chronicling the troubled Arthur Fleck’s transformation from a desperate wannabe stand-up comedian who feels let down by society into a chaotic killer who unintentionally inspires anarchic revolution and class warfare. Continue reading

The Great Gatsby: Sam Waterston’s Tan Cashmere Sweater

Sam Waterston as Nick Carraway in The Great Gatsby (1974)

Sam Waterston as Nick Carraway in The Great Gatsby (1974)

Vitals

Sam Waterston as Nick Carraway, impressionable bachelor and bond salesman

Long Island, New York, Summer 1925

Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren

Background

To celebrate Sam Waterston’s 81st birthday today, I wanted to return to the actor’s breakthrough performance as Nick Carraway, the central character in Jack Clayton’s stylish The Great Gatsby, adapted from F. Scott Fitzgerald’s famous novel of the same name.

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La grande bellezza (The Great Beauty): Jep’s Hammock-Ready Blue Linen

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

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Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist

Rome, Summer 2012

Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini

Background

Few images illustrate Gershwin’s celebrated concept of “summertime… and the livin’ is easy” as effectively as the hammock. Fittingly, #NationalHammockDay comes at us in midsummer, celebrated annually on July 22.

Paolo Sorrentino’s magnificent masterpiece La grande bellezza stars Toni Servillo as Jep Gambardella, the 65-year-old “king of the high life” whose opulent apartment on Piazza del Colosseo boasts a terrace overlooking the Eternal City. When not hosting his stylish coterie of fellow cultural critics, Jep often takes to the self-suspended hammock positioned on his terrace, drink in hand as he allows his mind to wander while basking under the Roman sun. Continue reading

Mad Men: Don’s Blue Knit Golf Shirt for Memorial Day

Jon Hamm as Don Draper on Mad Men (Episode 2.06: "Maidenform")

Jon Hamm as Don Draper on Mad Men (Episode 2.06: “Maidenform”)

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Jon Hamm as Don Draper, mysterious ad man and Korean War veteran

Ossining, New York, Spring 1962

Series: Mad Men
Episode: “Maidenform” (Episode 2.06)
Air Date: August 31, 2008
Director: Phil Abraham
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

It’s Memorial Day weekend on Mad Men, and the Drapers and their Ossining neighbors gather at the Willow Oaks Golf Club’s annual Ribs and Fashion Show to bemoan their self-described “high-class problems” ranging from the sticky summer from when the Rosenbergs were murdered to taking the fall for the failed Bay of Pigs invasion. Among the elite in their tennis whites and the veterans in their aging uniforms, Don’s simple and timeless knit shirt and trousers has been frequently requested as a popular look from the fashion series, despite only appearing in this one episode.

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La grande bellezza (The Great Beauty): Jep’s Red Jacket

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

Vitals

Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist

Rome, Summer 2012

Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini

Background

Valentine’s Day is this Sunday, and whether you’re celebrating with a great beauty in your life or observing Singles Appreciation Day, you may want to have some eye-catching red ready to wear in the spirit of the season.

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A Place in the Sun: Montgomery Clift’s Labor Day Glen Plaid Sports Coat

Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)

Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)

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Montgomery Clift as George Eastman, dangerously ambitious factory executive

“Loon Lake”, Missouri, Labor Day 1950

Film: A Place in the Sun
Release Date: August 14, 1951
Director: George Stevens
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

With Labor Day weekend ahead, today’s post explores the style from one of my favorite movies set across the late summer holiday. A Place in the Sun was adapted by Michael Wilson and Harry Brown from Theodore Dreiser’s novel An American Tragedy, which was itself based on Chester Gillette’s 1906 murder of his pregnant partner Grace Brown in the Adirondacks.

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La grande bellezza (The Great Beauty): Jep’s Yellow Jacket

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

Vitals

Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist

Rome, Summer 2012

Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini

Background

I first learned of The Great Beauty when it added an Oscar for Best Foreign Language Film to its many deserved accolades during the 86th Academy Awards. Impressed by its vibrant clothing and cinematography, and encouraged by friends and followers who were hoping to learn more about the film’s signature style, I recently had the privilege to watch Paolo Sorrentino’s masterpiece, winner of nine David di Donatello Awards.

It wouldn’t be inaccurate to consider The Great Beauty a spiritual successor the Fellini’s surrealist homages to Rome and creatively blocked auteurs from a half-century earlier—and one can easily envision the elevator pitch as “La Dolce Vita or for the post-Berlusconi era”—though that would overgeneralize the shimmering journey that Paolo Sorrentino presents.

The beautiful film is anchored by the central performance of Toni Servillo as the dapper but disillusioned Jep Gambardella, a popular columnist-cum-socialite whose 65th birthday awakens him to the superficiality of his achieved ambition as “king of the high life”. Continue reading

You Only Live Twice: Bond’s Gray Herringbone Suit in Aki’s Toyota

Sean Connery as James Bond in You Only Live Twice (1967)

Sean Connery as James Bond in You Only Live Twice (1967)

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Sean Connery as James Bond, British government agent presumed dead

Tokyo, Summer 1966

Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair

WARNING! Spoilers ahead!

Background

Welcome to Japan, Mr. Bond.

Sean Connery’s fifth film as James Bond was the first of the franchise to considerably depart from Ian Fleming’s source novel, though it retains the title, the basic plot line and characters, and the Japanese setting. In fact, while most Bond films are continent-hopping travelogues, Japan hosts the majority of the action in You Only Live Twice aside from the pre-credits sequence, set in Hong Kong where Bond is ostensibly murdered.

Of course, it’s hardly a spoiler to reveal that the assassination is a ruse to fool Bond’s enemies into thinking he is out of the picture while the agent himself lives to die another day… in fact, you could say he lived twice! Presumed dead by his enemies after his burial at sea, Bond is free to be sent to Japan to investigate a mysterious spacecraft that has seemingly landed in the Sea of Japan. Bond soon makes contact with his lovely ally Aki (Akiko Wakabayashi), who drives him around Tokyo in a sporty Toyota 2000GT that had been customized by the production to accommodate Sean Connery’s height.

I had long wanted to cover this sequence as I love Bond’s tailoring, Aki’s Toyota, and the trio of drinks he imbibes with varying degrees of satisfaction, but it felt particularly appropriate to write about for a #CarWeek post this 00-7th of July given James Bond’s safe pro-masking message…

The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.

The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.

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