Tagged: Spectator Shoes

A Place in the Sun: Montgomery Clift’s Labor Day Glen Plaid Sports Coat

Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)

Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)

Vitals

Montgomery Clift as George Eastman, dangerously ambitious factory executive

“Loon Lake”, Missouri, Labor Day 1950

Film: A Place in the Sun
Release Date: August 14, 1951
Director: George Stevens
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

With Labor Day weekend ahead, today’s post explores the style from one of my favorite movies set across the late summer holiday. A Place in the Sun was adapted by Michael Wilson and Harry Brown from Theodore Dreiser’s novel An American Tragedy, which was itself based on Chester Gillette’s 1906 murder of his pregnant partner Grace Brown in the Adirondacks.

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La grande bellezza (The Great Beauty): Jep’s Yellow Jacket

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)

Vitals

Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist

Rome, Summer 2012

Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini

Background

I first learned of The Great Beauty when it added an Oscar for Best Foreign Language Film to its many deserved accolades during the 86th Academy Awards. Impressed by its vibrant clothing and cinematography, and encouraged by friends and followers who were hoping to learn more about the film’s signature style, I recently had the privilege to watch Paolo Sorrentino’s masterpiece, winner of nine David di Donatello Awards.

It wouldn’t be inaccurate to consider The Great Beauty a spiritual successor the Fellini’s surrealist homages to Rome and creatively blocked auteurs from a half-century earlier—and one can easily envision the elevator pitch as “La Dolce Vita or for the post-Berlusconi era”—though that would overgeneralize the shimmering journey that Paolo Sorrentino presents.

The beautiful film is anchored by the central performance of Toni Servillo as the dapper but disillusioned Jep Gambardella, a popular columnist-cum-socialite whose 65th birthday awakens him to the superficiality of his achieved ambition as “king of the high life”. Continue reading

You Only Live Twice: Bond’s Gray Herringbone Suit in Aki’s Toyota

Sean Connery as James Bond in You Only Live Twice (1967)

Sean Connery as James Bond in You Only Live Twice (1967)

Vitals

Sean Connery as James Bond, British government agent presumed dead

Tokyo, Summer 1966

Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair

WARNING! Spoilers ahead!

Background

Welcome to Japan, Mr. Bond.

Sean Connery’s fifth film as James Bond was the first of the franchise to considerably depart from Ian Fleming’s source novel, though it retains the title, the basic plot line and characters, and the Japanese setting. In fact, while most Bond films are continent-hopping travelogues, Japan hosts the majority of the action in You Only Live Twice aside from the pre-credits sequence, set in Hong Kong where Bond is ostensibly murdered.

Of course, it’s hardly a spoiler to reveal that the assassination is a ruse to fool Bond’s enemies into thinking he is out of the picture while the agent himself lives to die another day… in fact, you could say he lived twice! Presumed dead by his enemies after his burial at sea, Bond is free to be sent to Japan to investigate a mysterious spacecraft that has seemingly landed in the Sea of Japan. Bond soon makes contact with his lovely ally Aki (Akiko Wakabayashi), who drives him around Tokyo in a sporty Toyota 2000GT that had been customized by the production to accommodate Sean Connery’s height.

I had long wanted to cover this sequence as I love Bond’s tailoring, Aki’s Toyota, and the trio of drinks he imbibes with varying degrees of satisfaction, but it felt particularly appropriate to write about for a #CarWeek post this 00-7th of July given James Bond’s safe pro-masking message…

The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.

The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.

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Bruno’s Hitch-Designed Lobster Tie in Strangers on a Train

Robert Walker as Bruno Antony in Strangers on a Train (1951)

Robert Walker as Bruno Antony in Strangers on a Train (1951)

Vitals

Robert Walker as Bruno Antony, obsessive psychopath who “never seemed to do anything”

On the train from Washington, D.C., to New York, Late Summer 1950

Film: Strangers on a Train
Release Date: June 30, 1951
Director: Alfred Hitchcock
Costume Designer: Leah Rhodes

WARNING! Spoilers ahead!

Background

This week, BAMF Style commemorates the birthday of Alfred Hitchcock, showcasing some notable men’s style across the oeuvre of the “Master of Suspense” who was born 120 years ago today on August 13, 1899. Continue reading

The Band Wagon: Fred Astaire Dances in Beige and Yellow

Fred Astaire and Cyd Charisse in The Band Wagon (1953)

Fred Astaire and Cyd Charisse in The Band Wagon (1953)

Vitals

Fred Astaire as Tony Hunter, musical comedy star

New York, Spring 1953

Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg

Background

On National Dance Day (July 27), who better to feature on BAMF Style than that most elegant, sophisticated, and talented of dancers, Fred Astaire. In particular, let’s look at an iconic dance sequence in The Band Wagon, that most homaged and visually spectacular of Astaire’s prolific filmography.

We encounter song and dance man Tony Hunter as he gets out his aggression about the Faustian creative direction of what was supposed to be his latest lighthearted musical comedy as well as his contentious relationship with his co-star, virtuoso ballerina Gabrielle Gerard (Cyd Charisse). Continue reading

Havana – Robert Redford’s Blue Camp Shirt and Cadillac

Robert Redford as Jack Weil driving a 1955 Cadillac in Havana (1990)

Robert Redford as Jack Weil driving a 1955 Cadillac in Havana (1990)

Vitals

Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran

Santa Clara, Cuba, December 1958

Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

Extending #CarWeek to get to casual Friday gives us the opportunity to pay tribute to Robert Redford’s classic casual warm-weather attire behind the wheel of a grand Cadillac convertible from the fabulous ’50s. The film in question is, of course, Havana, Sydney Pollack’s 1990 paean to Casablanca that starred Redford as Jack Weil, a cynical American gambler who finds love in the form of Cuban revolutionary Roberta “Bobby” Duran (Lena Olin) on the eve of that country’s revolution.

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The Great Gatsby: Three Suits in Three Adaptations

Vitals

Robert Redford in The Great Gatsby (1974), Toby Stephens in The Great Gatsby (2000), and Leonardo DiCaprio in The Great Gatsby (2013)

Robert Redford in The Great Gatsby (1974), Toby Stephens in The Great Gatsby (2000), and Leonardo DiCaprio in The Great Gatsby (2013)

Jay Gatsby, romantic millionaire and shady bootlegger

Long Island, NY, Summer 1922

Played by Robert Redford in…

Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes: Ralph Lauren

Played by Toby Stephens in…

Film: The Great Gatsby
Release Date: March 29, 2000
Director: Robert Markowitz
Costume Designer: Nicoletta Massone

and played by Leonardo DiCaprio in…

Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Clothes: Brooks Brothers

Background

With its now famous tale of doomed romance, debauchery and death, and the failure of the American dream against a backdrop of riotous parties and scandalous adultery, The Great Gatsby was destined for the screen from the moment it hit shelves in the spring of 1925 at the height of what its author, F. Scott Fitzgerald, coined “the Jazz Age.” Continue reading

Havana – Robert Redford’s Cream Linen Jacket

Robert Redford as Jack Weil in Havana (1990)

Robert Redford as Jack Weil in Havana (1990)

Vitals

Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran

Havana, December 1958

Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

As Memorial Day is often considered the start of the American summer fashion season, today’s post explores an example of timeless warm-weather apparel sported by Robert Redford in Havana.

Havana, Sydney Pollack’s 1990 ode to Casablanca, stars Redford as a cynical American gambler who finds romance in the Cuban capital on the eve of the country’s revolution. The object of his affection is Roberta “Bobby” Duran (Lena Olin), a revolutionary sympathizer who is forced to determine if her heart remains with her husband and the revolution or the chance of a life in America with Redford’s Jack Weil. Continue reading

Drunken Angel: Matsunaga’s White Suit

Toshirô Mifune as Matsunaga in Drunken Angel (1948)

Toshirô Mifune as Matsunaga in Drunken Angel (1948)

Vitals

Toshirô Mifune as Matsunaga, tubercular Japanese gangster

Japan, summer 1947

Film: Drunken Angel
(
Japanese title: 醉いどれ天使 Yoidore Tenshi)
Release Date: April 27, 1948
Director: Akira Kurosawa

WARNING! Spoilers ahead!

Background

One request I received about a year ago was the flashy tailored style of Matsunaga, the swaggering Yakuza lieutenant at the heart – or should I say lung – of Kurosawa’s 1948 masterpiece Drunken Angel.

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Bing’s Navy Blazer in High Society

Bing Crosby as C.K. Dexter Haven in High Society (1956)

Bing Crosby as C.K. Dexter Haven in High Society (1956)

Vitals

Bing Crosby as C.K. Dexter Haven, jazz musician

Newport, Rhode Island, Summer 1956

Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose

Background

Happy St. Valentine’s Day! This year’s theme for the #WeekOfWeddings seems to be impromptu nuptials that find our cheeky protagonists thrust into taking the vows without a chance to don traditional wedding attire. Today, we’re following a mischievous summer weekend among the socialites of Newport, Rhode Island, in High Society, the musical remake of The Philadelphia Story.

High Society recasts The Philadelphia Story‘s leading gents Cary Grant and Jimmy Stewart with the more musically inclined Bing Crosby and Frank Sinatra, respectively, though it’s interesting to note that Crosby is actually a few months older than Grant, making this surely one of the few times in movie history that a remake actually featured a performer older than his or her predecessor!

Katharine Hepburn’s role was recast with Grace Kelly, establishing High Society as the actress’ final film role before her retirement at the age of 26 upon marriage to Prince Rainier III of Monaco. In the spirit of marriage, Kelly wore her actual Cartier engagement ring from Rainier on screen. Continue reading