Tagged: Spectator Shoes
A Place in the Sun: Montgomery Clift’s Labor Day Glen Plaid Sports Coat
Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)
Vitals
Montgomery Clift as George Eastman, dangerously ambitious factory executive
“Loon Lake”, Missouri, Labor Day 1950
Film: A Place in the Sun
Release Date: August 14, 1951
Director: George Stevens
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
With Labor Day weekend ahead, today’s post explores the style from one of my favorite movies set across the late summer holiday. A Place in the Sun was adapted by Michael Wilson and Harry Brown from Theodore Dreiser’s novel An American Tragedy, which was itself based on Chester Gillette’s 1906 murder of his pregnant partner Grace Brown in the Adirondacks.
La grande bellezza (The Great Beauty): Jep’s Yellow Jacket
Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)
Vitals
Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist
Rome, Summer 2012
Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini
Background
I first learned of The Great Beauty when it added an Oscar for Best Foreign Language Film to its many deserved accolades during the 86th Academy Awards. Impressed by its vibrant clothing and cinematography, and encouraged by friends and followers who were hoping to learn more about the film’s signature style, I recently had the privilege to watch Paolo Sorrentino’s masterpiece, winner of nine David di Donatello Awards.
It wouldn’t be inaccurate to consider The Great Beauty a spiritual successor the Fellini’s surrealist homages to Rome and creatively blocked auteurs from a half-century earlier—and one can easily envision the elevator pitch as “La Dolce Vita or 8½ for the post-Berlusconi era”—though that would overgeneralize the shimmering journey that Paolo Sorrentino presents.
The beautiful film is anchored by the central performance of Toni Servillo as the dapper but disillusioned Jep Gambardella, a popular columnist-cum-socialite whose 65th birthday awakens him to the superficiality of his achieved ambition as “king of the high life”. Continue reading
You Only Live Twice: Bond’s Gray Herringbone Suit in Aki’s Toyota
Sean Connery as James Bond in You Only Live Twice (1967)
Vitals
Sean Connery as James Bond, British government agent presumed dead
Tokyo, Summer 1966
Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair
WARNING! Spoilers ahead!
Background
Welcome to Japan, Mr. Bond.
Sean Connery’s fifth film as James Bond was the first of the franchise to considerably depart from Ian Fleming’s source novel, though it retains the title, the basic plot line and characters, and the Japanese setting. In fact, while most Bond films are continent-hopping travelogues, Japan hosts the majority of the action in You Only Live Twice aside from the pre-credits sequence, set in Hong Kong where Bond is ostensibly murdered.
Of course, it’s hardly a spoiler to reveal that the assassination is a ruse to fool Bond’s enemies into thinking he is out of the picture while the agent himself lives to die another day… in fact, you could say he lived twice! Presumed dead by his enemies after his burial at sea, Bond is free to be sent to Japan to investigate a mysterious spacecraft that has seemingly landed in the Sea of Japan. Bond soon makes contact with his lovely ally Aki (Akiko Wakabayashi), who drives him around Tokyo in a sporty Toyota 2000GT that had been customized by the production to accommodate Sean Connery’s height.
I had long wanted to cover this sequence as I love Bond’s tailoring, Aki’s Toyota, and the trio of drinks he imbibes with varying degrees of satisfaction, but it felt particularly appropriate to write about for a #CarWeek post this 00-7th of July given James Bond’s safe pro-masking message…
The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.
Bruno’s Hitch-Designed Lobster Tie in Strangers on a Train
Robert Walker as Bruno Antony in Strangers on a Train (1951)
Vitals
Robert Walker as Bruno Antony, obsessive psychopath who “never seemed to do anything”
On the train from Washington, D.C., to New York, Late Summer 1950
Film: Strangers on a Train
Release Date: June 30, 1951
Director: Alfred Hitchcock
Costume Designer: Leah Rhodes
WARNING! Spoilers ahead!
Background
This week, BAMF Style commemorates the birthday of Alfred Hitchcock, showcasing some notable men’s style across the oeuvre of the “Master of Suspense” who was born 120 years ago today on August 13, 1899. Continue reading
The Band Wagon: Fred Astaire Dances in Beige and Yellow
Fred Astaire and Cyd Charisse in The Band Wagon (1953)
Vitals
Fred Astaire as Tony Hunter, musical comedy star
New York, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
Background
On National Dance Day (July 27), who better to feature on BAMF Style than that most elegant, sophisticated, and talented of dancers, Fred Astaire. In particular, let’s look at an iconic dance sequence in The Band Wagon, that most homaged and visually spectacular of Astaire’s prolific filmography.
We encounter song and dance man Tony Hunter as he gets out his aggression about the Faustian creative direction of what was supposed to be his latest lighthearted musical comedy as well as his contentious relationship with his co-star, virtuoso ballerina Gabrielle Gerard (Cyd Charisse). Continue reading
Havana – Robert Redford’s Blue Camp Shirt and Cadillac
Robert Redford as Jack Weil driving a 1955 Cadillac in Havana (1990)
Vitals
Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran
Santa Clara, Cuba, December 1958
Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
Extending #CarWeek to get to casual Friday gives us the opportunity to pay tribute to Robert Redford’s classic casual warm-weather attire behind the wheel of a grand Cadillac convertible from the fabulous ’50s. The film in question is, of course, Havana, Sydney Pollack’s 1990 paean to Casablanca that starred Redford as Jack Weil, a cynical American gambler who finds love in the form of Cuban revolutionary Roberta “Bobby” Duran (Lena Olin) on the eve of that country’s revolution.
The Great Gatsby: Three Suits in Three Adaptations
Vitals
Robert Redford in The Great Gatsby (1974), Toby Stephens in The Great Gatsby (2000), and Leonardo DiCaprio in The Great Gatsby (2013)
Jay Gatsby, romantic millionaire and shady bootlegger
Long Island, NY, Summer 1922
Played by Robert Redford in…
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes: Ralph Lauren
Played by Toby Stephens in…
Film: The Great Gatsby
Release Date: March 29, 2000
Director: Robert Markowitz
Costume Designer: Nicoletta Massone
and played by Leonardo DiCaprio in…
Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Clothes: Brooks Brothers
Background
With its now famous tale of doomed romance, debauchery and death, and the failure of the American dream against a backdrop of riotous parties and scandalous adultery, The Great Gatsby was destined for the screen from the moment it hit shelves in the spring of 1925 at the height of what its author, F. Scott Fitzgerald, coined “the Jazz Age.” Continue reading
Havana – Robert Redford’s Cream Linen Jacket
Robert Redford as Jack Weil in Havana (1990)
Vitals
Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran
Havana, December 1958
Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
As Memorial Day is often considered the start of the American summer fashion season, today’s post explores an example of timeless warm-weather apparel sported by Robert Redford in Havana.
Havana, Sydney Pollack’s 1990 ode to Casablanca, stars Redford as a cynical American gambler who finds romance in the Cuban capital on the eve of the country’s revolution. The object of his affection is Roberta “Bobby” Duran (Lena Olin), a revolutionary sympathizer who is forced to determine if her heart remains with her husband and the revolution or the chance of a life in America with Redford’s Jack Weil. Continue reading
Drunken Angel: Matsunaga’s White Suit
Toshirô Mifune as Matsunaga in Drunken Angel (1948)
Vitals
Toshirô Mifune as Matsunaga, tubercular Japanese gangster
Japan, summer 1947
Film: Drunken Angel
(Japanese title: 醉いどれ天使 Yoidore Tenshi)
Release Date: April 27, 1948
Director: Akira Kurosawa
WARNING! Spoilers ahead!
Background
One request I received about a year ago was the flashy tailored style of Matsunaga, the swaggering Yakuza lieutenant at the heart – or should I say lung – of Kurosawa’s 1948 masterpiece Drunken Angel.
Bing’s Navy Blazer in High Society
Bing Crosby as C.K. Dexter Haven in High Society (1956)
Vitals
Bing Crosby as C.K. Dexter Haven, jazz musician
Newport, Rhode Island, Summer 1956
Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose
Background
Happy St. Valentine’s Day! This year’s theme for the #WeekOfWeddings seems to be impromptu nuptials that find our cheeky protagonists thrust into taking the vows without a chance to don traditional wedding attire. Today, we’re following a mischievous summer weekend among the socialites of Newport, Rhode Island, in High Society, the musical remake of The Philadelphia Story.
High Society recasts The Philadelphia Story‘s leading gents Cary Grant and Jimmy Stewart with the more musically inclined Bing Crosby and Frank Sinatra, respectively, though it’s interesting to note that Crosby is actually a few months older than Grant, making this surely one of the few times in movie history that a remake actually featured a performer older than his or her predecessor!
Katharine Hepburn’s role was recast with Grace Kelly, establishing High Society as the actress’ final film role before her retirement at the age of 26 upon marriage to Prince Rainier III of Monaco. In the spirit of marriage, Kelly wore her actual Cartier engagement ring from Rainier on screen. Continue reading