Tagged: Dancer
Rudolf Nureyev’s Dancing Tailcoat as Valentino
Rudolf Nureyev as Rudolph Valentino in Valentino (1977)
Vitals
Rudolf Nureyev as Rudolph Valentino, Italian-American dancer and future silent film star
Los Angeles, Fall 1919
Film: Valentino
Release Date: October 4, 1977
Director: Ken Russell
Costume Designer: Shirley Russell
Tailor: Anderson & Sheppard
WARNING! Spoilers ahead!
Background
The sudden death of screen icon Rudolph Valentino 100 years ago today on August 23, 1926 prompted mass public mourning including approximately 100,000 mourners lining the streets of Manhattan to pay their respects. Among these was his lover—and fellow silent-era sex symbol—Pola Negri, who theatrically collapsed over his $10,000 coffin, which she had previously adorned with an eleven-foot-long bank of lilies spelling out her own name. In contrast to more tasteful tributes offered by contemporaries like Charlie Chaplin and Buster Keaton, fans launched a day-long riot by smashing the Frank E. Campbell Funeral Chapel’s windows in attempts to get in, while there were also reported suicides from despondent devotees.
Valentino’s death at age 31 at the height of his stardom contributed to his lasting mystique and old Hollywood legends. His star had shown hard and fast during the silent film era of the roaring ’20s, following his global breakthrough in the 1921 anti-war epic The Four Horsemen of the Apocalypse. Nicknamed the “Latin Lover” but alternately known simply as “Valentino”, the actor’s intense and exotic presence in romantic roles earned him wide devotion among female fans… and a jealous ire among men who questioned his masculinity.
The latter backlash to his persona dogged Valentino throughout his career, culminating in the actor challenging a Chicago Tribune reporter to a boxing or wrestling match. Following the writer’s failure to respond, New York Evening Journal boxing writer Frank “Buck” O’Neil took the challenge and publicly faced off against Valentino on the roof of the Ambassador Hotel in New York, refereed by heavyweight champion Jack Dempsey, who would later describe Valentino as “the most virile and masculine of men.” O’Neil only landed one punch before the Latin Lover swiftly knocked him down and won the bout. Ever the gentleman, the victorious Valentino apologized to O’Neil when helping him to his feet.
The real Rudolph Valentino (1895-1926) dances with Alice Terry in The Four Horsemen of the Apocalypse (1921), which would transform Valentino from a supporting player into a superstar.
Valentino’s life and legend has made him a popular subject for film and TV representation, from the 1951 biopic Valentino to Finn Wittrock portraying a vampiric Valentino in the fifth season of American Horror Story. But perhaps the most notorious retelling was Ken Russell’s 1977 drama Valentino, based on Chaw Mank and Brad Steiger’s biography subttitled “an Intimate Exposé of the Sheik” and starring Russian-born dancer Rudolf Nureyev as the titular actor. Continue reading
Gene Kelly in It’s Always Fair Weather
Gene Kelly in It’s Always Fair Weather (1955)
Vitals
Gene Kelly as Ted Riley, dancing gambler and World War II veteran
New York City, Fall 1955
Film: It’s Always Fair Weather
Release Date: September 2, 1955
Directed by: Gene Kelly & Stanley Donen
Costume Designer: Helen Rose
WARNING! Spoilers ahead!
Background
Happy first day of spring! As fairer weather sets in across the Northern Hemisphere, let’s flash back to the 1950s as the marvelously multi-talented Gene Kelly tap-danced on roller-skates in the MGM musical satire It’s Always Fair Weather.
The Cotton Club: Gregory Hines Dances in Houndstooth
Gregory Hines as Sandman Williams in The Cotton Club (1984)
Vitals
Gregory Hines as Delbert “Sandman” Williams, affable and ambitious dancer
Harlem, Spring 1929
Film: The Cotton Club
Release Date: December 14, 1984
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
Background
One of the most celebrated tap dancers of all time, the multi-talented Gregory Hines died 20 years ago today on August 9, 2003. His charismatic performance as “Sandman” Williams remains a highlight from Francis Ford Coppola’s The Cotton Club, an ambitious and controversial part-musical, part-mob drama that producer Robert Evans spent five years bringing to the screen.
Centered around the legendary Cotton Club in Harlem, the movie boasts all the ingredients to entertain: an evocative Prohibition-era setting at an iconic nightclub, a pitch-perfect period soundtrack from John Barry that replicates the sounds of Duke Ellington and Cab Calloway, and a talented cast that includes then-rising stars like Richard Gere, Diane Lane, Nicolas Cage, Laurence Fishburne, Jennifer Grey, James Remar, and Gregory and Maurice Hines. Continue reading
Singin’ in the Rain: Gene Kelly’s Tweed Norfolk Suit
Gene Kelly as Don Lockwood in Singin’ in the Rain (1952)
Vitals
Gene Kelly as Don Lockwood, ambitious film actor, singer, and dancer
Hollywood, Spring 1927
Film: Singin’ in the Rain
Release Date: April 11, 1952
Directed by: Gene Kelly & Stanley Donen
Costume Designer: Walter Plunkett
Background
What better way to welcome April showers than by celebrating the 70th anniversary of Singin’ in the Rain, which was widely released on this day in 1952, just two weeks after it premiered at Radio City Music Hall.
Now considered not just one of the best musical films but one of the best movies of all time, Singin’ in the Rain centers around Hollywood during the waning months of the silent era as studios made the shift to “talkies” following the release of The Jazz Singer in 1927. The transition is no problem for the multi-talented Don Lockwood (Gene Kelly), who shares his portrayer’s finely honed abilities to sing, act, and dance, but previews for Don’s latest feature—the period drama The Dueling Cavalier—illustrate that Don’s brassy, vain co-star Lina Lamont (Jean Hagen) is woefully underprepared for the new phase of their career, her shrill accent eliciting laughter and frustration from the test audiences.
Brainstorming over late-night sandwiches and milk with his professional partner Cosmo Brown (Donald O’Connor) and his new love interest Kathy Selden (Debbie Reynolds), Don’s brain trust determines that The Dueling Cavalier could potentially be retooled as a musical, with Kathy dubbing Lina’s grating voice behind the scenes. This being a musical, the trio celebrates their breakthrough with a rousing rendition of “Good Mornin'” as the rain falls outside, followed by a gleeful Don kissing Kathy goodnight and—delighted with the prospects of his professional and romantic futures—singing the titular ditty as he dances home in the downpour. Continue reading
The Band Wagon: Fred Astaire in Brown and Pink
Fred Astaire as Tony Hunter in The Band Wagon (1953)
Vitals
Fred Astaire as Tony Hunter, musical comedy star
Washington, D.C., to Baltimore via train, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
Background
In addition to being Mother’s Day, today also commemorates the birthday of the multi-talented song-and-dance legend Fred Astaire, born May 10, 1899, in Omaha. To honor this elegant dance legend and suggest an outfit that your mother may appreciate as you’re delivering flowers (or communicating via FaceTime, depending on your level of pandemic-informed social distancing today), let’s take a look at a pleasant but all-too-briefly featured outfit from Astaire’s 1953 musical The Band Wagon.
The Band Wagon: Fred Astaire’s Gray Flannel Suit
Fred Astaire as Tony Hunter in The Band Wagon (1953)
Vitals
Fred Astaire as Tony Hunter, musical comedy star
New York, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
Background
Happy 2020!
Let’s dance into the new year with a dapper Fred Astaire in the dazzling opening sequence of Vincent Minnelli’s 1953 musical The Band Wagon, more than a decade after Astaire had danced across the screen with Bing Crosby, Virginia Dale, and Marjorie Reynolds for two on-screen New Year celebrations in Holiday Inn. Continue reading
The Band Wagon: Fred Astaire Dances in Beige and Yellow
Fred Astaire and Cyd Charisse in The Band Wagon (1953)
Vitals
Fred Astaire as Tony Hunter, musical comedy star
New York, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
Background
On National Dance Day (July 27), who better to feature on BAMF Style than that most elegant, sophisticated, and talented of dancers, Fred Astaire. In particular, let’s look at an iconic dance sequence in The Band Wagon, that most homaged and visually spectacular of Astaire’s prolific filmography.
We encounter song and dance man Tony Hunter as he gets out his aggression about the Faustian creative direction of what was supposed to be his latest lighthearted musical comedy as well as his contentious relationship with his co-star, virtuoso ballerina Gabrielle Gerard (Cyd Charisse). Continue reading
Fred Astaire’s Stone “Girl Hunt” Suit in The Band Wagon
Fred Astaire and Cyd Charisse in The Band Wagon (1953)
Vitals
Fred Astaire as Tony Hunter, musical comedy star
New York, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
Background
Today marks what would have been the 120th birthday of Fred Astaire, the renowned Nebraska-born dancer and singer whose prolific career on stage and screen extended more than three quarters of a century.
The Band Wagon (1953) is considered a highlight of the entertainer’s career, starring Astaire as a once-famous musical star who hopes to revive his career with a major Broadway production. Even if you’re not into musicals, it’s hard not to appreciate Astaire’s elegant footwork as he masterfully dances through the film’s culminating number, “Girl Hunt”, based on the novels of Mickey Spillane. Continue reading
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