After I shared some of my favorite budget-friendly movie and TV-inspired summer shirts this year, I also received some interest in a similar post for the autumn so my thoughts immediately went to rounding up some fall-friendly flannel shirts, jackets, and shackets based on my favorite types of movies to watch around this time of year.
My taste in fall movies runs from the rough to the refined. Having grown up watching The Dukes of Hazzard, I always had a soft spot for the low-budget “hick flicks” (and I use the term endearingly) often rolled out during the ’70s by groups like American International Pictures or New World Pictures. The latter distributed Moonshine County Express, one of many movies I saw for the first time while under quarantine this year, and a clear bridge between Burt Reynolds’ early fare like White Lightning and the more formulaic world of the Duke boys in Hazzard County.
Of course, it also wouldn’t be fall without the melodramatic sophistication of Douglas Sirk or his romantic heroes with a taste for flannel as modeled by Rock Hudson in All That Heaven Allows or by his spiritual successor Dennis Haysbert in the autumnal drama Far From Heaven, Todd Haynes’ 2002 ode to Sirk.
Finally, the holidays means we’re in Die Hard season with both the 1988 original film and its 1990 sequel each set during an action-packed Christmas Eve. Bruce Willis’ cynical hero may be tragically underdressed for his adventure in Nakatomi Tower, but he makes up for it two years later by keeping his shirt and shoes while battling baddies in the snow.
Please feel free to add your own observations or flannel favorites in the comments! Continue reading
Alain Delon as Jean Laurier, aka “Scorpio”, dangerous freelance assassin, former French paratrooper, and cat lover
Washington, D.C., and Vienna, Spring 1973
Release Date: April 19, 1973
Director: Michael Winner
Wardrobe Master: Philippe Pickford
WARNING! Spoilers ahead!
Happy 85th birthday to French cinema icon Alain Delon, whose November 8, 1935 birthday makes him a Scorpio and thus a fitting choice for the title role in Michael Winner’s 1973 espionage thriller Scorpio. (Interestingly, Delon was re-teamed with The Leopard co-star Burt Lancaster, whose November 2, 1913 birthday makes him a Scorpio as well!) The astrological overtones sneak into the script as well as a CIA officer suggests to Delon’s character Jean Laurier that his codename “Scorpio” suits him:
We named you well, you’re a perfect Scorpio! You have a penchant for intrigue, violence…
Denzel Washington as Ezekiel “Easy” Rawlins, former aircraft mechanic and World War II veteran
Los Angeles, Summer 1948
Film: Devil in a Blue Dress
Release Date: September 29, 1995
Director: Carl Franklin
Costume Designer: Sharen Davis
WARNING! Spoilers ahead!
#Noirvember continues with Devil in a Blue Dress, adapted from Walter Mosley’s excellent 1990 novel of the same name introducing readers to Ezekiel “Easy” Rawlins, an Army veteran making his way in postwar Los Angeles. Though he would later transform into a full-time private detective, Devil in a Blue Dress establishes Easy as a neo-Hitchockian hero, an everyman who finds himself at the center of a dangerous mystery after losing his job at an aircraft assembly plant.
James Gandolfini as Tony Soprano, New Jersey mob boss
Montclair, New Jersey, Fall 2007
Series: The Sopranos
– “The Ride” (Episode 6.09, dir. Alan Taylor, aired May 7, 2006)
– “Chasing It” (Episode 6.16, dir. Tim Van Patten, aired April 29, 2007)
– “The Blue Comet” (Episode 6.20, dir. Alan Taylor, aired June 3, 2007)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
On the seventh anniversary of James Gandolfini’s death, I chose to celebrate the actor’s legacy with another look from the landmark HBO series The Sopranos. (Fans of the Skip’s outfits should already be following my friend @TonySopranoStyle on Instagram!)
In the series’ penultimate episode, “The Blue Comet”, Tony Soprano had no idea that this therapy session would be his last, blissfully idling his time in Dr. Jennifer Melfi’s waiting room by purloining a pepper-marinated steak recipe from Departures magazine. Unbeknownst to him, it’s one ravaged periodical too many as Dr. Melfi is already having serious concerns about having potentially spent the last seven years enabling a dangerous sociopath rather than helping him.
Steve McQueen as Steve Andrews, headstrong teenager
Chester County, Pennsylvania, Summer 1957
Film: The Blob
Release Date: September 12, 1958
Director: Irvin S. Yeaworth, Jr.
As today would have been Steve McQueen’s 90th birthday, let’s take a look at his first starring role, a sci-fi/horror drive-in favorite called The Blob. A personal favorite of producer Jack H. Harris, The Blob was filmed on location in southeastern Pennsylvania on a low budget that, depending on the source, has been quoted as anywhere between $110,000 and $240,000, a cost kept low thanks in part to the low $3,000 salary that the then-struggling actor McQueen had accepted to afford short-term expenses like food and rent.
After two uncredited movie roles and scattered TV bit parts across the mid-1950s, McQueen’s credited feature film debut was in Robert Stevens’ 1958 crime drama Never Love a Stranger, which also featured his future Bullitt co-star Felice Orlandi. Less than a week after the premiere episode of Wanted Dead or Alive aired on CBS in September 1958, The Blob was released in theaters with “Steven McQueen” first-billed.
Fred Astaire as Tony Hunter, musical comedy star
New York, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
On National Dance Day (July 27), who better to feature on BAMF Style than that most elegant, sophisticated, and talented of dancers, Fred Astaire. In particular, let’s look at an iconic dance sequence in The Band Wagon, that most homaged and visually spectacular of Astaire’s prolific filmography.
We encounter song and dance man Tony Hunter as he gets out his aggression about the Faustian creative direction of what was supposed to be his latest lighthearted musical comedy as well as his contentious relationship with his co-star, virtuoso ballerina Gabrielle Gerard (Cyd Charisse). Continue reading
Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”
Bermuda, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)
After being first splashed, then swept, off her feet by the charming tycoon Philip Shayne (Cary Grant), unemployed Manhattanite Cathy Timerblake (Doris Day) finds herself accepting his impromptu invitation to join her for a summery respite in Bermuda. “Nowhere else in the world an you see beaches with pink sand,” Philip promises.
Having purchased every seat on a Pan Am passenger jet to Bermuda, Philip is there to meet her as she deplanes, chauffeuring her in his 1961 Citroën roadster to their luxurious suite at the Victoria Hotel, which is doubled on screen by the Fairmont Miramar Hotel in Santa Monica. Continue reading
Jeff Bridges as Jeffrey “The Dude” Lebowski, laidback stoner and bowler
Los Angeles, Fall 1991
Film: The Big Lebowski
Release Date: March 6, 1998
Director: Joel Coen & Ethan Coen
Costume Designer: Mary Zophres
WARNING! Spoilers ahead!
If you know what day it is, you probably have a good idea about why BAMF Style is returning to the less-than-formal style of Jeffrey “The Dude” Lebowski today.
While his Pendleton cowichan knit cardigan from a previous post is arguably his signature wardrobe staple, today’s post takes a look at a truly one-of-a-kind item from The Dude’s laidback closet. Continue reading
Jon Hamm as Don Draper, advertising creative director and whiskey aficionado
All around the United States, Summer 1968 through Summer 1969
Series: Mad Men
– “For Immediate Release” (Episode 6.06), dir. Jennifer Getzinger, aired 5/5/2013
– “The Better Half” (Episode 6.09), dir. Phil Abraham, aired 5/26/2013
– “Time Zones” (Episode 7.01), dir. Scott Hornbacher, aired 4/13/2014
– “The Strategy” (Episode 7.06), dir. Phil Abraham, aired 5/18/2014
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead! Continue reading
Tony Musante as Eddie Hagan, smooth and ruthless fringe mobster
Kansas City, Summer 1931
Film: The Grissom Gang
Release Date: May 28, 1971
Director: Robert Aldrich
Costume Designer: Norma Koch
The Grissom Gang had intrigued me ever since I was in eighth grade. I was flipping through a book about crime cinema from the school library when I found myself paused on a full-page photo of a man in a bloody white dinner jacket stumbled out of a roadster while Kim Darby sat in the passenger seat with her mouth agape. I had been newly introduced to Bonnie and Clyde, Dillinger, and other films depicting that famous 1930s crime wave, but The Grissom Gang remained elusive.
Half a decade later, I was a college student with a considerably better budget and the vast resources of the internet at my disposal. I finally managed to track down a DVD of The Grissom Gang and, despite what the critics said, I was far from disappointed. Granted, I had no idea what to expect, so a sweaty, exploitative period crime piece from The Dirty Dozen was exactly what I was happy to get.
The Grissom Gang was the second major cinematic adaptation of James Hadley Chase’s 1939 novel No Orchids for Miss Blandish, following the poorly received British-made noir wannabe from 1948. When Robert Aldrich stepped into the wheelhouse for his adaptation, he kicked the setting back to the early 1930s when the Depression-era desperadoes reigned from powerful organized crime figures down to the lowliest highway robbers.