Tagged: Christmas
The Family Stone: Luke Wilson’s New Plaid Polo Jacket on Christmas Morning
Luke Wilson as Ben Stone in The Family Stone (2005)
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Luke Wilson as Ben Stone, documentary film editor
New England, Christmas 2005
Film: The Family Stone
Release Date: December 16, 2005
Director: Thomas Bezucha
Costume Designer: Shay Cunliffe
WARNING! Spoilers ahead!
Background
Merry Christmas!
Released twenty years ago this month, The Family Stone (written and directed by Thomas Bezucha) has quietly earned its place in the modern Christmas-movie canon—not through spectacle or sentimentality, but by capturing something far more recognizable: the particular emotional chaos of being home for the holidays with people who know you a little too well.
Already an emotionally demanding watch, The Family Stone feels newly poignant in the wake of Diane Keaton’s death in October 2025 at age 79. Her characteristically stylish, warm yet acerbic, and ultimately devastating performance as the matriarch Sybil Stone has long been the film’s emotional anchor, and revisiting it now adds an unavoidable layer of grief and gratitude to a story already steeped in both.
Headed by the formidable Sybil and her husband Kelly (Craig T. Nelson), the Stones live in the fictional New England town of Thayer, likely somewhere in Massachusetts’ Pioneer Valley. Each Christmas, their five adult children—and an assortment of significant others—descend on the family home for a few days of overlapping traditions, unresolved resentments, and aggressively honest conversation.
Most families have a Ben. Luke Wilson’s youngest Stone sibling is the laid-back, free-spirited one—sometimes too laid-back, if his two consecutive missed flights are any indication. An excessive stoner even by his liberal New England family’s standards, Ben’s unbothered demeanor ultimately establishes him as the family diplomat: the only one who really gets along with his brother Everett’s tightly wound girlfriend Meredith (Sarah Jessica Parker), gradually thawing her icy, defensive exterior. Continue reading
Three Days of the Condor: Wicks’ Leather Car Coat and Navy Suit
Michael Kane in Three Days of the Condor (1975)
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Michael Kane as S.W. Wicks, shady CIA section chief
Langley, Virginia to New York City, Winter 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Released in September 1975, the Christmas-adjacent spy thriller Three Days of the Condor celebrated its 50th anniversary earlier this year. Robert Redford stars as the titular “Condor”, the CIA’s codename for its low-level researcher Joe Turner who is the only survivor of a coordinated attack on its deep-cover office in Manhattan.
The massacre is revealed to have been part of an internal conspiracy, involving Turner’s own section chief S.W. Wicks. Though not a prominent character with just a few minutes of screen time across four scenes, Wicks is certainly a significant one and very effectively played by Michael Kane—no, not that Michael Caine—an acclaimed Canadian actor and World War II veteran who died 18 years ago last week on December 14, 2007. Continue reading
The Silent Partner: Elliott Gould’s Navy Blazer at Christmas
Elliott Gould as Miles Cullen in The Silent Partner (1978)
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Elliott Gould as Miles Cullen, mild-mannered bank teller
Toronto, Christmas 1977 to Summer 1978
Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon
Background
Daryl Duke’s often darkly comic thriller The Silent Partner was just mentioned by Letterboxd among its list of twenty underseen holiday favorites, and you’ll know right from the description if it’s the sort of thing that would interest you: Elliott Gould plays a bank teller (alongside a young John Candy) who foils the robbery plans of a sadistic mall Santa played by Christopher Plummer, pocketing several thousand for himself, only for “Santa” to swear his violent revenge. Continue reading
My Night at Maud’s: Jean-Louis Trintignant’s Sheepskin Jacket
Jean-Louis Trintignant in My Night at Maud’s (1969)
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Jean-Louis Trintignant as Jean-Louis, serious-minded engineer and conflicted Catholic
Clermont-Ferrand, France, Christmas 1968
Film: My Night at Maud’s
(French title: Ma nuit chez Maud)
Release Date: June 4, 1969
Director: Éric Rohmer
WARNING! Spoilers ahead!
Background
Considered one of the best French actors of the post-war era, the late Jean-Louis Trintignant was born 95 years ago today on December 11, 1930. Trintignant worked with many prolific directors but his sole collaboration with Éric Rohmer was the Nouvelle Vague drama My Night at Maud’s—the fourth-released of Rohmer’s “Six Moral Tales”.
My Night at Maud’s premiered at the 1969 Cannes Film Festival and would be nominated for two Academy Awards. Trintignant portrays the ambitious engineer Jean-Louis, deeply in love with the young biology student Françoise (Marie-Christine Barrault) he has seen at his church, until just before Christmas when his friend Vidal (Antoine Vitez) introduces him to the eponymous Maud (Françoise Fabian). The night of their first meeting features intense discussions ranging from ethics to existence until, at Maud’s existence, Jean-Louis spends an awkward—and initially platonic—night in her bed, acting only on his newfound attraction by kissing her before he leaves in the morning.
Through their subsequent interactions, Jean-Louis’ faith conflicts with his growing attraction to the outspoken, divorced atheist as he and Maud recognize the tragic unlikelihood of lasting love between them. Continue reading
Clark Griswold’s Christmas Tree-Hunting Parka and Sweater
Chevy Chase and Beverly D’Angelo in National Lampoon’s Christmas Vacation (1989)
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Chevy Chase as Clark W. Griswold Jr., festive family man and food additive executive
Chicago*, December 1989
Film: National Lampoon’s Christmas Vacation
Release Date: December 1, 1989
Director: Jeremiah S. Chechik
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Let’s officially launch the Christmas season and continue this winter’s Car Week with the Griswold family in their “ol’ front-wheel-drive sleigh” in National Lampoon’s Christmas Vacation, released 36 years ago today on December 1, 1989!
After the first two films took the Griswolds traveling across the United States and Europe, the family spends the holidays at home, where “the last true family man” Clark (Chevy Chase) and his wife Ellen (Beverly D’Angelo) are trying to spread yuletide cheer to their kids Audrey (Juliette Lewis) and Rusty (Johnny Galecki) with a snowy Saturday afternoon trek into the most mountainous region of rural Illinois* in search of “that most important of Christmas symbols.”
Audrey: We’re not driving all the way out here so you can get one of those stupid ties with the Santa Clauses on it, are we Dad?
Clark: No, I have one of those at home.
Rather than neckwear, the family is embracing the frosty majesty of the winter landscape to find the perfect tree that will anchor the “fun, old-fashioned family Christmas” envisioned by Clark, foregoing the pre-cut trees offered in Jolly Jerry’s lot to chop one down himself… despite forgetting a saw. Continue reading
Three Days of the Condor: Cliff Robertson’s Fur-collared Coat and Tweeds as Higgins
Cliff Robertson in Three Days of the Condor (1975)
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Cliff Robertson as Higgins, pragmatic CIA deputy director and Korean War veteran
New York City and Washington, D.C., Winter 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
This month marks the 50th anniversary of Sydney Pollack’s Christmas-set political thriller Three Days of the Condor. While Robert Redford’s rugged casual-wear as the bookish CIA analyst Joe Turner (codename “Condor”) has commanded considerable sartorial attention—including one of my very first blog posts!—the men pursuing him from the shadows are also stylish dressers, from Max Von Sydow as the professional European hitman Joubert to the workaholic CIA deputy director Higgins played by Cliff Robertson, who died fourteen years ago today on September 10, 2011. Continue reading
Clark Griswold’s Christmas Eve Cardigan
Chevy Chase and Beverly D’Angelo in National Lampoon’s Christmas Vacation (1989)
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Chevy Chase as Clark W. Griswold Jr., food additive executive and “last true family man”
Chicago, Christmas Eve 1989
Film: National Lampoon’s Christmas Vacation
Release Date: December 1, 1989
Director: Jeremiah S. Chechik
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Merry Christmas! Now a perennial holiday classic, National Lampoon’s Christmas Vacation was released 35 years ago this month in December 1989 as the third installment to feature Chevy Chase as the hapless head of the Griswold family.
After zany misadventures on an American road trip and a European vacation, Clark clings to his idealistic hope for a “fun, old-fashioned family Christmas,” which somehow means inviting both his and his wife’s sets of parents to stay with them for more than a week leading up to the actual holiday. In the meantime, Clark is eager to surprise his family with the news that he placed a down payment on a swimming pool… a payment he’ll be able to cover as soon as he receives his company’s usual holiday bonus.
(For modern readers, a “holiday bonus” is a monetary payment that employers used to give to their employees at the end of each year. In the late 1980s when Christmas Vacation was made, this often amounted to several thousand dollars; for most employees today, this may take the form of a branded reusable water bottle, already-obsolete Bluetooth earbuds, or simply not being fired.)
Inspired by producer and co-writer John Hughes’ semi-autobiographical short story “Christmas ’59”, the festivities culminate on Christmas Eve as both sides of Clark and Ellen’s families gather at the over-illuminated Griswold home for an over-cooked turkey dinner, a surprise rodent guest, and the family’s first kidnapping. Happy holidays!
White Christmas: Burgundy Jackets and Boaters for “Blue Skies”
Bing Crosby and Danny Kaye in White Christmas (1954)
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Bing Crosby and Danny Kaye as Bob Wallace and Phil Davis, Broadway entertainers and World War II veterans
Florida, December 1954
Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head
Background
One of the most stylish classic Christmas movies, White Christmas was released 70 years ago this year in October 1954. The movie was intended to re-team Bing Crosby with Fred Astaire after their previous collaborations in Irving Berlin musicals Holiday Inn (1942) and Blue Skies (1946), but Astaire dropped out after reading the script and Danny Kaye was hired to co-star with Crosby.
Crosby and Kaye share a marvelous screen chemistry that showcases their respective talents while also allowing for a greater emphasis on humor, illustrated by their performance of “Sisters” that was devised on set after director Michael Curtiz was entertained watching Crosby and Kaye clown around performing the song.
The story follows Crosby and Kaye as Bob Wallace and Phil Davis, two World War II veterans who met while entertaining their fellow troops in the U.S. Army’s fictitious 151st Division. After Phil saved Bob from a falling wall during an attack, Phil talked Bob into joining him for a double act that has catapulted them to musical stardom a decade later. Continue reading
Christmas Eve in The Holdovers: Paul’s Corduroy Three-Piece Suit and Duffel Coat
Paul Giamatti in The Holdovers (2023)
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Paul Giamatti as Paul Hunham, cantankerous boarding school professor
Massachusetts, Christmas Eve 1970
Film: The Holdovers
Release Date: October 27, 2023
Director: Alexander Payne
Costume Designer: Wendy Chuck
WARNING! Spoilers ahead!
Background
The release of The Holdovers last year filled a long-needed gap in theatrically released holiday canon, offering a fresh yet timeless addition to the roster of rewatchable Christmas movies. Directed by Alexander Payne, the movie is set during Christmas 1970 at the fictional Barton Academy boarding school in New England, where a group of students not going home for the holidays are chaperoned by a skeleton crew of the school’s staff.
After all but one are given the opportunity to leave before Christmas, the remaining student—the bright but troubled Angus Tully (Dominic Sessa)—remains behind under the watchful lazy eye of resentful classics professor Paul Hunham (Paul Giamatti). Paul’s few friends on staff include the cheerful administrator Lydia Crane (Carrie Preston) and the cafeteria manager Mary Lamb (Da’Vine Joy Randolph), who is mourning her son’s recent death in Vietnam.
Lydia invites them to spend Christmas Eve at her home, but Paul’s reluctance frustrates both Angus and Mary, who confronts him:
Mr. Hunham, if you are too chickenshit to go to this party, then just say that. But don’t fuck it up for the little asshole! What’s wrong with you? It’s just a party… what are you afraid of?
Rafe Spall’s Colorful Plaid Jacket in the Black Mirror Christmas Special
Rafe Spall in the Black Mirror Christmas Special (2014)
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Rafe Spall as Joe Potter
Set on Christmas… somewhere
Series: Black Mirror
Episode: “White Christmas” (Episode 7)
Air Date: December 16, 2014
Director: Carl Tibbetts
Creator: Charlie Brooker
Costume Designer: Sharon Gilham
WARNING! Spoilers ahead!
Background
Black Mirror‘s Christmas special—considered one of the series’ best episodes—aired ten years ago today on December 16, 2014. Written by series creator and showrunner Charlie Brooker, the episode takes a yuletide twist to Black Mirror‘s trademark tech-infused dystopia, centering on a new kind of “Christmas cookies” that you would not want at your holiday gathering!
We’re introduced to Joe Potter (Rafe Spall) as he wakes up on the morning of December 25th to the sounds of Christmas music and the sounds of cooking in the mysterious remote cabin here he’s evidently lived for five years. Stepping out into the kitchen, Joe discovers his apparent colleague and co-resident Matt Trent (Jon Hamm), a loquacious former social interaction engineer whose work included creating “cookies”—digital clones of people to serve as their own assistants.
“No one ends up here without things going to total shit for them back out there,” Matt observes when discussing their respective pasts with Joe. Continue reading
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