Tagged: Ankle Boots
Death Wish: Charles Bronson’s Herringbone Sport Jacket
Charles Bronson as Paul Kersey in Death Wish (1974)
Vitals
Charles Bronson as Paul Kersey, architect and soon-to-be vigilante
Tucson, Arizona, and New York City, Winter 1974
Film: Death Wish
Release Date: July 24, 1974
Director: Michael Winner
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
After a wave of films celebrating outlaws during the counterculture era of the late ’60s (i.e. Bonnie and Clyde and Butch Cassidy and the Sundance Kid), an opposing wave crashed through American cinema at the start of the following decade, centered around a philosophy of vigilantism. The trend arguably kicked into high gear with Clint Eastwood’s renegade detective in Dirty Harry who despised the proverbial red tape preventing him from bringing deadly criminals to justice with his famed .44 Magnum. Within five years, Martin Scorsese had already evolved the focus from an endorsement of vigilantism into a cautionary tale with the release of Taxi Driver. Before the troubled Travis Bickle took it upon himself to “wash all this scum off the streets” of New York City, there was Paul Kersey.
Mad Men, 1970 Style – Sterling’s Sporty Turtleneck
John Slattery as Roger Sterling on Mad Men (Episode 7.14: “Person to Person”)
Vitals
John Slattery as Roger Sterling, aging ad man
New York City, Fall 1970
Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Mad Men style typically evokes thoughts of men in sleek, ’60s-cut business suits, raising a glass of whiskey behind a veil of Lucky Strike smoke while juggling accounts and affairs. Of course, even a Madison Avenue man dresses down on the weekends.
Pierce Brosnan’s Suede Jacket in The Matador
Pierce Brosnan as Julian Noble in The Matador (2005)
Vitals
Pierce Brosnan as Julian Noble, tired hedonistic hitman and “magnificent cold moron”
Mexico City, Spring 2004
Film: The Matador
Release Date: December 30, 2005
Director: Richard Shepard
Costume Designer: Catherine Marie Thomas
WARNING! Spoilers ahead!
Background
After this week’s 00-7th of the month post featured the reigning James Bond wearing a light brown suede zip-up jacket, I wanted to address a different way of approaching that look from Daniel Craig’s predecessor. The Matador starred Pierce Brosnan in one of his first post-Bond roles, inverting his own suave screen image by portraying a chain-smoking, nail-painting assassin “soiling” his way through life. (And thank you to BAMF Style readers Ryan and R.M. for long ago suggesting this film for a post!)
Indeed, the porn-stached and ill-mannered killer Julian Noble shares little in common with 007 aside from his dangerous profession and a penchant for drinking. There seemed to be an ongoing campaign after Brosnan found success as Bond where filmmakers asked themselves “how debauched and despicable can we make Pierce Brosnan’s character while still making it impossible to root against him?” leading to his welcome turns in movies like The Tailor of Panama (2001), After the Sunset (2004), and The Matador (2005), playing crude, cheeky criminals drinking, smoking, and womanizing their way through the tropics.
Spectre – Bond’s Tan Suede Matchless Jacket in Morocco
Daniel Craig and Léa Seydoux in the 24th official James Bond film Spectre (2015)
Vitals
Daniel Craig as James Bond, British government agent
Tangier, Morocco, November 2015
Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime
WARNING! Spoilers ahead!
Background
Bond fever is heating up for the 00-7th of September in anticipation for No Time to Die, an excitement heightened by the official release last week of a new trailer and new poster that gave us another look at Daniel Craig in Bond’s black tie and assured audiences that we’ll still be seeing a release in November as scheduled.
Especially considering that Craig’s swan song (Swann song?) will be a continuation of his previous adventure as James Bond, I recently revisited Spectre. While fan reception to the 24th official film in the Bond series may have been as chilly as Bond’s trek through the Alps, I for one appreciated the assortment of versatile outfits consistent with Daniel Craig’s accessible approach to casual clothing from the start of his tenure.
One such outfit that emerged as one of the most popular (and regarding which I owe BAMF Style reader and friend Ryan an apology for this long-overdue response to his request!) was Bond’s dressed down layers upon arriving in Tangier with Dr. Madeleine Swann (Léa Seydoux). The sequence includes many of those elements that drew me into Craig’s portrayal back when Casino Royale premiered: the smaller “life of Bond” moments with a beautiful companion, an exotic location, a bit of humor, accessible style, and the booze and weaponry that underscore what keeps 007’s life dangerous.
Lilies of the Field: Sidney Poitier’s Lee Westerner Jacket and Jeans
Sidney Poitier as Homer Smith in Lilies of the Field (1963)
Vitals
Sidney Poitier as Homer Smith, helpful handyman
Arizona, Summer 1963
Film: Lilies of the Field
Release Date: October 1, 1963
Director: Ralph Nelson
Wardrobe Credit: Wesley Sherrard
Background
“That is your car?” Mother Maria asks Homer Smith, to which he proudly corrects: “That’s my home!” With that attitude, Homer would have been well-prepared for a road trip decades later in the 2020, when the coronavirus pandemic found Americans taking to the road for their summer getaways in increased numbers said to recall the age of the mid-century “great American road trip.”
In his Academy Award-winning role, Sidney Poitier plays handyman Homer Smith, traveling through the Arizona desert when his station wagon’s dire need for water brings him to the Catholic convent overseen by the solemn Maria (Lilia Skala), who requests that the newcomer stop to assist with a roofing repair. His initial reluctant assistance leads to staying for dinner and an enthusiastic English lesson (“phonograph… record!”) to the German sisters, parlayed into spending the night camped out in the back of his Plymouth, where Mother Maria corners him the next morning and asks—er, orders—him to stay and build the nuns a chapel. Continue reading
Matt Helm’s Light Blue Knitwear in Murderers’ Row
Dean Martin as Matt Helm in Murderers’ Row (1966)
Vitals
Dean Martin as Matt Helm, smooth secret agent
New Mexico, Summer 1966
Film: Murderers’ Row
Release Date: December 20, 1966
Director: Henry Levin
Costume Designer: Moss Mabry
WARNING! Spoilers ahead!
Background
Happy birthday, Dean Martin! The charismatic entertainer known for his laidback charm and boozy, breezy persona was born June 7, 1917, in Steubenville, Ohio. Having established himself as a singer and actor, first in his partnership with Jerry Lewis and then among the swingers of the Rat Pack, Dino set out on his own direction in the mid-1960s, first with his variety series The Dean Martin Show on NBC and then his starring role as easygoing counter-agent Matt Helm in a multi-film franchise based on Donald Hamilton’s espionage novels. Unlike their more straightforward and serious source material, Martin’s Matt Helm movies followed the decade’s zeitgeist for spy parodies in the spirit of Carry On Spying and Our Man Flint. If you thought James Bond was a womanizer, lounge lizard Matt Helm proves that you ain’t seen nothin’ yet.
The Yakuza: Ken Takakura’s Navy Baracuta G9
Ken Takakura as Ken Tanaka in The Yakuza (1974)
Vitals
Ken Takakura as Ken Tanaka, disciplined ex-Yakuza
Tokyo, Spring 1974
Film: The Yakuza
Release Date: December 28, 1974
Director: Sydney Pollack
Costume Designer: Dorothy Jeakins
Background
Fans of ’70s action would no doubt appreciate The Yakuza, Paul Schrader’s debut screenplay, co-written with his brother Leonard Schrader based on Leonard’s own experiences in Japan. A driving factor that compelled the brothers to finish their initial script was the stoic screen presence of Ken Takakura, who appeared in the film as the ex-akuza gangster who now teaches kendo.
Ken takes up his sword as part of his giri with Harry Kilmer (Robert Mitchum), formerly a U.S. Marine MP who had dated Ken’s sister while serving in Tokyo during the post-WWII occupation of Japan. Loosely defined as a lifelong debt that can never truly be repaid, the giri concept is central to The Yakuza, in which Ken describes it to Harry as “the burden hardest to bear” and refuses to rid himself of his obligation even when Dusty (Richard Jordan) suggests that the nature of his debt is relatively arbitrary.
Having arrived in Japan in search of his associate’s kidnapped daughter, Harry seeks out Ken’s assistance, but the blood they spill rescuing the young woman results in Yakuza contracts placed on both Harry and Ken, a threat that can only be eliminated by Ken killing the powerful gangster Tono (Eiji Okada) with a sword. While Harry arms himself with a .45 and a double-barreled shotgun, Ken takes a katana to appropriately exact his vengeance on the dangerous crime boss.
Gary Cooper in High Noon
Gary Cooper as Marshal Will Kane in High Noon (1952)
Vitals
Gary Cooper as Will Kane, newlywed city marshal
Hadleyville, New Mexico Territory, Summer 1873
Film: High Noon
Release Date: July 24, 1952
Director: Fred Zinnemann
Men’s Wardrobe Credit: Joe King
Background
Born 119 years ago today on May 7, 1901, Gary Cooper received his second Academy Award for Best Actor in recognition of his now-iconic performance in High Noon as a laconic lawman whose sense of duty compels him to make a lone stand against a band of dangerous outlaws.
Samuel L. Jackson as Nick Fury in Captain Marvel
Samuel L. Jackson as Nick Fury in Captain Marvel (2019)
Photo credit: Chuck Zlotnick/Marvel Studios
Vitals
Samuel L. Jackson as Nick Fury, “full-bird colonel turned spy turned S.H.I.E.L.D. agent”
Rosamond, California, to Louisiana, June 1995
Film: Captain Marvel
Release Date: February 27, 2019
Directed by: Anna Boden & Ryan Fleck
Costume Designer: Sanja Milkovic Hays
Background
Carol Danvers: Nicholas Joseph Fury… you have three names?
Nick Fury: Everybody calls me Fury. Not Nicholas. Not Joseph. Not Nick. Just Fury.
Carol Danvers: What does your mom call you?
Nick Fury: Fury.
Carol Danvers: What do you call her?
Nick Fury: Fury.
Carol Danvers: What about your kids?
Nick Fury: If I have them? They’ll call me Fury.
The 21st film released by Marvel Studios for the Marvel Cinematic Universe spends more time with Nick Fury than previous entries, giving us an ostensible origin story for the black-clad badass who’s been at the core of the MCU since his first appearance in the post-credits scene of Iron Man. As Captain Marvel is set in 1995, decades before the primary action of the MCU, Samuel L. Jackson was digitally de-aged to portray the character, then seen as a much lower-level agent in the S.H.I.E.L.D. bureaucracy and—perhaps most surprising—with both of his eyes intact. Continue reading
The Yakuza: Robert Mitchum’s Corduroy Jacket and Tan Turtleneck
Robert Mitchum as Harry Kilmer in The Yakuza (1974)
Vitals
Robert Mitchum as Harry Kilmer, tough former detective
Tokyo and Kyoto, Japan, Spring 1974
Film: The Yakuza
Release Date: December 28, 1974
Director: Sydney Pollack
Costume Designer: Dorothy Jeakins
WARNING! Spoilers ahead!
Background
Fall is here in the Northern Hemisphere, and it’s my favorite season for the cooler weather, the changing leaves, and the increased sweaters, corduroys, and tweeds that make their way from the back of the closet back into regular rotation. These autumnal staples get some particularly badass exposure in Sydney Pollack’s 1974 Japanese-set neo-noir The Yakuza as a 57-year-old Robert Mitchum joins Ken Takakura as they fight their way through Honshu from Kyoto to Tokyo in a variety of natty turtlenecks layered under tweed jackets and corduroy suits.