Tagged: Bowtie

Marlene Dietrich in Morocco

Marlene Dietrich as Amy Jolly in Morocco (1930)

Marlene Dietrich as Amy Jolly in Morocco (1930)

Vitals

Marlene Dietrich as Amy Jolly, sultry French nightclub singer

Essaouira, Morocco, Summer 1930

Film: Morocco
Release Date: November 14, 1930
Director: Josef von Sternberg
Costume Designer: Travis Banton (uncredited)

Background

The white tie dress code dates to before the turn of the 20th century, designed to make any man look his best when appropriately tailored, so there’s considerable irony in the fact that one of the most iconic film appearances of a white tie, top hat, and tails was worn by a woman: Marlene Dietrich, the German screen legend born 120 years ago today on December 27, 1901.

As previously featured on this site, today’s post continues the blog’s regular focus on menswear but here memorably worn by a woman, specifically the impeccable evening ensemble that Dietrich wore for her Academy Award-nominated performance as the brassy club singer at the center of the intrigue in the pre-Code drama Morocco, her second of seven eventual collaborations with director Josef von Sternberg. Continue reading

Frank Sinatra’s 1971 Retirement Concert Tuxedo

Frank Sinatra

Frank Sinatra sings his ’40s-era hit “All or Nothing at All” during his June 1971 retirement concert in L.A.

Vitals

Frank Sinatra, multi-talented entertainer facing retirement

Los Angeles, Summer 1971

Series: Sinatra: All or Nothing At All
Air Date: April 5-6, 2015
Director: Alex Gibney

Background

Born December 12, 1915, Frank Sinatra had recently turned 55 when he started talking seriously with close friends about retirement. For more than 30 years, the entertainer had enjoyed a landmark career, beginning with his days as a pop idol, then a career downturn in the early ’50s that was reinvigorated by an Oscar win for From Here to Eternity and a series of concept albums for Capitol Records that launched him to massive success.

Throughout the ’60s, Sinatra evolved from one of the most popular entertainers in the nation to one of the most influential entertainers across the world. He had founded his own record label with Reprise Records, been a confidante of a sitting U.S. President (before their famous falling-out), and continued to prove his success on the charts with songs like “My Way” (despite his resentment for this particular tune.)

Like so many successful 55-year-old Americans, Ol’ Blue Eyes decided to hang up his tilted hat and retire, with his final performance to be June 13, 1971, at the Ahmanson Theatre in Los Angeles. Alex Gibney’s 2015 HBO documentary Sinatra: All or Nothing at All was framed around the singer’s hand-chosen setlist for the concert, and how the eleven musical milestones Sinatra selected essentially told the story of his life to that point. Continue reading

The Grass is Greener: Cary Grant’s Velvet Dinner Jacket

Cary Grant as Victor, Earl of Rhyall, in The Grass is Greener (1960)

Cary Grant as Victor, Earl of Rhyall, in The Grass is Greener (1960)

Vitals

Cary Grant as Victor, Earl of Rhyall, deadpan but debonair nobleman

Rural England, Spring 1960

Film: The Grass is Greener
Release Date: December 23, 1960
Director: Stanley Donen
Wardrobe Supervisor: John Wilson-Apperson

Background

Today marks the 35th anniversary since the death of screen legend and style icon Cary Grant. To commemorate the actor’s prolific career, I wanted to highlight his characteristically stylish clothing from one of his lesser-discussed works, the Stanley Donen-directed romantic comedy The Grass is Greener.

While The Grass is Greener isn’t among my favorite of Grant’s filmography, I can certainly appreciate its cast and style! The execution feels a little too stagey for my liking, which makes sense as it was adapted by Hugh Williams and Margaret Vyner from their own hit play, deriving its title from the centuries-old idiom that is paraphrased by Grant’s character when he admits that “indeed, the grass is always greener on the other side of the hedge.”

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Walk the Line: Johnny Cash in Rockabilly White and Black

Joaquin Phoenix as Johnny Cash in Walk the Line (2005)

Joaquin Phoenix as Johnny Cash in Walk the Line (2005)

Vitals

Joaquin Phoenix as Johnny Cash, rising country rock star

Texarkana, Texas, Summer 1955

Film: Walk the Line
Release Date: November 18, 2005
Director: James Mangold
Costume Designer: Arianne Phillips
Tailor: Pam Lisenby

Background

Eighty-nine years ago on February 26, 1932, J.R. Cash was born in Arkansas. His childhood was dominated by music, as there was little else to encourage the family enduring the hard years of the Depression made worse by a dangerous flood and the violent death of Jack, one of the seven Cash children. It was when he joined the military that the 18-year-old Cash expanded his first name as the Air Force wouldn’t allow just initials, though it wasn’t until cutting his first recording at Sun Records that he established the name that would become legendary: Johnny Cash. Continue reading

Rod Taylor’s Velvet-Trimmed Dinner Jacket in The Glass Bottom Boat

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

Vitals

Rod Taylor as Bruce Templeton, charismatic aerospace lab chief

Long Beach, California, Spring 1966

Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)

Background

In honor of Aussie actor Rod Taylor’s birthday on January 11, 1930, today’s post explores the first movie of his that I’d seen. The Glass Bottom Boat reteamed Taylor with Doris Day after their collaboration the previous year in Do Not Disturb, this time in a Cold War-era romantic comedy where Doris’ PR flack is suspected of being a spy sent by Mother Russia to seduce scientific secrets out of Bruce Templeton, the debonair head of a NASA research facility.

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Mad Men: Don Draper’s Decade of Black Tie

Jon Hamm as Don Draper on Mad Men (Episode 1.05: "5G").

Jon Hamm as Don Draper on Mad Men (Episode 1.05: “5G”).

Vitals

Jon Hamm as Don Draper, mysterious and award-winning Madison Avenue ad man

Series: Mad Men
Creator: Matthew Weiner
Costume Designer: Janie Bryant

Background

Only three days left in 2020! The tradition of gents wearing black tie on New Year’s Eve, popularized in movies like the 1960 Rat Pack classic Ocean’s Eleven, seems to have fallen out of favor among the general population as standards of formality have decreased. However, given how excited many will be to see 2020 come to an end may herald a resurgence in dinner jackets and tuxedoes as many celebrate the new year in private.

On #MadMenMonday, we can take a few style tips from the enigmatic Don Draper on assembling a classic black tie ensemble from his half-dozen screen-worn dinner jackets. Continue reading

In a Lonely Place: Bogie’s Dark Suit and Bow Tie

Humphrey Bogart as Dixon "Dix" Steele in In a Lonely Place (1950)

Humphrey Bogart as Dixon “Dix” Steele in In a Lonely Place (1950)

Vitals

Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter who’s “been out of circulation too long”

Los Angeles, Summer 1949

Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray

WARNING! Spoilers ahead!

Background

As #NoirVember continues, we shift our sartorial focus to a seminal figure in the development and enduring popularity of film noir: Humphrey Bogart. In movies like The Maltese Falcon (1941) and The Big Sleep (1946), Bogie cemented the wisecracking private eye persona often driving the heart of this subgenre, but he did not play a detective in the suspenseful thriller considered to be among his best, In a Lonely Place.

This 1950 noir co-starred Gloria Grahame and directed by Nicholas Ray, her husband at the time, though both Bogie and screenwriter Edmund North had envisioned the then-Mrs. Bogart, Lauren Bacall, to take the role of the “sultry and smooth… striking-looking girl with high cheek bones and tawny hair” as the character of Laurel Gray was described in the North’s screenplay. While Warner Brothers refused to lend Bacall to Bogart’s Santana Productions, Bogie was able to keep the leading role to deliver one of the most explosive and authentic performances of his prolific career.

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The Barefoot Contessa: Bogie’s Olive Suit and Bow Tie

Humphrey Bogart as Harry Dawes in an MGM studio portrait for The Barefoot Contessa (1954)

Humphrey Bogart as Harry Dawes in an MGM studio portrait for The Barefoot Contessa (1954)

Vitals

Humphrey Bogart as Harry Dawes, Hollywood director and screenwriter

Madrid, Spring 1951

Film: The Barefoot Contessa
Release Date: September 29, 1954
Director: Joseph L. Mankiewicz
Costume Designer: Rosi Gori (uncredited)

Background

August 28 is National Bow Tie Day, believe it or not, so today’s post commemorates one of the most badass bow tie wearers of classic Hollywood, Humphrey Bogart.

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Pal Joey: Sinatra’s Red Fleck Mess Jacket

Frank Sinatra as Joey Evans in Pal Joey (1957)

Frank Sinatra as Joey Evans in Pal Joey (1957)

Vitals

Frank Sinatra as Joey Evans, womanizing nightclub singer

San Francisco, Spring 1957

Film: Pal Joey
Release Date: October 25, 1957
Director: George Sidney
Costume Designer: Jean Louis

Background

Joey Evans’s first night with the band finds him already complicating his romantic life, balancing his attraction to the demure singer Linda English (Kim Novak) with the vivacious ex-stripper Vera Prentice-Simpson (Rita Hayworth) when the band is hired to play a gig at Vera’s place as a fundraise for the local children’s hospital.

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Cary Grant’s Tuxedo in Indiscreet

Cary Grant and Ingrid Bergman in Indiscreet (1958)

Cary Grant and Ingrid Bergman in Indiscreet (1958)

Vitals

Cary Grant as Philip Adams, sophisticated playboy economist

London, Fall 1957 to Spring 1958

Film: Indiscreet
Release Date: June 26, 1958
Director: Stanley Donen
Tailor: Quintino

Background

Happy birthday to the great Cary Grant, born 115 years ago today on January 18, 1904, in Bristol, England. Born Archibald Leach before he assumed his catchier stage name, Grant’s signature screen presence blended his self-deprecating sense of humor with peerless suavity in both attitude and style. Grant’s popularity during the mid-20th century and the height of the dinner suit’s ubiquity meant the debonair actor would don a tuxedo almost as frequently as James Bond… and it’s not surprising to hear that Grant was an early contender for the role of 007, at least in the mind of the character’s creator Ian Fleming.

Between 1955 and 1962, Grant starred in seven contemporary-set films that didn’t require him to be in military uniform; of these, he sported a tuxedo in all but one (the lone exception, North by Northwest, featured the actor wearing arguably the most famous suit in movie history so there was little need for black tie.) In the middle of this impressive and stylish run of movies is Indiscreet, a Stanley Donen-directed romantic comedy that earned Grant his first of five Golden Globe nominations. Continue reading