Howard Da Silva as Meyer Wolfsheim in The Great Gatsby (1974)

Vitals

Howard Da Silva as Meyer Wolfsheim, legendary gambler

New York City, Summer 1925

Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge

Background

Though perhaps not as well known as his gangland contemporaries today, Prohibition-era racketeer Arnold Rothstein served as the basis for generations of fictional characters in pop culture for generations after his 1928 murder.

Born on this day in 1882, Rothstein began gambling at a young age, was reportedly a millionaire by the time he turned 30, and was most likely integral in the infamous “Black Sox Scandal” that accused eight members of the Chicago White Sox of throwing the 1919 World Series to the Cincinnati Reds.

It may be coincidence that the Volstead Act became official nationwide on his 38th birthday, a gift for the visionary Rothstein who has been considered among the first to recognize the business potential of Prohibition. He was one of the most influential figures in organized crime during the roaring ’20s, forging a bootlegging empire that included notable mobsters like Meyer Lansky, “Lucky” Luciano, and Dutch Schultz, many of whom looked up to Rothstein as a mentor.

Despite these dangerous connections, it’s likely that Rothstein met his early end due to nothing more nefarious than a poker game. After racking up a debt of more than $300,000 due to what Rothstein called a fixed game, the 46-year-old gangster was shot during a business meeting at the Park Central Hotel on November 4, 1928, dying two days later.

Though directly portrayed on screen by the likes of F. Murray Abraham (in the 1991 film Mobsters) and Michael Stuhlbarg (in the first four seasons of Boardwalk Empire), Rothstein’s legacy also includes a bevy of fictional characters that he inspired, including Nathan Detroit in the musical Guys and Dolls and Meyer Wolfsheim in F. Scott Fitzgerald’s novel The Great Gatsby, as most clearly suggested by an exchange that cites the real Rothstein’s arguably most infamous “achievement”. Continue reading →