Tagged: Gambler
The Gambler: James Caan’s Camel Jacket and Mustang
James Caan as Axel Freed in The Gambler (1974)
Vitals
James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
Background
Screen icon James Caan died one year ago today on July 6, 2022. Among a varied filmography from The Godfather (1972) and Thief (1981) to Misery (1990) and Elf (2003), the Bronx-born Caan specialized in roles that called for a “tough insouciance” as summarized in Ronald Bergan’s obituary for The Guardian.
The Gambler (1974) remains one of Caan’s most celebrated films, written by James Toback as a semi-autobiographical meditation on self-destruction, inspired by the gambling addiction that plagued him while he lectured at City College of New York. Fresh from his success as Sonny Corleone, Caan was drawn to the challenge of what would become one of his favorite of his own movies as “it’s not easy to make people care about a guy who steals from his mother to pay gambling debts.” Continue reading
Poker Face: Charlie’s Jacquard Cardigan
Natasha Lyonne as Charlie Cale on Poker Face, Episode 1.01: “Dead Man’s Hand”
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Natasha Lyonne as Charlie Cale, casino cocktail waitress and human lie detector
Nevada, November 2021
Series: Poker Face
Episode: “Dead Man’s Hand” (Episode 1.01)
Air Date: January 26, 2023
Director: Rian Johnson
Creator: Rian Johnson
Costume Designer: Trayce Gigi Field
WARNING! Spoilers ahead!
Background
Despite the mysteries that drive each episode, it was no mystery to me that Poker Face would immediately become one of my favorite new shows of 2023. As intended, this case-of-the-week series could softly be described as a modern update to Columbo, with its “howcatchem” structure (rather than the traditional murder-mystery “whodunit”) and a scrappy lead character with an uncanny ability to read people, here brought to life by the amazing Natasha Lyonne, who celebrates her 44th birthday today. Continue reading
The Great Gatsby: Howard Da Silva as Meyer Wolfsheim
Howard Da Silva as Meyer Wolfsheim in The Great Gatsby (1974)
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Howard Da Silva as Meyer Wolfsheim, legendary gambler
New York City, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Background
Though perhaps not as well known as his gangland contemporaries today, Prohibition-era racketeer Arnold Rothstein served as the basis for generations of fictional characters in pop culture for generations after his 1928 murder.
Born on this day in 1882, Rothstein began gambling at a young age, was reportedly a millionaire by the time he turned 30, and was most likely integral in the infamous “Black Sox Scandal” that accused eight members of the Chicago White Sox of throwing the 1919 World Series to the Cincinnati Reds.
It may be coincidence that the Volstead Act became official nationwide on his 38th birthday, a gift for the visionary Rothstein who has been considered among the first to recognize the business potential of Prohibition. He was one of the most influential figures in organized crime during the roaring ’20s, forging a bootlegging empire that included notable mobsters like Meyer Lansky, “Lucky” Luciano, and Dutch Schultz, many of whom looked up to Rothstein as a mentor.
Despite these dangerous connections, it’s likely that Rothstein met his early end due to nothing more nefarious than a poker game. After racking up a debt of more than $300,000 due to what Rothstein called a fixed game, the 46-year-old gangster was shot during a business meeting at the Park Central Hotel on November 4, 1928, dying two days later.
Though directly portrayed on screen by the likes of F. Murray Abraham (in the 1991 film Mobsters) and Michael Stuhlbarg (in the first four seasons of Boardwalk Empire), Rothstein’s legacy also includes a bevy of fictional characters that he inspired, including Nathan Detroit in the musical Guys and Dolls and Meyer Wolfsheim in F. Scott Fitzgerald’s novel The Great Gatsby, as most clearly suggested by an exchange that cites the real Rothstein’s arguably most infamous “achievement”. Continue reading
Brando’s “Night Sky” Navy Suit in Guys and Dolls
Marlon Brando as Sky Masterson in Guys and Dolls (1955)
Vitals
Marlon Brando as Sky Masterson, smooth gambler
Havana to New York, Spring 1955
Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff
Background
On the traditionally unlucky day of Friday the 13th, we could all use a dash of lady luck, the concept popularized in the standard “Luck Be a Lady” that Frank Loesser had composed for the musical Guys and Dolls. Five years after Robert Alda had originated the song on stage in 1950, Marlon Brando overcame his own insecurities about his singing voice resembling “the mating call of a yak” to perform the song in Mank’s cinematic adaptation… much to the likely chagrin of his co-star Frank Sinatra, who would record it twice for his own Reprise Records label in the ’60s.
But before Sky Masterson asked lady luck to show him just how nice a dame she can be, he sets his sights on another doll, specifically the prim and pretty Sergeant Sarah Brown (Jean Simmons) of the Save-a-Soul Mission, whose organizational goals could not be more antithetical to all Sky holds dear. To win a bet with fellow gambler Nathan Detroit (Sinatra), Sky invites her to dinner in Havana, where Sister Sarah’s uncharacteristic Thursday night results in plenty of Bacardi and barfighting. Continue reading
California Split: George Segal’s Aran Turtleneck
George Segal as Bill Denny in California Split (1974)
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George Segal as Bill Denny, magazine writer and casual gambler
Los Angeles, Winter 1973
Film: California Split
Release Date: August 7, 1974
Director: Robert Altman
Costumer: Hugh McFarland
Background
In honor of George Segal, who died a year ago today, today’s post introduces us to his character in California Split, directed by Robert Altman and described by Tim Grierson and Will Leitch for Vulture as the greatest movie about gambling ever made, “one of the high watermarks of ’70s hangout cinema.” Continue reading
The Gambler: James Caan’s Houndstooth Cardigan
James Caan as Axel Freed in The Gambler (1974)
Vitals
James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
A meditation on self-destruction, The Gambler was based on James Toback’s semi-autobiographical script that was the first to be produced from the soon-to-be-prolific screenwriter. Toback had incorporated his own gambling addiction that plagued him while he lectured at City College of New York. Robert De Niro was an early contender for the leading role of Axel Freed, but director Karel Reisz opted to cast another Corleone: James Caan, who explained the challenge of the role that would reportedly be one of his favorites from own his filmography: “It’s not easy to make people care about a guy who steals from his mother to pay gambling debts.” Continue reading
Brando’s Gray Gambler Suit in Guys and Dolls
Marlon Brando as Sky Masterson in Guys and Dolls (1955)
Vitals
Marlon Brando as Sky Masterson, smooth gambler
New York, Spring 1955
Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff
Background
I always found it interesting to watch a method—ahem, that’s Method—actor like Marlon Brando navigating the artificially staged Broadway of Guys and Dolls, the gangland-adjacent musical by Frank Loesser, which had been based on a book by Jo Swerling and Abe Burrows… which had itself been based on several stories by Damon Runyon.
Nicolas Cage in Snake Eyes
Nicolas Cage as Rick Santoro in Snake Eyes (1998)
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Nicolas Cage as Rick Santoro, flashy homicide detective and compulsive gambler
Atlantic City, September 1998
Film: Snake Eyes
Release Date: August 7, 1998
Director: Brian De Palma
Costume Designer: Odette Gadoury
Background
Folks, today is Nicolas Cage’s birthday so we’re going to celebrate in style by taking a look at the film that won Cage the esteemed Blockbuster Entertainment Award in the category of Favorite Actor (Suspense).
Has anyone been asking to read about the threads Nic Cage wore in the 1998 box office bomb Snake Eyes? No. Is that going to stop me after the absolutely insane year that we’ve just had? Also no.
Kirk Douglas as Doc Holliday – Corduroy Riding Jacket
Kirk Douglas as John “Doc” Holliday in Gunfight at the O.K. Corral (1957)
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Kirk Douglas as John “Doc” Holliday, hot-tempered gambler, gunslinger, and ex-dentist
Dodge City, Kansas, October 1881
Film: Gunfight at the O.K. Corral
Release Date: May 30, 1957
Director: John Sturges
Costume Designer: Edith Head
Background
Let’s call today #WesternWednesday as we transport back to the 1880s, following the taciturn lawman Wyatt Earp (Burt Lancaster) and his infamous pal, tubercular dentist “Doc” Holliday (Kirk Douglas), as they travel from the “beautiful, biblious Babylon of the west” Dodge City—as the rowdy cow town was famously coined by a Chicago newspaper editor—back to Arizona Territory. The two arrive in Tombstone in time for the fateful shootout with the Clanton-McLaury cowboy faction that would be immortalized in countless books and movies, including the 1957 movie Gunfight at the O.K. Corral.
Havana – Robert Redford’s Blue Camp Shirt and Cadillac
Robert Redford as Jack Weil driving a 1955 Cadillac in Havana (1990)
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Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran
Santa Clara, Cuba, December 1958
Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
Extending #CarWeek to get to casual Friday gives us the opportunity to pay tribute to Robert Redford’s classic casual warm-weather attire behind the wheel of a grand Cadillac convertible from the fabulous ’50s. The film in question is, of course, Havana, Sydney Pollack’s 1990 paean to Casablanca that starred Redford as Jack Weil, a cynical American gambler who finds love in the form of Cuban revolutionary Roberta “Bobby” Duran (Lena Olin) on the eve of that country’s revolution.