Tagged: 1920s
The Godfather, Part II: De Niro’s Blue Two-Toned Shirt as Young Vito
Robert De Niro as Vito Corleone in The Godfather, Part II (1974)
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Robert De Niro as Vito Corleone, née Andolini, Sicilian-born immigrant-turned-gangster
New York City, Summer 1917 to Spring 1920
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
On screen legend Robert De Niro’s 80th birthday, today’s post revisits his star-making, Oscar-winning role as the young Vito Corleone in The Godfather, Part II.
Born August 17, 1943, De Niro’s birthday falls the day after the traditional August 16th observance of the Feast of San Rocco—the backdrop of the young Vito’s 1917 assassination of Black Hand extortionist Don Fanucci (Gastone Moschin) that propels his gangland ascension. Continue reading
The Cotton Club: Gregory Hines Dances in Houndstooth
Gregory Hines as Sandman Williams in The Cotton Club (1984)
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Gregory Hines as Delbert “Sandman” Williams, affable and ambitious dancer
Harlem, Spring 1929
Film: The Cotton Club
Release Date: December 14, 1984
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
Background
One of the most celebrated tap dancers of all time, the multi-talented Gregory Hines died 20 years ago today on August 9, 2003. His charismatic performance as “Sandman” Williams in The Cotton Club remains a highlight from Francis Ford Coppola’s The Cotton Club, an ambitious and controversial part-musical, part-mob drama that producer Robert Evans spent five years bringing to the screen.
Centered around the legendary Cotton Club in Harlem, the movie boasts all the ingredients to entertain: an evocative Prohibition-era setting at an iconic nightclub, a pitch-perfect period soundtrack from John Barry that replicates the sounds of Duke Ellington and Cab Calloway, and a talented cast that includes then-rising stars like Richard Gere, Diane Lane, Nicolas Cage, Laurence Fishburne, Jennifer Grey, James Remar, and Gregory and Maurice Hines. Continue reading
The Newton Boys: Matthew McConaughey’s Gray Pinstripe Suit
Matthew McConaughey as Willis Newton in The Newton Boys (1998)
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Matthew McConaughey as Willis Newton, good-natured Texas-born outlaw
Toronto, Summer 1923
Film: The Newton Boys
Release Date: March 27, 1998
Director: Richard Linklater
Costume Designer: Shelley Komarov
WARNING! Spoilers ahead!
Background
One hundred years ago today, the Newton Gang—a quartet of Texan brothers best known for their nighttime bank burglaries and the occasional train holdup—attempted a daring yet disastrous heist of pedestrian bank messengers in downtown Toronto. Though financially successful as it netted the gang around C$84,000, the July 24, 1923 robbery tarnished their reputation for nonviolence when a physical altercation resulted in Willis Newton wounding two messengers during his struggle to get away. Continue reading
Colin Farrell in The Banshees of Inisherin
Colin Farrell as Pádraic Súilleabháin in The Banshees of Inisherin (2022)
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Colin Farrell as Pádraic Súilleabháin, simple-minded pub regular
Ireland, Spring 1923
Film: The Banshees of Inisherin
Release Date: October 21, 2022
Director: Martin McDonagh
Costume Designer: Eimer Ni Mhaoldomhnaigh
WARNING! Spoilers ahead!
Background
One hundred years ago today on April Fool’s Day 1923, aging musician Colm Doherty (Brendan Gleeson) abruptly stopped talking to his erstwhile best friend Pádraic Súilleabháin (Colin Farrell), like some fool of a moody schoolchild. Despite the timing and the fact that they weren’t rowing (though it does seem like they were rowing), this ignites a tragicomic personal drama of donkeys and amputated fingers that—at least for the sparse residents of the fictional isle of Inisherin—outweighs the bloody conflict across the sea on the Irish mainland.
Either a “happy lad” or “limited man” depending on who you ask, Pádraic is happy to eke out his simple life with his more intelligent sister Siobhan (Kerry Condon), his donkey Jenny, and drinking buddies like Colm and Dominic (Barry Keoghan), with little more characterizing his life than the occasional two-hour chat describing what was in his little donkey’s pony’s shite… until Colm strangely decides he wants more from his remaining years.
“More fool me?” Pádraic is in for a rude awakening after he briefly allows himself to consider Colm’s disavowal of their friendship to be a mere April Fool’s Day prank.
The Untouchables: Billy Drago’s White Suit as Frank Nitti
Billy Drago as Frank Nitti in The Untouchables (1987)
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Billy Drago as Frank Nitti, ruthless Chicago Outfit enforcer
Chicago, Fall 1930 to Spring 1931
Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
Wardrobe: Giorgio Armani
WARNING! Spoilers ahead!
Background
Eighty years ago today on the morning of March 19, 1943, 57-year-old Chicago resident Frank Nitti enjoyed breakfast with Toni, his third wife whom he had married the previous May. He began drinking heavily and, after Toni left for church, Nitti walked five blocks to a local railroad yard in North Riverside, where he attempted to shoot himself in the head. The first shot merely perforated his hat and the second wounded him in the jaw, but the third shot hit its mark as the inebriated mob boss slumped to his death.
Loosely based on the end of Al Capone’s infamous reign of the Chicago underworld (and more directly based on the 1950s TV show of the same name), Brian De Palma’s 1987 film The Untouchables retains a few basic details of Capone’s fall from power, including real figures on both sides of the law like self-aggrandizing Prohibition agent Eliot Ness and the vicious mobster who would ultimately succeed Capone as leader of the Chicago Outfit: Frank Nitti, chillingly portrayed by the late, great Billy Drago. Continue reading
Brendan Fraser in The Mummy
Brendan Fraser as Rick O’Connell in The Mummy (1999)
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Brendan Fraser as Rick O’Connell, American adventurer and former Legionnaire
Egypt, Summer 1926
Film: The Mummy
Release Date: May 7, 1999
Director: Stephen Sommers
Costume Designer: John Bloomfield
WARNING! Spoilers ahead!
Background
A quarter-century after its release, The Mummy is finding renewed love among audiences, no doubt due to star Brendan Fraser who has been enjoying a own career renaissance following his Oscar-nominated turn in The Whale that has already won the actor more than two dozen awards.
Directed and written by Stephen Sommers, The Mummy updated Karl Freund’s 1932 thriller of the same name, released among a wave of Universal’s now-iconic horror films including Dracula and Frankenstein. Sommers’ adaptation retained the supernatural elements while playing down the horror in favor of a more lighthearted adventure story inspired by Errol Flynn’s screen swashbucklers and the classic serials that influenced the character of Indiana Jones, to whom Fraser’s roguish Rick O’Connell has been likened. Continue reading
The Great Gatsby: Howard Da Silva as Meyer Wolfsheim
Howard Da Silva as Meyer Wolfsheim in The Great Gatsby (1974)
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Howard Da Silva as Meyer Wolfsheim, legendary gambler
New York City, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Background
Though perhaps not as well known as his gangland contemporaries today, Prohibition-era racketeer Arnold Rothstein served as the basis for generations of fictional characters in pop culture for generations after his 1928 murder.
Born on this day in 1882, Rothstein began gambling at a young age, was reportedly a millionaire by the time he turned 30, and was most likely integral in the infamous “Black Sox Scandal” that accused eight members of the Chicago White Sox of throwing the 1919 World Series to the Cincinnati Reds.
It may be coincidence that the Volstead Act became official nationwide on his 38th birthday, a gift for the visionary Rothstein who has been considered among the first to recognize the business potential of Prohibition. He was one of the most influential figures in organized crime during the roaring ’20s, forging a bootlegging empire that included notable mobsters like Meyer Lansky, “Lucky” Luciano, and Dutch Schultz, many of whom looked up to Rothstein as a mentor.
Despite these dangerous connections, it’s likely that Rothstein met his early end due to nothing more nefarious than a poker game. After racking up a debt of more than $300,000 due to what Rothstein called a fixed game, the 46-year-old gangster was shot during a business meeting at the Park Central Hotel on November 4, 1928, dying two days later.
Though directly portrayed on screen by the likes of F. Murray Abraham (in the 1991 film Mobsters) and Michael Stuhlbarg (in the first four seasons of Boardwalk Empire), Rothstein’s legacy also includes a bevy of fictional characters that he inspired, including Nathan Detroit in the musical Guys and Dolls and Meyer Wolfsheim in F. Scott Fitzgerald’s novel The Great Gatsby, as most clearly suggested by an exchange that cites the real Rothstein’s arguably most infamous “achievement”. Continue reading
Paul Muni’s 1932 Tuxedo in Scarface
Paul Muni as Tony Camonte in Scarface (1932)
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Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1929
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Several years ago, I published a high-level overview of the various black tie ensembles across the male cast of the original 1932 version of Scarface, adapted from Armitage Trail’s pulp novel of the same name, which had been inspired by the then-contemporary exploits of the infamous Al Capone.
Now, after eight more years of learning, I want to focus specifically on the evening-wear worn by the eponymous Tony Camonte, portrayed by Paul Muni—who was born on this day in 1895—as Tony’s tuxedo had long been one of the driving sartorial influences in my choice to have a double-breasted dinner jacket made for my wedding, which will be one month from today. Continue reading
The Great Gatsby: Sam Waterston’s Beige Linen Birthday Suit
Sam Waterston as Nick Carraway in The Great Gatsby (1974)
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Sam Waterston as Nick Carraway, impressionable bachelor and bond salesman
Long Island to New York City, Late Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
Just as the summer began with a look at Nick Carraway’s white linen suit as his portrayer Sam Waterston narrated his arrival at a pivotal dinner with the Buchanans in the 1974 cinematic adaptation of The Great Gatsby, let’s bring it to a close by looking at how Nick dresses when returning to their estate on the climactic afternoon of his 30th birthday, which likely would have been sometime around Labor Day. (The movie updated the setting to 1925, though F. Scott Fitzgerald’s novel was set throughout the summer of 1922, which would have placed Nick’s birthday around 100 years ago today on Monday, September 4.)
The Great Gatsby: Sam Waterston’s White Linen Suit
Sam Waterston as Nick Carraway in The Great Gatsby (1974)
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Sam Waterston as Nick Carraway, impressionable bachelor and bond salesman
Long Island, New York, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Clothes by: Ralph Lauren
Background
“Do you ever wait for the longest day of the year and then miss it? I always wait for the longest day of the year and then miss it,” laments Daisy Buchanan—somewhat redundantly—to her cousin Nick Carraway over a visit that kicks off the romantic drama of F. Scott Fitzgerald’s The Great Gatsby. (The summer solstice today makes this the longest day of the year, so take note, Daisy!)
Set 100 years ago across the summer of 1922, The Great Gatsby begins with Nick joining the Buchanans, Daisy being his second cousin once removed and Tom one of his former classmates at Yale. The wealth disparity is represented in the fictionalized areas of Long Island where they live, Nick describing his home “at West Egg, the—well, the less fashionable of the two” when compared to their elaborate mansion located among “the white palaces of fashionable East Egg… across the courtesy bay.”
The novel merely has Nick driving around the sound to arrive for dinner, while the movie follows Sam Waterston’s Nick across the bay in a small boat, fumbling for his nearly-drowned hat while his narration relays his father’s time-tested advice to check one’s privilege prior to criticizing anyone. Continue reading