Tagged: Casual
Kevin Costner in A Perfect World
Kevin Costner and T.J. Lowther in A Perfect World (1993)
Vitals
Kevin Costner as Robert “Butch” Haynes, escaped convict
Texas, Fall 1963
Film: A Perfect World
Release Date: November 24, 1993
Director: Clint Eastwood
Costume Designer: Erica Edell Phillips
WARNING! Spoilers ahead!
Background
Released 30 years ago today, A Perfect World overcame its initial lukewarm box office to be acclaimed as among the career-best works for both director Clint Eastwood and star Kevin Costner.
Costner stars as Robert “Butch” Haynes, a petty criminal who escapes from a Texas prison on the night of Halloween 1963. Despite Butch’s own distaste for him, he breaks out with the reckless Terry Pugh (Keith Szarabajka), who jeopardizes their getaway—and Butch’s own code of ethics—by attempting to force himself onto a suburban mother while the two look for a car to steal. Butch stops the situation before Terry can take it too far, but the commotion wakes up the neighborhood and results in the two fugitives taking a hostage—the mother’s eight-year-old son, Philip (T.J. Lowther), with whom Butch develops a special bond:
Me and you got a lot in common, Philip. The both of us is handsome devils, we both like RC Cola, and neither one of us got an old man worth a damn.
Succession: Cousin Greg’s Pre-Thanksgiving Puffer Vest
Nicholas Braun as “Cousin Greg” Hirsch on Succession, Episode 1.05: “I Went to Market”
Vitals
Nicholas Braun as Greg Hirsch, mild-mannered media conglomerate underling and family outsider
Canada to New York City, The day before Thanksgiving 2018
Series: Succession
Episode: “I Went to Market” (Episode 1.05)
Air Date: July 1, 2018
Director: Adam Arkin
Creator: Jesse Armstrong
Costume Designer: Michelle Matland
Background
Ahead of Thanksgiving tomorrow, one of the things I’m grateful for is that—if Succession had to end this year—the fact that it did so perfectly when the series finale ended in May. To commemorate the final year from this landmark series, let’s flash back to the first season as we joined the Roys for their annual Turkey Day celebration.
From the start of Succession, the anxious Greg Hirsch (Nicholas Braun), aka “Cousin Greg”, aka “Greg the Egg”, initially served as an audience surrogate as we were all collectively introduced to the world of the extremely wealthy and highly dysfunctional Roy family, led by domineering patriarch Logan (Brian Cox) as his children Connor (Alan Ruck), Kendall (Jeremy Strong), Roman (Kieran Culkin), and Siobhan (Sarah Snook) wrested for their withholding father’s favor… and the keys to control his media conglomerate, Waystar RoyCo.
The outsider Greg had never been part of their circle, thrust into it during Logan’s 80th birthday party when his mother—Logan’s niece—dispatched him to New York for a job after he was fired from one of a Waystar amusement park for getting high inside a mascot costume. Within a month, he’s got a job with the company that pays himself just enough that he needn’t sneak food out of the Waystar break room in doggie-doo bags anymore, and he can afford enough gas to power his three-year-old Hyundai to Canada (“with the healthcare and the ennui!”) and back to transport his grandfather Ewan (James Cromwell) to New York for Logan’s Thanksgiving dinner.
Greg: Happy Thanksgiving!
Ewan: Not for the Indians.
Greg: No sir! Nope… that is still true.
The Killer: Michael Fassbender’s Aloha Shirt and Bucket Hat in Paris
Michael Fassbender in The Killer (2023)
Vitals
Michael Fassbender as “The Killer”, an unnamed professional assassin
Paris, December 2022
Film: The Killer
Release Date: October 27, 2023
Director: David Fincher
Costume Designer: Cate Adams
WARNING! Spoilers ahead!
Background
It’s amazing how physically exhausting it can be to do nothing. If you’re unable to endure boredom, this work is not for you…
… begins the narration of the titular hitman portrayed by Michael Fassbender in The Killer, the latest film from director David Fincher. Based on Jacamon and Matz’s French graphic novel series of the same name, this pulpy action thriller—and arguably very dark comedy—centers around an international assassin who is undoubtedly skilled in his deadly craft, though perhaps not quite the infallible expert he builds himself into through his narration. Continue reading
La Piscine: Alain Delon’s Ivory Open-Knit Sweater and Lee Jeans
Alain Delon in La Piscine (1969)
Vitals
Alain Delon as Jean-Paul Leroy, moody ad agency writer
French Riviera, Summer 1968
Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 3, 1969
Director: Jacques Deray
Costume Designer: André Courrèges
WARNING! Spoilers ahead!
Background
Happy birthday to French screen and style icon Alain Delon, born November 8, 1935. One of Delon’s most popular films is the steamy 1969 thriller La Piscine, which reunited him on screen with former partner Romy Schneider.
La Piscine (released in English as The Swimming Pool) centers around the dangerous passion and possessiveness between four people spending their summer vacations at the same Côte d’Azur villa. Continue reading
Leave Her to Heaven: Cornel Wilde’s Brown Plaid Flannel Shirt
Cornel Wilde in Leave Her to Heaven (1945)
Vitals
Cornel Wilde as Richard “Dick” Harland, idealistic novelist
Northern Maine, August 1942
Film: Leave Her to Heaven
Release Date: December 25, 1945
Director: John M. Stahl
Costume Designer: Kay Nelson
WARNING! Spoilers ahead!
Background
I began Noirvember this month by highlighting a costume from one of the rare classic examples of “color noir”—which is exactly what it sounds like, a crime-centered drama from the 1940s and ’50s that includes many of the same themes and techniques as the shadowy film noir but photographed in full color, rather than the typical black-and-white.
Arguably the first major example of color noir is Leave Her to Heaven, widely released on Christmas 1945 and starring Cornel Wilde opposite the ravishing Gene Tierney, whose performance resulted in the actress’ only Academy Award nomination. Tierney died 32 years ago today on November 6, 1991. Continue reading
Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style
Burt Lancaster in Desert Fury (1947)
Vitals
Burt Lancaster as Tom Hanson, affable deputy sheriff
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.
While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.
Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading
When Harry Met Sally: Harry’s Cream Cable-Knit Sweater
Meg Ryan and Billy Crystal in When Harry Met Sally (1989)
Vitals
Billy Crystal as Harry Burns, sarcastic political consultant and recent divorcée
New York City, Fall 1987
Film: When Harry Met Sally…
Release Date: July 14, 1989
Director: Rob Reiner
Costume Designer: Gloria Gresham
Background
As October advances deeper into colder weather, today’s post celebrates the enduring knitwear selected by costume designer Gloria Gresham for fall style icon Billy Crystal in When Harry Met Sally.
Though he only wears it for two brief scenes in Rob Reiner’s 1989 romantic comedy, Harry Burns’ cream-colored cable-knit sweater remains a cultural touchpoint even nearly 35 years later. Continue reading
Richard Roundtree’s Black Leather as Shaft
Richard Roundtree as John Shaft in Shaft (1971)
Vitals
Richard Roundtree as John Shaft, tough private detective
New York City, Winter 1971 and 1972
Film: Shaft
Release Date: June 25, 1971
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Film: Shaft’s Big Score!
Release Date: June 21, 1972
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Background
R.I.P. Richard Roundtree (1942-2023), who shot to stardom in the early 1970s after making his iconic screen debut as the eponymous detective in Shaft. Continue reading
Get Out: Chris’ Blue Denim Neckband Shirt
Daniel Kaluuya as Chris Washington in Get Out (2017)
Vitals
Daniel Kaluuya as Chris Washington, Brooklyn photographer
Upstate New York, Spring 2016
Film: Get Out
Release Date: February 24, 2017
Director: Jordan Peele
Costume Designer: Nadine Haders
WARNING! Spoilers ahead!
Background
As today (October 23) has been newly declared National Horror Movie Day, today’s post looks at one of my recent favorites of the genre, the 2017 psychological thriller Get Out.
Filmed in only 23 days from his own Oscar-winning original screenplay, Jordan Peele’s directorial debut follows Chris Washington (Daniel Kaluuya), a levelheaded black photographer from Brooklyn who accompanies his new girlfriend Rose Armitage (Allison Williams) upstate to meet her family for the first time. Continue reading
The Way We Were: Robert Redford’s Navy CPO Shirt
Robert Redford as Hubbell Gardiner in The Way We Were (1973)
Vitals
Robert Redford as Hubbell Gardiner, Hollywood screenwriter and Navy veteran
Malibu, California, Fall 1947 through Spring 1948
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
WARNING! Spoilers ahead!
Background
This week marks the 50th anniversary of The Way We Were, released October 19, 1973. Adapted by Arthur Laurents from his own novel of the same name, the story follows the privileged and carefree Hubbell Gardiner (Robert Redford) and politically driven Katie Morosky (Barbra Streisand) through a decade of their on-and-off romance.
After a contentious and unrequited flirtation while at the same college in the late 1930s, Hubbell and Katie reunite by chance during the latter years of World War II, when Hubbell is serving in the U.S. Navy. Despite some early tumultuousness, the two gently compromise their differing personalities and enter a relationship that continues after the war and through the Red Scare of the late ’40s. The growing paranoia of McCarthyism—and Katie’s reignited activism in response—threatens their livelihood as Hubbell is working as a Hollywood screenwriter. Continue reading