Tagged: Casual

The Nice Guys: Russell Crowe’s Blue ’70s Leather Jacket

Russell Crowe as Jackson Healy in The Nice Guys (2016)

Russell Crowe as Jackson Healy in The Nice Guys (2016)

Vitals

Russell Crowe as Jackson Healy, unlicensed private detective

Los Angeles, Fall 1977

Film: The Nice Guys
Release Date: May 20, 2016
Director: Shane Black
Costume Designer: Kym Barrett

WARNING! Spoilers ahead!

Background

I was pleased to again join my friends Pete Brooker and Ken Stauffer on another episode of Pete’s podcast From Tailors With Love, this time discussing the fun ’70s style of Shane Black’s action comedy The Nice Guys.

For those unfamiliar, the “nice guys” in question are Russell Crowe and Ryan Gosling, bringing back Black’s signature buddy comedy style in a big way as competing private eyes Jackson Healy and Holland March, respectively.

The older and worldlier yet paunchier Jack is more an enforcer than investigator, balancing his limb-breaking toughness with at least some remaining scruples, particularly when compared to the younger and less experienced Holly, who’s not above taking a case agreeing to help an aging woman track down her “missing” husband… whose ashes rest in an urn just a few feet away from them.

Like Crowe’s star-making turn almost twenty years earlierThe Nice Guys’ conspiratorial heartbeat is driven by Kim Basinger’s role at the intersection of corruption and porn in the City of Angels forty years prior, but the villains’ overcomplicated scheme are certainly secondary to the comedic chemistry between Crowe and Gosling, whom I—and Crowe himself—would love to see re-team for a follow-up… and with a built-in sequel title like The Nicer Guys, what’s stopping them? Continue reading

Sam Neill’s Peacoat as Sidney Reilly

Sam Neill as Sidney Reilly in Reilly: Ace of Spies

Sam Neill as Sidney Reilly in Reilly: Ace of Spies (Episode 3: “The Visiting Fireman”)

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Sam Neill as Sidney Reilly, shrewd and opportunistic Russian-born British agent

Hamburg, Germany, Spring 1905

Series: Reilly: Ace of Spies
Episode: “The Visiting Fireman” (Episode 3)
Air Date: September 14, 1983
Director: Martin Campbell
Costume Designer: Elizabeth Waller

Background

In honor of Sam Neill’s 75th birthday this week, I want to revisit one of my favorite roles for the New Zealand actor. Almost a decade before his starring role in the groundbreaking groundshaking blockbuster Jurassic Park, Neill had been one of the contenders suggested to replace Roger Moore as James Bond, though the actor himself had been reluctant to take what he’s since called a “mortifying” audition and was likely grateful when the role went to Timothy Dalton instead. Neill may have been considered after his excellent performance earlier in the ’80s as Sidney Reilly, a real-life spy whose early 20th century exploits had been cited by Ian Fleming as one of his inspirations for the literary 007. Continue reading

A Star is Born: Bradley Cooper’s Tan Trucker Jacket

Bradley Cooper as Jackson Maine in A Star is Born (2018)

Bradley Cooper as Jackson Maine in A Star is Born (2018)

Vitals

Bradley Cooper as Jackson Maine, charismatic country-rock star

Los Angeles, Spring 2017

Film: A Star is Born
Release Date: October 5, 2018
Director: Bradley Cooper
Costume Designer: Erin Benach

Background

My friend @thestyleisnotenough recently recommended writing about Bradley Cooper’s style in his directorial debut A Star is Born, in which he starred as Jackson Maine, a rock star with an outlaw country image that belies his self-esteem and substance abuse issues. Continue reading

On the Road: Dean Moriarty’s Fur-collar Flight Jacket

Garrett Hedlund as Dean Moriarty in On the Road (2012)

Garrett Hedlund as Dean Moriarty in On the Road (2012)

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Garrett Hedlund as Dean Moriarty, impulsive drifter based on Beat Generation figure Neal Cassady

New York to San Francisco, via New Orleans, Winter 1949

Film: On the Road
Release Date: October 12, 2012
Director: Walter Salles
Costume Designer: Danny Glicker

WARNING! Spoilers ahead!

Background

Yesterday was the 65th anniversary of when On the Road was published on September 5, 1957. Jack Kerouac’s seminal Beat Generation novel had been years in the making, beginning with his continuous, single-spaced 120-page “scroll” that he typed across three weeks in April 1951, almost immediately after returning from the last of the book’s depicted travels.

With the coming of Dean Moriarty began the part of my life you could call my life on the road. Before that I’d often dreamed of going West to see the country, always vaguely planning and never taking off. Dean is the perfect guy for the road because he actually was born on the road, when his parents were passing through Salt Lake City in 1926, in a jalopy, on their way to Los Angeles.

Though Kerouac hardly shied away from including seedier details of his friend’s life, On the Road became something of a hagiography centered around Dean Moriarty, the alter ego he developed for his real-life pal Neal Cassady. With the same excitement of the Dexter Gordon, Lionel Hampton, and George Shearing performances they celebrate, the impulsive Dean steals the spotlight much as he and his fellow travelers steal to support their travels, or offset “the cost of living”, as they rationalize.

Despite considerable interest—including from the author himself—in cinematic adaptations, it wouldn’t be until more than a half-century passed that cameras would finally roll on bringing On the Road to the screen. Francis Ford Coppola had held the rights since 1979, holding on through decades of development hell until the artistic critical success of The Motorcycle Diaries encouraged him to hand over the reins to director Walter Salles and writer José Rivera. Salles again collaborated with cinematographer Éric Gautier, whose photography brought mid-century America back to life across the small towns, sandy deserts, and snowy hillsides that resisted generations of change.

Garrett Hedlund’s appropriately kinetic performance as the dangerously charismatic Dean also emerged as one of the strongest aspects of Salles’ On the Road adaptation, with Owen Gleiberman writing for Entertainment Weekly that “the best thing in the movie is Garrett Hedlund’s performance as Dean Moriarty, whose hunger for life—avid, erotic, insatiable, destructive—kindles a fire that will light the way to a new era.” Continue reading

Thunderball: Quist’s Cabana Style

Bill Cummings as Quist in Thunderball (1965)

Bill Cummings as Quist in Thunderball (1965)

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Bill Cummings as Quist, silent yet easily subdued SPECTRE henchman

Nassau, Summer 1965

Film: Thunderball
Release Date: December 29, 1965
Director: Terence Young
Wardrobe Designer: Anthony Mendleson

Background

As summer winds to an unofficial end, I want to continue celebrating some of my favorite warm-weather fashions. During a recent rewatch of Thunderball, I was again struck by how contemporary the men’s summer style remains almost sixty years later, with tropical prints and terry cloth still best-sellers for many modern-day outfitters.

Naturally, Sean Connery’s wardrobe as 007 remains a highlight, but I also delighted in the aloha shirts worn by his allies Q (Desmond Llewelyn) and Felix Leiter (Rik Van Nutter) as well as the beach-wear sported by a character so minor that he’s routinely dismissed not just by the characters, but even the movie itself as Bill Cummings’ performance goes uncredited in the official end credits cast roll. Continue reading

Day Shift: Jamie Foxx’s Vampire-Hunting Aloha Shirts

Jamie Foxx as Bud Jablonski in Day Shift (2022)

Jamie Foxx as Bud Jablonski in Day Shift (2022)
Photo by Andrew Cooper/Netflix

Vitals

Jamie Foxx as Bud Jablonski, maverick vampire hunter

San Fernando Valley, California, Summer 2022

Film: Day Shift
Release Date: August 12, 2022
Director: J.J. Perry
Costume Designer: Kelli Jones

Background

When I saw that Day Shift, the latest Netflix action comedy, centered around Jamie Foxx killing vampires while wearing a rotation of Hawaiian shirts, I knew I had to check it out.

Foxx stars as Bud Jablonski, whose job cleaning pools in the San Fernando Valley provides cover for his more serious occupation of hunting the undead. Continue reading

David Hemmings in Blowup

David Hemmings and Vanessa Redgrave in Blowup (1966)

David Hemmings and Vanessa Redgrave in Blowup (1966)

Vitals

David Hemmings as Thomas, hip London photographer

Swinging London, Fall 1966

Film: Blowup
Release Date: December 18, 1966
Director: Michelangelo Antonioni
Costume Designer: Jocelyn Rickards

Background

Some people are bullfighters, some people are politicians… I’m a photographer.

August 19 being World Photography Day feels like an apt opportunity to delve into Blowup, Michelangelo Antonioni’s enticing and meandering mystery that won the Palme d’Or at Cannes and was nominated for two Academy Awards despite its then-unprecedented sexual content that defied the mainstream movies released under the aging Motion Picture Production Code that had been enforced in Hollywood for over three decades. Indeed, Blowup‘s critical popularity and box-office success has been credited as one of the final blows that killed the restrictive “Hays Code” once and for all, in favor of the MPAA rating system that ushered in a new, uninhibited era of American cinema.

Blowup centers around Thomas (David Hemmings), a stylish young photographer living the swinging London dream, though kept so busy that he bemoans “I haven’t even got a couple of minutes to have my appendix out.” Continue reading

Inside Daisy Clover: Robert Redford’s Breton Stripes at Sea

Robert Redford and Natalie Wood in Inside Daisy Clover (1965)

Robert Redford and Natalie Wood in Inside Daisy Clover (1965)

Vitals

Robert Redford as Wade Lewis, cheeky, charismatic, and closeted actor

Santa Monica, California, Fall 1937

Film: Inside Daisy Clover
Release Date: December 22, 1965
Director: Robert Mulligan
Costume Designer: Bill Thomas

Background

Ahead of Robert Redford’s birthday tomorrow, let’s flashback to one of the actor and director’s earliest prominent roles. Redford had spent the early 1960s taking small parts in movies like Tall Story (1960) and War Hunt (1962), appearing occasionally on TV shows like MaverickPerry MasonRoute 66The Untouchables, and Alfred Hitchcock’s anthology series. His most significant performance at the time was on stage, originating the role of the hapless newlywed Paul Bratter in Neil Simon’s Barefoot in the Park, which would provide Redford’s breakthrough big screen success when adapted by Gene Saks in 1967.

The movie adaptation of Barefoot in the Park launched a nearly 40-year stretch where charismatic Redford exclusively played leading roles, following a two-year period of supporting performances in mostly forgettable movies like Inside Daisy Clover, which Gavin Lambert had adapted from his novel of the same name. Continue reading

Magnificent Obsession: Rock Hudson’s Summer Norfolk Jacket and Toweling Polo

Rock Hudson as Bob Merrick in Magnificent Obsession (1954)

Rock Hudson as Bob Merrick in Magnificent Obsession (1954)

Vitals

Rock Hudson as Bob Merrick, conscience-stricken millionaire and ex-medical student

Brightwood, New York, Spring 1949

Film: Magnificent Obsession
Release Date: August 4, 1954
Director: Douglas Sirk
Costume Designer: Bill Thomas (gowns)

Background

German-born director Douglas Sirk and actor Rock Hudson had collaborated on nine movies throughout the 1950s, though their association may be best remembered for a trio of lush Technicolor melodramas beginning with Magnificent Obsession, released 68 years ago this month in August 1954. Continue reading

The Deep: Robert Shaw’s Striped Shirt and Cargo Pants

Robert Shaw as Romer Treece in The Deep

Robert Shaw as Romer Treece in The Deep (1977)

Vitals

Robert Shaw as Romer Treece, adventurous treasure hunter and lighthouse-keeper

Off the Bermuda coast, Summer 1976

Film: The Deep
Release Date: June 17, 1977
Director: Peter Yates
Costume Designer: Ron Talsky

Background

Following the record-setting blockbuster success of Jaws, adapted from Peter Benchley’s debut novel of the same name, Columbia Pictures quickly purchased the rights to Benchley’s next novel before it was even published. The Deep proved to be another box-office hit, if not as critically acclaimed as its predecessor, with much of its success attributed to an effective marketing campaign centered around Jacqueline Bisset’s white T-shirt.

Another casting decision that worked in The Deep‘s favor was Robert Shaw, born 95 years ago today on August 9, 1927. Continue reading