Tagged: Casual
Justified: The last time we saw Raylan Givens
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Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Miami to Lebec, California, Fall 2018
Series: Justified
Episode: “The Promise” (Episode 6.13)
Air Date: April 14, 2015
Director: Adam Arkin
Creator: Graham Yost
Costume Designer: Patia Prouty
WARNING! Spoilers ahead!
Background
Raylan Givens is coming back to TV in just three days! The mini-series Justified: City Primeval will premiere on FX on Tuesday, July 18, with Timothy Olyphant reprising his extremely charismatic portrayal of the Deputy U.S. Marshal created by author Elmore Leonard.
I’m typically wary of revivals, reboots, and reunions, especially after a series finale as neatly wrapped as Justified, but I have faith in the team and the fact that it looks like the Detroit-set Justified: City Primeval will be focusing on an original story rather than revisiting the plot that had been so well-resolved in “The Promise”. Continue reading
Terry-Thomas in It’s a Mad, Mad, Mad, Mad World
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Terry-Thomas as J. Algernon Hawthorne, British Army officer and rare plant collector
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Today wraps up Car Week and a mini-celebration of the 60th anniversary year of the star-studded madcap road comedy It’s a Mad, Mad, Mad, Mad World, following on Wednesday’s post by commemorating yet another star’s birthday. Although many sources list July 10 as his birthday, Terry-Thomas himself listed July 14, 1911 as his birthday in his autobiographies, so we’ll celebrate the famously gap-toothed English character actor today by way of his Jeep-driving Lieutenant Colonel J. Algernon Hawthorne. Continue reading
Milton Berle in It’s a Mad, Mad, Mad, Mad World
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Milton Berle as J. Russell Finch, seaweed salesman and beleaguered son-in-law
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Car Week continues with a look at a road movie very close to my heart, Stanley Kramer’s 1963 epic comedy It’s a Mad, Mad, Mad, Mad World, released 60 years ago this November. I used to spend many weekends at my grandma’s house watching this cavalcade of comics—many of whom had died even before I was born—as they sped, flew, and chased each other through southern California in pursuit of a $350,000 payday.
The movie begins as a black two-door Ford Fairlane recklessly snakes its way along Seven Level Hill, a mountainous segment of California State Route 74 just south of Palm Desert, honking as it weaves through traffic. The Fairlane shakes its way past an Imperial Crown convertible, but the driver loses control of the car and the Fairlane goes careening—no, sailing—off a cliff. The four carloads of people behind it all pull to a stop and get out—surely no one could survive such a fatal tumble. But alas, the significantly schnozzed driver Smiler Grogan (Jimmy Durante) hasn’t kicked the bucket yet, sprawled out among the rocky hillside.
In his dying moments, Smiler tells the gathered men of a hidden fortune, the $350,000 proceeds from a 15-year-old tuna factory robbery, buried under “a big W!” in Santa Rosita Park. He indeed kicks the bucket (and how!) before he can elaborate on the admission, leaving the witnesses to debate its veracity amongst themselves and as a group. When it becomes abundantly clear that, no matter what way they figure it, “it’s every man—including the old bag—for himself”, the four groups run back to their respective automobiles and tear off for the fictional Santa Rosita.
Though they’d been leading traffic when the Fairlane went sailing right past them off the cliff, the Imperial Crown is now trailing the others. At the wheel of the Imperial is mild-mannered J. Russell Finch (Milton Berle), an edible-seaweed entrepreneur from Fresno on his way to Lake Meade with his prim wife Emeline (Dorothy Provine) and her brash mother (Ethel Merman).
On the 115th anniversary of Uncle Milty’s July 12, 1908 birthday, let’s dig into this iconic entertainer’s wardrobe from It’s a Mad, Mad, Mad, Mad World. Continue reading
True Romance: Clarence’s Aloha Shirt and Cadillac
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Christian Slater as Clarence Worley, newlywed rockabilly enthusiast and former comic store clerk
Los Angeles, Spring 1992
Film: True Romance
Release Date: September 10, 1993
Director: Tony Scott
Costume Designer: Susan Becker
WARNING! Spoilers ahead!
Background
Earlier this year, I commemorated National Road Trip Day with a brief look at Christian Slater’s rockabilly-inspired style in True Romance, the Quentin Tarantino-penned romantic crime thriller directed by Tony Scott. Now, to kick off Car Week for the summer that this film celebrates its 30th anniversary, let’s revisit Slater’s style as the scrappy newlywed Clarence Worley.
Clarence and his new wife Alabama (Patricia Arquette) have driven across the country in his pink (more like purple) Cadillac convertible, hoping to leave Detroit—and his murder of her former pimp Drexl Spivey (Gary Oldman)—far behind them. Continue reading
The Gambler: James Caan’s Camel Jacket and Mustang
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James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
Background
Screen icon James Caan died one year ago today on July 6, 2022. Among a varied filmography from The Godfather (1972) and Thief (1981) to Misery (1990) and Elf (2003), the Bronx-born Caan specialized in roles that called for a “tough insouciance” as summarized in Ronald Bergan’s obituary for The Guardian.
The Gambler (1974) remains one of Caan’s most celebrated films, written by James Toback as a semi-autobiographical meditation on self-destruction, inspired by the gambling addiction that plagued him while he lectured at City College of New York. Fresh from his success as Sonny Corleone, Caan was drawn to the challenge of what would become one of his favorite of his own movies as “it’s not easy to make people care about a guy who steals from his mother to pay gambling debts.” Continue reading
Jaws: Richard Dreyfuss as Hooper
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Richard Dreyfuss as Matt Hooper, oceanographer
Amity Island, July 1974
Film: Jaws
Release Date: June 20, 1975
Director: Steven Spielberg
Costume Design: Louise Clark, Robert Ellsworth, and Irwin Rose
Background
As this summer’s headlines are dominated by stories of orcas reclaiming the sea, now is as good a time as any to revisit the 1975 blockbuster Jaws that thrilled audiences upon its release 48 years ago this month.
Based on Peter Benchley’s bestselling novel of the same name, Jaws centers around the hunt for a man-eating shark terrorizing the beach of a New England resort town. The hunters include aquaphobic police chief Martin Brody (Roy Scheider), fearless shark hunter and USS Indianapolis survivor Quint (Robert Shaw), and the intense, serious-minded marine biologist Matt Hooper (Richard Dreyfuss), visiting from the Oceanic Institute. Continue reading
The Little Drummer Girl: Gadi’s Blue Beach Shirt
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Alexander Skarsgård as Gadi Becker, aka “Peter”, mysterious Mossad agent
Naxos, Greece, Spring 1979
Series: The Little Drummer Girl (Episode 1)
Air Date: October 28, 2018
Director: Park Chan-wook
Costume Design: Sheena Napier & Steven Noble
Background
Between his breakthrough role on True Blood and his recent excellent turn as obnoxious tech entrepreneur Lukas Mattson on the last two seasons of Succession, Alexander Skarsgård’s credits included a starring role as Israeli agent Gadi Becker in Park Chan-wook’s six-episode BBC adaptation of John le Carré’s 1983 espionage novel The Little Drummer Girl.
Gadi has been re-recruited by spymaster chief Martin Kurtz (Michael Shannon) to follow an amateur acting troupe from England during their spring vacation through the Greek islands, specifically to make contact with the charismatic and flight wannabe radical Charmian “Charlie” Ross (Florence Pugh). Continue reading
Once Upon a Time in America: Max’s Beige Beachwear
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James Woods as Max Bercovicz, ambitious mob bootlegger
Miami Beach, Fall 1933
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
Happy first weekend of summer… at least to my fellow readers in the Northern Hemisphere! Today’s post continues embracing sun-friendly resort-wear, this time by way of Sergio Leone’s controversial gangster epic Once Upon a Time in America.
Robert De Niro and James Woods star as Noodles and Max, a pair of gangsters who worked their way up from teenage street hoods to bootleggers viciously ruling the streets of New York in the latter Prohibition era. Between Max’s megalomania and Noodles having spent much of their mob’s formative years in prison, resentments grow between the pair, but the influx of cash is enough to bury any problems… at least until late 1933.
While lazing under the sun with their respective molls in Miami Beach to the dulcet tones of Cole Porter’s “Night and Day”, Noodles learns from the newspaper that they’re about to be “unemployed” with the repeal of the Volstead Act just weeks away. Continue reading
Tony Soprano’s Mint-and-Black Bowling Shirt in “Members Only”
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James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2006
Series: The Sopranos
Episode: “Members Only” (Episode 6.01)
Air Date: March 12, 2006
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Ten years ago today, James Gandolfini died suddenly of a heart attack after a day spent sightseeing in Rome with his family. To commemorate this brilliant, influential, and beloved actor’s legacy, I want to revisit the style from his iconic, Emmy-winning performance as Tony Soprano.
The two-part final season of The Sopranos begins with “Members Only”, an episode rich with themes that set in place the series’ endgame—with some even citing its title as a significant clue to the finale episode. Despite its gangster characters and depiction of the underworld, The Sopranos was always far more philosophical than just a show about the mob, reflecting on themes of identity, masculinity, and mental health, or, as Tony so eloquently describes to Dr. Melfi (Lorraine Bracco) during this episode’s therapy session:
The circle jerk of life.
Dennis Quaid in Frequency
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Dennis Quaid as Frank Sullivan, Sr., firefighter and family man
New York, Fall 1969
Film: Frequency
Release Date: April 28, 2000
Director: Gregory Hoblit
Costume Designer: Elisabetta Beraldo
WARNING! Spoilers ahead!
Background
Frequency might be one of those movies that doesn’t get discussed much these days, but I remember being intrigued when I caught it on TNT a few years after it came out. Flash forward to a few months ago when I saw it was among the movies leaving HBO Max that month, and I decided to revisit.
Without spoiling too much, the plot centers on a ham radio-driven multiverse without the added complication of a serial killer seemingly inspired by one part Richard Speck, one part Ted Bundy, while Frequency‘s most significant emotional impact comes from the intragenerational bond between a father and son—hence my posting about it on Father’s Day weekend. Continue reading