Tagged: Casual
Bobbie Jo and the Outlaw: Marjoe Gortner’s Blue Cutoff Western Shirt
Vitals
Marjoe Gortner as Lyle Wheeler, wannabe outlaw
New Mexico, Summer 1975
Film: Bobbie Jo and the Outlaw
Release Date: April 28, 1976
Director: Mark L. Lester
Costume Designer: Cornelia McNamara
WARNING! Spoilers ahead!
Background
People typically cite two major reasons to watch the low-budget ’70s crime flick Bobbie Jo and the Outlaw… neither of which are Marjoe Gortner’s wardrobe. Is that going to stop me from writing about it for the film’s 50th anniversary? No, of course not.
Released in Los Angeles on April 28, 1976, this was also Lynda Carter’s big-screen debut, finally hitting screens nearly six months after she became an instant sensation when Wonder Woman premiered on ABC. Made with the same exploitative “guilty pleasure” watchability that defined so much of American Independent Pictures’ contemporary output, Bobbie Jo and the Outlaw is known to many for Carter’s sole (but frequent) nude screen appearance—often in varying states of undress playing the, uh, titular Bobbie Jo Baker, who abandons her dead-end job and alcoholic mother to join the charismatic car thief Lyle Wheeler on a crime spree through the southwest. Prior to his Rocky fame, Sylvester Stallone was producers’ first choice to play Lyle until ex-child preacher Marjoe Gortner was cast.
Yep, you read that right. Continue reading
Romeo + Juliet: Leo’s Blue Aloha Shirts
Vitals
Leonardo DiCaprio as Romeo Montague, moody romantic mob heir
Verona Beach, Summer 1996
Film: Romeo + Juliet
Release Date: November 1, 1996
Director: Baz Luhrmann
Costume Designer: Kym Barrett
WARNING! Spoilers ahead!
Background
Baz Luhrmann’s brash update of Romeo + Juliet remains the highest-grossing live-action William Shakespeare adaptation nearly thirty years after its release. While his tendency toward spectacle isn’t my preferred cinematic style, I appreciate Luhrmann embracing the challenge of retaining the Bard’s original dialogue in a contemporary American setting that includes custom handguns, flashy Hawaiian shirts, and “Lovefool”. Continue reading
Breezy: William Holden’s Shawl-Collar Cardigan
Vitals
William Holden as Frank Harmon, cynical realtor and “nobody’s fool”
Los Angeles, Fall 1972
Film: Breezy
Release Date: November 18, 1973
Director: Clint Eastwood
Men’s Costumer: Glenn Wright
WARNING! Spoilers ahead!
Background
Born 108 years ago on April 17, 1918, William Holden was one of the most bankable stars of the 1950s with an Oscar-winning performance in Stalag 17 (1953) as well as roles in enduring classics like Sunset Blvd. (1950), Sabrina (1954), and The Bridge on the River Kwai (1957). After his career struggled through the ’60s, Holden embarked on a comeback as grizzled outlaw leader Pike Bishop in Sam Peckinpah’s violent 1969 western The Wild Bunch, though this didn’t generate as much momentum as the now middle-aged actor had hoped as new stars like Clint Eastwood dominated the scene.
The two actors’ paths would cross by 1972, when Holden was so grateful to be approached for the lead in Eastwood’s upcoming film Breezy that he agreed to star at no salary—accepting only a cut of the profits. (When there turned out to be no profits, even against Breezy‘s modest budget under a million dollars, SAG compelled Eastwood to pay Holden $4,000.)
Eastwood’s friend and frequent collaborator Jo Heims penned Breezy as an age-gap romance with equal parts tenderness and wit. This may strike viewers as a surprisingly sensitive story for Eastwood to direct at this stage in his career, at the time best known for acting in Westerns, war films, and hard-boiled crime stories like Dirty Harry (1971), and with only two directorial credits before it. It’s to Clint’s credit that he not only accepted the assignment to challenge his contemporary screen image but also willingly stepped off screen—save for a brief cameo at Fisherman’s Village—and cast the more age-appropriate Holden in the leading role of the disillusioned divorcee Frank Harmon.
“You know, I’ve been that guy,” Holden reportedly told Eastwood after he was cast. “Yeah, I thought so,” Eastwood replied. Continue reading
Tommy Lee Jones in Jackson County Jail
Vitals
Tommy Lee Jones as Coley Blake, laconic career criminal
Southwestern United States, Summer 1976
Film: Jackson County Jail
Release Date: April 11, 1976
Director: Michael Miller
Costume Designer: Cornelia McNamara
WARNING! Spoilers ahead!
Background
The grindhouse cult classic Jackson County Jail was released fifty years ago today, starring Tommy Lee Jones, Yvette Mimieux, and the late Robert Carradine, who died earlier this year at age 71. While hardly the best known of any of its stars’ filmographies, Jackson County Jail developed a cult following in the decades since its 1976 release—including by director Quentin Tarantino, who screened it for his inaugural film festival in Austin.
The movie follows advertising executive Dinah Hunter (Mimieux), driving across the country to take a new job in New York after leaving her deadbeat husband back in L.A. Her troubles begin early after the hitchhiking hustler Bobby Ray (Carradine) and his pregnant, pill-popping girlfriend Lola (Nancy Noble) steal her AMC Pacer at gunpoint, leaving her stranded in the titular Jackson County—likely somewhere in the southwest, between Arizona, New Mexico, Nevada, and Utah.
She seeks help from local bartender Dan Oldum (Britt Leach), but this also demolishes her luck as the creepy taxidermist Dan tries to sexually assault her… resulting in her arrest when a good ol’ boy deputy happens into the bar. Dinah is placed into a cell opposite to the taciturn Texan crook Coley Blake (Jones), who recently capped his extensive rap sheet by reportedly killing a man who caught him stealing melons. Continue reading
The Wild Bunch: Ben Johnson as Tector Gorch
Vitals
Ben Johnson as Tector Gorch, tough outlaw
Texas to Mexico, Spring 1913
Film: The Wild Bunch
Release Date: June 18, 1969
Director: Sam Peckinpah
Costume Designer: James R. Silke
WARNING! Spoilers ahead!
Background
Today is the 30th anniversary since the death of one of my favorite actors: Oklahoma-born cowboy, rancher, and Oscar winner Ben Johnson. The son of a rodeo champion who later won a world championship himself, Johnson’s screen cowboy credentials were bona fide. He caught the eye of director John Ford while working as a stuntman in the 1940s, swiftly translating his presence into acting.
Due to his horsemanship and manner, Johnson typically appeared in war films and westerns like 3 Godfathers (1948), She Wore a Yellow Ribbon (1949), and Shane (1953)—the latter being his last film during his brief hiatus to compete in the Rodeo Cowboys Association and be named Team Roping World Champion, which he later described as the greatest honor in his life. He was soon back on screen, eventually diversifying his roles including the sagacious “Sam the Lion” in Peter Bogdanovich’s coming-of-age drama The Last Picture Show (1971), for which he won the Academy Award, BAFTA, and Golden Globe among a host of other accolades.
Amidst this, Johnson also joined the grizzled cast of the revisionist western The Wild Bunch (1969), which starkly reimagined the romance of classic westerns through director Sam Peckinpah’s characteristically violent lens. Continue reading
Val Kilmer’s Leather Jacket in Top Secret!
Vitals
Val Kilmer as Nick Rivers, American rock star who is not Mel Tormé
East Germany, Fall 1983
Film: Top Secret!
Release Date: June 22, 1984
Directed by: Jim Abrahams, David Zucker, and Jerry Zucker
Costume Designer: Emma Porteous
WARNING! Spoilers ahead!
Background
Val Kilmer died one year ago today on April 1, 2025 at age 65, following a prolific career demonstrating his versatile talent for action, comedy, and drama across a range of genres. He made his screen debut in 1984 starring in Top Secret!, the Zucker-Abrahams-Zucker team’s follow-up to Airplane! and Police Squad. Filled with ZAZ’s trademark sight gags and wordplay, the movie was conceptualized as a modern spy spoof that blended elements of World War II espionage thrillers with Elvis Presley’s musicals of the 1950s and ’60s.
Even with a nonexistent screen resume before he was cast, Kilmer proved he was ready for the task with his signature dedication: dressed as Elvis for his audition and performing every song for the soundtrack, including the Beach Boys-inspired “Skeet Surfin'” over the opening credits.
Kilmer stars as Nick Rivers, a ’50s-like rockabilly singer whose global stardom seems to even eclipse Stevie Wonder, Linda Ronstadt, and Frank Sinatra on billings. After Leonard Bernstein is unable to attend, Nick is hired by the East German government to perform at the cultural festival that they’re hosting as a diversion from their plan to reunite Germany under totalitarian rule. Already something of a rebel, Nick’s trip grows more complicated as he falls for the mysterious Hillary Flammond (Lucy Gutteridge), a member of the local resistance group. Continue reading
Steve McQueen’s Denim in Baby the Rain Must Fall
Vitals
Steve McQueen as Henry Thomas, irresponsible musician and ex-convict
Columbus, Texas, Fall 1963
Film: Baby the Rain Must Fall
Release Date: January 23, 1965
Director: Robert Mulligan
WARNING! Spoilers ahead!
Background
Screen and style icon Steve McQueen was born 96 years ago today on March 24, 1930. After his breakthrough success in The Magnificent Seven (1960), The Great Escape (1963), and the TV series Wanted Dead or Alive, McQueen was plucked out of westerns and war movies into more dramatic fare like Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965).
Adapted by Horton Foote from his own play The Traveling Lady, the latter film was more aligned with McQueen’s rougher and tougher screen image. He stars as Henry Thomas, a small-time rockabilly singer estranged from his wife Georgette (Lee Remick) and their six-year-old daughter Margaret Rose (Kimberley Block), whom he’s never met… until the gals surprise him in his hometown of Columbus, Texas, where he’s recently been released from a jail stint. Continue reading
One Battle After Another: Leonardo DiCaprio’s Revolutionary Robe
Vitals
Leonardo DiCaprio as “Ghetto Pat” Calhoun, aka Bob Ferguson, burned-out ex-revolutionary
California, Spring 2024
Film: One Battle After Another
Release Date: September 26, 2025
Director: Paul Thomas Anderson
Costume Designer: Colleen Atwood
WARNING! Spoilers ahead!
Background
One Battle After Another has been a 2025 awards season favorite, collecting more than a few small accolades from organizations like the BAFTAs, Critics’ Choice, Golden Globes, heading into the Academy Awards this weekend with 13 nominations including Best Picture. While it was the most expensive production of Paul Thomas Anderson’s ten released features to date, it has also quickly become the director’s highest-grossing with a box office of $209 million and counting.
(Update: Sure enough, One Battle After Another received the Academy Award for Best Picture, as well as wins for Anderson’s direction and adapted screenplay, Sean Penn’s supporting performance, editing, and the inaugural Oscar for Best Casting!)
In his seventh Oscar-nominated performance, Leonardo DiCaprio stars as “Ghetto Pat” Calhoun, a former revolutionary in an underground militant group known as the French 75, whose expertise in explosives resulted in his reputation as the “Rocket Man”. Amidst their explosive activities, Pat and his French 75 comrade Perfidia Beverly Hills (Teyana Taylor) raise a daughter named Charlene, only for Pat forced to go on the run with Charlene after Perfidia’s perfidy sends the surviving revolutionaries sprawling.
Duane Jones in Night of the Living Dead
Vitals
Duane Jones as Ben, resourceful zombie-hunter
Rural Western Pennsylvania, Spring 1968
Film: Night of the Living Dead
Release Date: October 4, 1968
Director: George A. Romero
WARNING! Spoilers ahead!
Background
Especially here in western Pennsylvania, George A. Romero’s masterclass in economical filmmaking Night of the Living Dead has risen to mythic status among cinephiles. Though born in New York City, Romero graduated from Carnegie Mellon University in 1960 and remained local to Pittsburgh where he filmed short productions including a segment for Mister Rogers’ Neighborhood before his directorial debut that became a landmark in independent film, horror cinema, and movies at large.
Night of the Living Dead premiered at the Fulton Theater in Pittsburgh on October 1, 1968, three days before its wider release that drew controversy due to its violence and bleakness—simultaneously exemplifying what was increasingly permissible in American cinema in the wake of the crumbling Production Code that had restricted filmmakers for more than thirty years.
Despite this harsh reception from critics and audiences not prepared for its content, Night of the Living Dead developed a growing cult following to become one of the most profitable movies ever made. It recouped at least $30 million against its $125,000, which Romero had kept modest through guerrilla filmmaking techniques and casting local actors and friends like legendary Pittsburgh TV presenter “Chilly Billy” Cardille as himself, allowing Romero to reserve most of the modest budget for special effects.
While many rightly include this iconic horror flick among their spooky season watch-lists in October, Night of the Living Dead also qualifies as the rare “Daylight Saving movie”. The action is quickly established to be set on the Sunday in spring when clocks spring forward an hour—much to the chagrin of the cynical Johnny (Russell Streiner), who lost an hour of sleep on the morning he accompanies his sister Barbra (Judith O’Dea) to their father’s grave site, said to be “200 miles into the country” though actually filmed in Evans City… just 30 miles outside of Pittsburgh.
After one of the titular living dead attacks the siblings and knocks Johnny unconscious, Barbra manages to escape in his ’67 Pontiac LeMans and find refuge in an isolated farmhouse, where she comes face-to-face with Ben (Duane Jones)—a serious, resourceful man of action who quickly takes command of the situation… and their survival. Continue reading
Justifed: Raylan’s Grayscale Plaid Shirt and Henley in “The Collection”
Vitals
Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Between Lexington, Kentucky and Cincinnati, Ohio, Spring 2010
Series: Justified
Episode: “The Collection” (Episode 1.06)
Air Date: April 20, 2010
Director: Rod Holcomb
Creator: Graham Yost
Costume Designer: Ane Crabtree
WARNING! Spoilers ahead!
Background
I’ve recently been rewatching Justified with my wife—her first time seeing the series—and it renewed my interest in how Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) dresses while both on- and off-duty working the Eastern District of Kentucky.
Debuting sixteen years ago this month in March 2010, Justified‘s first season especially blended a case-of-the-week format with the series mythology revolving around how the Givens family feud with Harlan County families like the Crowders and Bennetts translated to Raylan’s crusade against arch criminal Boyd Crowder (Walton Goggins) as well as his ongoing drama with his ex-wife Winona (Natalie Zea).
One of the last standalone episodes outside of this format was the sixth episode, “The Collection”, revolving around crooked Cincinnati art dealer Owen Carnes (Peter Jason), whom Raylan increasingly suspects was murdered by his wife Caryn (Katherine LaNasa), despite being reminded that murder alone doesn’t necessarily fall under the U.S. Marshals Service’s investigative purview. Continue reading










You must be logged in to post a comment.