Tagged: Classic Hollywood
In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck
Humphrey Bogart as Dix Steele in In a Lonely Place (1950)
Vitals
Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter
Los Angeles, Fall 1949
Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)
WARNING! Spoilers ahead!
Background
Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.
Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
Leave Her to Heaven: Cornel Wilde’s Brown Plaid Flannel Shirt
Cornel Wilde in Leave Her to Heaven (1945)
Vitals
Cornel Wilde as Richard “Dick” Harland, idealistic novelist
Northern Maine, August 1942
Film: Leave Her to Heaven
Release Date: December 25, 1945
Director: John M. Stahl
Costume Designer: Kay Nelson
WARNING! Spoilers ahead!
Background
I began Noirvember this month by highlighting a costume from one of the rare classic examples of “color noir”—which is exactly what it sounds like, a crime-centered drama from the 1940s and ’50s that includes many of the same themes and techniques as the shadowy film noir but photographed in full color, rather than the typical black-and-white.
Arguably the first major example of color noir is Leave Her to Heaven, widely released on Christmas 1945 and starring Cornel Wilde opposite the ravishing Gene Tierney, whose performance resulted in the actress’ only Academy Award nomination. Tierney died 32 years ago today on November 6, 1991. Continue reading
Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style
Burt Lancaster in Desert Fury (1947)
Vitals
Burt Lancaster as Tom Hanson, affable deputy sheriff
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.
While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.
Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading
Shadow of a Doubt: Uncle Charlie’s Navy Blazer
Joseph Cotten in Shadow of a Doubt (1943)
Vitals
Joseph Cotten as Charles Oakley, attentive uncle and enigmatic “Merry Widow Murderer”
Santa Rosa, California, Summer 1941
Film: Notorious
Release Date: January 12, 1943
Director: Alfred Hitchcock
Costume Design: Vera West
Background
A vintage pin I purchased at a thrift store several years ago commemorates July 26 as Uncle’s Day, a day I’ve discovered has been inclusively expanded to become Aunt and Uncle’s Day. As I chose to celebrate Mother’s Day last year with a post from Psycho, your Uncle BAMF again returns to the Master of Suspense’s oeuvre for today’s observance, specifically the mysterious “Uncle Charlie” in Alfred Hitchcock’s 1943 masterpiece Shadow of a Doubt.
Often cited by Hitch himself as a personal favorite of his filmography, Shadow of a Doubt was released 80 years ago in January, starring Teresa Wright and Joseph Cotten, the latter having recently made his screen debut across a trio of films directed by his pal Orson Welles: Citizen Kane, The Magnificent Ambersons, and Journey Into Fear. Continue reading
Cat on a Hot Tin Roof: Paul Newman’s Pajamas
Paul Newman as Brick Pollitt in Cat on a Hot Tin Roof (1958)
Vitals
Paul Newman as Brick Pollitt, bitter and repressed ex-athlete
Mississippi, Summer 1958
Film: Cat on a Hot Tin Roof
Release Date: August 27, 1958
Director: Richard Brooks
Wardrobe Credit: Helen Rose
WARNING! Spoilers ahead!
Background
April 16 is traditionally National Wear Your Pajamas to Work Day, designed as a sartorial reprieve after the stress of meeting a late-night deadline to file taxes by April 15. As it felt incongruous to celebrate that “holiday” on a Sunday, I waited until today to celebrate a Hollywood icon who had the good fortune to wear pajamas for the majority of his screen-time in his first Oscar-nominated performance.
Thanks to movies like Somebody Up There Likes Me and The Long, Hot Summer, Paul Newman’s career was on the rise through the late 1950s when he was cast as Brick Pollitt alongside Elizabeth Taylor in the cinematic adaptation of Tennessee Williams’ play Cat on a Hot Tin Roof. Continue reading
John Garfield in The Breaking Point
John Garfield as Harry Morgan in The Breaking Point (1950)
Vitals
John Garfield as Harry Morgan, cynical charter fishing boat captain and Navy veteran
Newport Beach, California and Ensenada, Mexico, Spring to Summer 1950
Film: The Breaking Point
Release Date: September 30, 1950
Director: Michael Curtiz
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
One of the most intense and talented actors of his generation, John Garfield was born 110 years ago today on March 4, 1913 in New York’s Lower East Side. His birth name was Julius Garfinkle, with Julius added as a middle name that resulted in his nickname “Julie” among friends and family.
Garfield delivered many excellent performances during his too-brief life and career, eventually citing his personal favorite to be in his penultimate film The Breaking Point, a more faithful retelling of Ernest Hemingway’s novel To Have and Have Not than the popular and stylish 1944 adaptation starring Humphrey Bogart and Lauren Bacall.
Lushly photographed and set against the docks of Newport Beach, The Breaking Point stars Garfield as self-described “boat jockey” Harry Morgan, a World War II veteran who makes a living for his supportive wife and daughter by chartering his fishing boat, Sea Queen, that ferries passengers back and forth from Mexico. Continue reading
Cary Grant in The Bishop’s Wife
For this holiday treat, I again welcome BAMF Style contributor Ken Stauffer (@oceansographer on Instagram), here sharing his thoughtful analysis of a screen icon in a holiday classic.
Cary Grant and Loretta Young in The Bishop’s Wife (1947)
Vitals
Cary Grant as Dudley, debonair angel
New York City, December 1947
Film: The Bishop’s Wife
Release Date: December 9, 1947
Director: Henry Koster
Costume Designer: Irene Sharaff
Background
Happy holidays, BAMF Style readers! To celebrate the season, we’re looking back at the Christmas classic The Bishop’s Wife, which premiered at the Astor Theater in Times Square exactly 75 years ago today. Interestingly, general audiences would not have a chance to see the movie until the following February, an odd marketing decision that shows how much the film industry has evolved over the years.
The film stars Cary Grant as Dudley, a literal angel on Earth, assigned to help Manhattan-based Episcopalian Bishop Henry Brougham, drolly performed by David Niven. While acting as the bishop’s assistant, Dudley finds himself drawn to his eponymous wife Julia, played by Loretta Young in an enchanting turn. Continue reading
Remember the Night: Fred MacMurray’s Christmas Road Trip
Fred MacMurray and Barbara Stanwyck in Remember the Night (1940)
Vitals
Fred MacMurray as John “Jack” Sargent, smooth-talking New York prosecutor
New York to Indiana, Christmas 1938
Film: Remember the Night
Release Date: January 19, 1940
Director: Mitchell Leisen
Costume Designer: Edith Head
Background
This year’s winter #CarWeek installment kicks off with a holly jolly hoosier holiday in Remember the Night, a 1940 romcom released at the outset of a decade that included many classics of Christmas cinema like The Shop Around the Corner (1940), The Man Who Came to Dinner (1942), Holiday Inn (1942), Christmas in Connecticut (1945), It’s a Wonderful Life (1946), The Bishop’s Wife (1947), It Happened on Fifth Avenue (1947), Miracle on 34th Street (1947), 3 Godfathers (1948), and Holiday Affair (1949). Yet before all those classics came Remember the Night, arguably one of the earliest major movies to recognize how compellingly Christmas, both at its loneliest and most celebratory, could be effectively woven into a story.
“While it has remained for decades mysteriously under the radar, its tender romance and comedy are so skillfully blended—and its use of Christmas so poignant—that it stands among the very best holiday movies,” describes Jeremy Arnold in the TCM volume Christmas in the Movies. Continue reading
Out of the Past: Robert Mitchum’s Suede Fishing Jacket
Robert Mitchum as Jeff Markham in Out of the Past (1947)
Vitals
Robert Mitchum as Jeff Markham, aka Jeff Bailey, laconic gas station owner and former private detective
Bridgeport, California, Fall 1946
Film: Out of the Past
Release Date: November 25, 1947
Director: Jacques Tourneur
Costume Credit: Edward Stevenson
WARNING! Spoilers ahead!
Background
Today marks the 75th anniversary since the release of Out of the Past, often considered among the best of classic film noir, the shadowy sub-genre known for its murky morals, gat-toting gumshoes, and double-crossing dames.
We begin in the small northern California town of Bridgeport, where laconic gas station owner Jeff Bailey enjoys a quiet fishing date with his girlfriend Ann Miller (Virginia Huston) until he’s silently interrupted by his deaf employee, “The Kid” (Dickie Moore), signing for Jeff to return. Back in town, Jeff is greeted by Joe Stefanos (Paul Valentine), a mob torpedo sent to invite Jeff—whom we learn is actually an ex-private investigator named Jeff Markham—to Lake Tahoe to meet a mysterious figure from… out of his past. Continue reading