Tagged: Check Sportcoat
Milton Berle in It’s a Mad, Mad, Mad, Mad World
Milton Berle as J. Russell Finch in It’s a Mad, Mad, Mad, Mad World (1963)
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Milton Berle as J. Russell Finch, seaweed salesman and beleaguered son-in-law
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Car Week continues with a look at a road movie very close to my heart, Stanley Kramer’s 1963 epic comedy It’s a Mad, Mad, Mad, Mad World, released 60 years ago this November. I used to spend many weekends at my grandma’s house watching this cavalcade of comics—many of whom had died even before I was born—as they sped, flew, and chased each other through southern California in pursuit of a $350,000 payday.
The movie begins as a black two-door Ford Fairlane recklessly snakes its way along Seven Level Hill, a mountainous segment of California State Route 74 just south of Palm Desert, honking as it weaves through traffic. The Fairlane shakes its way past an Imperial Crown convertible, but the driver loses control of the car and the Fairlane goes careening—no, sailing—off a cliff. The four carloads of people behind it all pull to a stop and get out—surely no one could survive such a fatal tumble. But alas, the significantly schnozzed driver Smiler Grogan (Jimmy Durante) hasn’t kicked the bucket yet, sprawled out among the rocky hillside.
In his dying moments, Smiler tells the gathered men of a hidden fortune, the $350,000 proceeds from a 15-year-old tuna factory robbery, buried under “a big W!” in Santa Rosita Park. He indeed kicks the bucket (and how!) before he can elaborate on the admission, leaving the witnesses to debate its veracity amongst themselves and as a group. When it becomes abundantly clear that, no matter what way they figure it, “it’s every man—including the old bag—for himself”, the four groups run back to their respective automobiles and tear off for the fictional Santa Rosita.
Though they’d been leading traffic when the Fairlane went sailing right past them off the cliff, the Imperial Crown is now trailing the others. At the wheel of the Imperial is mild-mannered J. Russell Finch (Milton Berle), an edible-seaweed entrepreneur from Fresno on his way to Lake Meade with his prim wife Emeline (Dorothy Provine) and her brash mother (Ethel Merman).
On the 115th anniversary of Uncle Milty’s July 12, 1908 birthday, let’s dig into this iconic entertainer’s wardrobe from It’s a Mad, Mad, Mad, Mad World. Continue reading
Roscoe Lee Browne in Topaz
Roscoe Lee Browne as Philippe Dubois in Topaz (1969)
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Roscoe Lee Browne as Philippe Dubois, smooth-talking Martinican-American sleeper agent
New York City, Fall 1962
Film: Topaz
Release Date: December 19, 1969
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
Following last month’s look at a “hero costume” from Alfred Hitchcock’s 1942 thriller Saboteur, I want to continue exploring style from the lesser-known entries in the Master of Suspense’s oeuvre. Loosely based on the “Martel affair” and events leading up to the Cuban Missile Crisis, Topaz was Hitch’s final movie centered around espionage, though I consider it to lack much of the spark that fueled his earlier successes like North by Northwest.
The single exception in Topaz may be a brief scene made more memorable by the appearance of Martinican agent Philippe Dubois, portrayed by Roscoe Lee Browne, the multi-talented star of stage and screen born 100 years ago today on May 2, 1922. Continue reading
Don Draper’s Gingham Sports Coat in “Tomorrowland”
Jon Hamm as Don Draper on Mad Men (Episode 4.13: “Tomorrowland”)
Vitals
Jon Hamm as Don Draper, Madison Avenue ad man
Anaheim, California, October 1965
Series: Mad Men
Episode: “Tomorrowland” (Episode 4.13)
Air Date: October 17, 2010
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Sixty-six years ago today, Walt Disney introduced the world to “the happiest place on Earth” during a televised press event on July 17, 1955. Disneyland Park opened just one year and a day after construction began in Anaheim, California, and the sprawling theme park remains the only one completed under Disney’s direct supervision.
“Tomorrow can be a wonderful age,” Disney began when unveiling Tomorrowland, one of the nine themed “lands” that Disneyland is comprised of. “The Tomorrowland attractions have been designed to give you an opportunity to participate in adventures that are a living blueprint of our future.”
While we never actually get to see the Draper family visiting the park during their vacation in Mad Men‘s fourth-season finale, the episode’s title that we’re seeing Don forming the living blueprint for his own future, most significantly by rejecting the smart and nurturing Dr. Faye Miller (Cara Buono) to propose marriage to his bright-eyed young secretary Megan (Jessica Paré). After all, this is the man who prides himself on the fact that his life only moves in one direction: forward. Continue reading
Bugsy’s Houndstooth Sports Coat
Warren Beatty as Benjamin “Bugsy” Siegel in Bugsy (1991)
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Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
Los Angeles, Spring 1945 and Las Vegas, Fall 1946
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
Everybody deserves a fresh start once in a while.
At least three times while wearing this outfit alone, Warren Beatty’s Bugsy Siegel pontificates on the power of fresh starts. While the real Siegel may not have been quite as forgiving, Beatty plays him with the actor’s characteristic charisma to better communicate to audiences how a violent gangster could have charmed the stars of “golden age” Hollywood.
James Shigeta in The Crimson Kimono
James Shigeta as Detective Joe Kojaku in The Crimson Kimono (1959)
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James Shigeta as Joe Kojaku, LAPD homicide detective
Los Angeles, Summer 1959
Film: The Crimson Kimono
Release Date: October 1959
Director: Samuel Fuller
Costume Supervisor: Bernice Pontrelli
Background
Are you among the many movie buffs who observe #Noirvember, the month-long celebration of shadowy cinema often set in worlds populated by gumshoes, gunsels, and femmes fatale. Defining film noir is often as murky as the outlines of the shadows in some of its seminal works, though even applying the infamous Potter Stewart rule yields at least dozens of crime dramas produced within and beyond the United States during the 1940s and ’50s.
Earlier this year, the Criterion Channel again showcased a collection of noir from Columbia Pictures, the erstwhile Poverty Row studio that churned out some of the most quintessential high-talent noir in including Gilda (1946), The Lady from Shanghai (1947), and In a Lonely Place (1950) as well as an array of criminally underseen B-movies that balanced their low budgets with high quality. One of my favorites from the collection was The Crimson Kimono (1959), directed by former crime reporter and World War II veteran Samuel Fuller.
Modern audiences may recognize James Shigeta as the patient and ultimately doomed Nakatomi executive in Die Hard. Here, a considerably younger Shigeta plays the charismatic Joe Kojaku, an apple-munching, piano-playing Japanese-American homicide detective called in with his partner Charlie Bancroft (Glenn Corbett) to investigate the murder of burlesque dancer Sugar Torch (Gloria Pall) on L.A.’s” Main Street” one brightly lit, jazz-filled night in August 1959. Continue reading
Mad Men, 1970 Style – Sterling’s Sporty Turtleneck
John Slattery as Roger Sterling on Mad Men (Episode 7.14: “Person to Person”)
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John Slattery as Roger Sterling, aging ad man
New York City, Fall 1970
Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Mad Men style typically evokes thoughts of men in sleek, ’60s-cut business suits, raising a glass of whiskey behind a veil of Lucky Strike smoke while juggling accounts and affairs. Of course, even a Madison Avenue man dresses down on the weekends.
The Rockford Files: Jim’s Black, White, and Pink Glenurquhart Check Jacket
James Garner as Jim Rockford on The Rockford Files (Episode 2.21: “Foul on the First Play”)
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James Garner as Jim Rockford, wisecracking private detective and ex-convict
Los Angeles, Fall 1975
Series: The Rockford Files
Episodes:
– “The Farnsworth Strategem” (Episode 2.02, dir. Lawrence Doheny, aired 9/19/1975)
– “The Deep Blue Sleep” (Episode 2.05, dir. William Wiard, aired 10/10/1975)
– “Pastoria Prime Pick” (Episode 2.11, dir. Lawrence Doheny, aired 11/28/1975)
– “The Girl in the Bay City Boys Club” (Episode 2.13, dir. James Garner, aired 12/19/1975)
– “Joey Blue Eyes” (Episode 2.17, dir. Meta Rosenberg, aired 1/23/1976)
– “Foul on the First Play” (Episode 2.21, dir. Lou Antonio, aired 3/12/1976)
Creator: Roy Huggins & Stephen J. Cannell
Costume Designer: Charles Waldo
Background
James Garner, one of my favorite actors, was born today in 1928. Shortly after his decorated Korean War service that provided him with the relevant background for his eventual role as “the scrounger” in The Great Escape (1963), Garner found early acting success in films like Sayonara (1957) and his breakout role on the ABC western series Maverick. Though he would enjoy an illustrious, varied career for six decades until his death of a heart attack in 2014, the role most associate with Garner is that of the affable, beach-dwelling private detective Jim Rockford on The Rockford Files.
First Man: Neil Armstrong’s Gun Club Check and Omega
Ryan Gosling as Neil Armstrong in First Man (2018)
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Ryan Gosling as Neil Armstrong, NASA astronaut and former U.S. Navy pilot
Houston, Texas, August 1962 through March 1966
Film: First Man
Release Date: October 12, 2018
Director: Damien Chazelle
Costume Designer: Mary Zophres
Background
In addition to being my 30th birthday, today is also the 50th anniversary of when Neil Armstrong became the first person to step onto the surface of the Moon at 02:56:15 UTC on July 21, 1969, six hours after he and Buzz Aldrin landed the Apollo Lunar Module Eagle as part of the Apollo 11 spaceflight, a mission also manned by command module pilot Michael Collins.
Last year, Damien Chazelle directed Ryan Gosling in First Man, a biopic focused on Neil Armstrong’s life and career through the 1960s from the tragic death of his young daughter Karen to his triumphant first steps on the Moon… “one small step for man, one giant leap for mankind.” Continue reading
The Rockford Files: Jim’s Pilot Episode Gun Club Check
James Garner as Jim Rockford on The Rockford Files (1974-1980)
Vitals
James Garner as Jim Rockford, wisecracking private detective and ex-convict
Los Angeles, Summer 1974
Series: The Rockford Files
Episode: “Backlash of the Hunter” (Pilot)
Air Date: March 27, 1974
Director: Richard T. Heffron
Creator: Roy Huggins & Stephen J. Cannell
Costume Designer: Charles Waldo
WARNING! Spoilers ahead!
Background
Today would have been the 91st birthday of James Garner, the charismatic actor who grew to stardom with his starring roles on the Western series Maverick and in The Great Escape (1963) before taking on what would be his signature role as struggling private eye Jim Rockford on The Rockford Files.
Roy Huggins and Stephen J. Cannell developed The Rockford Files as a spiritual successor to Maverick, reinventing Garner’s charming gambler Bret Maverick as a modern-day private investigator with the same sarcastic yet sincere attitude and conflict-averse nature. Having already proven his private eye credentials by playing Raymond Chandler’s famous detective in Marlowe (1969), Garner stepped into Jim Rockford’s loafers and established one of the greatest TV roles ever.
This is Jim Rockford. At the tone, leave your name and number. I’ll get back to you…
The Barefoot Contessa: Bogie’s Gray Check Sport Jacket
Humphrey Bogart as Harry Dawes in The Barefoot Contessa (1954)
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Humphrey Bogart as Harry Dawes, Hollywood director and screenwriter
Portofino, Italy, Fall 1953
Film: The Barefoot Contessa
Release Date: September 29, 1954
Director: Joseph L. Mankiewicz
Costume Designer: Rosi Gori (uncredited)
Background
Humphrey Bogart’s role in United Artists’ 1954 Technicolor triumph The Barefoot Contessa was not dissimilar to the film’s director, writer, and uncredited producer Joseph L. Mankiewicz, who had been writing in Hollywood for a quarter century. Continue reading