Tagged: Tassel Loafers

Bond’s Green Safari Jacket in The Man with the Golden Gun

Roger Moore as James Bond in The Man with the Golden Gun (1974)

Roger Moore as James Bond in The Man with the Golden Gun (1974)

Vitals

Roger Moore as James Bond, British government agent

Bangkok, Thailand, Spring 1974

Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Clothes by: Jimmy Chen
Wardrobe Supervisor: Elsa Fennell

Background

Today marks the momentous 20th anniversary of the first time I’d ever seen a James Bond movie. June 19, 1999, was the first Saturday of my summer vacation after 4th grade, and my friend Nate was hosting a dozen friends for his 10th birthday party. Among the pizza, pop, and festivities was a rented copy of The Man with the Golden Gun on VHS… and thus Roger Moore was my introduction to agent 007.

Arguably one of the most iconic outfits—for better or worse—from Moore’s sophomore outing is the green safari shirt-jacket and cream trousers that the agent wears when he arrives to meet Andrea Anders (Maud Adams) at a Muay Thai match to take possession of the film’s MacGuffin, a solex agitator.

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Ronin: De Niro’s Brown Suede Jacket

Robert De Niro as Sam in Ronin (1998)

Robert De Niro as Sam in Ronin (1998)

Vitals

Robert De Niro as Sam, professional mercenary thief and ex-CIA operative

Nice, France, December 1997

Film: Ronin
Release Date: September 25, 1998
Director: John Frankenheimer
Costume Designer: May Routh

Background

I recently received a request to explore Robert De Niro’s outfit in Ronin when his ex-CIA thief Sam accompanies Deirdre (Natascha McElhone) on a recon mission in Nice. Deirdre has hired Sam’s crew to attack an armed convoy to steal an unidentified briefcase that would serve as the film’s MacGuffin.

Rather than bothering with spy cameras and tactics, Sam merely brings Deirdre and his Leica R6 2 camera to the luxurious Hôtel Barrière Le Majestic (actually located in Cannes), posing as a pair of tourists and thus not raising any suspicions as they take a considerable amount of photos to prepare for the job. Continue reading

Live and Let Die: Roger Moore Arrives in NYC

Roger Moore as James Bond in Live and Let Die (1973)

Roger Moore as James Bond in Live and Let Die (1973)

Vitals

Roger Moore as James Bond, debonair British secret agent

New York City, Spring 1973

Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle

Background

Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.

After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.

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Catch Me If You Can – Unique Orange Knitwear

Leonardo DiCaprio as Frank Abagnale, Jr. in Catch Me If You Can (2002)

Leonardo DiCaprio as Frank Abagnale, Jr. in Catch Me If You Can (2002)

Vitals

Leonardo DiCaprio as Frank Abagnale, Jr., teenage con artist

Atlanta, Summer 1965

Film: Catch Me If You Can
Release Date: December 25, 2002
Director: Steven Spielberg
Costume Designer: Mary Zophres

Background

Having made a fortune from passing his forged checks posing as a Pan Am pilot, 17-year-old Frank Abagnale Jr. is living the high life, hosting a fondue party in his swanky Atlanta condo full of era-specific goodies like The Kinks’ “You Really Got Me” on the Hi-Fi and Nesbitt’s soda in the hand of every giggling go-go dancer present.

What’d He Wear?

Christ, Terry! This is Italian knit!

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Cary Grant’s Casual Shirt in North by Northwest

Cary Grant as Roger Thornhill in North by Northwest (1959)

Vitals

Cary Grant as Roger O. Thornhill, Madison Avenue ad man mistaken for an international spy

Mount Rushmore, Fall 1958

Film: North by Northwest
Release Date: July 28, 1959
Director: Alfred Hitchcock
Wardrobe Credit: Harry Kress

WARNING! Spoilers ahead!

Background

Appropriately timed for Casual Friday, today’s post examines the off-the-rack casual duds that Cary Grant’s “mistaken man” Roger O. Thornhill wears during the climactic chase across Mount Rushmore during the film’s finale. Continue reading

Sinatra’s Pink Shirt and Puppytooth Check in High Society

Frank Sinatra as Mike Connor in High Society (1956)

Frank Sinatra as Mike Connor in High Society (1956)

Vitals

Frank Sinatra as Macauley “Mike” Connor, swaggering tabloid reporter

Newport, Rhode Island, Summer 1956

Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose

Background

BAMF Style is fulfilling a timely request from Ryan to explore the puppytooth jacket, pink shirt, and tie worn by Frank Sinatra for his early scenes in High Society, the 1956 remake of The Philadelphia Story that found Sinatra acting with his idol, Bing Crosby. The film lives up to its title with an abundance of luxury cars, opulent homes, and plenty of champagne.

Though set in summer, Sinatra’s ensemble is a nice bold springtime look as the April showers turn to May flowers. Continue reading

Don Draper Smokes Hashish in a Cream Silk Sportcoat

Jon Hamm as Don Draper in

Jon Hamm as Don Draper in “A Tale of Two Cities”, Episode 6.10 of Mad Men.

Vitals

Jon Hamm as Don Draper, Madison Avenue ad man

Los Angeles, August 1968

Series: Mad Men
Episode: “A Tale of Two Cities” (Episode 6.10)
Air Date: June 2, 2013
Director: John Slattery (yes, Roger Sterling)
Costume Designer: Janie Bryant

Background

I thought it was appropriate to commemorate the smokers’ holiday of 420 by checking out Don’s first experience with hashish. This isn’t the first time we’ve seen Don enjoying the happy plant (remember Midge’s friends in the first season?), but it’s certainly significant for him.

“A Tale of Two Cities” finds Don and Roger with Harry in L.A. The title may lead some to assume that the “two cities” are naturally L.A. and New York, but I believe the second city is Chicago (rather than New York) due to the 1968 Democratic National Convention providing the episode’s backdrop. While police are taking on protestors in the Windy City, Don and company head to a hip Hollywood party… arriving in style in Harry’s beautiful (but unappreciated) red Mustang convertible. Continue reading

Don Draper’s Hawaiian Vacation

Jon Hamm as Don Draper in "The Doorway", Episode 6.01 of Mad Men.

Jon Hamm as Don Draper in “The Doorway”, Episode 6.01 of Mad Men.

Vitals

Jon Hamm as Don Draper, vacationing Madison Avenue ad man

Hawaii, December 1967

Series: Mad Men
Episode: “The Doorway” (Episode 6.01)
Air Date: April 7, 2013
Director: Scott Hornbacher
Costume Designer: Janie Bryant

Background

As June progresses, I hope many of you are starting to think about summer vacations.

Season six of Mad Men premiered on April 7, 2013 with “The Doorway”, a two-hour episode (technically two episodes aired consecutively, but whatever) set just after Christmas 1967.

When we first catch up with Don Draper again after the ten-month interseason hiatus, he is in Hawaii on a business vacation, sticking his feet in the sand with his bikini-clad wife Megan. Continue reading

Goodfellas – Henry’s Brown Leather Blazer

Ray Liotta as Henry Hill in Goodfellas. However, his expression kinda makes him look more like Kurt Russell here.

Ray Liotta as Henry Hill in Goodfellas (1990). However, his expression kinda makes him look more like Kurt Russell here.

Vitals

Ray Liotta as Henry Hill, Lucchese family Mafia associate

New York City, Summer 1964

Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno

Background

What could be more appropriate for this blog on the Mafia Monday after St. Patrick’s Day than our favorite Irish-Italian cinematic Mafioso?

Henry Hill’s Irish background was very prominent for a movie about such an Italian-centric tradition. Besides preventing him from being a made man, his Irish heritage also led Henry into the open arms of brutal mob associate Jimmy Conway, a man who looked past twenty years of friendship to turn on Henry after suspecting him of complicity with the police. Of course, these guys were all brutal thugs, but it’s sad to see Henry’s eyes when he realizes his former best friend is about to kill him. Especially when that best friend is De Niro. Continue reading

Michael Corleone’s Gray Dupioni Silk Suit

Al Pacino as Michael Corleone in The Godfather, Part II (1974)

Al Pacino as Michael Corleone in The Godfather, Part II (1974)

Vitals

Al Pacino as Michael Corleone, powerful Mafia boss

Lake Tahoe, Fall 1958

Background

The Godfather is an American cultural phenomenon that needs no explanation. (For all the people secretly bummed out that I won’t give an explanation, here: It’s an epic three film journey following the rise of a Mafia family in the United States from 1901 to 1979).

There are differing opinions as to whether the first or the second part was the best. (No one ever says it’s the third one.)

In the first two films especially, costumes were a large indicator of the story. Much credit for this should be given to costume designer Theadora Van Runkle. When Michael is a proud Marine, he wears his uniform. When he is a college man looking for work, he wears a simple odd jacket, tie, and trousers. As he grows into the Don we have come to know, he wears expensive suits. Interestingly, Michael never wears a hat (aside from his USMC officer’s cap) until he becomes involved in the family.

This post will focus on the first act of The Godfather, Part II, where Michael Corleone is holding court on the day of his son’s Communion. Continue reading