Tagged: Tassel Loafers

Atlantic City: Burt Lancaster’s White Vintage Sport Jacket

Burt Lancaster as Lou Pascal in Atlantic City (1980)

Burt Lancaster as Lou Pascal in Atlantic City (1980)

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Burt Lancaster as Lou Pascal, aging numbers runner

Atlantic City, Fall 1979

Film: Atlantic City
Release Date: September 3, 1980
Director: Louis Malle
Costume Designer: François Barbeau

WARNING! Spoilers ahead!

Background

Burt Lancaster kicked off his final decade on the silver screen with Louis Malle’s well-received romantic crime drama, Atlantic City. In addition to securing Lancaster’s fourth and final Academy Award nomination, Atlantic City also earned nomination across all “Big Five” categories, though the film was shut out at the Oscars with Henry Fonda taking home the trophy for his performance in On Golden Pond.

Lancaster plays Lou Pascal, a long-in-the-tooth numbers runner who proudly walks the boardwalk of the titular town, waxing poetic to anyone who’ll listen about the golden age of gangsterdom in America’s Playground, when “it used to be beautiful, whatwith the rackets, whoring, guns.”

Atlantic City had floy floy coming out of its ears in those days. Now it’s all so goddamn legal. Howard Johnson running a casino. Tutti-frutti ice cream with craps don’t mix.

Lou’s comfort among criminality results in a botched cocaine deal that results in a dead dealer and plenty of blow left over for Lou to sell for his own profit as he endeavors to seduce the dealer’s estranged—and now widowed—wife, an attractive and ambitious casino waitress named Sally (Susan Sarandon). Continue reading

Tony Soprano’s Chevron-Patterned Polo in “College”

James Gandolfini as Tony Soprano on The Sopranos (Episode 1.05: "College")

James Gandolfini as Tony Soprano on The Sopranos (Episode 1.05: “College”)

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James Gandolfini as Tony Soprano, New Jersey mob boss

New England, Fall 1999

Series: The Sopranos
Episodes:
– “College” (Episode 1.05, dir. Allen Coulter, aired 2/7/1999)
– “Nobody Knows Anything” (Episode 1.11, dir. Henry J. Bronchtein, aired 3/21/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

No man can wear one face to himself and another to the multitude without finally getting bewildered as to which may be true.

So preaches Hawthorne, seemingly speaking directly to Tony Soprano, in the denouement of the classic episode “College” (Episode 1.05) from the first season. Positioned as Bowdoin College’s most famous alum as Tony brings his daughter Meadow (Jamie-Lynn Sigler) to visit the campus, Nathaniel Hawthorne also acts as a moral anchor to our protagonist after an unprecedented act of violence.

The fall 2020 semester will be a surreal experience for many returning to school across the United States as colleges adapt to remote learning or limited exposure in response to the ongoing coronavirus pandemic, making the expected “back-to-school” keggers and social functions a relic of a not-so-distant past.

More than twenty years ago, audiences joined Meadow for her own surreal college experiences with a university tour with her father reveals more about him to her—and to the audience—than one would expect of the canned campus orientation. On August 22, the date established in-universe as Tony Soprano’s birthday (and creator David Chase’s actual birthday), let’s take a closer look at these pivotal scenes from the series’ first season. Continue reading

Don Draper’s Teal-and-Turquoise Shirt in “Tomorrowland”

Jon Hamm as Don Draper on Mad Men (Episode 4.13: "Tomorrowland")

Jon Hamm as Don Draper on Mad Men (Episode 4.13: “Tomorrowland”)

Vitals

Jon Hamm as Don Draper, Madison Avenue ad man

Anaheim, California, October 1965

Series: Mad Men
Episode: “Tomorrowland” (Episode 4.13)
Air Date: October 17, 2010
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

During my latest Mad Men rewatch while on lockdown due to the coronavirus pandemic, I found myself so intrigued by the fourth season finale that I watched the episode back-to-back. For a show set so far into the past, it’s amazing how effective Mad Men can be at stirring a viewer’s enthusiasm for the future.

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Bond’s Green Safari Jacket in The Man with the Golden Gun

Roger Moore as James Bond in The Man with the Golden Gun (1974)

Roger Moore as James Bond in The Man with the Golden Gun (1974)

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Roger Moore as James Bond, British government agent

Bangkok, Thailand, Spring 1974

Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Clothes by: Jimmy Chen
Wardrobe Supervisor: Elsa Fennell

Background

Today marks the momentous 20th anniversary of the first time I’d ever seen a James Bond movie. June 19, 1999, was the first Saturday of my summer vacation after 4th grade, and my friend Nate was hosting a dozen friends for his 10th birthday party. Among the pizza, pop, and festivities was a rented copy of The Man with the Golden Gun on VHS… and thus Roger Moore was my introduction to agent 007.

Arguably one of the most iconic outfits—for better or worse—from Moore’s sophomore outing is the green safari shirt-jacket and cream trousers that the agent wears when he arrives to meet Andrea Anders (Maud Adams) at a Muay Thai match to take possession of the film’s MacGuffin, a solex agitator.

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Ronin: De Niro’s Brown Suede Jacket

Robert De Niro as Sam in Ronin (1998)

Robert De Niro as Sam in Ronin (1998)

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Robert De Niro as Sam, professional mercenary thief and ex-CIA operative

Nice, France, December 1997

Film: Ronin
Release Date: September 25, 1998
Director: John Frankenheimer
Costume Designer: May Routh

Background

I recently received a request to explore Robert De Niro’s outfit in Ronin when his ex-CIA thief Sam accompanies Deirdre (Natascha McElhone) on a recon mission in Nice. Deirdre has hired Sam’s crew to attack an armed convoy to steal an unidentified briefcase that would serve as the film’s MacGuffin.

Rather than bothering with spy cameras and tactics, Sam merely brings Deirdre and his Leica R6 2 camera to the luxurious Hôtel Barrière Le Majestic (actually located in Cannes), posing as a pair of tourists and thus not raising any suspicions as they take a considerable amount of photos to prepare for the job. Continue reading

Live and Let Die: Roger Moore Arrives in NYC

Roger Moore as James Bond in Live and Let Die (1973)

Roger Moore as James Bond in Live and Let Die (1973)

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Roger Moore as James Bond, debonair British secret agent

New York City, Spring 1973

Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle

Background

Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.

After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.

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Catch Me If You Can – Unique Orange Knitwear

Leonardo DiCaprio as Frank Abagnale, Jr. in Catch Me If You Can (2002)

Leonardo DiCaprio as Frank Abagnale, Jr. in Catch Me If You Can (2002)

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Leonardo DiCaprio as Frank Abagnale, Jr., teenage con artist

Atlanta, Summer 1965

Film: Catch Me If You Can
Release Date: December 25, 2002
Director: Steven Spielberg
Costume Designer: Mary Zophres

Background

Having made a fortune from passing his forged checks posing as a Pan Am pilot, 17-year-old Frank Abagnale Jr. is living the high life, hosting a fondue party in his swanky Atlanta condo full of era-specific goodies like The Kinks’ “You Really Got Me” on the Hi-Fi and Nesbitt’s soda in the hand of every giggling go-go dancer present.

What’d He Wear?

Christ, Terry! This is Italian knit!

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Cary Grant’s Casual Shirt in North by Northwest

Cary Grant as Roger Thornhill in North by Northwest (1959)

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Cary Grant as Roger O. Thornhill, Madison Avenue ad man mistaken for an international spy

Mount Rushmore, Fall 1958

Film: North by Northwest
Release Date: July 28, 1959
Director: Alfred Hitchcock
Wardrobe Credit: Harry Kress

WARNING! Spoilers ahead!

Background

Appropriately timed for Casual Friday, today’s post examines the off-the-rack casual duds that Cary Grant’s “mistaken man” Roger O. Thornhill wears during the climactic chase across Mount Rushmore during the film’s finale. Continue reading

Sinatra’s Pink Shirt and Puppytooth Check in High Society

Frank Sinatra as Mike Connor in High Society (1956)

Frank Sinatra as Mike Connor in High Society (1956)

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Frank Sinatra as Macauley “Mike” Connor, swaggering tabloid reporter

Newport, Rhode Island, Summer 1956

Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose

Background

BAMF Style is fulfilling a timely request from Ryan to explore the puppytooth jacket, pink shirt, and tie worn by Frank Sinatra for his early scenes in High Society, the 1956 remake of The Philadelphia Story that found Sinatra acting with his idol, Bing Crosby. The film lives up to its title with an abundance of luxury cars, opulent homes, and plenty of champagne.

Though set in summer, Sinatra’s ensemble is a nice bold springtime look as the April showers turn to May flowers. Continue reading

Don Draper Smokes Hashish in a Cream Silk Sportcoat

Jon Hamm as Don Draper in

Jon Hamm as Don Draper in “A Tale of Two Cities”, Episode 6.10 of Mad Men.

Vitals

Jon Hamm as Don Draper, Madison Avenue ad man

Los Angeles, August 1968

Series: Mad Men
Episode: “A Tale of Two Cities” (Episode 6.10)
Air Date: June 2, 2013
Director: John Slattery (yes, Roger Sterling)
Costume Designer: Janie Bryant

Background

I thought it was appropriate to commemorate the smokers’ holiday of 420 by checking out Don’s first experience with hashish. This isn’t the first time we’ve seen Don enjoying the happy plant (remember Midge’s friends in the first season?), but it’s certainly significant for him.

“A Tale of Two Cities” finds Don and Roger with Harry in L.A. The title may lead some to assume that the “two cities” are naturally L.A. and New York, but I believe the second city is Chicago (rather than New York) due to the 1968 Democratic National Convention providing the episode’s backdrop. While police are taking on protestors in the Windy City, Don and company head to a hip Hollywood party… arriving in style in Harry’s beautiful (but unappreciated) red Mustang convertible. Continue reading