Tagged: Tassel Loafers

Catch Me If You Can – Unique Orange Knitwear

Leonardo DiCaprio as Frank Abagnale, Jr. in Catch Me If You Can (2002)

Leonardo DiCaprio as Frank Abagnale, Jr. in Catch Me If You Can (2002)

Vitals

Leonardo DiCaprio as Frank Abagnale, Jr., teenage con artist

Atlanta, Summer 1965

Film: Catch Me If You Can
Release Date: December 25, 2002
Director: Steven Spielberg
Costume Designer: Mary Zophres

Background

Having made a fortune from passing his forged checks posing as a Pan Am pilot, 17-year-old Frank Abagnale Jr. is living the high life, hosting a fondue party in his swanky Atlanta condo full of era-specific goodies like The Kinks’ “You Really Got Me” on the Hi-Fi and Nesbitt’s soda in the hand of every giggling go-go dancer present.

What’d He Wear?

Christ, Terry! This is Italian knit!

Continue reading

Cary Grant’s Casual Shirt in North by Northwest

Cary Grant as Roger Thornhill in North by Northwest (1959)

Vitals

Cary Grant as Roger O. Thornhill, Madison Avenue ad man mistaken for an international spy

Mount Rushmore, Fall 1958

Film: North by Northwest
Release Date: July 28, 1959
Director: Alfred Hitchcock
Wardrobe Department: Harry Kress

WARNING! Spoilers ahead!

Background

Appropriately timed for Casual Friday, today’s post examines the off-the-rack casual duds that Cary Grant’s “mistaken man” Roger O. Thornhill wears during the climactic chase across Mount Rushmore during the film’s finale. Continue reading

Sinatra’s Pink Shirt and Puppytooth Check in High Society

Frank Sinatra as Mike Connor in High Society (1956)

Frank Sinatra as Mike Connor in High Society (1956)

Vitals

Frank Sinatra as Macauley “Mike” Connor, swaggering tabloid reporter

Newport, Rhode Island, Summer 1956

Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose

Background

BAMF Style is fulfilling a timely request from Ryan to explore the puppytooth jacket, pink shirt, and tie worn by Frank Sinatra for his early scenes in High Society, the 1956 remake of The Philadelphia Story that found Sinatra acting with his idol, Bing Crosby. The film lives up to its title with an abundance of luxury cars, opulent homes, and plenty of champagne.

Though set in summer, Sinatra’s ensemble is a nice bold springtime look as the April showers turn to May flowers. Continue reading

Don Draper’s Hawaiian Vacation

Jon Hamm as Don Draper in "The Doorway", Episode 6.01 of Mad Men.

Jon Hamm as Don Draper in “The Doorway”, Episode 6.01 of Mad Men.

Vitals

Jon Hamm as Don Draper, vacationing Madison Avenue ad man

Hawaii, December 1967

Series: Mad Men
Episode: “The Doorway” (Episode 6.01)
Air Date: April 7, 2013
Director: Scott Hornbacher
Costume Designer: Janie Bryant

Background

As June progresses, I hope many of you are starting to think about summer vacations.

Season six of Mad Men premiered on April 7, 2013 with “The Doorway”, a two-hour episode (technically two episodes aired consecutively, but whatever) set just after Christmas 1967.

When we first catch up with Don Draper again after the ten-month interseason hiatus, he is in Hawaii on a business vacation, sticking his feet in the sand with his bikini-clad wife Megan. Continue reading

Goodfellas – Henry’s Brown Leather Blazer

Ray Liotta as Henry Hill in Goodfellas. However, his expression kinda makes him look more like Kurt Russell here.

Ray Liotta as Henry Hill in Goodfellas (1990). However, his expression kinda makes him look more like Kurt Russell here.

Vitals

Ray Liotta as Henry Hill, Lucchese family Mafia associate

New York City, Summer 1964

Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno

Background

What could be more appropriate for this blog on the Mafia Monday after St. Patrick’s Day than our favorite Irish-Italian cinematic Mafioso?

Henry Hill’s Irish-ism was very prominent for a movie about such an Italian-centric tradition. Besides preventing him from being a made man, his Irish heritage also led Henry into the open arms of brutal mob associate Jimmy Conway, a man who looked past twenty years of friendship to turn on Henry after suspecting him of complicity with the police. Of course, these guys were all brutal thugs, but it’s sad to see Henry’s eyes when he realizes his former best friend is about to kill him. Especially when that best friend is De Niro. Continue reading

Michael Corleone’s Gray Dupioni Silk Suit

Al Pacino as Michael Corleone in The Godfather, Part II (1974)

Al Pacino as Michael Corleone in The Godfather, Part II (1974)

Vitals

Al Pacino as Michael Corleone, powerful Mafia boss

Lake Tahoe, Fall 1958

Background

The Godfather is an American cultural phenomenon that needs no explanation. (For all the people secretly bummed out that I won’t give an explanation, here: It’s an epic three film journey following the rise of a Mafia family in the United States from 1901 to 1979).

There are differing opinions as to whether the first or the second part was the best. (No one ever says it’s the third one.)

In the first two films especially, costumes were a large indicator of the story. Much credit for this should be given to costume designer Theadora Van Runkle. When Michael is a proud Marine, he wears his uniform. When he is a college man looking for work, he wears a simple odd jacket, tie, and trousers. As he grows into the Don we have come to know, he wears expensive suits. Interestingly, Michael never wears a hat (aside from his USMC officer’s cap) until he becomes involved in the family.

This post will focus on the first act of The Godfather, Part II, where Michael Corleone is holding court on the day of his son’s Communion. Continue reading

Mad Men – “Three Sundays” Sweater

Jon Hamm as Don Draper in

Jon Hamm as Don Draper in “Three Sundays”, Episode 2.04 of Mad Men.

Vitals

Jon Hamm as Don Draper, brilliant Madison Avenue ad man

New York City, April 1962

Series: Mad Men
Episode: “Three Sundays” (Episode 2.04)
Air Date: August 17, 2008
Director: Tim Hunter
Costume Designer: Janie Bryant

Background

Face it, even when he goes in on the weekend for his day off, Don Draper will look better than you. And this isn’t just a statement about the times: he also looks far better than Pete Campbell in his monochromatic tennis gear and short shorts.

This episode of Mad Men, the fourth of the second season, is centered around Sterling Cooper’s campaign to win American Airlines as a client. Don is on the verge of both a professional and a personal crisis but manages to hold everything together, crafting what he believes will be the perfect pitch.

If you have no idea what I’m talking about or who these people are, watch the damn show already. If you’re more of a cheater, read my first post about Don Draper and maybe you’ll have a slightly better sense about what’s going on.

What’d He Wear?

Responding to the emergency call of working on a weekend, Don shows up at the office in the epitome of suave 1960s male casual wear. While everyone else’s attire is hit or miss (Hit: Ken Cosgrove nicely wears a light brown sportcoat and tie. Miss: Pete Campbell’s aforementioned tennis outfit), Don comes in looking relaxed but professional. Continue reading