Jon Hamm as Don Draper, brilliant Madison Avenue ad man
New York City, April 1962
Series: Mad Men
Episode: “Three Sundays” (Episode 2.04)
Air Date: August 17, 2008
Director: Tim Hunter
Costume Designer: Janie Bryant
Face it, even when he goes in on the weekend for his day off, Don Draper will look better than you. And this isn’t just a statement about the times: he also looks far better than Pete Campbell in his monochromatic tennis gear and short shorts.
This episode of Mad Men, the fourth of the second season, is centered around Sterling Cooper’s campaign to win American Airlines as a client. Don is on the verge of both a professional and a personal crisis but manages to hold everything together, crafting what he believes will be the perfect pitch.
If you have no idea what I’m talking about or who these people are, watch the damn show already. If you’re more of a cheater, read my first post about Don Draper and maybe you’ll have a slightly better sense about what’s going on.
What’d He Wear?
Responding to the emergency call of working on a weekend, Don shows up at the office in the epitome of suave 1960s male casual wear. While everyone else’s attire is hit or miss (Hit: Ken Cosgrove nicely wears a light brown sportcoat and tie. Miss: Pete Campbell’s aforementioned tennis outfit), Don comes in looking relaxed but professional. Continue reading
Ray Liotta as Henry Hill, Lucchese family Mafia associate
New York City, Summer 1963
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
The popularity of Nicholas Pileggi’s mob expose Wiseguy in 1985 and the subsequent film version, Goodfellas, five years later changed the pop culture view of Mafioso. For thirty years, they were a crew of fedora-wearing guys in loud suits and pinkie rings who would shove a .38 under your chin and hope the coppers weren’t onto them, get me? In 1972, The Godfather paved the way for mob films about honor and family. Great movies but still no closer to the truth about the mob.
Finally, in 1990, a realistic depiction of the American Mafia was released in theaters. Made with the help of “advisors” such as mob associates Henry Hill and Jimmy Burke and even starring ex-mob associates such as Tony Sirico (later to become famous as Paulie on The Sopranos), people were seeing the mob for what it was: a business made up of criminally-inclined lowlifes who saw themselves as much more important than they were.
Many terrific suits (and many awful ones) are worn throughout the film. Although it takes place from 1955 to 1980, the classiest attire, as one would expect, is seen during the sequences set in the early ’60s. Continue reading