Tagged: Macauley Connor
Sinatra’s Pink Shirt and Puppytooth Check in High Society
Vitals
Frank Sinatra as Macauley “Mike” Connor, swaggering tabloid reporter
Newport, Rhode Island, Summer 1956
Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose
Background
BAMF Style is fulfilling a timely request from Ryan to explore the puppytooth jacket, pink shirt, and tie worn by Frank Sinatra for his early scenes in High Society, the 1956 remake of The Philadelphia Story that found Sinatra acting with his idol, Bing Crosby. The film lives up to its title with an abundance of luxury cars, opulent homes, and plenty of champagne.
Though set in summer, Sinatra’s ensemble is a nice bold springtime look as the April showers turn to May flowers. Continue reading
Frank Sinatra Turns 100: High Society Black Tie
Vitals
Frank Sinatra as Macauley “Mike” Connor, swaggering tabloid reporter
Newport, Rhode Island, Summer 1956
Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose
Background
100 years ago today, on December 12, 1915, two Italian immigrants welcomed the birth of their son, Francis Albert Sinatra, in a Hoboken tenement. A century later, their legendary blue-eyed son has left an indelible legacy on our culture that can never be replicated. Sinatra’s style, stubbornness, and swagger complemented his natural skill and hard work to make him a living icon and one of the greatest singers of the 20th century.
After enjoying a decade of early success singing with the Harry James and Tommy Dorsey orchestras before his personal appeal allowed him to sign with Columbia as a solo artist, Sinatra’s popularity began to decline. The death of his publicist George Evans, his tumultuous public affair with Ava Gardner, and his own throat issues nearly meant the end of Sinatra’s career by the early 1950s.
Sinatra persevered. His records weren’t selling, and he was singing to county fairs in Hawaii, but he wasn’t going to give up that easily. His Oscar-winning role in From Here to Eternity (shades of The Godfather!) signified the start of a unprecedentedly booming career revival. 1953 also saw Sinatra signing his seven-year contract with Capitol Records that would produce his groundbreaking “concept albums” and – in my opinion – some of the greatest music ever recorded. Despite his perfectionist tendencies, even Sinatra couldn’t help but to agree. After hearing he and arranger Nelson Riddle’s first cut of “I’ve Got the World on a String”, Sinatra couldn’t help but to exclaim:
I’m back, baby, I’m back!