Tagged: Warm Climate
Pierce Brosnan’s Suede Jacket in The Matador
Pierce Brosnan as Julian Noble in The Matador (2005)
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Pierce Brosnan as Julian Noble, tired hedonistic hitman and “magnificent cold moron”
Mexico City, Spring 2004
Film: The Matador
Release Date: December 30, 2005
Director: Richard Shepard
Costume Designer: Catherine Marie Thomas
WARNING! Spoilers ahead!
Background
After this week’s 00-7th of the month post featured the reigning James Bond wearing a light brown suede zip-up jacket, I wanted to address a different way of approaching that look from Daniel Craig’s predecessor. The Matador starred Pierce Brosnan in one of his first post-Bond roles, inverting his own suave screen image by portraying a chain-smoking, nail-painting assassin “soiling” his way through life. (And thank you to BAMF Style readers Ryan and R.M. for long ago suggesting this film for a post!)
Indeed, the porn-stached and ill-mannered killer Julian Noble shares little in common with 007 aside from his dangerous profession and a penchant for drinking. There seemed to be an ongoing campaign after Brosnan found success as Bond where filmmakers asked themselves “how debauched and despicable can we make Pierce Brosnan’s character while still making it impossible to root against him?” leading to his welcome turns in movies like The Tailor of Panama (2001), After the Sunset (2004), and The Matador (2005), playing crude, cheeky criminals drinking, smoking, and womanizing their way through the tropics.
Spectre – Bond’s Tan Suede Matchless Jacket in Morocco
Daniel Craig and Léa Seydoux in the 24th official James Bond film Spectre (2015)
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Daniel Craig as James Bond, British government agent
Tangier, Morocco, November 2015
Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime
WARNING! Spoilers ahead!
Background
Bond fever is heating up for the 00-7th of September in anticipation for No Time to Die, an excitement heightened by the official release last week of a new trailer and new poster that gave us another look at Daniel Craig in Bond’s black tie and assured audiences that we’ll still be seeing a release in November as scheduled.
Especially considering that Craig’s swan song (Swann song?) will be a continuation of his previous adventure as James Bond, I recently revisited Spectre. While fan reception to the 24th official film in the Bond series may have been as chilly as Bond’s trek through the Alps, I for one appreciated the assortment of versatile outfits consistent with Daniel Craig’s accessible approach to casual clothing from the start of his tenure.
One such outfit that emerged as one of the most popular (and regarding which I owe BAMF Style reader and friend Ryan an apology for this long-overdue response to his request!) was Bond’s dressed down layers upon arriving in Tangier with Dr. Madeleine Swann (Léa Seydoux). The sequence includes many of those elements that drew me into Craig’s portrayal back when Casino Royale premiered: the smaller “life of Bond” moments with a beautiful companion, an exotic location, a bit of humor, accessible style, and the booze and weaponry that underscore what keeps 007’s life dangerous.
Lilies of the Field: Sidney Poitier’s Lee Westerner Jacket and Jeans
Sidney Poitier as Homer Smith in Lilies of the Field (1963)
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Sidney Poitier as Homer Smith, helpful handyman
Arizona, Summer 1963
Film: Lilies of the Field
Release Date: October 1, 1963
Director: Ralph Nelson
Wardrobe Credit: Wesley Sherrard
Background
“That is your car?” Mother Maria asks Homer Smith, to which he proudly corrects: “That’s my home!” With that attitude, Homer would have been well-prepared for a road trip decades later in the 2020, when the coronavirus pandemic found Americans taking to the road for their summer getaways in increased numbers said to recall the age of the mid-century “great American road trip.”
In his Academy Award-winning role, Sidney Poitier plays handyman Homer Smith, traveling through the Arizona desert when his station wagon’s dire need for water brings him to the Catholic convent overseen by the solemn Maria (Lilia Skala), who requests that the newcomer stop to assist with a roofing repair. His initial reluctant assistance leads to staying for dinner and an enthusiastic English lesson (“phonograph… record!”) to the German sisters, parlayed into spending the night camped out in the back of his Plymouth, where Mother Maria corners him the next morning and asks—er, orders—him to stay and build the nuns a chapel. Continue reading
Don Draper’s Teal-and-Turquoise Shirt in “Tomorrowland”
Jon Hamm as Don Draper on Mad Men (Episode 4.13: “Tomorrowland”)
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Jon Hamm as Don Draper, Madison Avenue ad man
Anaheim, California, October 1965
Series: Mad Men
Episode: “Tomorrowland” (Episode 4.13)
Air Date: October 17, 2010
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
During my latest Mad Men rewatch while on lockdown due to the coronavirus pandemic, I found myself so intrigued by the fourth season finale that I watched the episode back-to-back. For a show set so far into the past, it’s amazing how effective Mad Men can be at stirring a viewer’s enthusiasm for the future.
The Irishman: Tony Pro’s Controversial Shirt and Shorts in Florida
Stephen Graham as “Tony Pro” in The Irishman (2019)
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Stephen Graham as Anthony “Tony Pro” Provenzano, brash New Jersey mobster
Miami, Summer 1972
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
WARNING! Spoilers ahead!
Background
“Next time you come in, you come heavy or not at all.”
“Meeting in the middle of the desert always made me nervous. It’s a scary place. I knew about the holes in the desert, of course, and everywhere I looked, there could have been a hole.”
“Don’t ever take sides with anyone against the family again.”
The annals of mob fiction are laden with rules and etiquette surrounding meetings in the world of La Cosa Nostra, and Martin Scorsese’s latest continues that grand tradition in The Irishman when hotheaded capo Anthony “Tony Pro” Provenzano (Stephen Graham) meets with famously outspoken labor official Jimmy Hoffa (Al Pacino) in Florida. Continue reading
Palm Springs: Andy Samberg’s All-Day Aloha Shirt
Andy Samberg as Nyles in Palm Springs (2020)
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Andy Samberg as Nyles, aka “Misty’s boyfriend”, time-looped slacker focused only on “the next bite”
Palm Springs, California, November 2019
Film: Palm Springs
Release Date: July 10, 2020
Director: Max Barbakow
Costume Designer: Colin Wilkes
WARNING! Spoilers ahead!
Background
This is today, today is yesterday, and tomorrow is also today… it’s one of those infinite time loop situations you might’ve heard about.
Shorthand descriptions of Palm Springs have summed up the movie as “Groundhog Day for millennials,” though I was pleasantly surprised by the poignancy and philosophical complexity of this incredibly entertaining movie… particularly in the context of the much-publicized fact that the Lonely Island tacked on a nice 69 cents to the record-setting $17.5 million sale price to Neon and Hulu after its premiere at Sundance in January 2020.
Humphrey Bogart in Key Largo
Humphrey Bogart and Lauren Bacall on the set of Key Largo (1948)
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Humphrey Bogart as Frank McCloud, taciturn war veteran and former newspaperman
Key Largo, Florida, Summer 1948
Film: Key Largo
Release Date: July 16, 1948
Director: John Huston
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Released today in 1948, John Huston’s moody noir Key Largo marked the fourth and final of Bogie and Bacall’s on-screen collaborations, closing out their celluloid romance the way it began in To Have and Have Not (1944) with a talent-packed cast (including Dan Seymour as a heavy heavy) in a tropical locale shrouded in shadows, storms, and gunplay. The claustrophobia of our characters’ forced isolation against the looming summer storm outside and the raging tension inside made it particularly impactful viewing during months in lockdown.
Sinatra on Magnum, P.I.
Frank Sinatra and Tom Selleck during production of “Laura” (Episode 7.18 of Magnum, P.I.)
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Frank Sinatra as Michael Doheny, experienced and tough retired New York police sergeant
Hawaii, Spring 1987
Series: Magnum, P.I.
Episode: “Laura” (Episode 7.18)
Air Date: February 25, 1987
Director: Alan J. Levi
Creator: Donald P. Bellisario & Glen Larson
Costume Supervisors: James Gilmore & Charlene Tuch
WARNING! Spoilers ahead!
Background
Twenty years after he played Tony Rome, Frank Sinatra returned to the world of private eyes in warm locales with his final major acting role, a special appearance in “Laura”, a seventh season episode of Magnum, P.I. The Voice was already over 70 when the episode was produced, but he’s still as charismatic, wiry, and tough as his reputation had preceded him for the better part of a century. On this summertime #SinatraSaturday, let’s take a deeper look at Frank’s final screen role.
Elliott Gould’s Poolside Leisurewear in Bob & Carol & Ted & Alice
Elliott Gould as Ted Henderson in Bob & Carol & Ted & Alice (1969)
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Elliott Gould as Ted Henderson, married attorney with a wandering eye
Los Angeles, Summer 1969
Film: Bob & Carol & Ted & Alice
Release Date: September 17, 1969
Director: Paul Mazursky
Costume Designer: Moss Mabry
Background
Every month, particularly when passing the time under lockdown this spring, I look forward to the Criterion Channel announcing its new releases which also making it a priority to watch any films leaving the service. When I saw that Bob & Carol & Ted & Alice would be leaving at the end of May 2020, I knew this was my opportunity to watch this influential film considered to be emblematic of the late ’60s zeitgeist. Groundbreaking for its time, Paul Mazurky’s sex comedy enjoyed a recent resurgence in interest as one of ten films Quentin Tarantino cited as a direct influence on his latest hit, Once Upon a Time in Hollywood.
The Talented Mr. Ripley: Dickie’s White Polo and Pink Shorts
Jude Law with co-stars Matt Damon and Gwyneth Paltrow in The Talented Mr. Ripley (1999)
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Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, October 1958
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
Background
After exploring some of Alain Delon’s sharply tailored style in Plein soleil (Purple Noon) earlier this week, today’s post shifts attention to the 1999 adaptation of the same source material, Patricia Highsmith’s psychological thriller The Talented Mr. Ripley set on the sunny Italian coast.
