Tagged: Colt Official Police
Al Pacino in Dog Day Afternoon
Al Pacino in Dog Day Afternoon (1975)
Vitals
Al Pacino as Sonny Wortzik, desperate Army veteran-turned-bank robber
Brooklyn, Summer 1972
Film: Dog Day Afternoon
Release Date: September 21, 1975
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
51 years ago yesterday on August 22, 1972, Brooklyn was abuzz with activity as John “Sonny” Wojtowicz and Salvatore “Sal” Naturile attempted to rob a Gravesend branch of the Chase Manhattan Bank. Having expected up to $200,000 to be delivered that morning, the two hapless heisters had their information wrong—the money had actually been removed from the branch that morning.
After their accomplice Robert “Bobby” Westenberg successfully got away, Sonny and Sal remained inside the bank with a fraction of the money they expected to steal and a handful of bank employees that they took hostage once they learned that the police had surrounded the bank… and what started as a dog day afternoon descended into 14 hours of chaos. Continue reading
John Garfield in The Breaking Point
John Garfield as Harry Morgan in The Breaking Point (1950)
Vitals
John Garfield as Harry Morgan, cynical charter fishing boat captain and Navy veteran
Newport Beach, California and Ensenada, Mexico, Spring to Summer 1950
Film: The Breaking Point
Release Date: September 30, 1950
Director: Michael Curtiz
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
One of the most intense and talented actors of his generation, John Garfield was born 110 years ago today on March 4, 1913 in New York’s Lower East Side. His birth name was Julius Garfinkle, with Julius added as a middle name that resulted in his nickname “Julie” among friends and family.
Garfield delivered many excellent performances during his too-brief life and career, eventually citing his personal favorite to be in his penultimate film The Breaking Point, a more faithful retelling of Ernest Hemingway’s novel To Have and Have Not than the popular and stylish 1944 adaptation starring Humphrey Bogart and Lauren Bacall.
Lushly photographed and set against the docks of Newport Beach, The Breaking Point stars Garfield as self-described “boat jockey” Harry Morgan, a World War II veteran who makes a living for his supportive wife and daughter by chartering his fishing boat, Sea Queen, that ferries passengers back and forth from Mexico. Continue reading
Key Largo: Dan Seymour’s Guayabera
Dan Seymour as Angel Garcia in Key Largo (1948)
Vitals
Dan Seymour as Angel Garcia, gangland gofer
Key Largo, Florida, Summer 1948
Film: Key Largo
Release Date: July 16, 1948
Director: John Huston
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
One of the most familiar—if under-credited—faces of the 1940s, the distinctive-looking character actor Dan Seymour was often cast as a sinister local in an “exotic” setting. Seymour’s most prominent movies starred his friend Humphrey Bogart, including his performance as Moroccan doorman Abdul in Casablanca, a corrupt Martinican official in To Have and Have Not, and mob lackey Angel Garcia in Key Largo, John Huston’s moody noir set in a storm-isolated tropical hotel. Continue reading
Mitchum as Marlowe: Farewell, My Lovely
Robert Mitchum as Philip Marlowe in Farewell, My Lovely (1975)
Vitals
Robert Mitchum as Philip Marlowe, sharp-tongued private investigator
Los Angeles, Summer 1941
Film: Farewell, My Lovely
Release Date: August 8, 1975
Director: Dick Richards
Men’s Wardrobe Credit: G. Tony Scarano
WARNING! Spoilers ahead!
Background
Robert Mitchum had been credentialed in film noir for more than a generation (as explored in Saturday’s #Noirvember post) before the actor first took on the role of Raymond Chandler’s iconic private eye, Philip Marlowe. Based on an Edgar Allen Poe Award-winning screenplay by David Zulag Goodman, Dick Richards’ adaptation of Chandler’s 1940 novel Farewell, My Lovely premiered just two days after Mitchum’s 58th birthday, making the actor almost double the age of the character he portrayed… but his grizzled presence is just right as he navigates his way through the sordid City of Angels on the eve of the second world war:
This past spring was the first that I’d felt tired and realized I was growing old. Maybe it was the rotten weather we’d had in L.A., maybe it was the rotten case I’d had, mostly chasing a few missing husbands… and then chasing their wives once I found them in order to get paid. Or maybe it was just the plain fact that I am tired and growing old.
We find Mitchum’s Marlowe in media res “holed up in a dingy hotel, ducking the police,” staring under the brim of his ubiquitous hat through the neon and Philip Morris cigarette smoke. Continue reading
Cary Grant’s Flight Jacket in Only Angels Have Wings
Cary Grant as Geoff Carter in Only Angels Have Wings (1939)
Vitals
Cary Grant as Geoff Carter, regional airline manager and pilot
South America, Spring 1939
Film: Only Angels Have Wings
Release Date: May 15, 1939
Director: Howard Hawks
Costume Designer: Robert Kalloch
WARNING! Spoilers ahead!
Background
Calling Barranca, calling Barranca…
Set in the fictional “port of call for the South American banana boats”, Only Angels Have Wings begins with the arrival of Bonnie Lee (Jean Arthur), a Brooklyn musician who soon catches the eye of two American aviators, Joe (Noah Beery Jr.) and Les (Allyn Joslyn). While the daredevil duo gambles for the opportunity to take Bonnie to dinner, Cary Grant makes his swaggering introduction as Geoff Carter, a fellow pilot and manager of a regional mail carrier flying regular routes over the treacherous Andes Mountains.
Gun Crazy: John Dall’s Tweed Jacket
John Dall as Bart Tare in Gun Crazy (1950)
Vitals
John Dall as Bart Tare, armed robber on the run
San Lorenzo Valley, California, Fall 1949, to Albuquerque, New Mexico, Spring 1950
Film: Gun Crazy
(also released as Deadly is the Female)
Release Date: January 20, 1950
Director: Joseph H. Lewis
Costume Designer: Norma Koch (credited with Peggy Cummins’ costumes only)
Background
Fifteen years after armed robbers Clyde Barrow and Bonnie Parker were ambushed and killed on a rural Louisiana road, one of the first attempts to adapt their story for the silver screen arrived in theaters. Sure, there had been Fritz Lang’s sympathetic melodrama You Only Live Once (1937) and the FBI-endorsed propaganda Persons in Hiding (1939), but Gun Crazy—released exactly 70 years ago today—most effectively latched onto the intrigue of a gun-toting couple on the run, and, “more than any other, emphasizes the powerful attraction of weaponry in the growing legend of Bonnie and Clyde,” according to John Treherne, author of The Strange History of Bonnie and Clyde.
Gun Crazy‘s telling original title of Deadly is the Female reflects the narrative leaning into the noir-esque premise of a dominating femme fatale, an expert in firearms who seduces her lovestruck fella into a life of crime… an inverse of the generally accepted reality of the relationship between violent manipulator Clyde Barrow and the vulnerable and troubled Bonnie Parker.
A year after his chilling turn as the calculating, Loeb-like murderer in Hitchcock’s Rope, John Dall stars as the malleable Bart Tare, who finds himself fatefully—and fatally—drawn to the voluptuous carnival sharpshooter Annie Laurie Starr (Peggy Cummins), “the darling of London, England,” though it’s a toss-up whether it’s her tight pants, knowing wink, or dueling pistols that sink the hook into the already doomed Bart. Continue reading
The Irishman: De Niro’s Brown Leather Jacket
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough truck driver-turned-Mafia enforcer
Philadelphia, winter 1956 through spring 1961
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Background
Martin Scorsese’s latest crime epic, The Irishman, has been the subject of several requests since it was released on Netflix at the beginning of November. With one of my favorite directors helming some of my favorite actors in a subject and setting that held personal interest for me, The Irishman had been eagerly anticipated by me since the project was first announced… though I admit that I did have some hesitations about the running time and the advanced ages of all involved. As it turns out, the very factors I was most concerned about are what arguably contributed to the film being a modern masterpiece.
David Niven’s Blazer in Death on the Nile
David Niven as Colonel Race in Death on the Nile (1978).
Vitals
David Niven as Colonel Johnny Race, dignified lawyer and war veteran
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
As we in the Northern Hemisphere enjoy the first full day of summer, BAMF Style is focusing on a classic warm weather look from the quintessential gentleman, David Niven. Niven’s character, Colonel Johnny Race, was written as an MI5 agent in Christie’s novels but appears here to be more of a lawyer who is tasked with a murder investigation due to his long friendship with Poirot and his dignified upper class standing.
David Niven was one of many stars featured in the trio of lavish Agatha Christie murder mystery adaptations in the ’70s and ’80s that were often studded with a cavalcade of international acting talent. 1978’s Death on the Nile alone featured Niven, Bette Davis, Mia Farrow, Angela Lansbury, and Maggie Smith plus the decade’s Shakespearean newcomers Jon Finch and Olivia Hussey as well as Jack “that’s what I call fuckin'” Warden. Peter Ustinov took over the role of the eccentric, brilliant, and pompous Hercule Poirot – a role he would play five more times – in a perfect example of marketing a famously mustached character without overdoing it.
Although the “series” was sumptuously costumed with period attire for all, Anthony Powell’s costume design talent won him both the Academy Award and the BAFTA for Death on the Nile. (It’s worth mentioning that Tony Walton’s costume design for Murder on the Orient Express had been nominated for an Academy Award and a BAFTA, and Powell’s work on Evil Under the Sun has been thrice featured on BAMF Style already.)
What’d He Wear?
Colonel Race exudes British military elegance in his double-breasted navy blazer, white trousers and shoes, and regimental striped tie. Continue reading
Bogart in The Big Sleep: Gray Birdseye Wool Suit
Humphrey Bogart as Philip Marlowe in The Big Sleep (1946).
Vitals
Humphrey Bogart as Philip Marlowe, archetypal hard-boiled private detective
Los Angeles, Fall 1945
Film: The Big Sleep
Release Date: August 23, 1946
Director: Howard Hawks
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
The Big Sleep is often considered the apex of American film noir. Plot becomes secondary (and often disregarded) in favor of colorful characters made of private eyes, floozy femme fatales, and pornographers spitting snappy dialogue at each other against the backdrop of both the glamorous and seamy sides of the city. The same plot and characters from Raymond Chandler’s 1939 source novel are here, with the anti-Code elements like pornography and homosexuality all but removed. Continue reading
Indiana Jones’ White Dinner Jacket
Harrison Ford as Indiana Jones in Indiana Jones and the Temple of Doom (1984).
Vitals
Harrison Ford as Indiana Jones, adventurer and archaeology professor
Shanghai, Summer 1935
Film: Indiana Jones and the Temple of Doom
Release Date: May 23, 1984
Director: Steven Spielberg
Costume Designer: Anthony Powell
Background
For the first Indiana Jones post on BAMF Style, one might expect to see the iconic leather jacket, fedora, and bullwhip costume. However, Indy’s first chronological appearance in the original trilogy is at the outset of Indiana Jones and the Temple of Doom when Indy dons his finest duds to meet with Shanghai crime boss Lao Che at the hopping Club Obi Wan. Continue reading