Tagged: Directed by John Huston

The Misfits: Marilyn Monroe’s Denim Western Wear

Marilyn Monroe as Roslyn Tabor in The Misfits (1961)

Marilyn Monroe as Roslyn Tabor in The Misfits (1961). Photo by Eve Arnold.

Vitals

Marilyn Monroe as Roslyn Tabor, recent divorcée

Nevada desert, Summer 1960

Film: The Misfits
Release Date: February 1, 1961
Director: John Huston

WARNING! Spoilers ahead!

Background

Sixty years after her fatal overdose on August 4, 1962, Marilyn Monroe remains a major figure in pop culture, the subject of countless books, art, music, and movies, including Blonde, scheduled to release next month starring Ana de Armas as the actress. Monroe’s final completed film was John Huston’s The Misfits, an elegiac contemporary Western written by her then-husband Arthur Miller that afforded the actress with the opportunity to provide her arguably best performance, which earned her the 1961 Golden Globe Award for “World Film Favorite” despite her own reported contempt for her performance. Continue reading

Key Largo: Dan Seymour’s Guayabera

Dan Seymour as Angel Garcia in Key Largo (1948)

Dan Seymour as Angel Garcia in Key Largo (1948)

Vitals

Dan Seymour as Angel Garcia, gangland gofer

Key Largo, Florida, Summer 1948

Film: Key Largo
Release Date: July 16, 1948
Director: John Huston
Wardrobe Credit: Leah Rhodes

WARNING! Spoilers ahead!

Background

One of the most familiar—if under-credited—faces of the 1940s, the distinctive-looking character actor Dan Seymour was often cast as a sinister local in an “exotic” setting. Seymour’s most prominent movies starred his friend Humphrey Bogart, including his performance as Moroccan doorman Abdul in Casablanca, a corrupt Martinican official in To Have and Have Not, and mob lackey Angel Garcia in Key Largo, John Huston’s moody noir set in a storm-isolated tropical hotel. Continue reading

Humphrey Bogart in The Treasure of the Sierra Madre

Humphrey Bogart as Fred C. Dobbs in The Treasure of the Sierra Madre (1948)

Humphrey Bogart as Fred C. Dobbs in The Treasure of the Sierra Madre (1948)

Vitals

Humphrey Bogart as Fred C. Dobbs, desperate drifter-turned-treasure hunter

Mexico, Spring to Summer 1925

Film: The Treasure of the Sierra Madre
Release Date: January 6, 1948
Director: John Huston
Wardrobe: Robert O’Dell & Ted Schultz (uncredited)

WARNING! Spoilers ahead!

Background

On the 65th anniversary of when Humphrey Bogart died on January 14, 1957, I wanted to visit one of his most lasting—if not exactly best-dressed—roles.

“Wait until you see me in my next picture,” Bogie had proclaimed to a New York Post critic outside 21 one night. “I play the worst shit you ever saw!” Indeed, unlike his previous protagonists like Sam Spade, Rick Blaine, and Philip Marlowe, who were primarily heroes marred by a cynical streak, there are few redeeming factors to Fred C. Dobbs, the panhandling prospector whose treacherous greed leads him well past the point of no return. Continue reading

Humphrey Bogart in The Maltese Falcon

Humphrey Bogart as Sam Spade in The Maltese Falcon (1941)

Humphrey Bogart as Sam Spade in The Maltese Falcon (1941)

Vitals

Humphrey Bogart as Sam Spade, smooth private detective and “a chap worth knowing”

San Francisco, Spring 1941

Film: The Maltese Falcon
Release Date: October 3, 1941
Director: John Huston
Costume Designer: Orry-Kelly (credited for gowns)

Background

Now considered a seminal film noir, The Maltese Falcon celebrated its 80th anniversary last month. Dashiell Hammett’s excellent 1930 detective novel had already been adapted twice for the screen—once as a “lewd” pre-Code thriller and recycled as a zanier mid-’30s vehicle for Bette Davis—before Warner Bros. finally got it right.

The Maltese Falcon was the directorial debut for John Huston, who had faithfully adapted Hammett’s source material for his sharp script and demonstrated his sense of methodical efficiency, resulting in a masterpiece that benefited from the formula of director of photography Arthur Edelson’s low-key cinematography and a perfect cast led by Humphrey Bogart as the wisecracking gumshoe who “don’t mind a reasonable amount of trouble.” Continue reading

Clark Gable in The Misfits

Clark Gable as Gay Langland in The Misfits (1961)

Clark Gable as Gay Langland in The Misfits (1961)

Vitals

Clark Gable as Gay Langland, aging cowboy

Nevada desert, Summer 1960

Film: The Misfits
Release Date: February 1, 1961
Director: John Huston

Background

The Misfits was released sixty years ago today on what would have been star Clark Gable’s 60th birthday. As the actor died three months earlier in November 1960 (just days after filming wrapped), audiences strolling into the theater were already aware that it had been the screen icon’s swan song but were tragically unaware that it would be the last for Marilyn Monroe, who died in 1962 before she could complete production in Something’s Gotta Give.

As it turned out, none of the film’s leading trio would survive the decade as third-billed Montgomery Clift died at the age of 45 in July 1966.

Though not warmly received at the time of its release, The Misfits‘ reputation has benefited from contemporary reconsideration over the years as critics have come to appreciate this somewhat offbeat take on a group of lovable losers and no-account boozers, to pinch a phrase from Billy Joe Shaver. Continue reading

Humphrey Bogart in Key Largo

Humphrey Bogart and Lauren Bacall on the set of Key Largo (1948)

Humphrey Bogart and Lauren Bacall on the set of Key Largo (1948)

Vitals

Humphrey Bogart as Frank McCloud, taciturn war veteran and former newspaperman

Key Largo, Florida, Summer 1948

Film: Key Largo
Release Date: July 16, 1948
Director: John Huston
Wardrobe Credit: Leah Rhodes

WARNING! Spoilers ahead!

Background

Released today in 1948, John Huston’s moody noir Key Largo marked the fourth and final of Bogie and Bacall’s on-screen collaborations, closing out their celluloid romance the way it began in To Have and Have Not (1944) with a talent-packed cast (including Dan Seymour as a heavy heavy) in a tropical locale shrouded in shadows, storms, and gunplay. The claustrophobia of our characters’ forced isolation against the looming summer storm outside and the raging tension inside made it particularly impactful viewing during months in lockdown.

Continue reading