Tagged: The South
Wild at Heart: Nicolas Cage’s Snakeskin Jacket as Sailor Ripley
Nicolas Cage as Sailor Ripley in Wild at Heart (1990)
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Nicolas Cage as Sailor Ripley, an A #1-certified manslaughterer who just broke parole
Cape Fear to Texas via New Orleans, Fall 1989
Film: Wild at Heart
Release Date: August 17, 1990
Director: David Lynch
Costume Designer: Amy Stofsky
WARNING! Spoilers ahead!
Background
This week continues to explore unconventional style from David Lynch movies with a long-overdue look at Nic Cage’s snakeskin jacket as the swaggering Sailor Ripley in Wild at Heart, Lynch’s darkly comic adaptation of Barry Gifford’s 1989 novel of the same name. The film premiered at the 1990 Cannes Film Festival where it garnered some controversy for winning the Palme d’Or, three months prior to its wider North American release in August 1990.
Specifically considered for the role after Lynch read Gifford’s novel, Cage described Sailor as “a kind of romantic Southern outlaw,” reunited with his girlfriend Lula Fortune (Laura Dern) after spending 22 months and 18 days in the Pee Dee Correctional Institution for fatally defending himself—and Lula’s honor—against an attacker hired by Lula’s domineering mama Marietta (Dern’s real-life mother Diane Ladd) after Sailor spurned her drunken advances. Two years has done little to dampen Marietta’s dislike for Sailor, who again sends paid killers on Sailor’s trail as he and Lula flee Cape Fear on their way west to sunny California. Continue reading
Blue Velvet: Dennis Hopper’s Black Leather Jacket and Bolo Tie as Frank Booth
Dennis Hopper on the set of Blue Velvet (1986). Photo credit: Jim Bridges.
Vitals
Dennis Hopper as Frank Booth, sadistic drug dealer
Lumberton, North Carolina, Spring 1985
Film: Blue Velvet
Release Date: September 19, 1986
Director: David Lynch
Costumer: Ronald Leamon
WARNING! Spoilers ahead!
Background
After his early low-budget debut Eraserhead (1977) and adaptations The Elephant Man (1980) and Dune (1984), David Lynch finally unleashed many of his cinematic signatures when the neo-noir thriller Blue Velvet premiered forty years ago today during the Toronto International Film Festival (TIFF), one week before its wider release.
Blue Velvet‘s themes of disturbing violence and surreal absurdism among a neo-nostalgic Americana backdrop became Lynchian trademarks, as well as his cast of frequent collaborators like Laura Dern, Kyle MacLachlan, Jack Nance, and Isabella Rossellini. The movie also revitalized Dennis Hopper’s stalled career through his explosive, Golden Globe-winning performance as the chilling criminal Frank Booth—a psychopathic, amyl nitrate-addicted Roy Orbison fan with serious mommy issues. Continue reading
Burt Reynolds in Double Denim as Gator McKlusky
Burt Reynolds in Gator (1976)
Vitals
Burt Reynolds as Bobby “Gator” McKlusky, paroled moonshine runner
Okefanokee Swamp, Summer 1975
Film: Gator
Release Date: August 25, 1976
Director: Burt Reynolds
Costume Designer: Norman Salling
Background
Burt Reynolds followed up his sweaty 1973 “hick flick” White Lightning with his self-directed sequel Gator, widely released 50 years ago today on August 25, 1976. The three-year gap had been kind to Reynolds, who had since grown his stardom… and that trademark mustache. (Unlike Sterling Archer, I prefer White Lightning over its lighter-hearted sequel.)
Reynolds reprises his role as moonshiner Bobby “Gator” McKlusky, recently released after serving 26 months in a Georgia state prison where he proudly learned how to make “quality license plates”. As in White Lightning, Gator is called back into government service, this time to help nab his one-time pal “Bama” McCall (Jerry Reed), now a ruthless crime boss in the fictional Dunston County. Of course, the government has to catch Gator first, kicking things off with a raucous speedboat chase through the Okefanokee Swamp. Continue reading
John Saxon’s Floral-collared Chambray Shirt in Moonshine County Express
John Saxon in Moonshine County Express (1977)
Vitals
John Saxon as J.B. Johnson, race car driver and occasional moonshine runner
Jackson County, Kentucky, Fall 1976
Film: Moonshine County Express
Release Date: June 1, 1977
Director: Gus Trikonis
Wardrobe Coordinator: Adrianne Levesque
WARNING! Spoilers ahead!
Background
Moonshine County Express was produced by Roger Corman’s New World Pictures in 1977 during the height of the cinematic “hick flick” trend that often posited guys like Burt Reynolds as rural heroes driving fast cars full of booze. Directed by Corman favorite Gus Trikonis, Moonshine County Express stars the late John Saxon in its central role—no doubt due to the actor’s own considerable talent and his resemblance to a pre-mustached Reynolds—as well as Susan Howard, William Conrad, a post-Brady Bunch Maureen McCormick as a Daisy Duke protoype, and “hick flick” regulars Jeff Corey and Dub Taylor; Seinfeld fans may also recognize Uncle Leo (aka Len Lesser) in a supporting role as a bargain barn owner. (Both Saxon and McCormick share their August 5th birthday, with McCormick celebrating her 70th today while Saxon would have turned 90 this year.)
Marcia, Marcia, Marcia! Except it’s Betty, Sissy, and Dot.
It would be hard to recommend in good faith to all my readers, but Moonshine County Express is the kind of movie you throw on when you want that raw, Southern-fried tale of fast-driivng whiskey runners in the same authentic, dobro-twanging, semi-exploitative ilk as Moonrunners, the 1975 B-movie that directly inspired The Dukes of Hazzard, though Moonshine County Express also features many of the elements that would be familiar in Hazzard County: a corrupt and corpulent county boss, a white-suited antagonist, short-shorted Southern beauties, and a liquor-hauling hero speeding around in a Dodge muscle car. Continue reading
This Property Is Condemned: Robert Redford’s Depression-era Cap and Corduroy
Robert Redford and Natalie Wood in This Property Is Condemned (1966)
Vitals
Robert Redford as Owen Legate, railroad representative
Mississippi, Summer 1931
Film: This Property Is Condemned
Release Date: August 3, 1966
Director: Sydney Pollack
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Robert Redford was on the verge of stardom when he was cast as the romantic lead opposite Natalie Wood in This Property is Condemned, released sixty years ago this week on August 3, 1966 and marking the late actor’s first of seven collaborations with director Sydney Pollack.
Set in the fictional Mississippi town of Dodson (but actually filmed in the Gulf Coast city of Bay St. Louis) during the Great Depression, Redford stars as Owen Legate—a representative of the railroad that provides much of Dodson’s economic base. He literally drops into Dodson by the night train, dusting off his trousers and striding up to a raucous boarding house where the owner’s daughter, Willie Starr (Mary Badham), introduces him to rent a room from her mother, Hazel (Kate Reid), during Hazel’s 43rd birthday party. She comments “a buck is a buck” when he pays for a week’s worth in advance, prompting him to quip back “if you’re lucky” to her delight.
His room and board secured, Owen lingers around the periphery of the party, eating fried chicken and eventually meeting Willie’s older sister Alva (Natalie Wood). The popular Miss Alva sets her flirtatious sights on Owen, until he insults her by implying that “if you come with the room, if you’re included with the two meals, then let’s get on with it.” Continue reading
Marlon Brando’s Snakeskin Jacket in The Fugitive Kind
Marlon Brando in The Fugitive Kind (1960)
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Marlon Brando as Valentine “Snakeskin” Xavier, guitar-playing drifter seeking redemption
Mississippi Delta, January 1959
Film: The Fugitive Kind
Release Date: April 14, 1960
Director: Sidney Lumet
Costume Designer: Frank L. Thompson
WARNING! Spoilers ahead!
Background
For National Snake Day on July 16th, let’s celebrate the famous snakeskin jacket that Marlon Brando wore as Valentine “Val” Xavier in The Fugitive Kind, adapted from Tennessee Williams’ 1957 play Orpheus Descending—itself a modern retelling of the ancient Greek myth of Orpheus and Eurydice. Continue reading
Cape Fear (1962): Robert Mitchum’s Straw Hat and Striped Tee as Max Cady
Robert Mitchum as Max Cady in Cape Fear (1962)
Vitals
Robert Mitchum as Max Cady, psychopathic ex-convict
Southeast Georgia, Summer 1962
Film: Cape Fear
Release Date: June 15, 1962
Director: J. Lee Thompson
Costume Designer: Mary Wills
WARNING! Spoilers ahead!
Background
With the latest adaptation of Cape Fear earning strong reviews on Apple TV+, let’s look back to the release of the original film sixty-four years ago today on June 15, 1962. Adapted from John D. MacDonald’s suspense novel The Executioners, the first Cape Fear stars Gregory Peck as Southern attorney Sam Bowden and Robert Mitchum in a chilling performance as Max Cady, a psychotic ex-convict who, upon his release after serving eight years for sexual assault, sets out to exact revenge on the man he believes responsible for his incarceration. Continue reading
Passenger 57: Wesley Snipes’ Biker Jacket with Layered Shirts and Jeans
Wesley Snipes as John Cutter in Passenger 57 (1992)
Vitals
Wesley Snipes as John Cutter, airline security chief and ex-Secret Service agent
In flight from Miami to Los Angeles, Spring 1992
Film: Passenger 57
Release Date: November 6, 1992
Director: Kevin Hooks
Costume Designer: Brad R. Loman
WARNING! Spoilers ahead!
Background
To paraphrase Abraham Lincoln, sometimes there’s nothing more necessary than to sit back and turn off your brain to watch a pleasantly absurd ’90s action movie. Luckily for us, Kevin Hooks directed the 1992 action thriller Passenger 57—its title literally inspired after writer Stewart Raffill spied a bottle of Heinz ketchup.
Wesley Snipes stars as John Cutter, a former* Secret Service agent whose stalwart reputation has followed him into his latest career as an airline security consultant, training flight attendants like Marti Slayton (Alex Datcher) how to handle hijacking scenarios. After his pal Sly Delvecchio (Tom Sizemore) helps Cutter secure an executive position as the vice president of security for the fictional Atlantic International Airlines, Cutter boards Atlantic Flight 163… the same flight on which FBI agents are escorting the dangerous international criminal Charles Rane (Bruce Payne)—who is not insane—back to California to face trial.
With his history of commercial airline bombings that makes us—and Delvecchio—wonder why the feds would choose this particular method of transportation, “the Rane of terror” has more explosive ideas for securing his freedom, which becomes an unfortunate situation for his fellow passengers—all except passenger #57, who happens to be the nation’s foremost expert in combating air terrorism. Continue reading
A Face in the Crowd: Andy Griffith’s Silky Shirt, String Tie, and Sport Suit
Andy Griffith as Larry “Lonesome” Rhodes in A Face in the Crowd (1957)
Vitals
Andy Griffith as Larry “Lonesome” Rhodes, folksy yet power-hungry media personality
Memphis to New York City, Spring 1956
Film: A Face in the Crowd
Release Date: May 28, 1957
Director: Elia Kazan
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Andy Griffith, born June 1, 1926. Already somewhat known as a comedian for routines like his breakthrough 1953 monologue “What It Was, Was Football”, Griffith made his explosive screen debut in Elia Kazan’s excellent 1957 drama A Face in the Crowd, a devastatingly prescient depiction of how susceptible American culture is to populism and celebrity cycloning into demagoguery. Budd Schulberg adapted his own short story “Your Arkansas Traveler” into the screenplay centered around Larry “Lonesome” Rhodes, a charismatic drifter-turned-demagogue plucked from obscurity by radio producer Marcia Jeffries (Patricia Neal) who ascends out of control into an influential public figure. Continue reading
Bonnie and Clyde: Michael J. Pollard’s Type I Denim Jacket as C.W. Moss
Michael J. Pollard as C.W. Moss in Bonnie & Clyde (1967)
Vitals
Michael J. Pollard as C.W. Moss, slow-witted mechanic-turned-bank robber
Texas to Missouri, Spring 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
My last post centered around one of the many quick-and-dirty Depression-set crime films released in the wake of Bonnie & Clyde‘s popularity, so let’s refocus today’s sartorial attention back on the groundbreaking 1967 drama that started it all. Starring Faye Dunaway and Warren Beatty (who also produced the film), Bonnie & Clyde fictionalized the exploits of real-life Texas outlaws Clyde Barrow and Bonnie Parker, whose two-year crime spree of mostly unprofitable robberies left a trail of at least twelve dead lawmen and civilians until they were ultimately killed by law enforcement in May 1934.
Robert Benton and David Newman’s Academy Award-nominated screenplay emphasized the twenty-something couple’s youth, capitalizing on the prevailing countercultural sentiment of the late 1960s in the stylized spirit of French New Wave cinema. Presumably even younger than Bonnie or Clyde is their first on-screen accomplice: small-town gas station attendant C.W. Moss (Michael J. Pollard), whose simplicity often suggests excessive exposure to fuel fumes. Moss served as a composite for several real-life associates of the gang, specifically eventual turncoat Henry Methvin and Dallas teenager W.D. “Deacon” Jones.
Born 110 years ago today on May 12, 1916, Jones was only 16 years old when the 23-year-old Clyde and 22-year-old Bonnie recruited him into their scrappy band on Christmas Eve 1932. After a car theft gone wrong resulted in the murder of Temple, Texas family man Doyle Johnson the next day, Jones became inextricably linked with the Barrow gang for more than a year until his eventual arrest in November 1933, six months before his more famous friends were gunned down in Louisiana. Continue reading
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