Tagged: Sweater & Slacks
Steve McQueen’s Corduroy Sport Jacket as The Cincinnati Kid
Steve McQueen and Tuesday Weld in The Cincinnati Kid (1965)
Vitals
Steve McQueen as Eric “the Kid” Stoner, hotshot poker player
Louisiana, Fall 1936
Film: The Cincinnati Kid
Release Date: October 15, 1965
Director: Norman Jewison
Costume Designer: Donfeld (Donald Lee Feld)
Background
The Cincinnati Kid was released today in 1965 with Steve McQueen in the title role as the actor was paving his way to stardom through the decade with a string of iconic movie including The Great Escape (1963), The Sand Pebbles (1966), and finally Bullitt and The Thomas Crown Affair in his banner year of 1968.
McQueen’s timeless sense of cool adds an era-defying quality to his performance as poker prodigy Eric “the Kid” Stoner. The Kid’s simple, functional wardrobe was hip enough to be contemporary to the 1960s while also reflective of the film’s 1930s setting. Continue reading
The Day of the Jackal: Blue Sleeveless Cardigan
Edward Fox in The Day of the Jackal (1973)
Vitals
Edward Fox as “The Jackal”, mysterious professional assassin
Southern France, near Grasse, August 1963
Film: The Day of the Jackal
Release Date: May 16, 1973
Director: Fred Zinnemann
Costume Design: Joan Bridge, Rosine Delamare, and Elizabeth Haffenden
Background
The only time we see Edward Fox’s enigmatic Jackal in a non-earthtone ensemble outside of his numerous disguises is this brief interlude for a summer evening in the south of France, near Grasse, as he chats up Colette (Delphine Seyrig) in a hotel parlor. His seduction induces Colette into his cadre of temporarily useful – but ultimately disposable – assets as he kills his way across Europe to his ultimate target. Continue reading
Sidney Reilly’s Gray Shawl-Collar Cardigan
Sam Neill as Sidney Reilly in Reilly: Ace of Spies (Episode 10: “The Trust”)
Vitals
Sam Neill as Sidney Reilly, shrewd anti-Bolshevik and former British agent
Long Island, Fall 1924
Series: Reilly: Ace of Spies
Episode: “The Trust” (Episode 10)
Air Date: November 2, 1983
Director: Martin Campbell
Costume Designer: Elizabeth Waller
Background
Following his trial in absentia for plotting against the Bolsheviks during the Russian Revolution, British agent Sidney Reilly (Sam Neill) has been living in exile in New York, feverishly plotting an anti-Bolshevik invasion of Russia to be led by his comrade Boris Savinkov. Continue reading
Lee Marvin’s Brown Shawl Cardigan in The Professionals
Lee Marvin as Henry “Rico” Fardan in The Professionals (1966)
Vitals
Lee Marvin as Henry “Rico” Fardan, tough mercenary
Texas, January 1917
Film: The Professionals
Release Date: November 2, 1966
Director: Richard Brooks
Wardrobe Credit: Jack Martell
Background
Written, produced, and directed by prolific auteur Richard Brooks, The Professionals depicts a band of mercenaries hired by rancher baron Joe Grant (Ralph Bellamy) to rescue his wife. Though it is often overlooked in the shadow of its “bigger” contemporaries like The Wild Bunch, Butch Cassidy and the Sundance Kid, and Sergio Leone’s “Man With No Name” trilogy of spaghetti westerns, The Professionals was Columbia Pictures’ biggest hit of 1966.
Lee Marvin starred as Henry “Rico” Fardan, a cynical weapons specialist whose experience fighting under Pancho Villa’s command makes him invaluable to the team pursuing one of Villa’s former revolutionaries who supposedly kidnapped Grant’s wife Maria (Claudia Cardinale). Continue reading
Sidney Reilly’s Blue Argyle Sweater
Sam Neill as Sidney Reilly in Reilly: Ace of Spies (Episode 11: “The Last Journey”)
Vitals
Sam Neill as Sidney Reilly, shrewd anti-Bolshevik and former British agent
London, Fall 1925
Series: Reilly: Ace of Spies
Episode: “The Last Journey” (Episode 11)
Air Date: November 9, 1983
Director: Jim Goddard
Costume Designer: Elizabeth Waller
WARNING! Spoilers ahead!
Background
Sidney Reilly is just settling into life with his latest – and final – wife, the glamorous actress Nelly “Pepita” Bobadilla (Laura Davenport), when he is visited by Georgi and Maria Schulz, the Soviet double agents who have come to ensure him of his safe passage through Russia to meet with The Trust. Continue reading
Jimmy Stewart’s Green Sweater in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
San Francisco has always been a popular setting for detective movies. From 1940s film noir like The Maltese Falcon through the gritty ’60s and ’70s era with movies like Bullitt, Dirty Harry, and McQ, Hollywood has made the most of its picturesque neighbor to the distant north.
Though Alfred Hitchcock had filmed in the Bay area before, Vertigo was his first cinematic effort actually set in San Francisco and he makes the most of his setting. Continue reading
Steve McQueen’s Brown Shawl Cardigan as The Cincinnati Kid
Steve McQueen as Eric “The Kid” Stoner in The Cincinnati Kid (1965)
Vitals
Steve McQueen as Eric “the Kid” Stoner, hotshot poker player
New Orleans, Fall 1936
Film: The Cincinnati Kid
Release Date: October 15, 1965
Director: Norman Jewison
Costume Designer: Donfeld (Donald Lee Feld)
WARNING! Spoilers ahead!
Background
“King of Cool” Steve McQueen could also be called the king of the cardigan, considering his role in re-establishing the sweater as a functional and fashionable garment for young rebels rather than as the staid staple of TV dads like Ward Cleaver.
Both on and off screen, the shawl collar cardigan was a McQueen favorite. Continue reading
Michael Caine’s Olive Sweater as Alfie
Michael Caine as Alfie Elkins in Alfie (1966)
Vitals
Michael Caine as Alfie Elkins, charming part-time car service driver and full-time cad
Middlesex, England, Summer 1965
Film: Alfie
Release Date: March 24, 1966
Director: Lewis Gilbert
Wardrobe Supervisor: Jean Fairlie
Background
During his stay in a convalescent home earlier in the movie, Alfie Elkins (Michael Caine) befriended Harry Clamacraft (Alfie Bass, hey his name actually is Alfie!). Alfie later returns to visit Harry, who requests that Alfie give a ride to his tired-looking wife Lily (Vivien Merchant) in his Rolls-Royce.
The reluctant ride turns into a summertime seduction as Alfie and Lily make a fateful stop for “a nice cup of tea.” Continue reading
Bond Style – Day Cravat and Navy Sweater in GoldenEye
Pierce Brosnan as James Bond in GoldenEye (1995).
Vitals
Pierce Brosnan as James Bond, British government secret agent
Monte Carlo, April 1995
Film: GoldenEye
Release Date: November 13, 1995
Director: Martin Campbell
Costume Designer: Lindy Hemming
Background
BAMF Style is taking another look at James Bond for the 00-7th of April… well-established to be a “spring month” in GoldenEye.
Set nine years after GoldenEye‘s attention-grabbing intro in Russia, we catch up with 007 seemingly enjoying some leisure time while racing his vintage Aston Martin DB5 around Monaco’s winding mountain roads alongside a prim and nervous MI6 evaluator (whose name is Caroline, not that it matters.) While Bond is already a relatively unsafe driver while escorting the poor woman, he escalates their “pleasant drive in the country” when he catches the eye of a dangerous brunette in a sharp red Ferrari in what becomes a more light-hearted version of Bond meeting Tracy in On Her Majesty’s Secret Service. Continue reading
Bond’s Black “Tactileneck” in Live and Let Die
Roger Moore as James Bond in Live and Let Die (1973).
Vitals
Roger Moore as James Bond, debonair British secret agent
“San Monique” (actually Jamaica), Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Background
Despite today being April 1st, this post isn’t timed to be an April Fool’s Day post; instead, BAMF Style is celebrating the return of Archer last night by analyzing the “tactileneck” that started it all – Roger Moore’s all-black assault attire in Live and Let Die.
After the love of his life his temporary lust object is kidnapped in keeping with the movie’s rampant polyester-flavored blend of racism and sexism, James Bond packs some heavy heat to return to Jamaica San Monique and retrieve her… mostly so he can have someone to have sex with during his return trip.
Bond manages to really bungle things up and, although he lands a henchman in a coffin of poisonous snakes, he gets captured right alongside of Solitaire. Continue reading
