Tagged: Penny Loafers
Scorpio: Alain Delon’s Black Blazers
Alain Delon as Jean Laurier in Scorpio (1973)
Vitals
Alain Delon as Jean Laurier, aka “Scorpio”, dangerous freelance assassin, former French paratrooper, and cat lover
Washington, D.C., and Vienna, Spring 1973
Film: Scorpio
Release Date: April 19, 1973
Director: Michael Winner
Wardrobe Master: Philippe Pickford
WARNING! Spoilers ahead!
Background
Happy 85th birthday to French cinema icon Alain Delon, whose November 8, 1935 birthday makes him a Scorpio and thus a fitting choice for the title role in Michael Winner’s 1973 espionage thriller Scorpio. (Interestingly, Delon was re-teamed with The Leopard co-star Burt Lancaster, whose November 2, 1913 birthday makes him a Scorpio as well!) The astrological overtones sneak into the script as well as a CIA officer suggests to Delon’s character Jean Laurier that his codename “Scorpio” suits him:
We named you well, you’re a perfect Scorpio! You have a penchant for intrigue, violence…
Pierrot le Fou: Belmondo’s Striped Shirt by the Sea
Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965)
Vitals
Jean-Paul Belmondo as Ferdinand Griffon, runaway husband
French Riviera, Summer 1965
Film: Pierrot le Fou
Release Date: November 5, 1965
Director: Jean-Luc Godard
WARNING! Spoilers ahead!
Background
Five years after their collaboration in À bout de souffle that established many of the unconventional conventions that would define French New Wave, director Jean-Luc Godard reteamed with charismatic star Jean-Paul Belmondo for a surreal and colorful classic with its scenes and themes of seclusion that make it feel all the more relevant during this strange summer that still finds many in self-isolation.
Life may always be sad, but it’s always beautiful.
Gary Cooper’s Picnic Blazer and Day Cravat in Love in the Afternoon
Gary Cooper and Audrey Hepburn in Love in the Afternoon (1957)
Vitals
Gary Cooper as Frank Flannagan, wealthy playboy industrialist
Yvelines, France, Summer 1957
Film: Love in the Afternoon
Release Date: May 29, 1957
Director: Billy Wilder
Costume Designer: Jay A. Morley, Jr. (uncredited)
Background
April 23 is celebrated as National Picnic Day, an observance that can still be observed in relative isolation for those willing and able to safely venture outdoors. The word “picnic” derives from the late 17th century French word pique-nique that had originally described restaurant diners who brought their own wine, essentially an early form of BYOB. In the years following the French revolution, the word took on its more familiar connotation as the country’s royal parks were opened to the greater public, who would spend hours and even days preparing lavish luncheons for outdoor dining. Given this French association, let’s check in on two classic film stars enjoying a picnic near Château de Vitry in the 1957 romantic comedy Love in the Afternoon.
Frank Sinatra’s Orange Cardigan
Frank Sinatra, photographed for the April 23, 1965 cover of LIFE magazine by John Dominis. The same cardigan would appear in Marriage on the Rocks (1965), released five months later.
Vitals
Frank Sinatra as Dan Edwards, workaholic advertising executive
Los Angeles, Fall 1965
Film: Marriage on the Rocks
Release Date: September 24, 1965
Director: Jack Donohue
Costume Designer: Walter Plunkett
Background
On this #SinatraSaturday, we celebrate the famous singer’s favorite color by commemorating his appearance on the cover of LIFE magazine 55 years ago this week when he was photographed by John Dominis in an orange cardigan, white turtleneck, and houndstooth trilby for a cover story titled “Sinatra Opens Up”.
Around the same time, Frank Sinatra was filming the amusing ’60s romp Marriage on the Rocks with his friends and occasional co-stars Dean Martin and Deborah Kerr. The movie also provided Nancy Sinatra with her first opportunity to act opposite her father, playing his daughter on-screen as well. (The original title was Divorce American Style until Cy Howard’s original screenplay was deemed too offensive, resulting in rewrites under the title Community Property before all settled on the Rat Pack-friendly title Marriage on the Rocks.)
Purple Noon: Alain Delon’s White Suit
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, American con artist and sophisticated sociopath
Rome, Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Whether or not you subscribe to the mindset that it’s only appropriate in the Northern Hemisphere after Memorial Day, there’s a strong chance you’ll be seeing a lot more white over the summer months to follow. For gents interested in standing out with a white suit this summer, Alain Delon sets a characteristic gold standard in Plein soleil, itself a paean to elegant summer style. Continue reading
Notorious – Cary Grant in Gun Club Check
Cary Grant as T.R. Devlin in Notorious (1946)
Vitals
Cary Grant as T.R. Devlin, American government agent
Rio de Janeiro, Spring 1946
Film: Notorious
Release Date: September 6, 1946
Director: Alfred Hitchcock
Background
With a tight screenplay from Ben Hecht, a dream cast including Cary Grant, Ingrid Bergman, and Claude Rains, and a finely developed cinematic maturity as the by-product of a quarter-century of directing, Notorious is considered a career high in the filmography of Alfred Hitchcock.
Mad Men, 1970 Style – On the Road with Don Draper
Jon Hamm as Don Draper on Mad Men (Episode 7.13: “The Milk and Honey Route”)
Vitals
Jon Hamm as Don Draper, former ad man in search of himself
Oklahoma to California, Fall 1970
Series: Mad Men
Episodes:
– “The Milk and Honey Route” (Episode 7.13), dir. Matthew Weiner, aired 5/10/2015
– “Person to Person” (Episode 7.14), dir. Matthew Weiner, aired 5/17/2015
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
To honor the anniversary of Jack Kerouac’s On the Road, published today in 1957, I’m taking a look at “The Milk and Honey Route,” the penultimate episode of Mad Men in which Don Draper’s journey to find himself drives him through the heart-land of darkness.
Rusty’s Brown Coat in Ocean’s Twelve
Brad Pitt as “Rusty” Ryan in Ocean’s Twelve (2004)
Vitals
Brad Pitt as Robert “Rusty” Ryan, hotel owner and international thief
En route Amsterdam, November 2004
Film: Ocean’s Twelve
Release Date: December 10, 2004
Director: Steven Soderbergh
Costume Designer: Milena Canonero
Pitt’s Costumer: Bruno de Santa
Background
Bomb cyclone. Polar vortex. Whatever you call it, the frigid cold is here in the north, and you’d be well-advised to prep for it by bundling up and/or getting out of town. (Readers in the Southern Hemisphere, my frosty self envies you!)
Michael Caine’s Olive Sweater as Alfie
Michael Caine as Alfie Elkins in Alfie (1966)
Vitals
Michael Caine as Alfie Elkins, charming part-time car service driver and full-time cad
Middlesex, England, Summer 1965
Film: Alfie
Release Date: March 24, 1966
Director: Lewis Gilbert
Wardrobe Supervisor: Jean Fairlie
Background
During his stay in a convalescent home earlier in the movie, Alfie Elkins (Michael Caine) befriended Harry Clamacraft (Alfie Bass, hey his name actually is Alfie!). Alfie later returns to visit Harry, who requests that Alfie give a ride to his tired-looking wife Lily (Vivien Merchant) in his Rolls-Royce.
The reluctant ride turns into a summertime seduction as Alfie and Lily make a fateful stop for “a nice cup of tea.” Continue reading
Don Draper’s Navy Weekend Sportcoat
Jon Hamm as Don Draper in “Marriage of Figaro”, Episode 1.03 of Mad Men.
Vitals
Jon Hamm as Don Draper, mysterious ad exec and suburban dad
Ossining, New York, April 1960
Series: Mad Men
Episode: “Marriage of Figaro” (Episode 1.03)
Air Date: August 2, 2007
Director: Ed Bianchi
Costume Designer: Janie Bryant
Background
In addition to Mad Men‘s first mention of Dick Whitman, “Marriage of Figaro” includes a snazzy casual outfit for a slick spring weekend in the suburbs.
The first two episodes certainly hinted at the deep layers lurking beneath the man first introduced to us as Don Draper, but it is “Marriage of Figaro” that breaks Mad Men‘s ground in exploring our ostensible protagonist’s isolation and loneliness… a quality that Emily VanDerWerff of The AV Club described as “his essential unhappiness.” Continue reading