To commemorate the 39th anniversary of the legendary John Wayne’s passing on June 11, 1979, please enjoy this submission from the estimable pen of BAMF Style reader and contributor “W.T. Hatch.”
John Wayne as John Bernard Books, aging gunfighter
Carson City, Nevada, January 1901
Film: The Shootist
Release Date: August 20, 1976
Director: Don Siegel
Wardrobe Credit: Luster Bayless
I won’t be wronged, I won’t be insulted, and I won’t be laid a hand on. I don’t do these things to other people, and I require the same from them.
The Shootist was John Wayne’s final movie role and no actor, before or since, had a more fitting last appearance on the silver screen. Wayne plays John Bernard “J.B.” Books, the most “celebrated shootist extant,” in turn-of-the-century Carson City, Nevada. The film opens with a montage from the Duke’s earlier pictures providing Books’ background as a gunman and occasional lawman in the Old West. Now the last of his kind, Books travels to Carson City seeking assistance from his physician in what may be his final battle against cancer. This deeply compelling story is revealed as Books confronts the consequences of both his life and his own pending mortality. Continue reading
Robert Redford as Harry Longbaugh, aka “The Sundance Kid”, laconic and sharp-shooting American outlaw
Colorado, Fall 1898
Film: Butch Cassidy and the Sundance Kid
Release Date: October 24, 1969
Director: George Roy Hill
Costume Designer: Edith Head
Last year, we celebrated Robert Redford’s 78th birthday (and Throwback Tuesday, which I’ve decided can be a thing) by breaking down the Sundance Kid’s traveling suit when he and Butch Cassidy pack up and head to Bolivia. This year, for Bob’s 79th, we’ll look at his main outfit leading up to that – a badass assortment of Western wear that epitomize American outlaw style at the turn of the century.
What’d He Wear?
Although the film’s audience would be hard-pressed to call either Butch or Sundance a true villain despite their criminal vocations, Sundance is certainly the darker-demeanored of the two, reflected by his attire. In Bolivia, he wears a black suit and black hat. While still conducting his banditry in the U.S., he wears all black save for a brown corduroy jacket. By default, he becomes the film’s personification of the “black-hatted outlaw” trope although his easy charm differentiates him from more villianous contemporaries like Lee Van Cleef in The Good, the Bad, and the Ugly.
The one major non-black part of his American banditry outfit is the brown wide-waled corduroy jacket. The jacket looks as well-traveled as Sundance himself, providing him comfortable and surprisingly fashionable outerwear that allows a wide range of motion for a man whose job includes jumping on and off of moving trains. Continue reading