Tagged: Winchester Model 1866
Sanchez’s Studded Red Leather Jacket in Bastard, Go and Kill
Vitals
Franco Lantieri as Sanchez, dangerous Mexican henchman
Mexico, circa 1890
Film: Bastard, Go and Kill
(Italian title: Bastardo… vamos a matar!)
Release Date: March 6, 1971
Director: Gino Mangini
Costume Credit: Teresa Miccinelli (credited as seamstress)
WARNING! Spoilers ahead!
Background
Like so many new parents, I always have plenty of time on my hands to idle away by watching movies I know little about. For those who recognized the sarcasm in that last sentence, you’ll also recognize what a gamble it was when I decided to spend just over an hour with the little-known 1971 Spaghetti Western Bastard, Go and Kill, knowing little about it other than it was called Bastard, Go and Kill and that some guy wore a sick red leather jacket in it.
Said guy turned out to be Franco Lantieri—a Sicilian actor who bears quite a resemblance to Gian Maria Volonté (from the first two films of Sergio Leone’s “Dollars trilogy”)—in the supporting role of Sanchez. Sanchez serves as a henchman for ruthless Mexican landowner Don Felipe Morena (Furio Meniconi), often placing him at odds against the wily, mischievous Chaco (George Eastman). While hardly among the best Spaghetti Westerns, Sanchez’s style alone made Bastard, Go and Kill worth the fistful of minutes I spent watching it earlier this year. Continue reading
Clint Eastwood as “The Man with No Name” in The Good, the Bad, and the Ugly
Vitals
Clint Eastwood as Blondie, aka “the Man with No Name”, taciturn bounty hunter
New Mexico Territory, Spring 1862
Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
Today marks the 90th birthday of screen legend Clint Eastwood, born May 31, 1930, in San Francisco. (Between John Wayne on May 26, James Stewart on May 20, and Gary Cooper on May 7, there must be something about being in born in May that positions an actor for stardom in the Western genre!)
After Eastwood’s initial success on the TV series Rawhide, he traveled to Italy to star in a trio of Westerns directed by Sergio Leone, firmly establishing the significance of the “spaghetti Western”. In A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966), Eastwood ostensibly played a variation of the same mysterious, laconic gunfighter alternately known as Joe, Manco, or Blondie, respectively, but immortalized in cinema as “the Man with No Name.”


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