Tagged: Duster

Kurt Russell’s Tank Top and Trucker Style in Big Trouble in Little China

Kurt Russell and Kim Cattrall in Big Trouble in Little China (1986)

Vitals

Kurt Russell as Jack Burton, troublesome truck driver

San Francisco, Fall 1985

Film: Big Trouble in Little China
Release Date: July 2, 1986
Director: John Carpenter
Costume Designer: April Ferry

WARNING! Spoilers ahead!

Background

John Carpenter’s cult classic Big Trouble in Little China was released 40 years ago today on July 2, 1986. Following their initial collaboration in The Thing (1982), Kurt Russell stars as cocky trucker Jack Burton, who indeed lands in big trouble in little China—specifically San Francisco’s Chinatown district—when his friend’s fiancée is kidnapped by a local street gang and then again kidnapped by henchmen serving the reclusive sorcerer David Lo Pan (James Hong), who needs a green-eyed wife to break an ancient curse. Jack and his friend Wang Chi (Dennis Dun) are joined by appropriately named attorney Gracie Law (Kim Cattrall) on their quest through the literal underground to retrieve Wang’s betrothed. Carpenter has explained he envisioned Jack as a sidekick who thinks he’s a hero, while the more comparatively reserved Wang more closely exemplifies the traditional leading man. Continue reading

Tom Selleck in Quigley Down Under

Tom Selleck as Matthew Quigley in Quigley Down Under (1990)

Vitals

Tom Selleck as Matthew Quigley, taciturn sharpshooter from Wyoming

Western Australia, early 1870s

Film: Quigley Down Under
Release Date: October 17, 1990
Director: Simon Wincer
Costume Designer: Wayne A. Finkelman

WARNING! Spoilers ahead!

Background

I only recently learned that January 26 is observed as Australia Day, a national holiday that commemorates the landing of the First Fleet at Sydney Cove in 1788 and is celebrated today by presentations of the Australian of the Year Awards and announcement of the Australia Day Honours. Since at least 1938, which was the 150th anniversary of the landing, there has been a movement led by Indigenous Australians to redefine the observance as Invasion Day or Survival Day, a Day of Mourning for the British arrival that resulted in often violent colonization.

Given the movie’s setting and themes of a protagonist who refuses to engage in violence against Aborigines, the unique 1990 Western Quigley Down Under felt like an appropriate choice to write about today.

As suggested by the latter two-thirds of its title, Quigley Down Under follows the tradition of predecessors like The Sundowners (1960) and Ned Kelly (1970) as an Australian-set Western, or “meat pie Western”. The eponymous Quigley is Matthew Quigley (Tom Selleck), a cowboy with a penchant for riflery. Continue reading

Clint Eastwood as “The Man with No Name” in The Good, the Bad, and the Ugly

Clint Eastwood as Blondie, aka "the Man with No Name", in The Good, the Bad, and the Ugly (1966)

Clint Eastwood as Blondie, aka “the Man with No Name”, in The Good, the Bad, and the Ugly (1966)

Vitals

Clint Eastwood as Blondie, aka “the Man with No Name”, taciturn bounty hunter

New Mexico Territory, Spring 1862

Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi

Background

Today marks the 90th birthday of screen legend Clint Eastwood, born May 31, 1930, in San Francisco. (Between John Wayne on May 26, James Stewart on May 20, and Gary Cooper on May 7, there must be something about being in born in May that positions an actor for stardom in the Western genre!)

After Eastwood’s initial success on the TV series Rawhide, he traveled to Italy to star in a trio of Westerns directed by Sergio Leone, firmly establishing the significance of the “spaghetti Western”. In A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966), Eastwood ostensibly played a variation of the same mysterious, laconic gunfighter alternately known as Joe, Manco, or Blondie, respectively, but immortalized in cinema as “the Man with No Name.”

Continue reading