Tagged: Ugh It’s Raining
Brad Pitt in Bullet Train
Brad Pitt in Bullet Train (2022)
Vitals
Brad Pitt as “Ladybug”, anxious assassin
Tokyo to Kyoto, Japan, Spring 2021
Film: Bullet Train
Release Date: August 5, 2022
Director: David Leitch
Costume Designer: Sarah Evelyn
Brad Pitt’s Personal Costumer: Craig Anthony
WARNING! Spoilers ahead!
Background
Happy 60th birthday to Brad Pitt, born in Shawnee, Oklahoma on December 18, 1963. In addition to many acclaimed dramatic and romantic roles, the Oscar-winning actor has long excelled in playing comedic roles as recently affirmed with his performance in David Leitch’s action comedy Bullet Train, adapted from Kōtarō Isaka’s 2010 novel Maria Beetle.
Pitt’s introduction in Bullet Train is scored to a Japanese rendition of the Bee Gees’ disco-era anthem “Stayin’ Alive” (one of many Japanese versions of popular songs featured on the soundtrack), framed just like Travolta had been 45 years earlier in Saturday Night Fever as we start on Pitt’s kicks hitting Tokyo’s neon-lit pavement before we meet the man himself, his shoulder-length hair contained to a dirty bucket hat with a graying goatee framing his beaming smile. Indeed, his new therapist Barry has helped him develop a positive outlook to overcome his anxiety about being unlucky—a particularly unfortunate trait for a contract killer:
My bad luck is biblical. I’m not even trying to kill people and someone dies.
Fatal Attraction: Michael Douglas’ Plaid Sport Jacket
Michael Douglas as Dan Gallagher in Fatal Attraction (1987)
Vitals
Michael Douglas as Dan Gallagher, lawyer
New York City, Fall 1986
Film: Fatal Attraction
Release Date: September 18, 1987
Director: Adrian Lyne
Costume Designer: Ellen Mirojnick
Background
Inspired by costume designer Ellen Mirojnick’s recent podcast appearance on From Tailors With Love that clarified a few misconceptions held around Michael Douglas’ tailored costumes in some of his most prominent movies, let’s finally cover the 35-year-old noir-ish thriller that spawned a cinematic sub-genre centered around Douglas’ sex life getting him in deep trouble. Continue reading
Singin’ in the Rain: Gene Kelly’s Tweed Norfolk Suit
Gene Kelly as Don Lockwood in Singin’ in the Rain (1952)
Vitals
Gene Kelly as Don Lockwood, ambitious film actor, singer, and dancer
Hollywood, Spring 1927
Film: Singin’ in the Rain
Release Date: April 11, 1952
Directed by: Gene Kelly & Stanley Donen
Costume Designer: Walter Plunkett
Background
What better way to welcome April showers than by celebrating the 70th anniversary of Singin’ in the Rain, which was widely released on this day in 1952, just two weeks after it premiered at Radio City Music Hall.
Now considered not just one of the best musical films but one of the best movies of all time, Singin’ in the Rain centers around Hollywood during the waning months of the silent era as studios made the shift to “talkies” following the release of The Jazz Singer in 1927. The transition is no problem for the multi-talented Don Lockwood (Gene Kelly), who shares his portrayer’s finely honed abilities to sing, act, and dance, but previews for Don’s latest feature—the period drama The Dueling Cavalier—illustrate that Don’s brassy, vain co-star Lina Lamont (Jean Hagen) is woefully underprepared for the new phase of their career, her shrill accent eliciting laughter and frustration from the test audiences.
Brainstorming over late-night sandwiches and milk with his professional partner Cosmo Brown (Donald O’Connor) and his new love interest Kathy Selden (Debbie Reynolds), Don’s brain trust determines that The Dueling Cavalier could potentially be retooled as a musical, with Kathy dubbing Lina’s grating voice behind the scenes. This being a musical, the trio celebrates their breakthrough with a rousing rendition of “Good Mornin'” as the rain falls outside, followed by a gleeful Don kissing Kathy goodnight and—delighted with the prospects of his professional and romantic futures—singing the titular ditty as he dances home in the downpour. Continue reading
The Graduate: Ben’s Beige Windbreaker and Alfa Romeo
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer to Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
WARNING! Spoilers ahead!
Background
Like Casablanca, Citizen Kane, Thelma & Louise, and The Sopranos, I felt like I had seen or heard about the famous ending of The Graduate in depth before actually seeing the movie itself. Given that the iconic movie is over 50 years old, I hope I wouldn’t invite too much ire by discussing its famous ending openly in discussing Benjamin Braddock’s style as he desperately races through southern California in the hopes of halting Elaine Robinson’s wedding to the dreaded Makeout King.
Having recently gotten engaged myself (yay!), it felt appropriate to end this installment of #CarWeek with the cherry red Alfa Romeo that factored so significantly in Benjamin’s life following his graduation, whether it it was on his burlesque-and-burgers date with the bright-eyed Elaine (Katharine Ross), furtive assignations with her mother (Anne Bancroft), or on his gas-guzzling dash to get him to the church on time scored by Simon & Garfunkel’s enduring folk banger “Mrs. Robinson”. Continue reading
The Apartment: Jack Lemmon’s New Suit and Bowler
Jack Lemmon as C.C. Baxter in The Apartment (1960)
Vitals
Jack Lemmon as C.C. “Bud” Baxter, mild-mannered insurance accountant
New York City, Christmas Eve through New Year’s Eve 1959
Film: The Apartment
Release Date: June 30, 1960
Director: Billy Wilder
Men’s Wardrobe: Forrest T. Butler (uncredited)
WARNING! Spoilers ahead!
Background
The Apartment stars one of my favorite actors, Jack Lemmon, as bored, lonely office drone Calvin Clifford Baxter who, after nearly four years at the toxic Manhattan insurance company where he works (“one of the top five in the country!” he boasts), manages to climb the corporate ladder by lending out his West 67th Street apartment to his superiors for their extramarital affairs… though many of them don’t regard him any higher than “some schnook who works in the office.”
Alain Delon in Le Samouraï
Alain Delon as Jef Costello in Le Samouraï (The Samurai) (1967)
Vitals
Alain Delon as Jef Costello, slick, taciturn, and meticulous contract killer
Paris, April 1967
Film: The Samurai
(French title: Le Samouraï)
Release Date: October 25, 1967
Director: Jean-Pierre Melville
WARNING! Spoilers ahead!
Background
On Alain Delon’s 84th birthday, let’s explore Le Samouraï, arguably one of the best, most influential, and most stylish roles of Delon’s career and the frequent subject of requests from BAMF Style readers like Marcus and Mohammed.
Despite being Jean-Pierre Melville’s tribute to 1940s noir, Le Samouraï was also the maverick director’s first color production as he had evidently elected not to film in black-and-white. The color photography allows Melville to make the most of his shadowy settings from Jef Costello’s gray, barren apartment to the throwback glamour of the Parisian nightclub.
Delon stars as Jef Costello, a cold contract killer whose solitary lifestyle nods to Japanese lone warrior mythology—hence the title—and whose personal style co-opts the classic American noir anti-hero. Continue reading
The Yakuza: Ken Takakura in Gray Herringbone
Ken Takakura as Ken Tanaka in The Yakuza (1974)
Vitals
Ken Takakura as Ken Tanaka, disciplined ex-Yakuza
Tokyo, Spring 1974
Film: The Yakuza
Release Date: December 28, 1974
Director: Sydney Pollack
Costume Designer: Dorothy Jeakins
Background
The Yakuza was the first screenplay credited to either Paul Schrader or Leonard Schrader, whose experiences in Japan inspired his brother to write the story. Leonard returned to the United States, where he spend the holiday season in Venice co-writing the screenplay’s first draft with Paul, who would later famously collaborate with Martin Scorsese on Taxi Driver and Raging Bull among others. While the brothers watched many yakuza films for inspiration, what impressed them the most was the stoic screen presence of Ken Takakura, the Nakama-born actor who’d made his screen debut two decades earlier.
The Cincinnati Kid’s Black Waxed Jacket
Steve McQueen as Eric “The Kid” Stoner in The Cincinnati Kid (1965).
Vitals
Steve McQueen as Eric “the Kid” Stoner, hotshot poker player
New Orleans, Fall 1936
Film: The Cincinnati Kid
Release Date: October 15, 1965
Director: Norman Jewison
Costume Designer: Donfeld (Donald Lee Feld)
WARNING! Spoilers ahead!
Background
BAMF Style has received a few requests recently to explore the black jacket worn by Steve McQueen as Eric “The Kid” Stoner, a young up-and-coming poker player looking to establish his reputation in Depression-era New Orleans.
When he first meet The Kid, he is holding a hair in the sort of back-alley poker parlor where every guy’s nickname is Buck and there’s enough rusty razor blades in the bathroom that one won’t be missed if there’s trouble. Continue reading
Bogart in The Big Sleep: Gray Birdseye Wool Suit
Humphrey Bogart as Philip Marlowe in The Big Sleep (1946).
Vitals
Humphrey Bogart as Philip Marlowe, archetypal hard-boiled private detective
Los Angeles, Fall 1945
Film: The Big Sleep
Release Date: August 23, 1946
Director: Howard Hawks
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
The Big Sleep is often considered the apex of American film noir. Plot becomes secondary (and often disregarded) in favor of colorful characters made of private eyes, floozy femme fatales, and pornographers spitting snappy dialogue at each other against the backdrop of both the glamorous and seamy sides of the city. The same plot and characters from Raymond Chandler’s 1939 source novel are here, with the anti-Code elements like pornography and homosexuality all but removed. Continue reading
Bogart’s Trench Coat and Suit in Casablanca
Humphrey Bogart as Rick Blaine in Casablanca (1942), surrounded by friends and foe.
Vitals
Humphrey Bogart as Rick Blaine, cynical “gin joint” manager
Casablanca, Morocco, December 1941
Film: Casablanca
Release Date: November 26, 1942
Director: Michael Curtiz
Background
Before Casablanca was released in 1942, Humphrey Bogart had spent the majority of his career in secondary roles as sniveling bastards. His first major role in The Petrified Forest saw him as a Dillinger-esque armed robber far more interested in his six-shooter than romance. He was the foil to Jimmy Cagney’s criminal “hero” in Warner Brothers gangster flicks like Angels With Dirty Faces and The Roaring Twenties, and it wasn’t until 1941 when he finally received star billing in both High Sierra and The Maltese Falcon. The latter film is often considered his breakout role as the cynical P.I. Sam Spade, but it wasn’t until a year later with Casablanca that he would finally be a romantic lead.
The role of Rick Blaine was perfect for Bogie, finally allowing him to develop a romantic depth to his character’s cynicism. Casablanca was never intended to be anything out of the ordinary, despite the cavalcade of stars and writers involved in its production. Many, including those at Warner Brothers, considered it to be a mere copy of the now-forgotten 1938 film Algiers. The film exceeded all expectations and is considered to be one of the few true masterpieces in cinema. It took home the three major production Oscars in 1943 for Best Picture, Best Director, and Best Screenplay (Julius J. Epstein, Philip G. Epstein, Howard E. Koch, and an uncredited Casey Robinson), and shines a contemporary look at World War II. Continue reading