Tagged: Mel Gibson
Tequila Sunrise: Mel Gibson’s Post-Swim Herradura
Vitals
Mel Gibson as Dale “Mac” McKussic, retired drug dealer
Los Angeles, Summer 1988
Film: Tequila Sunrise
Release Date: December 2, 1988
Director: Robert Towne
Costume Designer: Julie Weiss
Background
Following his success as a screenwriter—credited and uncredited—on some of the most memorable movies of the ’70s, Robert Towne intended for his sophomore directorial film, Tequila Sunrise, to be something of a spiritual follow-up to Chinatown, which… it isn’t.
Don’t get me wrong, I did get some enjoyment out of Tequila Sunrise and there’s no denying that it’s refreshingly original—almost to a questionable degree—but I would argue it’s not even close to the same league as Chinatown, let alone Bonnie & Clyde, The Godfather, The Last Detail, Marathon Man, or the other excellent films that benefited from Towne’s contributions.
Several had recommended Tequila Sunrise to me for its style, and I’ll admit the name intrigued me, so I mentally scheduled to watch it and write about it in time for #NationalTequilaDay, celebrated annually on July 24… so happy National Tequila Day!
Payback: Porter’s New Suit
Vitals
Mel Gibson as Porter, cynical but straightforward career criminal
Chicago, Spring 1974…sort of
Film: Payback
Release Date: February 5, 1999
Director: Brian Helgeland
Costume Designer: Ha Nguyen
Background
Payback is one of those movies that I always enjoy more than I expect to. Short, sweet, and self-aware, it lives in the same universe as Archer where decades are blended to create one ambiguous super-era with cars, clothing, technology, and pop culture spanning the 1970s through the 1990s though clearly meant to be a throwback to the Charley Varrick era of the early 1970s when pulp crime dominated screens. Continue reading
Lethal Weapon: Riggs’ Blue Shirt and Jeans
Vitals
Mel Gibson as Martin Riggs, gradually less-crazy LAPD detective
Los Angeles, Christmas 1987
Film: Lethal Weapon
Release Date: March 6, 1987
Director: Richard Donner
Costume Designer: Mary Malin
Background
After spending a few days with the suicidal Martin Riggs, we begin to see a less crazy side of him as he warms to his partnership with the older and more stoic Danny Glover Roger Murtaugh. No longer does Riggs need to be classified as the titular “lethal weapon”, as he concerns himself more with solving the case and getting revenge on L.A.’s murderers than with putting himself out of his misery. Continue reading
Lethal Weapon: Riggs’ Gray Jacket and Jeans
Vitals
Mel Gibson as Martin Riggs, suicidal LAPD detective
Los Angeles, Christmas 1987
Film: Lethal Weapon
Release Date: March 6, 1987
Director: Richard Donner
Costume Designer: Mary Malin
Background
In a way, Lethal Weapon is too entertaining for its own good. It’s a bit corny, it’s a bit ’80s, and it’s a bit over-the-top, but it set the standard for the “buddy cop comedy” with its bizarre but efficient mix of neo-noir (a sax soundtrack in L.A.) and The Three Stooges. Over the years, it has been constantly compared to Die Hard, often unfavorably. While they both involve “loose cannon” left-handed cops in L.A. at Christmas, both armed with Beretta 92F pistols, the two films are radically different.
Lethal Weapon‘s main character (partnership be damned) is Martin Riggs, an LAPD narc who is very good at his job, mostly because he doesn’t care if he lives or dies. The film follows Riggs as he is partnered with the older and wiser Sgt. Roger Murtaugh. They both learn from each other and manage to solve the case by throwing smoke grenades in the desert, getting electroshocked, and beating the shit out of Gary Busey. Now if that doesn’t sound entertaining, what does? Continue reading