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Tony Montana’s White Suit in Scarface
Al Pacino as Tony Montana in Scarface (1983)
Vitals
Al Pacino as Tony Montana, impulsive and hotheaded cocaine dealer
Miami, Summer 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
WARNING! Spoilers ahead!
Background
Brian de Palma’s 1983 drug epic Scarface celebrated its 35th anniversary yesterday. A remake of a 1932 gangster film that itself took inspiration from the life of Al Capone, Scarface met with negative critical reception at the time of its release though it was a box office hit and racked up Golden Globe nods for lead actors Al Pacino and Steven Bauer.
As in the 1932 version, one scene finds the rising gangster returning home to flaunt his wealth in front of his concerned mother (Míriam Colón) and his devoted sister (Mary Elizabeth Mastrantonio). Waiting out by the car is the gangster’s flashy young pal, who catches sight of the gangster’s younger sister and is immediately smitten. Continue reading
Tony Montana’s Sky Blue Suit in Scarface
Al Pacino as Tony Montana in Scarface (1983)
Vitals
Al Pacino as Tony Montana, impulsive and hotheaded cocaine dealer
Miami, Fall 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
WARNING! Spoilers ahead!
Background
Miami, Florida, was incorporated as a city 121 years ago today – July 28, 1896. Today’s post focuses on one of the city’s most infamous fictional residents.
And, of course, that would be Tony Montana, the Cuban-born drug dealer portrayed by Al Pacino as he works his way to the top of the Miami drug world in the 1983 remake of Howard Hawks’ Prohibition-era pre-Code crime classic, Scarface. Continue reading
Tony Montana’s Chalkstripe Showdown Suit in Scarface
Al Pacino as Tony Montana in Scarface (1983).
Vitals
Al Pacino as Tony Montana, impulsive and hotheaded cocaine kingpin
New York City to Miami, Fall 1983
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
Background
Even if you’re one of the 0.5% of the population who hasn’t seen Scarface, you’ve seen this suit and you know this scene. You’ve seen it on t-shirts, dorm room posters, memes, and anywhere that pop culture will allow it. The scene has become legendary over the last three decades as one of the greatest movie gunfights in history for many reasons: an unhinged Al Pacino who may or may not have been pretending to be high, an endless mob of cartel gunmen each meeting their fate at the end of his AR-15, and – of course:
Say hello to my little friend!
Scarface: Tony’s Tan Suit and Cadillac
Al Pacino stands next to a bright ’63 Caddy convertible as Tony Montana in Scarface (1983).
Vitals
Al Pacino as Tony Montana, hotheaded Cuban-American cocaine dealer
Miami, August 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Background
BAMF Style is continuing Car Week with the second grand American convertible from the automotive golden era – the 1963 Cadillac Series 62 owned by Tony Montana in 1983’s Scarface. Ironically, we first see this Caddy while Tony is actually shopping for a different luxury car, the silver 1979 Porsche 928 4.5L that he adds to his growing collection.
The ’63 Caddy convertible is clearly Tony’s favorite, though, driving it to show off his status even though Elvira pointedly tells him:
It looks like somebody’s nightmare.
Scarface: Tony’s White Pinstripe Suit
Al Pacino as Tony Montana in Scarface (1983)
Vitals
Al Pacino as Tony Montana, ambitious Cuban-American cocaine dealer
Miami (and Colombia), Summer 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
Background
One of the few sartorial rules actually practiced in the United States is adherence to the “no white after Labor Day” rule. While it’s technically outdated, having been decided after the Civil War by snobbish housewives who wanted to establish their place in society, it makes sense that light-colored attire would find its place in the summer. Further enhancing the arbitrary rule, the snobbish housewives’ society determined that Memorial Day would mark the first day for white clothing to be appropriate in polite society.
While he may not be the prime example of “polite society” in the eyes of postbellum America, Tony Montana redefined drug dealer chic in 1983’s Scarface with his numerous sharp suits and incomparable swagger while wearing them. Continue reading