Tagged: Drifter
Marlon Brando’s Snakeskin Jacket in The Fugitive Kind
Marlon Brando in The Fugitive Kind (1960)
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Marlon Brando as Valentine “Snakeskin” Xavier, guitar-playing drifter seeking redemption
Mississippi Delta, January 1959
Film: The Fugitive Kind
Release Date: April 14, 1960
Director: Sidney Lumet
Costume Designer: Frank L. Thompson
WARNING! Spoilers ahead!
Background
For National Snake Day on July 16th, let’s celebrate the famous snakeskin jacket that Marlon Brando wore as Valentine “Val” Xavier in The Fugitive Kind, adapted from Tennessee Williams’ 1957 play Orpheus Descending—itself a modern retelling of the ancient Greek myth of Orpheus and Eurydice. Continue reading
Paris, Texas: Harry Dean Stanton’s Red Road Trip Shirt and Ranchero
Harry Dean Stanton in Paris, Texas (1984)
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Harry Dean Stanton as Travis Henderson, once-wandering drifter
Los Angeles to Houston, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
One of my favorite actors, Harry Dean Stanton, was born 100 years ago today on July 14, 1926 in Kentucky. Following his U.S. Navy service during World War II, Stanton began an acting career that lasted more than six decades until his death from heart failure at age 91 in September 2017 after completing his penultimate film Lucky, which also afforded Stanton the rare starring role. He was a close, respected friend of many A-listers like Francis Ford Coppola, David Lynch, and Jack Nicholson, who included Stanton as best man in his 1962 wedding and habitually scrawled “H.D. Stanton” on the sets of his films.
Stanton typically made the most of supporting roles in films like Cool Hand Luke (1967), Dillinger (1973), The Godfather Part II (1974), Alien (1979), Escape from New York (1981), Christine (1983), Red Dawn (1984), Pretty in Pink (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Fear and Loathing in Las Vegas (1998), The Green Mile (1999), and The Avengers (2012)—a filmography so prolific that Roger Ebert once declared that, with the sole exception of Dream a Little Dream (1989), “no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.”
Despite his prolific supporting career, Stanton was cast in leading parts for back-to-back films released in 1984: Alex Cox’s dark sci-fi comedy Repo Man and Wim Wenders’ elegiac road drama Paris, Texas. The latter won the Palme d’Or when it premiered at the 1984 Cannes Film Festival and, though overlooked by most American award bodies, has grown its cult reputation as one of the greatest movies ever made. With additional style provided by Ry Cooder’s original score and Robby Müller’s masterful cinematography, the script was written by L.M. Kit Carson and Sam Shepard, who offered Stanton the part after the two connected at a Santa Fe film festival. Continue reading
Paris, Texas: Travis Borrows a Cream Suit
Harry Dean Stanton in Paris, Texas (1984)
Vitals
Harry Dean Stanton as Travis Henderson, once-wandering drifter
Los Angeles, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
Exactly four months after its Palme d’Or-winning debut at the 37th Cannes Film Festival, Paris, Texas was officially released in France forty years ago today on September 19, 1984.
Directed by Wim Wenders, this reflective film provided a rare leading role for stalwart character actor Harry Dean Stanton, who portrayed the lost Travis Henderson, who attempts to reconnect with his family after four years of aimless wandering, following the dissolution of his increasingly troubled relationship with his estranged wife.
Travis’ brother Walt (Dean Stockwell)—who had been raising Travis’ young son Hunter (Hunter Carson)—brought a disconnected Travis back from the west Texas desert to Los Angeles, where he confronts his own past and works on rebuilding a relationship with his son as part of his profound desire for redemption. Continue reading
Breathless: Richard Gere’s Rockabilly Shirt and Plaid Trousers
Richard Gere in Breathless (1983)
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Richard Gere as Jesse Lujack, swaggering drifter
Los Angeles, Summer 1982
Film: Breathless
Release Date: May 13, 1983
Director: Jim McBride
Costume Designer: J. Allen Highfill
WARNING! Spoilers ahead!
Background
Happy 75th birthday to Richard Gere! To celebrate this prolific actor’s August 31, 1949, today’s post looks at one of my unexpectedly favorite performances from the prolific actor.
Jim McBride’s 1983 remake of Breathless flips the nationalities of the French crook and his American girlfriend in the 1960 French New Wave classic, starring Gere as the cocky ne’er-do-well Jesse Lujack who shacks up with Monica Poiccard (Valérie Kaprisky), a French UCLA student he had met once during a weekend trip to Las Vegas. Continue reading
From Pinstripes to Plaid: Travis Henderson’s Transformation in Paris, Texas
Harry Dean Stanton in Paris, Texas (1984)
Vitals
Harry Dean Stanton as Travis Henderson, wandering drifter
West Texas to Los Angeles, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
Wim Wenders’ masterpiece Paris, Texas debuted during 40 years ago today on May 19, 1984 during the 37th Cannes Film Festival, where it was awarded the Palme d’Or among other accolades. The film arrived at theaters exactly four months later and would continue to garner critical acclaim including a BAFTA win for Wenders’ direction.
Co-written by Sam Shepard and L.M. Kit Carson, Paris, Texas presents a rare starring role for stalwart character actor Harry Dean Stanton—one of my personal favorites—who had been well-regarded for his performances in Cool Hand Luke (1967), Dillinger (1973), Alien (1979), Escape from New York (1981), and Christine (1983) before Shepard tapped the nearly 60-year-old actor for the leading role of the lost Travis Henderson.
Barry Newman in Fear Is the Key
Barry Newman in Fear is the Key (1972)
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Barry Newman as John Talbot, “truculent, insolent, and a man of violence”
Louisiana, Spring 1972
Film: Fear Is the Key
Release Date: December 26, 1972
Director: Michael Tuchner
Wardrobe Credit: Mike Jarvis
WARNING! Spoilers ahead!
Background
I had never heard of Fear Is the Key before I had the pleasure of catching it streaming on the Criterion Channel last November, so I feel comfortable describing it as underrated—the kind of raw ’70s-style adventure intended for pure entertainment with a thrilling momentum, great score, and a fine cast led by Barry Newman that also included Suzy Kendall, John Vernon, Dolph Sweet, and a “young”—well… middle-aged—Ben Kingsley. Perhaps best known for his performances in Vanishing Point and the TV series Petrocelli, the Boston-born Newman died one year ago today on May 11, 2023 at the age of 92.
Based on Alistair MacLean’s 1961 novel centered around one man’s mission for revenge against a criminal organization that killed his family, the movie blends classic adventure, ’70s grit, and international intrigue into a package adjacent to contemporary “hick flicks”. Maybe you’d describe it as Smokey and the Bandit meets Crank—or James Bond meets The Dukes of Hazzard—all with a twist of Three Days of the Condor. Continue reading
Al Pacino in Scarecrow
Al Pacino in Scarecrow (1973)
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Al Pacino as Francis Lionel “Lion” Delbuchi, scrappy drifter and former sailor
California to Detroit, Fall 1972
Film: Scarecrow
Release Date: April 11, 1973
Director: Jerry Schatzberg
Costume Designer: Jo Ynocencio
WARNING! Spoilers ahead!
Background
Scarecrow was Al Pacino’s first film after his Oscar-nominated breakthrough performance in The Godfather, reuniting him with Jerry Schatzberg, who had previously directed the actor to success in The Panic in Needle Park two years earlier.
After he portrayed the cunning and reserved Michael Corleone, Scarecrow brought Pacino back to that Needle Park-type of scrappily ambitious and affable street-smart drifter, now characterized as the simple and seemingly carefree Francis “Lion” Delbuchi who teams up with the temperamental ex-con Max Millian (Gene Hackman) in their transformative trek across the country to realize Max’s dream of opening a car wash in Pittsburgh. Continue reading
Roddy Piper in They Live
Roddy Piper in They Live (1988)
Vitals
Roddy Piper as “Nada”, tough drifter and anti-alien vigilante
Los Angeles, Spring 1988
Film: They Live
Release Date: November 4, 1988
Director: John Carpenter
Costume Supervisor: Robin Michel Bush
Background
Released on this day in 1988, They Live followed the example of most of John Carpenter’s work by finding a cult following considerably after it came out, though it debuted at the top of the North American box office.
Adapted from Ray Nelson’s 1963 short story “Eight O’Clock in the Morning”, They Live stars Canadian-born wrestler “Rowdy” Roddy Piper as an unnamed drifter who arrives in Los Angeles looking for work… and finds a box of sunglasses that literally open his eyes to the fact that an alien ruling class has been subliminally manipulating the public to conform, consume, and reproduce. Continue reading
Nightmare Alley: Comparing Carlisle’s Cardigans in 1947 vs. 2021
Left: Tyrone Power as Stan Carlisle in Nightmare Alley (1947)
Right: Bradley Cooper as Stan Carlisle in Nightmare Alley (2021)
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Tyrone Power (1947) and Bradley Cooper (2021) as Stanton “Stan” Carlisle, opportunistic drifter-turned-carny
Rural Kentucky, Summer into fall 1939
Film: Nightmare Alley
Release Date: October 9, 1947
Director: Edmund Goulding
Costume Designer: Bonnie Cashin
Film: Nightmare Alley
Release Date: December 17, 2021
Director: Guillermo del Toro
Costume Designer: Luis Sequeira
WARNING! Spoilers ahead!
Background
Almost immediately after William Lindsay Gresham published his 1946 novel Nightmare Alley chronicling the grifters, geeks, and gals populating a second-rate sideshow, Tyrone Power asked 20th Century Fox studio chief Darryl F. Zanuck to purchase the film rights.
Power had built his swashbuckling screen image in movies like The Mask of Zorro (1940), Blood and Sand (1941), and The Black Swan (1942), but—as so many had—returned from his World War II service as a changed man. The decorated Lieutenant Power was released from Marine Corps active duty in January 1946 and, after flying dangerous transport missions during the war, sought roles that would expand his image beyond the romantic hero he had established.
Director Edmund Goulding helmed the production that brought Gresham’s creepy carnival world to life via a working carnival constructed on ten acres of the Fox back lot, even employing actual carnies and more than 100 sideshow attractions to add verisimilitude. The talented cast also included Joan Blondell, appropriately appearing about fifteen years beyond her Warner Brothers heyday as she deliciously dives into the role of the washed-up tarot reader “Mademoiselle Zeena” whom the unscrupulous Stanton Carlisle manipulates into revealing the trick to her successful mentalist act. The married Zeena allows herself to fall for Carlisle’s romantic advances despite being married to her alcoholic stage partner Pete (Ian Keith) and Carlisle’s own obvious interest in the ingenue Molly (Coleen Gray).
Nightmare Alley premiered 75 years ago today on October 9, 1947, with Power’s performance lauded by critics like James Agee, who noted for Time that he “steps into a new class as an actor,” playing against type as Carlisle.
The Nightmare Alley story was recently revived for Guillermo del Toro’s re-adaptation of the novel, reinstating some of the darker components to blend Gothic horror with the noir-ish elements that were also present in Goulding’s film. Released in December 2021, del Toro’s Oscar-nominated Nightmare Alley featured a star-studded cast led by Bradley Cooper as Carlisle, Toni Collette as Zeena, Rooney Mara as Molly, David Strathairn as Pete, and Cate Blanchett as Dr. Lilith Ritter, the mysterious femme fatale who Carlisle meets after escaping the carnival world and re-establishing himself as the debonair mentalist “The Great Stanton”. Continue reading
On the Road: Dean Moriarty’s Fur-collar Flight Jacket
Garrett Hedlund as Dean Moriarty in On the Road (2012)
Vitals
Garrett Hedlund as Dean Moriarty, impulsive drifter based on Beat Generation figure Neal Cassady
New York to San Francisco, via New Orleans, Winter 1949
Film: On the Road
Release Date: October 12, 2012
Director: Walter Salles
Costume Designer: Danny Glicker
WARNING! Spoilers ahead!
Background
Yesterday was the 65th anniversary of when On the Road was published on September 5, 1957. Jack Kerouac’s seminal Beat Generation novel had been years in the making, beginning with his continuous, single-spaced 120-page “scroll” that he typed across three weeks in April 1951, almost immediately after returning from the last of the book’s depicted travels.
With the coming of Dean Moriarty began the part of my life you could call my life on the road. Before that I’d often dreamed of going West to see the country, always vaguely planning and never taking off. Dean is the perfect guy for the road because he actually was born on the road, when his parents were passing through Salt Lake City in 1926, in a jalopy, on their way to Los Angeles.
Though Kerouac hardly shied away from including seedier details of his friend’s life, On the Road became something of a hagiography centered around Dean Moriarty, the alter ego he developed for his real-life pal Neal Cassady. With the same excitement of the Dexter Gordon, Lionel Hampton, and George Shearing performances they celebrate, the impulsive Dean steals the spotlight much as he and his fellow travelers steal to support their travels, or offset “the cost of living”, as they rationalize.
Despite considerable interest—including from the author himself—in cinematic adaptations, it wouldn’t be until more than a half-century passed that cameras would finally roll on bringing On the Road to the screen. Francis Ford Coppola had held the rights since 1979, holding on through decades of development hell until the artistic critical success of The Motorcycle Diaries encouraged him to hand over the reins to director Walter Salles and writer José Rivera. Salles again collaborated with cinematographer Éric Gautier, whose photography brought mid-century America back to life across the small towns, sandy deserts, and snowy hillsides that resisted generations of change.
Garrett Hedlund’s appropriately kinetic performance as the dangerously charismatic Dean also emerged as one of the strongest aspects of Salles’ On the Road adaptation, with Owen Gleiberman writing for Entertainment Weekly that “the best thing in the movie is Garrett Hedlund’s performance as Dean Moriarty, whose hunger for life—avid, erotic, insatiable, destructive—kindles a fire that will light the way to a new era.” Continue reading
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