Tagged: Mafia
The Godfather, Part II: Hyman Roth’s Birthday Party Knit Shirt
Lee Strasberg as Hyman Roth in The Godfather Part II (1974)
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Lee Strasberg as Hyman Roth, mobster and gambling kingpin
Havana, New Year’s Eve 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Released 50 years ago this month, The Godfather Part II expands the Corleone crime family chronicles to include Hyman Roth (Lee Strasberg), a respected gangster inspired by the real-life Meyer Lansky. Al Pacino had been one of Strasberg’s students at the Actors Studio and recommended his former acting coach for the role that would eventually garner Strasberg his sole Academy Award nomination.
Decades after his rumrunning partnership with the Corleones during Prohibition, the aging Roth is now based in Miami, where he’s visited by Michael Corleone (Al Pacino) to discuss a history-making collaboration. The two travel to Havana to work with representatives from American corporations and Fulgencio Batista’s corrupt Cuban government to take over a Reno casino—all while Roth is plotting to fatally double-cross Michael.
Of course, it’s the last week of December 1958, so the Batista government’s days are numbered as Fidel Castro’s rebels are getting closer to their New Year’s Eve victory. However, the primary celebration on Hyman Roth’s mind is his 67th birthday, which he celebrates on a Havana rooftop with Michael, Roth’s right-hand man Johnny Ola (Dominic Chianese), and other criminal cohorts. Continue reading
The Godfather, Part II: Michael Corleone’s Black Pinstripe Suit
Al Pacino as Michael Corleone in The Godfather Part II (1974)
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Al Pacino as Michael Corleone, calculating Mafia boss
Washington, D.C., Winter 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Just over a week after its New York City premiere on December 12th, The Godfather Part II was widely released 50 years ago today on December 20, 1974. The follow-up to Francis Ford Coppola’s 1972 epic continued chronicling the ambitions of underworld boss Michael Corleone (Al Pacino) following his ascension to power after the death of his father and the orchestrated murders of his enemies.
By the latter half of Part II, the tension between Michael’s public persona and private life reach a boiling point as he’s faced with the consequences of his ruthlessness. Called to testify in front of a Senate subcommittee investigating organized crime, he maintains composure while defending his reputation—starkly contrasted by the emotionally charged confrontation with his wife Kay (Diane Keaton).
Kay’s revelations about the loss of what would have been their third child strains their already fragile marriage to a pivotal breaking point that underscores Michael’s increasing isolation and the personal cost of his choices. Continue reading
The Godfather, Part II: Fredo’s Plaid Dinner Jacket
John Cazale as Fredo Corleone in The Godfather Part II (1974)
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John Cazale as Fredo Corleone, insecure mob family sibling
Lake Tahoe, Fall 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Born 89 years ago today on August 12, 1935, the late John Cazale racked up perhaps the most impressive screen batting average during his brief but significant film career. After more than a decade acting in theater, Cazale made his feature film debut as the weak-willed Corleone sibling Fredo in The Godfather (1972), a role he reprised to great acclaim two years later in The Godfather Part II (1974).
Cazale made one more film for Francis Ford Coppola, The Conversation (1974), before he again teamed with Al Pacino as a pair of hapless bank robbers in Dog Day Afternoon (1975). The Deer Hunter (1978) was Cazale’s next film and his fifth and final big screen credit prior to his death from lung cancer in March 1978 at the age of 42.
As this is the 50th anniversary year of The Godfather Part II, considered by many to be one of the greatest films of all time, let’s use Cazale’s birthday as an opportunity to celebrate his remarkable performance as the doomed Fredo Corleone. Continue reading
The Godfather Part II: Don Fanucci’s White Suit
Gastone Moschin as Don Fanucci in The Godfather Part II (1974)
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Gastone Moschin as Don Fanucci, ruthless Black Hand extortionist
New York City, Summer 1917
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Born 95 years ago today on June 8, 1929, Italian actor Gastone Moschin may be most recognizable to audiences around the world for his portrayal of the sinister Don Fanucci in The Godfather, Part II (1974), celebrating its 50th anniversary this year.
Genco Abbandando (Frank Sivero) introduces the young Vito Corleone (Robert De Niro)—and we the audience—to the sneering white-suited gangster as an enforcer for the “Black Hand”, the real-life extortion racket which preyed upon Italian-American immigrants in communities along the eastern seaboard from Boston to New Orleans, where it was linked to the 1890 assassination of police chief David Hennessy.
The Black Hand operated primarily within the United States around the turn of the 20th century, violently threatening victims who ranged from simple shopkeepers to celebrities like tenor Enrico Caruso, who enlisted the help of crusading NYPD Lieutenant Joseph Petrosino. Though Petrosino arrested two men connected with the Caruso threats, he himself would become a victim of Mano Nera when he was fatally shot in March 1909 while undercover in Sicily, investigating the history of brutal criminals he hoped to banish from the United States. The Petrosino murder increased pressure from law enforcement that all but dissolved the Black Hand’s influence by the 1920s, around the time that Prohibition provided the opportunity for younger and more ambitious crooks like “Lucky” Luciano to organize the former Black Hand threads into a structure known alternately as La Cosa Nostra (“Our Thing”) or simply Mafia.
One of the most prominent Black Hand gangsters of this era was the Sicilian-born Ignazio Lupo, known as “Lupo the Wolf” among the neighborhoods he terrorized in New York City’s Little Italy. Lupo was reportedly a direct inspiration for Mario Puzo to craft the character of Don Fanucci who first appeared in the 1969 novel The Godfather before he would be brought to life by Gastone Moschin in the cinematic sequel. Continue reading
Harvey Keitel’s Tan Plaid Sport Suit in Mean Streets
Harvey Keitel in Mean Streets (1973)
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Harvey Keitel as Charlie Cappa, conflicted Mafia associate
New York, Fall 1972
Film: Mean Streets
Release Date: October 14, 1973
Director: Martin Scorsese
Wardrobe Credit: Norman Salling
WARNING! Spoilers ahead!
Background
To celebrate the prolific Harvey Keitel’s 85th birthday, today’s #MafiaMonday post flashes back to the New York-born actor’s first prominent starring performance as the conflicted and connected Charlie Cappa in Martin Scorsese’s breakout feature, Mean Streets. Continue reading
The Sopranos: Christopher’s Blue Short-Sleeved Nike Tracksuit
Michael Imperioli as Christopher Moltisanti on The Sopranos (Episode 1.02: “46 Long”)
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Michael Imperioli as Christopher Moltisanti, hotheaded Mafia associate
New Jersey, Fall 1998
Series: The Sopranos
Episodes:
– “46 Long” (Episode 1.02, dir. Dan Attias, aired 1/17/1999)
– “The Legend of Tennessee Moltisanti” (Episode 1.08, dir. Tim Van Patten, aired 2/28/1999)
– “Isabella” (Episode 1.12, dir. Allen Coulter, aired 3/28/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Happy birthday to Michael Imperioli, the New York-born actor known for his unforgettable portrayal of Christopher Moltisanti on The Sopranos, racking up an impressive five Emmy nominations and a well-deserved win along the way.
The landmark series aired its first season 25 years ago through early 1999, introducing the world to conflicted New Jersey mob boss Tony Soprano (James Gandolfini) balancing the demands of his family… and his Family. The two intersected with Christopher—the ambitious but dangerously impulsive young mobster who caused some of Tony’s biggest headaches as both his nephew and protégé.
From his signature tracksuits to his unpredictable outbursts, Christopher Moltisanti became an integral part of the show’s DNA, adding layers of complexity to the already rich tapestry of The Sopranos‘ universe.
The Sopranos: Tony’s Gray Suit and Shirt in the Pilot Episode
James Gandolfini as Tony Soprano on The Sopranos (Episode 1.01)
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James Gandolfini as Tony Soprano, New Jersey mob chief
North Caldwell, New Jersey, Summer 1998
Series: The Sopranos
Episode: “The Sopranos” (Episode 1.01)
Air Date: January 10, 1999
Director: David Chase
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
The Sopranos premiered 25 years ago tonight, introducing HBO audiences to New Jersey Mafia chief Tony Soprano (James Gandolfini), driven to therapy following stress-induced panic attacks as he attempts to balance family and The Family.
“Written and directed by [David] Chase, the pilot is a hybrid slapstick comedy, domestic sitcom, and crime thriller, with dabs of ’70s American New Wave grit,” conclude Matt Zoller Seitz and Alan Sepinwall in The Sopranos Sessions. “The device of putting the hero in therapy lets Chase deliver reams of information about Tony, his crew, his bosses, his family, and their overlaps, along with the points where Tony’s personal and professional distress are inseparable, all without the usual pilot-episode busy work.” Continue reading
The Godfather, Part II: Tom Hagen’s Gray Striped Suit
Robert Duvall as Tom Hagen in The Godfather, Part II (1974)
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Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Nevada and Washington, D.C., Winter 1958 through Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today is the 93rd birthday of Robert Duvall, the prolific actor born January 5, 1931 whose extensive filmography includes the first two films of The Godfather saga as Tom Hagen, the orphan informally adopted by the Corleone family—and whose cool head and legal savvy resulted in his position as the family’s trusted consigliere.
As this is the 50th anniversary year of The Godfather Part II, today’s post will explore Tom’s character and costume in this masterful second installment, set across the late 1950s as Michael Corleone (Al Pacino) continues consolidating his power and seeks to legitimatize the family’s interest as Tom had long advised him to do.
Although he’s been transitioned from consigliere to being the family’s lawyer in Las Vegas, Tom still serving as Michael’s right-hand man, with duties beyond legal counsel including everything from buying Christmas presents for the don’s children to blackmailing a senator whom they’ve framed for the murder for a prostitute. Continue reading
The Godfather, Part II: Fredo’s White Suit on New Year’s Eve
John Cazale as Fredo Corleone in The Godfather Part II (1974)
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John Cazale as Fredo Corleone, insecure mob family sibling
Havana, New Year’s Eve 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Happy New Year! Ringing in 2024 also celebrates the 50th anniversary of The Godfather, Part II, Francis Ford Coppola’s mob epic that many consider equal or even superior to its masterpiece predecessor.
In the spirit of this weekend’s celebration, let’s travel back to New Year’s Eve 1958 as the weak-willed Fredo Corleone (John Cazale) joins his powerful younger brother Michael (Al Pacino) in Havana to negotiate their family’s casino interests—unaware that all their work will be undone by Fidel Castro’s revolutionaries within 24 hours.
Of course, both Corleones are also tragically unaware that the events of the evening will reveal to Michael that he’s been betrayed by his own brother, whom Michael would bestow with a now-iconic kiss of death at midnight:
Blast of Silence: Allen Baron’s Killer Style
Allen Baron in Blast of Silence (1961)
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Allen Baron as Frankie Bono, misanthropic Mafia hitman
New York City, Christmas 1959
Film: Blast of Silence
Release Date: March 20, 1961
Director: Allen Baron
WARNING! Spoilers ahead!
Background
Time to kill. 24 hours to stay faceless in the crowd. Get yourself lost in the city. Lose yourself in the Christmas spirit with the rest of the suckers.
I love Christmas movies—whether bona fide holiday classics like It’s a Wonderful Life, National Lampoon’s Christmas Vacation, or White Christmas, schlocky made-for-Hallmark holiday romances, or among of the many great movies set at yuletide even when the holiday isn’t central to the plot (looking at you, Die Hard, Lethal Weapon, On Her Majesty’s Secret Service, The Thin Man, Three Days of the Condor.)
When the Criterion Channel announced their Holiday Noir lineup this month, I was understandably thrilled. A few, like Lady in the Lake and They Drive By Night, I was already familiar with, but I had long wanted to see Blast of Silence, the stark neo-noir filmed guerilla-style on location in New York City during the 1959 holiday season, following Frankie Bono, a lonely killer working for the Cleveland mob who has returned to the Big Apple for a hit. Blast of Silence was written and directed by Allen Baron, who also starred as Frankie after his first choice—Peter Falk(!)—was hired instead for the similarly themed film Murder, Inc.
Days before Christmas, Frankie Bono steps off the train onto the platform in Manhattan, taking in his hometown through a cloud of cigarette smoke while a choir sings “Silent Night”. “The railroad company makes sure you don’t forget you’re coming to town on Christmas,” Frankie narrates. “It gives you the creeps, but that’s alright! Everyone on the goodwill kit, maybe they’ll leave you alone?” Continue reading
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