Vitals

Robert De Niro as Johnny Boy Civello, irresponsible mob associate

New York, Fall 1972

Film: Mean Streets
Release Date: October 14, 1973
Director: Martin Scorsese
Wardrobe Credit: Norman Salling

WARNING! Spoilers ahead!

Background

“You’ve blogged about this movie, right?” my wife asked me during her first-ever viewing of Mean Streets this weekend. When I responded that of course I have, she nodded and pointed to Robert De Niro swinging a broken pool cue in a bar full of angry mooks, adding “I can tell. This outfit is very you.” And that’s when I realized I needed to quickly rectify my BAMF Style blind spot that had so far overlooked Robert De Niro’s style as the reckless Johnny Boy in director Martin Scorsese’s breakthrough feature.

Heeding his pal John Cassavetes’ advice to make something more personal than his last film (Boxcar Bertha), Scorsese crafted Mean Streets as his own spin on I Vitelloni (1953), drawing on experiences and characters he knew growing up in New York’s Little Italy. He shot the film over 27 days in spring 1973, including seven days on location in New York City—often without permits.

Harvey Keitel led the billing as mob associate Charlie Cappa, whose internal conflict swirls around intense Catholic guilt, his ambitions within his uncle’s organized crime family, and his self-imposed responsibility for the self-destructive Johnny Boy—whose brash attitude doesn’t endear him to the mob loan sharks who are chasing him over his increasing debts to them. Continue reading →