Tagged: Webley .38 Mk IV Revolver
Ten Little Indians: Hugh O’Brian’s Three-Piece Tuxedo as Lombard
Hugh O’Brian in Ten Little Indians (1965)
Vitals
Hugh O’Brian as Hugh Lombard, romantic adventurer
Austrian Alps, Winter 1965
Film: Ten Little Indians
Release Date: September 10, 1965
Director: George Pollock
Wardrobe Credit: John McCorry
WARNING! Spoilers ahead!
Background
American movie and TV actor Hugh O’Brian was born 100 years ago today on April 19, 1925.
During World War II, the teenage Hugh Krampe followed his father’s footsteps and joined the U.S. Marine Corps, becoming the youngest drill instructor in the branch’s history. While a young recruit at Camp Pendleton, Hugh participated in a boxing match refereed by none other than John Wayne, who was shooting a film nearby. More than three decades later, the two actors’ paths would cross again when Hugh appeared in Duke’s final film, The Shootist (1976), portraying the last character that John Wayne would shoot on screen.
After his discharge from the Marines, Sgt. Krampe embarked on an acting career initially marred by misspellings. When a program incorrectly spelled his name as “Hugh Krape”, the young actor decided to avoid even more embarrassing clerical errors and took his mother’s maiden name O’Brien as his last name; when even this was misspelled as “O’Brian”, the re-christened actor shrugged and stuck with it. It was thus as Hugh O’Brian that he rose to fame portraying the title character in 229 episodes of The Life and Legend of Wyatt Earp on ABC, establishing himself as a strapping and charismatic leading man.
O’Brian was a substantial enough star by the mid-1960s to command the “Tony Danza treatment” when he was cast in British filmmaker Harry Alan Towers’ first of three increasingly ill-advised adaptations of Agatha Christie’s classic mystery novel And Then There Were None; Christie had named one of the ten strangers Philip Lombard, though O’Brian’s casting evidently prompted someone to rechristen the character as Hugh Lombard. Continue reading
Joseph Cotten in The Third Man
Joseph Cotten as Holly Martins in The Third Man (1949)
Vitals
Joseph Cotten as Holly Martins, moderately successful writer
Vienna, Fall/Winter 1948
Film: The Third Man
Release Date: September 1, 1949
Director: Carol Reed
Wardrobe Credit: Ivy Baker
WARNING! Spoilers ahead!
Background
I’m lurking in the shadows of moody, war-torn Vienna today to kick off #Noirvember with The Third Man, one of my favorite films noir. Celebrating its 75th anniversary this year, The Third Man was directed by Carol Reed from a screenplay by Graham Greene.
American pulp novelist Holly Martins (Joseph Cotten) travels to the British sector of Allied-occupied Vienna to accept a job working for his old pal Harry Lime (Orson Welles), only to learn upon his arrival that “the best friend he ever had” is reported dead and buried after an automobile accident on his street. (“Is that what you say to people after death? ‘Goodness, that’s awkward’,” Holly responds to a new acquaintance’s platitudinous condolences.)
As a mostly penniless writer of “cheap novelettes”, Holly has little else to do but remain in Vienna and try to discover what happened to Harry, whom he soon learns from Royal Military Police officer Major Calloway (Trevor Howard) was “about the worst racketeer to ever make a living in this city.” Despite a contentious relationship with the major, Holly discovers he has a fan in his assistant, Sergeant Paine (Bernard Lee), who apologizes for having to subdue the writer and assures him that he’s read a few of his Western novels after helping him back to his feet. His personal investigation plunges him into the duplicitous underworld of the Austrian black market with characters ranging from Harry’s shady colleagues to his refugee girlfriend Anna Schmidt (Alida Valli).
With its iconic score by zither player Anton Karas, Welles’ memorable performance with his “cuckoo clock” monologue, and Academy Award-winning black-and-white cinematography by Robert Krasker, The Third Man remains not just one of the most acclaimed examples of classic film noir but also considered one of the greatest movies of all time. Continue reading
Allied: Brad Pitt’s Flight Jacket and RCAF Uniform Gear
Brad Pitt as Max Vatan in Allied (2016)
Vitals
Brad Pitt as Max Vatan, Royal Canadian Air Force intelligence officer
London and Dieppe, Spring 1944
Film: Allied
Release Date: November 23, 2016
Director: Robert Zemeckis
Costume Designer: Joanna Johnston
WARNING! Spoilers ahead!
Background
The 2016 World War II romantic thriller Allied centered around Brad Pitt’s character Max Vatan, an officer in the Royal Canadian Air Force (RCAF)—the high-flying branch of the Canadian armed forces that was officially founded 100 years ago today on April 1, 1924.
I’ve read simplifications of Allied‘s plot as “Casablanca meets Notorious“, with Joanna Johnston’s Oscar-nominated costume design maintaining much of the 1940s elegance from both of those acclaimed classics. And indeed, the romantic and action-packed first act of Allied is set in Casablanca, where Max’s dangerous mission for the Special Operations Executive (SOE) pairs him with the alluring French Resistance circuit leader Marianne Beauséjour (Marion Cotillard).
Upon returning to England, Max receives clearance to bring Marianne into the country, where they marry despite Max’s boss, British Army Captain Frank Heslop (Jared Harris) advising him that “marriages made in the field never work.” (In fact, there were a few real-life spies who served the British during World War II that would later marry, such as SOE officers Peter Churchill and Odette Sansom, both of whom had been imprisoned and brutally interrogated by the Germans and whose service and relationship formed the basis of the 1950 film Odette. That said, Frank may have been onto something as the two divorced in 1955 after eight years of marriage.)
The newlywed Vatans in October 1942.
With their newborn daughter, the couple lives in domestic bliss—and domestic Blitz—for over a year until Max’s superiors alert him to their suspicions that Marianne is a German spy! Though he reluctantly agrees to follow the SOE’s plan to test Marianne’s allegiance with a “blue dye” procedure, Max remains convinced of her loyalty and sets out to prove it. Continue reading
The Grass is Greener: Cary Grant’s Velvet Dinner Jacket
Cary Grant as Victor, Earl of Rhyall, in The Grass is Greener (1960)
Vitals
Cary Grant as Victor, Earl of Rhyall, deadpan but debonair nobleman
Rural England, Spring 1960
Film: The Grass is Greener
Release Date: December 23, 1960
Director: Stanley Donen
Wardrobe Supervisor: John Wilson-Apperson
Background
Today marks the 35th anniversary since the death of screen legend and style icon Cary Grant. To commemorate the actor’s prolific career, I wanted to highlight his characteristically stylish clothing from one of his lesser-discussed works, the Stanley Donen-directed romantic comedy The Grass is Greener.
While The Grass is Greener isn’t among my favorite of Grant’s filmography, I can certainly appreciate its cast and style! The execution feels a little too stagey for my liking, which makes sense as it was adapted by Hugh Williams and Margaret Vyner from their own hit play, deriving its title from the centuries-old idiom that is paraphrased by Grant’s character when he admits that “indeed, the grass is always greener on the other side of the hedge.”
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