Tagged: Gun
Denzel Washington in Déjà Vu
Denzel Washington in Déjà Vu (2006)
Vitals
Denzel Washington as Doug Carlin, ATF agent and Marine Corps veteran
New Orleans, Spring 2006
Film: Déjà Vu
Release Date: November 22, 2006
Director: Tony Scott
Costume Designer: Ellen Mirojnick
WARNING! Spoilers ahead!
Background
On this Fat Tuesday, flash back to 20 years ago when the observance set the scene for Tony Scott’s sci-fi crime thriller Déjà Vu. The movie itself is fine, but it’s a shining example of Denzel Washington’s uncanny ability to elevate any material with his considerable charisma and talent.
Déjà Vu begins with an explosion aboard the Sen. Alvin T. Stumpf passenger ferry which killed 543 people—mostly civilian families and U.S. Navy personnel en route New Orleans’ first Mardi Gras celebration following Hurricane Katrina. A task force across federal agencies and local police includes ATF Special Agent Doug Carlin, given the explosive nature of the act and the responsibilities covered by BAFTE’s final letter. Continue reading
Chuck Norris’ Safari Jacket in The Delta Force
Chuck Norris in The Delta Force (1986)
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Chuck Norris as Scott McCoy, U.S. Army Delta Force commando
Beirut, Summer 1985
Film: The Delta Force
Release Date: February 14, 1986
Director: Menahem Golan
Costume Designer: Tami Mor
WARNING! Spoilers ahead!
Background
Following my latest post about air travel calamities, I’m now turning my focus to Menahem Golem’s action flick The Delta Force—released 40 years ago tomorrow on Valentine’s Day 1986. Inspired by the real-life hijacking of TWA Flight 847 the previous year, The Delta Force capitalized on Chuck Norris’ rising fame by featuring the actor as Scott McCoy, deputy commander of a U.S. Army Delta Force commando unit. Continue reading
Mark Frechette’s Revolutionary Rags in Zabriskie Point
Mark Frechette and Daria Halpern in Zabriskie Point (1970)
Vitals
Mark Frechette as Mark, revolutionary college dropout and forklift driver
Los Angeles to Death Valley, California, Summer 1968
Film: Zabriskie Point
Release Date: February 5, 1970
Director: Michelangelo Antonioni
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
Michelangelo Antonioni refocused his existential “Antoni-ennui” lens onto the American campus counterculture for the offbeat drama Zabriskie Point, which premiered 56 years ago today on February 5, 1970, four days before its wider release. Poorly received by critics and audiences upon its release, Zabriskie Point earned a cult following in the decades to follow as newer audiences appreciate the raw style and performances, the deeply human story photographed by cinematographer Alfio Contini against the vast California desert, and a contemporary rock soundtrack featuring Pink Floyd, Jerry Garcia, The Rolling Stones, and The Youngbloods.
“Who the hell is he?” someone asks of our protagonist in the opening scene. Indeed, the moviegoing public may have wondered the same thing. After directing the likes of Alain Delon, Richard Harris, David Hemmings, Marcello Mastroianni, and Monica Vitti, Antonioni anchored Zabriskie Point with non-professional actors Mark Frechette and Daria Halprin in its leading roles. Casting director Sally Dennison discovered Frechette at a bus stop during the 20-year-old carpenter’s shouting match with a man leaning out of a window three stories above them. “He’s twenty, and he hates,” Dennison tersely explained in her recommendation to Antonioni. Continue reading
Twin Peaks: Michael Ontkean in Khakis and Fleck Jacket as Sheriff Harry Truman
Michael Ontkean as Sheriff Harry S. Truman in Twin Peaks (Episode 1.03: “Episode 2″, aka “Zen, or the Skill to Catch a Killer”)
Vitals
Michael Ontkean as Harry S. Truman, small-town sheriff
Twin Peaks, Washington, February and March 1989
Series: Twin Peaks (Seasons 1-2)
Air Dates: April 8, 1990 to June 10, 1991
Created by: Mark Frost & David Lynch
Costume Design: Sara Markowitz (seasons 1-2) & Patricia Norris (pilot episode only)
WARNING! Spoilers ahead!
Background
For Canadian actor Michael Ontkean’s 80th birthday, today’s post continues the Twin Peaks theme started this week with series co-creator David Lynch’s appearance as FBI Deputy Director Gordon Cole. Born just four days after Lynch on January 24, 1946, Ontkean rose to fame through the 1970s on the TV series The Rookies and the 1977 sports comedy Slap Shot before he took on the role of the even-tempered Sheriff Harry S. Truman—no known relation to the president of the same name, though the sheriff does hang the 33rd president’s portrait in his office. Continue reading
Dillinger (1973): Ben Johnson’s Indigo Chalkstripe Suit as Melvin Purvis
Ben Johnson as Melvin Purvis in Dillinger (1973)
Vitals
Ben Johnson as Melvin Purvis, experienced federal agent
Northern Illinois, Winter 1933
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
WARNING! Spoilers ahead!
Background
The Depression-era desperado roundup of 1934 which eventually took down the likes of John Dillinger, Bonnie and Clyde, “Pretty Boy” Floyd, and “Baby Face” Nelson began in the last days of 1933 when a 24-man strike force of federal agents and local police surrounded the rented cottage where “Tri-State Terror” Wilbur Underhill was spending his honeymoon with his new bride Hazel Jarrett Hudson… as well as his partner-in-crime Ralph Roe and his girlfriend Eva May Nichols. The subsequent gunfight resulted in one of the women’s deaths and Underhill mortally wounded.
Despite the title character’s removal from these events, John Milius’ 1973 directorial debut Dillinger gets these general circumstances correct, though it relocates the action from outside Shawnee, Oklahoma to “northern Illinois” and places rising FBI star Melvin Purvis (Ben Johnson) onsite to single-handedly lead the counterattack against Underhill, silently portrayed by Dillinger‘s cinematographer Jules Brenner. Continue reading
The Killer Elite: Robert Duvall’s Navy Shacket and Watch Cap
Robert Duvall in The Killer Elite (1975)
Vitals
Robert Duvall as George Hansen, mercenary-for-hire
San Francisco, Spring 1975
Film: The Killer Elite
Release Date: December 19, 1975
Director: Sam Peckinpah
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
My post about the late James Caan’s style in The Killer Elite for the film’s 50th anniversary last month received more attention than I expected, as well as requests to cover his co-star Robert Duvall. So, ahead of Duvall’s 95th birthday tomorrow, let’s look at how he dresses as the double-crossing mercenary George Hansen across The Killer Elite‘s second act.
After betraying his partner Mike Locken (Caan) and leaving him with a crippling bullet to the knee, George has been profiting as a freelance mercenary most recently hired to assassinate a Taiwanese politician visiting the United States. Mike had been out of commission for weeks while recovering from his wound, but his old employer ComTeg finally welcomes him back into the fold—hoping he can foil his former partner’s plot. Continue reading
Three Days of the Condor: Wicks’ Leather Car Coat and Navy Suit
Michael Kane in Three Days of the Condor (1975)
Vitals
Michael Kane as S.W. Wicks, shady CIA section chief
Langley, Virginia to New York City, Winter 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Released in September 1975, the Christmas-adjacent spy thriller Three Days of the Condor celebrated its 50th anniversary earlier this year. Robert Redford stars as the titular “Condor”, the CIA’s codename for its low-level researcher Joe Turner who is the only survivor of a coordinated attack on its deep-cover office in Manhattan.
The massacre is revealed to have been part of an internal conspiracy, involving Turner’s own section chief S.W. Wicks. Though not a prominent character with just a few minutes of screen time across four scenes, Wicks is certainly a significant one and very effectively played by Michael Kane—no, not that Michael Caine—an acclaimed Canadian actor and World War II veteran who died 18 years ago last week on December 14, 2007. Continue reading
The Killer Elite: James Caan’s Brown Suede Jacket
James Caan in The Killer Elite (1975)
Vitals
James Caan as Mike Locken, government mercenary
San Francisco, Spring 1975
Film: The Killer Elite
Release Date: December 19, 1975
Director: Sam Peckinpah
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
The Godfather co-stars and real-life friends James Caan and Robert Duvall reunited as rival mercenaries in The Killer Elite, widely released fifty years ago today on December 19, 1975, following its L.A. premiere two days earlier. Adapted by Marc Norman and Stirling Silliphant from Robert Syd Hopkins novel Monkey in the Middle, the film’s mixed reception hasn’t improved much with age, and Caan himself considered it a dud that he took merely to work with director Sam Peckinpah—even if Peckinpah’s creative control was limited by United Artists.
The Killer Elite takes a lighter, action-oriented hand to the anti-government paranoia that defined ’70s thrillers, capitalizing on the easy chemistry between Caan and Duvall who portray the friends-turned-foes on opposing sides in a San Francisco proxy war. They begin the story as Mike Locken (Caan) and George Hansen (Duvall), colleagues in ComTeg—a private intelligence network often hired by the government. “What’s that? ‘Circumsized Italian Americans’?” Mike jokes when they’re asked if they work for the CIA. Continue reading
Hell or High Water: Jeff Bridges’ Texas Ranger Western-wear
Jeff Bridges in Hell or High Water (2016)
Vitals
Jeff Bridges as Marcus Hamilton, experienced Texas Ranger nearing retirement
West Texas, Summer 2016
Film: Hell or High Water
Release Date: August 12, 2016
Director: David Mackenzie
Costume Designer: Malgosia Turzanska
WARNING! Spoilers ahead!
Background
One of the best to ever do it, Jeff Bridges turns 76 today. Born December 4, 1949, the actor was born into a family of talent including his parents Lloyd and Dorothy and older brother Beau, but he established his own path when he received his first Academy Award nomination for The Last Picture Show, released two months before his 22nd birthday. Bridges’ seventh and latest Oscar nod recognized his more grizzled, elegiac performance in the Taylor Sheridan-penned neo-Western crime thriller, Hell or High Water. Continue reading
White Heat: James Cagney’s Chalkstripe Suits and 1949 Mercury
James Cagney with Margaret Wycherly in White Heat (1949)
Vitals
James Cagney as Arthur “Cody” Jarrett, ruthless gang leader and devoted son
Los Angeles, California and Springfield, Illinois, Fall 1949 to Spring 1950
Film: White Heat
Release Date: September 2, 1949
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Closing out Noirvmber but speeding into this winter’s Car Week, Raoul Walsh’s hard-boiled 1949 masterpiece White Heat erupts at the intersection of film noir and the classic Warner Brothers gangster film, which its star James Cagney had a hand in pioneering through his roles in The Public Enemy (1931), Angeles with Dirty Faces (1938), and The Roaring Twenties (1939). The latter had been his final criminal role for nearly a decade, as he evolved toward romantic and comedic roles including his Academy Award-winning performance as George M. Cohan in Yankee Doodle Dandy (1942).
But as his subsequent movies were unsuccessful with audiences, Cagney reluctantly returned to both the cinematic underworld and Jack L. Warner’s kingdom when he signed on to play the volatile gang leader Cody Jarrett in White Heat. Virginia Kellogg’s story was loosely inspired by the myth surrounding the ill-fated “Ma” Barker and her sons during the Depression-era crime wave, purchased for $2,000 by Warner Bros., where Ivan Goff and Ben Roberts spent six months adapting into a fictional screenplay where—much to Jack Warner’s frustration—they only envisioned Cagney to play Cody.
Following a $300,000 mail train robbery in the Sierra Nevada mountains that left four crewmen dead, Cody leads his gang’s retreat from their mountain hideout, splitting off with his sultry wife Verna (Virginia Mayo) and domineering mother (Margaret Wycherly) to hole up in a motel on the outskirts of Los Angeles. We’ve already seen Ma’s powerful influence over her son, both supporting him when he has his mind-splitting migraines and gently suggesting that he execute a wounded gang member rather than take the chance he’ll talk.
When Ma risks a trip into town to buy Cody’s favorite strawberries for him, she picks up a police tail that has Cody again at the wheel of their Mercury to make their getaway. After a night-time police chase through the streets of L.A., Cody ducks the Mercury into a drive-in theater and develops his plan to take the fall for a hotel heist in Illinois that was the same day as their deadly train robbery, giving himself a 2,000-mile alibi:
While those hoodlums were killing those innocent people on the train, I was pushing in a hotel in Springfield! Couldn’t be in both places at once, could I?
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