Tagged: And Then There Were None (2015)

And Then There Were None: Lombard’s Tuxedo

Aidan Turner as Philip Lombard in And Then There Were None (2015)

Aidan Turner as Philip Lombard in And Then There Were None (2015)

Vitals

Aidan Turner as Philip Lombard, adventurer and ex-mercenary

Devon, England, August 1939

Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh

WARNING! Spoilers ahead!

Background

As we get closer to St. Patrick’s Day, BAMF Style is focusing on another Irishman, Aidan Turner, the Dublin-born actor who many are suggesting as a possibility for taking over the James Bond mantle as the prospects of Daniel Craig’s return seem dwindling.

Of course, an important aspect of the 007 role is how well an actor sports a dinner suit, so we’re checking out the period black tie ensemble that Turner wore as Philip Lombard in the BBC’s 2015 miniseries And Then There Were None. Continue reading

Judge Wargrave’s Navy Suit in And Then There Were None

Charles Dance as Justice Lawrence Wargrave in BBC's And Then There Were None (2015).

Charles Dance as Justice Lawrence Wargrave in BBC’s And Then There Were None (2015).

Vitals

Charles Dance as Lawrence Wargrave, retired judge

Devon, England, August 1939

Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh

WARNING! Spoilers ahead! (Seriously.)

Background

Agatha Christie often regarded And Then There Were None to be her best work, and with 100 million sales to date and a classic plot that still builds nail-biting suspense nearly eight decades later, it’s no wonder that this timeless thriller has the reputation that it does.

Born 126 years ago today, on September 15, 1890, Agatha Christie has been listed by the Guinness Book of World Records as the best-selling novelist of all time, no doubt due to her classics like Murder on the Orient ExpressDeath on the NileThe Murder of Roger Ackroyd, and – of course – And Then There Were None. I have a personal connection to this book, as I outlined to exhaustion in my post about Aidan Turner’s attire as Philip Lombard in what I consider the definitive adaptation of her finest work.

After more than a dozen adaptations for the stage and screen, Christie’s greatest novel finally received the adaptation it deserved in 2015 when Sarah Phelps was tasked with writing a three-part miniseries for BBC. Craig Viveiros’ direction, Phelps’ writing, and Lindsay Pugh’s costuming all came together with chilling cinematography and a talented cast to deliver this masterpiece. Continue reading

Philip Lombard’s Tweed Herringbone Jacket

Maeve Dermody and Aidan Turner as Vera Claythorne and Philip Lombard in And Then There Were None (2015).

Maeve Dermody and Aidan Turner as Vera Claythorne and Philip Lombard in And Then There Were None (2015).

Vitals

Aidan Turner as Philip Lombard, adventurer and ex-mercenary

Devon, England, August 1939

Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh

WARNING! Spoilers ahead!

Background

Agatha Christie’s And Then There Were None has been one of my favorite books since my sister first innocuously tossed me a copy in fifth grade. She had been reading it for a high school English class and correctly deduced that I would like it. What followed was a night-long reading experience that deluged me into such a state of overwhelming psychological horror that I have been trying desperately to duplicate ever since. It set off a course of events that caused me to eagerly consume as much of Christie’s work as I could, although few works of fiction have ever been able to deliver quite the same effect.

I eagerly sought out a filmed adaptation and discovered – back in the pre-DVD days of the internet’s infancy – that a relatively straightforward English version had been released in 1945, truer to the source than the many remakes in the following decades. I immediately scooped it up and enjoyed the classic flick with its lighthearted gallows humor and romanticized ending that Christie herself had penned for the play adaptation, but I still yearned for the sense of hopeless dread that pervaded the original novel. Continue reading