Tagged: Europe

The White Lotus: Ethan’s Cream Jacket and Navy Cap in Sicily

Will Sharpe as Ethan Spiller on The White Lotus (Episode 2.01: “Ciao”)

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Will Sharpe as Ethan Spiller, prosperous tech entrepreneur

Sicily, Summer 2022

Series: The White Lotus
Episode: “Ciao” (Episode 2.01)
Air Date: October 30, 2022
Director: Mike White
Creator: Mike White
Costume Designer: Alex Bovaird

WARNING! Spoilers ahead!

Background

The White Lotus returns tonight with the premiere of its third season, set in Thailand. Each season of Mike White’s darkly comic anthological series is loosely connected, following different casts of characters across exotically located resorts under the fictional White Lotus hospitality chain. The first season was set in Hawaii, chosen as its seclusion provided ideal conditions for filming under safety protocols informed by the then-new COVID-19 restrictions. Following the success of the premiere season, the sophomore season took the action to Sicily, retaining the themes of illicit drugs, romantic intrigue, and unexpected violence.

The appropriately named second-season premiere “Ciao” welcomed the guests arriving at the White Lotus resort in Taormina for the week, including the newly wealthy but emotionally unfulfilled Ethan Spiller (Will Sharpe) and his wife Harper (Aubrey Plaza), a haughty lawyer initially repulsed by his gauche college pal Cameron Sullivan (Theo James). A gregarious finance-bro to Ethan’s sullen tech-bro, Cam and his trophy wife Daphne (Meghann Fahy) approach life with more outward enthusiasm, though Harper initially pushes through to discover the imperfect cracks of the Sullivans’ surprisingly complex union. Continue reading →

Murder on the Orient Express: Albert Finney as Hercule Poirot

Albert Finney as Hercule Poirot in Murder on the Orient Express (1974)

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Albert Finney as Hercule Poirot, meticulous Belgian detective

The Orient Express, December 1935

Film: Murder on the Orient Express
Release Date: November 21, 1974
Director: Sidney Lumet
Costume Designer: Tony Walton

WARNING! Spoilers ahead!

Background

Ladies and gentlemen, you are all aware that a repulsive murderer has himself been repulsively, and, perhaps deservedly, murdered…

The first prominent—and arguably still definitive—adaptation of Agatha Christie’s mystery Murder on the Orient Express premiered 50 years ago today on November 21, 1974. The star-studded cast was led by a nearly unrecognizable Albert Finney as Hercule Poirot, the fastidious Belgian detective tasked with solving the baffling murder of a gangster on a luxury train stuck in a snow drift. Continue reading →

Joseph Cotten in The Third Man

Joseph Cotten as Holly Martins in The Third Man (1949)

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Joseph Cotten as Holly Martins, moderately successful writer

Vienna, Fall/Winter 1948

Film: The Third Man
Release Date: September 1, 1949
Director: Carol Reed
Wardrobe Credit: Ivy Baker

WARNING! Spoilers ahead!

Background

I’m lurking in the shadows of moody, war-torn Vienna today to kick off #Noirvember with The Third Man, one of my favorite films noir. Celebrating its 75th anniversary this year, The Third Man was directed by Carol Reed from a screenplay by Graham Greene.

American pulp novelist Holly Martins (Joseph Cotten) travels to the British sector of Allied-occupied Vienna to accept a job working for his old pal Harry Lime (Orson Welles), only to learn upon his arrival that “the best friend he ever had” is reported dead and buried after an automobile accident on his street. (“Is that what you say to people after death? ‘Goodness, that’s awkward’,” Holly responds to a new acquaintance’s platitudinous condolences.)

As a mostly penniless writer of “cheap novelettes”, Holly has little else to do but remain in Vienna and try to discover what happened to Harry, whom he soon learns from Royal Military Police officer Major Calloway (Trevor Howard) was “about the worst racketeer to ever make a living in this city.” Despite a contentious relationship with the major, Holly discovers he has a fan in his assistant, Sergeant Paine (Bernard Lee), who apologizes for having to subdue the writer and assures him that he’s read a few of his Western novels after helping him back to his feet. His personal investigation plunges him into the duplicitous underworld of the Austrian black market with characters ranging from Harry’s shady colleagues to his refugee girlfriend Anna Schmidt (Alida Valli).

With its iconic score by zither player Anton Karas, Welles’ memorable performance with his “cuckoo clock” monologue, and Academy Award-winning black-and-white cinematography by Robert Krasker, The Third Man remains not just one of the most acclaimed examples of classic film noir but also considered one of the greatest movies of all time. Continue reading →

A Bridge Too Far: Sean Connery in British Battledress and Denison Smock as Roy Urquhart

Sean Connery in A Bridge Too Far (1977)

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Sean Connery as Major General Roy Urquhart, courageous British Army officer

Holland, Fall 1944

Film: A Bridge Too Far
Release Date: June 15, 1977
Director: Richard Attenborough
Costume Designer: Anthony Mendleson

Background

Operation Market Garden commenced eighty years ago this week through late September 1944, a daring yet ultimately ill-fated Allied attempt to secure key bridges throughout the Netherlands and advance into Germany. This major World War II operation was immortalized in the star-studded 1977 war epic A Bridge Too Far, directed by Richard Attenborough and adapted by William Goldman from Cornelius Ryan’s nonfiction volume of the same name.

Among the film’s ensemble cast, Sean Connery’s charisma commands the screen as Major General Roy Urquhart, the British officer tasked with leading the 1st Airborne Division (“Red Devils”) during the operation. Despite Connery’s star power, the real General Urquhart had no idea who Connery was, though his daughters were thrilled at the casting. Attenborough chose Connery not only for his acting chops but also for his striking resemblance to a younger Urquhart.

In a memorable scene before the airborne assault, Connery’s Urquhart reveals to General Browning that he’s never actually jumped out of a plane—an amusing confession for the man leading an airborne division. The moment becomes even more ironic as they spot asylum escapees laughing at them from the roadside, prompting Urquhart to quip, “Do you think they know something we don’t?” Continue reading →

La Piscine: Alain Delon’s Herringbone Suit for a Funeral

Alain Delon in La Piscine (1969)

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Alain Delon as Jean-Paul Leroy, moody ad agency writer

French Riviera, Summer 1968

Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 31, 1969
Director: Jacques Deray
Costume Designer: André Courrèges

WARNING! Spoilers ahead!

Background

French screen icon Alain Delon died yesterday on August 18, 2024. Today’s post pays tribute to the actor’s cinematic legacy by returning to La Piscine, Jacques Deray’s stylish psychological thriller set at a Saint-Tropez villa where a couple spends an increasingly uncomfortable summer holiday.

La Piscine reunited former real-life lovers Alain Delon and Romy Schneider as the vacationing writer Jean-Paul and his girlfriend Marianne, who welcome Marianne’s past paramour Harry (Maurice Ronet) and his 18-year-old daughter Penelope (Jane Birkin). As is wont to happen among a group so attractive, dissatisfied, and French, flirtatious dynamics emerge among the quartet as Marianne drifts back to the hard-drinking Harry while Jean-Paul focuses his attention on the young Penelope.  Continue reading →

The Longest Day: John Wayne’s M1942 Jump Uniform as Benjamin Vandervoort

John Wayne as Lt. Col. Benjamin H. Vandervoort in The Longest Day (1962)

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John Wayne as Lieutenant Colonel Benjamin H. Vandervoort, commanding officer of 2nd Battalion, 505th Parachute Infantry Regiment, 82nd Airborne Division, U.S. Army

England to France, June 1944

Film: The Longest Day
Release Date: September 25, 1962
Directed by: Ken Annakin (British & French sequences), Andrew Marton (American sequences), and Bernhard Wicki (German sequences)
Wardrobe: John McCorry (uncredited)

Background

Eighty years ago today on June 6, 1944—a date immortalized as “D-Day”—the Allies began landing hundreds of thousands of troops in Nazi-occupied France, laying the foundation for liberating the continent and ending the European theater of World War II within the year.

D-Day often conjures images of daring Allied troops storming the beaches at Normandy under heavy German gunfire, but there were many other elements within Operation Neptune, from aerial and naval bombardments and local resistance operations to the airborne invasion preceding the famous amphibious assault.

Irish-born war correspondent Cornelius Ryan captured all of these aspects when he published The Longest Day, his definitive chronicle of D-Day pulled from his firsthand experience during World War II and his own exhaustive research to follow. Three years after the book was published in 1959, Ryan co-adapted his volume into an epic film that would pull together a wide international cast and crew, with Ken Annakin directing the sequences among the British and French, Andrew Marton directing the American sequences, and Bernhard Wicki directing the sequences from a German perspective. Actual D-Day participants from both the Allied and Axis powers served as consultants for the film, which also starred a number of World War II veterans like Eddie Albert, Henry Fonda, Kenneth More, Rod Steiger, and Richard Todd.

The Longest Day was a commercial and critical success, garnering five Academy Award nominations and setting a then-record as the highest-grossing black-and-white film to date. Among its star-studded cast was John Wayne, portraying the real-life 82nd Airborne parartooper Lieutenant Colonel Benjamin H. “Vandy” Vandervoort (1917-1990). Though Duke was nearly 30 years older than the real Vandervoort, his ruggedly macho screen persona instantly communicated Vandy’s reputation among no less than General Matthew B. Ridgway, who described the officer as “one of the bravest, toughest battle commanders I ever knew.”

The real Lt. Col. Benjamin H. Vandervoort during Operation Overlord in June 1944, with the broken left ankle that didn’t stop him from leading his battalion in defending Ste.-Mère-Église.

Continue reading →

A Bridge Too Far: James Caan’s M-1943 Combat Uniform as Staff Sergeant Dohun

James Caan in A Bridge Too Far (1977)

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James Caan as Staff Sergeant Eddie Dohun, determined U.S. Army paratrooper

Holland, Fall 1944

Film: A Bridge Too Far
Release Date: June 15, 1977
Director: Richard Attenborough
Costume Designer: Anthony Mendleson

Background

Established in the United States after the Civil War, Memorial Day honors the memory of American military personnel who died during their service. This year takes on additional poignancy as the 80th anniversary of many pivotal World War II campaigns that cost American lives, from D-Day to the Battle of the Bulge.

My great-uncle, Sergeant Joe Kordas, was among these fallen troops when he was killed in action on October 4, 1944 while serving in Holland with the 82nd Airborne. As I was born 45 years later, I naturally never had the opportunity to meet my uncle, but his memory is among those I honor on Memorial Day.

My understanding is that Uncle Joe was part of the 82nd Airborne Division’s fourth and final combat jump, parachuting into Holland in September 1944 as part of Operation Market Garden. This Allied offensive was designed to create an invasion route into the Netherlands as a combined force of American and British airborne forces (“Market”) would seize nine bridges, which British land forces (“Garden”) would then follow over. The largest airborne operation of the war to that point, Operation Market Garden was not an Allied victory and criticized by one of its planners as attempting to take “a bridge too far,” a phrase borrowed by historian Cornelius Ryan for his 1974 volume of the operation that was subsequently adapted for the screen by William Goldman.

More than a decade after he starred in his own star-studded World War II screen epic, The Great Escape, Richard Attenborough was again behind the camera for A Bridge Too Far, his third directorial feature. Chronicling the operation from the American, British, Polish, Dutch, and German points of view, A Bridge Too Far boasted a talented international cast including—but certainly not limited to—Dirk Bogarde, Michael Caine, Sean Connery, Edward Fox, Elliott Gould, Anthony Hopkins, Gene Hackman, Hardy Krüger, Laurence Olivier, Ryan O’Neal, Robert Redford, Maximilian Schell, and Liv Ullmann.

Most of this cast played real-life figures or composites of them, with one of my favorite performances being James Caan’s portrayal of Staff Sergeant Eddie Dohun, a noncommissioned officer in the 101st Airborne based on the real-life Sergeant Charles J. Dohun, to the extent that A Bridge Too Far was the first of Caan’s films I chose to rewatch after learning of the actor’s death in July 2022. Continue reading →

On Her Majesty’s Secret Service: Bernard Horsfall as Shaun Campbell

Bernard Horsfall as Shaun Campbell in On Her Majesty’s Secret Service (1969)

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Bernard Horsfall as Shaun Campbell, doomed MI6 agent

Bernese Oberland, Switzerland, December 1969

Film: On Her Majesty’s Secret Service
Release Date: December 18, 1969
Director: Peter R. Hunt
Costume Designer: Marjory Cornelius

WARNING! Spoilers ahead!

Background

On the 00-7th of December, let’s return to the Alps in On Her Majesty’s Secret Service, the 1969 James Bond movie that distinguishes itself both as 007’s only adventure to date that’s decidedly set during the Christmas holidays and the only time Australian actor George Lazenby starred as the sophisticated secret agent.

Lazenby’s Bond arrives by train in Bern, where he’s observed from behind the latest issue of the Daily Express by a mysterious fellow agent, listed in the credits as “Campbell” though I don’t believe he’s ever referred to by name on screen. Continue reading →

La Piscine: Alain Delon’s Ivory Open-Knit Sweater and Lee Jeans

Alain Delon in La Piscine (1969)

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Alain Delon as Jean-Paul Leroy, moody ad agency writer

French Riviera, Summer 1968

Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 3, 1969
Director: Jacques Deray
Costume Designer: André Courrèges

WARNING! Spoilers ahead!

Background

Happy birthday to French screen and style icon Alain Delon, born November 8, 1935. One of Delon’s most popular films is the steamy 1969 thriller La Piscine, which reunited him on screen with former partner Romy Schneider.

La Piscine (released in English as The Swimming Pool) centers around the dangerous passion and possessiveness between four people spending their summer vacations at the same Côte d’Azur villa. Continue reading →

The Day of the Jackal: Edward Fox’s Tan Herringbone Suit

Edward Fox in The Day of the Jackal (1973)

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Edward Fox as “The Jackal”, mysterious professional assassin

Europe, Summer 1963

Film: The Day of the Jackal
Release Date: May 16, 1973
Director: Fred Zinnemann
Costume Design: Joan Bridge, Rosine Delamare, and Elizabeth Haffenden

Background

The Day of the Jackal culminated 60 years ago today on August 25, 1963 in Paris, commemorating the liberation of Paris from Nazi Germany during World War II. Frederick Forsyth’s excellent 1971 novel The Day of the Jackal was hardly two years old before it was adapted for the screen by screenwriter Kenneth Ross and director Fred Zinnemann, who reportedly wanted to make the film after reading Forsyth’s yet-unpublished manuscript all in one night.

Zinnemann didn’t want a recognizable major star to distract from the intrigue on screen, and—despite Universal Studios pushing for Jack Nicholson—cast Edward Fox as the eponymous “Jackal”, whose codename is determined in the book after he was “speaking of hunting” with his handlers. In addition to the film benefiting from faithfully following Forysth’s narrative and structure, a highlight is Fox’s performance as the enigmatic and oft-elegantly dressed assassin, whose demeanor can shift from affable to icily dangerous as needed. Continue reading →