Tagged: Tommy DeVito
Goodfellas: 30 Significant Style Moments
Vitals
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Today marks the 30th anniversary since my favorite movie, Goodfellas, was released, ten days after it premiered to rave reviews at the 47th International Venice Film Festival. Based on the true story told in Nicholas Pileggi’s book Wiseguy, this Martin Scorsese-directed mob epic details a life in organized crime as recalled by Lucchese Mafia family associate-turned-informant Henry Hill (Ray Liotta), from his teenage years in the 1950s through adulthood until his arrest on May 11, 1980.
The ensemble cast includes Robert de Niro, Joe Pesci, Paul Sorvino, and Frank Sivero as Henry’s criminal colleagues and Lorraine Bracco as his wife and eventual accomplice.
Goodfellas: Tommy’s “Funny” Gray Silk Suit
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
Brooklyn, New York, Summer 1963
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
You mean, let me understand this cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how, I mean funny like I’m a clown, I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how? How am I funny?
Well, Tommy, it is April Fool’s Day. Continue reading
Goodfellas: Joe Pesci in Glen Plaid
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
New York, Spring 1979
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
We always called each other “good fellas.” Like you said to somebody, “You’re gonna like this guy. He’s all right. He’s a good fella. He’s one of us.” You understand? We were good fellas. Wiseguys.
The line may have been an afterthought to explain the new Goodfellas title after Scorsese was unable to use the book’s original Wiseguy title, but it provides the perfect context and framework for Tommy DeVito prepping for his “made man” ceremony, especially against the optimistic driving piano exit of Derek and the Dominoes’ “Layla”.
Of course, little does Tommy know that he’s in for the ultimate case of the [Mafia] Mondays… Continue reading