Tagged: Southwest U.S.

Hour of the Gun: James Garner’s “Vendetta Ride” Wardrobe as Wyatt Earp

James Garner as Wyatt Earp in Hour of the Gun (1967)

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James Garner as Wyatt Earp, taciturn Deputy U.S. Marshal

Arizona Territory to Mexico, Spring 1882

Film: Hour of the Gun
Release Date: November 1, 1967
Director: John Sturges
Wardrobe Credit: Gordon T. Dawson

WARNING! Spoilers ahead!

Background

A decade after he released Gunfight at the O.K. Corral in 1957, director John Sturges returned to the legendary gunfight at Tombstone, Arizona for his continuation of the story, Hour of the Gun. While Gunfight at the O.K. Corral fictionalized the events leading up to the titular confrontation, Hour of the Gun begins with the showdown followed by a slightly more fact-based retelling of the “vendetta ride” led by Wyatt Earp, who died 96 years ago today on January 13, 1929. Continue reading

Lee Van Cleef as “Angel Eyes” in The Good, the Bad, and the Ugly

Lee Van Cleef in The Good, the Bad, and the Ugly (1966)

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Lee Van Cleef as “Angel Eyes”, ruthless mercenary

New Mexico Territory, Spring 1862

Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi

WARNING! Spoilers ahead!

Background

Today would have been the 100th birthday of Lee Van Cleef, the actor whose Golden Boot Award-winning contributions to the Western genre began with his debut performance in the iconic High Noon (1952) but remains arguably best known for his back-to-back roles in the latter two films of Sergio Leone’s “Dollars trilogy” that established the spaghetti Western subgenre.

Born January 9, 1925 in New Jersey, Van Cleef served in the U.S. Navy aboard a minesweeper during World War II. Following his debut in High Noon, Van Cleef’s distinctive appearance and sinister mannerisms resulted in a string of supporting—and often villainous—roles in crime stories and Westerns until his breakout role as Colonel Douglas Mortimer in Leone’s For a Few Dollars More (1965), which resulted in his sole Golden Globe nomination.

Leone followed For a Few Dollars More with the Civil War-set The Good, the Bad, and the Ugly—the final installment of his so-called “Dollars trilogy”—which also prominently co-starred Van Cleef opposite Clint Eastwood’s stoic “Man with No Name”. As opposed to the more heroic Colonel Mortimer whose violent quest was driven by a sense of justice, Van Cleef’s character in The Good, the Bad, and the Ugly embodied the eponymous “Bad”—a sadistic assassin who kills for money… and occasionally pleasure. Continue reading

From Pinstripes to Plaid: Travis Henderson’s Transformation in Paris, Texas

Harry Dean Stanton in Paris, Texas (1984)

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Harry Dean Stanton as Travis Henderson, wandering drifter

West Texas to Los Angeles, Fall 1983

Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke

WARNING! Spoilers ahead!

Background

Wim Wenders’ masterpiece Paris, Texas debuted during 40 years ago today on May 19, 1984 during the 37th Cannes Film Festival, where it was awarded the Palme d’Or among other accolades. The film arrived at theaters exactly four months later and would continue to garner critical acclaim including a BAFTA win for Wenders’ direction.

Co-written by Sam Shepard and L.M. Kit Carson, Paris, Texas presents a rare starring role for stalwart character actor Harry Dean Stanton—one of my personal favorites—who had been well-regarded for his performances in Cool Hand Luke (1967), Dillinger (1973), Alien (1979), Escape from New York (1981), and Christine (1983) before Shepard tapped the nearly 60-year-old actor for the leading role of the lost Travis Henderson.

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Russell Crowe in 3:10 to Yuma

Russell Crowe as Ben Wade in 3:10 to Yuma (2007)

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Russell Crowe as Ben Wade, cunning bandit leader

Arizona Territory, Fall 1884

Film: 3:10 to Yuma
Release Date: September 7, 2007
Director: James Mangold
Costume Designer: Arianne Phillips

WARNING! Spoilers ahead!

Background

The remake of the classic 1957 Western 3:10 to Yuma, based on Elmore Leonard’s short story of the same name, was released 15 years ago this week during a renaissance year for Western-themed movies, including the respective masterpieces No Country for Old Men, There Will Be Blood, and The Assassination of Jesse James by the Coward Robert Ford. I have fond memories of seeing each one in theaters with my dad including this one, which we saw one weekend early in my first semester of college and particularly resonated with its themes of fatherhood.

Russell Crowe was James Mangold’s first choice for the role of Ben Wade, the introspective and thoughtful yet still ultimately ruthless outlaw leader who had been originated on screen by Glenn Ford fifty years earlier. With a fear-and-awe-inspiring reputation akin to the real-life Jesse James (who was born today in 1847, 160 years to the day before this version of 3:10 to Yuma was released), Wade defies bandit stereotypes by seemingly preferring quietly sketching to shootouts… but that doesn’t mean he’ll hesitate to shoot fast, straight, and with wicked accuracy when he feels compelled. “I wouldn’t last five minutes leadin’ an outfit like that if I wasn’t as rotten a hell,” Wade reassures us. Continue reading

Once Upon a Time in the West: Charles Bronson as Harmonica

Charles Bronson in Once Upon a Time in the West (1968)

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Charles Bronson as “Harmonica”, vengeful drifter

Arizona, circa 1875

Film: Once Upon a Time in the West
(Italian title: C’era una volta il West)
Release Date: December 21, 1968
Director: Sergio Leone
Costume Designer: Carlo Simi

Background

After establishing the spaghetti Western with the popular “Dollars trilogy”, Sergio Leone had intended to move away from the genre until Paramount Pictures compelled him to follow up his success with another Western. With Paramount’s substantial budget in his coffers, Leone reteamed with iconic composer Ennio Morricone and cinematographer Tonino Delli Colli, working with Dario Argento and Bernardo Bertolucci (and, once production began, also Sergio Donati) to conceptualize the vengeance-driven epic that would become Once Upon a Time in the West.

Unlike the Dollars trilogy, which invariably starred Clint Eastwood among a mostly Italian and Spanish cast (with the rare exception for Lee Van Cleef and Eli Wallach), Once Upon a Time in the West featured a cast well-known to Americans, led by Henry Fonda playing one of the few villains of his career. The cast also included Claudia Cardinale (who was a Tunisian-born Italian actress but known to Americans thanks to films like The Pink Panther), Jason Robards, Keenan Wynn, American Western regulars like Jack Elam and Woody Strode, and Charles Bronson, who was recruited after Eastwood turned down the role. Continue reading

The Man Who Fell to Earth: David Bowie’s Table Tennis Whites

David Bowie as Thomas Jerome Newton in The Man Who Fell to Earth (1976)

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David Bowie as Thomas Jerome Newton, ambitious humanoid alien

New Mexico, Summer 1975

Film: The Man Who Fell to Earth
Release Date: March 18, 1976
Director: Nicolas Roeg
Costume Designer: May Routh

WARNING! Spoilers ahead!

Background

Today is World Table Tennis Day! For nearly a decade since it was established, WTTD had been celebrated on April 6 until the ITTF Foundation announced that it would be moved this year to April 23, to mark the birthday of Ivor Montagu, founder of the International Table Tennis Federation who organized the first World Table Tennis Championships in 1926. History buffs may also recognize his name as Ivor Montagu was also recruited by Soviet intelligence during World War II, at the same time that his older brother Ewen Montagu was developing the famous Operation Mincemeat on behalf of British intelligence.

Among the many movies that feature table tennis—or ping-pong, if you prefer its onomatopoeiac nomenclature—is The Man Who Fell to Earth, Nicolas Roeg’s surreal science fiction drama based on Walter Tevis’ 1963 novel of the same name. David Bowie stars as the titular Thomas Jerome Newton, a humanoid alien subject to an isolated life in government captivity. Continue reading

Leslie Howard in The Petrified Forest

Leslie Howard and Bette Davis in The Petrified Forest (1936)

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Leslie Howard as Alan Squier, itinerant and nihilistic writer “… in a way”

Black Mesa, Arizona, January 1936

Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)

WARNING! Spoilers ahead!

Background

“Petrified Forest, eh? A suitable haven for me. Well, perhaps that’s what I’m destined to become… an interesting fossil for future study,” suggests the self-deprecating Alan Squier (Leslie Howard) after he learns more about the surrounding desert region he’s entered after his thumb-powered journey to “set forth and discover America.” Continue reading

Don’t Worry Darling: Harry Styles’ Blue Suit

Harry Styles as Jack Chambers in Don’t Worry Darling (2022)

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Harry Styles as Jack Chambers, “technical engineer”

The Victory Project, an American desert utopia modeled after late 1950s Palm Springs

Film: Don’t Worry Darling
Release Date: September 23, 2022
Director: Olivia Wilde
Costume Designer: Arianne Phillips
Tailor: Jack Kasbarian

WARNING! Spoilers ahead!

Background

I had been among those who were anticipating the release of Don’t Worry Darling since long before the gossip, mostly excited to catch my faves Florence Pugh and Nick Kroll—supporting though his role may have been—against the lush ’50s-inspired style from costumes to cars as seen in leaked photos from the production in Palm Springs.

Much of the film’s attention has since been mired in controversy between behind-the-scenes issues and frustration over its plot execution, but I’d argue that credit is still considerably due to its showcasing the most aspirational aspects of mid-century life, including natty wardrobes, naughty cocktail parties, and Detroit’s chrome-detailed finest in every driveway. Indeed, you could say a little too much attention was paid to *clears throat* Styles over substance.

Okay, that was a cheap shot. While I won’t deny that I was frustrated by what felt like unnecessary red herrings and logistical storytelling holes that didn’t even last my trip to the fridge, Don’t Worry Darling was a dazzling spectacle anchored by a solid performance from the always-excellent Florence Pugh, who celebrates her 27th birthday today.

Florence Pugh as Alice in Don't Worry Darling (2022)

Happy birthday, Flo.

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On the Road: Dean Moriarty’s Fur-collar Flight Jacket

Garrett Hedlund as Dean Moriarty in On the Road (2012)

Garrett Hedlund as Dean Moriarty in On the Road (2012)

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Garrett Hedlund as Dean Moriarty, impulsive drifter based on Beat Generation figure Neal Cassady

New York to San Francisco, via New Orleans, Winter 1949

Film: On the Road
Release Date: October 12, 2012
Director: Walter Salles
Costume Designer: Danny Glicker

WARNING! Spoilers ahead!

Background

Yesterday was the 65th anniversary of when On the Road was published on September 5, 1957. Jack Kerouac’s seminal Beat Generation novel had been years in the making, beginning with his continuous, single-spaced 120-page “scroll” that he typed across three weeks in April 1951, almost immediately after returning from the last of the book’s depicted travels.

With the coming of Dean Moriarty began the part of my life you could call my life on the road. Before that I’d often dreamed of going West to see the country, always vaguely planning and never taking off. Dean is the perfect guy for the road because he actually was born on the road, when his parents were passing through Salt Lake City in 1926, in a jalopy, on their way to Los Angeles.

Though Kerouac hardly shied away from including seedier details of his friend’s life, On the Road became something of a hagiography centered around Dean Moriarty, the alter ego he developed for his real-life pal Neal Cassady. With the same excitement of the Dexter Gordon, Lionel Hampton, and George Shearing performances they celebrate, the impulsive Dean steals the spotlight much as he and his fellow travelers steal to support their travels, or offset “the cost of living”, as they rationalize.

Despite considerable interest—including from the author himself—in cinematic adaptations, it wouldn’t be until more than a half-century passed that cameras would finally roll on bringing On the Road to the screen. Francis Ford Coppola had held the rights since 1979, holding on through decades of development hell until the artistic critical success of The Motorcycle Diaries encouraged him to hand over the reins to director Walter Salles and writer José Rivera. Salles again collaborated with cinematographer Éric Gautier, whose photography brought mid-century America back to life across the small towns, sandy deserts, and snowy hillsides that resisted generations of change.

Garrett Hedlund’s appropriately kinetic performance as the dangerously charismatic Dean also emerged as one of the strongest aspects of Salles’ On the Road adaptation, with Owen Gleiberman writing for Entertainment Weekly that “the best thing in the movie is Garrett Hedlund’s performance as Dean Moriarty, whose hunger for life—avid, erotic, insatiable, destructive—kindles a fire that will light the way to a new era.” Continue reading

The Man Who Fell to Earth: David Bowie’s Black Suit

David Bowie in The Man Who Fell to Earth

David Bowie, on location in New Mexico during production of The Man Who Fell to Earth (1976)

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David Bowie as Thomas Jerome Newton, ambitious humanoid alien

From New York City to Artesia, New Mexico, 1970s

Film: The Man Who Fell to Earth
Release Date: March 18, 1976
Director: Nicolas Roeg
Costume Designer: May Routh
Suits by: Ola Hudson

WARNING! Spoilers ahead!

Background

Today would have been the 75th birthday of David Bowie, born in London on January 8, 1947.

Though he’d made a few screen appearances earlier in his career, The Man Who Fell to Earth was Bowie’s first prominent leading role. Adapted by Paul Mayersberg from Walter Tevis’ novel of the same name, Nicolas Roeg’s avant-garde cult classic transcends the trappings of traditional science fiction to spin the yarn of Thomas Jerome Newton, an ambitious if naïve starman who “fell to Earth” on a mission to bring water back to his home planet… only to fall even farther, seduced by the materialistic capitalism of 1970s America and all of its celebrated hedonistic indulgences of sex, television, drugs, and booze. Continue reading