Robert De Niro as Jack Walsh, tough bounty hunter
New York to Los Angeles, Fall 1987
Film: Midnight Run
Release Date: July 20, 1988
Director: Martin Brest
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
“This is an easy gig, it’s a midnight run for chrissakes!”
Bounty hunter Jack Walsh has withstood plenty of action and abuse tracking down fugitives for bail bondsman Eddie Moscone (Joe Pantoliano), but the inherent danger of bringing in Jonathan “The Duke” Mardukas (Charles Grodin), an accountant in the crosshairs of the Mafia, has Jack demanding $100,000 for the job. A pro, Jack has an easy enough time finding the Duke in New York, but bringing him back to L.A. and his hundred-grand payday brings a fresh set of challenges between the Duke’s reluctance to fly, the interference of the FBI, a rival bounty hunter sabotaging him at each step, and—oh!—a couple of deadly doofuses sent by the mob to whack the Duke… and anyone who gets in their way.
Jeff Bridges as Jeffrey “The Dude” Lebowski, laidback stoner and bowler
Los Angeles, Fall 1991
Film: The Big Lebowski
Release Date: March 6, 1998
Director: Joel Coen & Ethan Coen
Costume Designer: Mary Zophres
To commemorate the day that The Big Lebowski was released in 1998, March 6 is considered the high holy day of Dudeism, an “ancient” religious philosophy that touts itself as “the slowest-growing religion in the world” and inspired by the easygoing, non-judgmental attitude of The Dude himself.
We meet The Dude during a late-night Ralph’s run to pick up some much-needed half-and-half for his beloved White Russians, dressed in a soft robe, plaid shorts, sandals and sunglasses, a laidback loungewear ensemble emblematic of the unofficial wardrobe of Dudeists. Continue reading
Lee Marvin as Jack Osborne, American fur importer
Stockholm, April 1983
Film: Gorky Park
Release Date: December 15, 1983
Director: Michael Apted
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
As winter rages on, you’d think I would be looking for escape via light movies set in tropical locations… but instead, I recently rewatched Gorky Park, adapted from Martin Cruz Smith’s 1981 novel that begins with three disfigured corpses found in the snow outside a Moscow ice rink. (And I wonder why I get depressed!)
Our ostensible hero is Militsiya officer Arkady Renko (William Hurt), whose investigation of the grisly murders leads him to the sophisticated yet sinister sable importer Jack Osborne (Lee Marvin). Continue reading
Ken Takakura as Ken Tanaka, disciplined ex-Yakuza
Kyoto, Japan, Spring 1974
Film: The Yakuza
Release Date: December 28, 1974
Director: Sydney Pollack
Costume Designer: Dorothy Jeakins
Today would have been the 90th birthday of Ken Takakura, the Nakama-born actor with a record four Japan Academy Prizes for Outstanding Performance by an Actor in a Leading Role. His presence in yakuza films through the 1960s brought him to the attention of screenwriting brothers Leonard and Paul Schrader, who wrote their action drama The Yakuza with Takakura in mind. Continue reading
Ryan O’Neal as Oliver Barrett IV, preppy Harvard student
New England, Winter 1966, and New York City, Winter 1970
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Happy Valentine’s Day! In the spirit of the season of romance, it felt appropriate to explore the preppy style in one of the most famous cinematic love stories of all time… the perhaps uncleverly titled Love Story.
I went into my inaugural Love Story viewing this year familiar only with Larry Siegel and Mort Drucker’s Mad magazine parody and the movie’s reviled thesis that “love means never having to say you’re sorry,” so I was a little surprised to find myself non-ironically enjoying it more than I expected. Sure, my friend @berkeley_breathes had primed me to expect some standout Ivy-inspired style worn by Ryan O’Neal as our romantic hero Oliver, but I guess the half-century since Love Story has yielded considerably cornier products with the odd effect that this aged… relatively well? Or maybe I’m just speaking from behind the blinders of my enduring crush on early ’70s Ali MacGraw. Continue reading
James Dean, enigmatic young actor and rebellious emblem
Los Angeles, Summer 1955
Photographs by Sanford Roth
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.
Today would have been the 90th birthday of James Dean, born in central Indiana on February 8, 1931. Considering his cultural impact, it’s remarkable that Dean condensed his entire career into less than a half decade in the early 1950s, acting in a series of commercials, TV anthology programs, and uncredited bit parts in movies until delivering a trio of enduring performances in East of Eden, Rebel Without a Cause, and Giant that would be released within a year and a half of each other.
James Caan as Frank, professional jewel thief
Chicago, Spring 1980
Release Date: March 27, 1981
Director: Michael Mann
Costume Supervisor: Jodie Lynn Tillen
WARNING! Spoilers ahead!
Michael Mann—born today in 1943—directed (and wrote) his feature-length debut, Thief, a moody neo-noir thriller that would portend his particular brand of stylized crime dramas to follow like Manhunter, Heat, and Collateral, as well as his work on the landmark series Miami Vice. The source material was the 1975 novel The Home Invaders: Confessions of a Cat Burglar by “Frank Hohimer”, a real-life criminal named John Seybold who served as an on-set technical advisor despite the pending FBI warrants against him.
As the eponymous thief, James Caan’s Frank establishes an early template for the professional criminals that populate Mann’s work, subdued in appearance and demeanor but ruthless against any target getting in the way of his payday…and his freedom.
Clark Gable as Gay Langland, aging cowboy
Nevada desert, Summer 1960
Film: The Misfits
Release Date: February 1, 1961
Director: John Huston
The Misfits was released sixty years ago today on what would have been star Clark Gable’s 60th birthday. As the actor died three months earlier in November 1960 (just days after filming wrapped), audiences strolling into the theater were already aware that it had been the screen icon’s swan song but were tragically unaware that it would be the last for Marilyn Monroe, who died in 1962 before she could complete production in Something’s Gotta Give.
As it turned out, none of the film’s leading trio would survive the decade as third-billed Montgomery Clift died at the age of 45 in July 1966.
Though not warmly received at the time of its release, The Misfits‘ reputation has benefited from contemporary reconsideration over the years as critics have come to appreciate this somewhat offbeat take on a group of lovable losers and no-account boozers, to pinch a phrase from Billy Joe Shaver. Continue reading
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Summer 1981
Series: Magnum, P.I.
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “The Ugliest Dog in Hawaii” (Episode 1.08, dir. Lawrence Doheny, aired 1/29/1981)
– “Adelaide” (Episode 1.14, dir. Lawrence Doheny, aired 3/19/1981)
– “Beauty Knows No Pain” (Episode 1.18, dir. Ray Austin, aired 4/16/1981)
– “Tropical Madness” (Episode 2.07, dir. Lawrence Doheny, aired 11/12/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
We all love Magnum, P.I., don’t we, folks? I’ll be transparent, I was hoping that I would have had enough of the series screencapped so that I could gift BAMF Style readers on the national observance of Selleck’s Birthday with a rundown of that iconic red “jungle bird” shirt that, if I’m not mistaken, was the most frequently worn—and prominently featured—of Tom’s tropical-printed Aloha shirts.
Though armed with the entire series on Blu-ray, my digital rewatch was stalled in the middle of the third season (blame the untimely death of my computer-friendly Blu-ray player and Amazon Prime for removing the show last summer), but the good news is that Tom sported enough stylish looks by that point that I should have plenty of Magnum fodder on hand to tide us over until I’m able to complete the series. (The bad news? Still nothing for those fans of Magnum’s Pepsi bezel Rolex.)
I considered the half-measure of featuring his black-and-neon version of the “jungle bird” shirt, but—given that Selleck’s January 29 birthday falls during #SweaterWeather for many of us in the Northern Hemisphere—it felt like the right time to divert from those famous Aloha shirts and summer-weight polos to focus on Magnum’s more winter-friendly knitwear. Continue reading
Julian Glover as Aristotle Kristatos, urbane but dangerous heroin smuggler
St. Cyril’s, Greece, Spring 1981
Film: For Your Eyes Only
Release Date: June 24, 1981
Director: John Glen
Costume Designer: Elizabeth Waller
Wardrobe Master: Tiny Nicholls
WARNING! Spoilers ahead!
This year marks the 40th anniversary of one of my favorite James Bond movies, For Your Eyes Only, the grounded espionage adventure that brought 007 back down to Earth after Roger Moore’s space-trotting adventure in the polarizing Moonraker.
Subdued and serious, For Your Eyes Only was a departure from the underwater cars and land-going gondolas of Sir Roger’s previous outings, realigning itself with Ian Fleming’s stories after borrowing from the author’s 1960 short story of the same name as well as “Risico”, a story from the same volume that introduced the warring smugglers Columbo and Kristatos, portrayed on screen by Chaim Topol and Julian Glover, respectively.
As in “Risico”, Bond aligns with Columbo after realizing that his initial ally Kristatos is actually his enemy. Glover portrays Aristotle Kristatos with the sinister sophistication that made him a popular villain across ’80s franchise films from The Empire Strikes Back to Indiana Jones and the Last Crusade. Continue reading